Name	Grunge
Bgcolor	crimson
Color	white
Stylistic origins	Alternative rock, hardcore punk, heavy metal, indie rock
Cultural origins	Mid-1980s, Washington
Instruments	Electric guitar - Bass guitar - Drums - Vocals
Popularity	High during the early–mid 1990s; but low existence since then.
Derivatives	Post-grunge
Regional scenes	Seattle
Other topics	Timeline of alternative rock - Generation X

Grunge (sometimes referred to as the Seattle sound) is a subgenre of alternative rock that emerged during the mid-1980s in the American state of Washington, particularly in the Seattle area. Inspired by hardcore punk, heavy metal, and indie rock, grunge is generally characterized by heavily distorted electric guitars, contrasting song dynamics, and apathetic or angst-filled lyrics. The grunge aesthetic is stripped-down compared to other forms of rock music, and many grunge musicians were noted for their unkempt appearances and rejection of theatrics.

The early grunge movement coalesced around Seattle independent record label Sub Pop in the late 1980s. Grunge became commercially successful in the first half of the 1990s, due mainly to the release of Nirvana's Nevermind and Pearl Jam's Ten. The success of these bands boosted the popularity of alternative rock and made grunge the most popular form of hard rock music at the time. However, many grunge bands were uncomfortable with this popularity. Although most grunge bands had disbanded or faded from view by the late 1990s, their influence continues to affect modern rock music.

Origin of the term

Mark Arm, the vocalist for the Seattle band Green River—and later Mudhoney—is generally credited as being the first to use the term grunge to describe this genre of music. Arm first used the term in 1981, when he wrote a letter under his given name Mark McLaughlin to the Seattle zine Desperate Times, criticizing his band Mr. Epp and the Calculations as "Pure grunge! Pure noise! Pure shit!" Clark Humphrey, editor of Desperate Times, cites this as the earliest use of the term to refer to a Seattle band, and mentions that Bruce Pavitt of Sub Pop popularized the term as a musical label in 1987–88, using it on several occasions to describe Green River. Arm said years later, "Obviously, I didn't make grunge up. I got it from someone else. The term was already being thrown around in Australia in the mid-'80s to describe bands like King Snake Roost, The Scientists, Salamander Jim, and Beasts of Bourbon." Arm used grunge as a descriptive term rather than a genre term, but it eventually came to describe the punk/metal hybrid sound of the Seattle music scene.

Characteristics

Grunge is generally characterized by a sludgy guitar sound that uses a high level of distortion, fuzz and feedback effects. Grunge fuses elements of hardcore punk and heavy metal, although some bands performed with more emphasis on one or the other. The music shares with punk a raw sound and similar lyrical concerns. In the early 1990s, Nirvana's signature "stop-start" song format became a genre convention. Humor in grunge often satirized glam metal—for example, Soundgarden's "Big Dumb Sex"—and other forms of popular rock music during the 1980s.

Presentation and fashion

Grunge concerts were known for being straightforward, high-energy performances. Grunge bands rejected the complex and high budget presentations of many musical genres, including the use of complex light arrays, pyrotechnics, and other visual effects unrelated to playing the music. Stage acting was generally avoided. Instead the bands presented themselves as no different from minor local bands. Jack Endino said in the 1996 documentary Hype! that Seattle bands were inconsistent live performers, since their primary objective was not to be entertainers, but simply to "rock out". Mark Arm claimed that the isolation meant, "this one corner of the map was being really inbred and ripping off each other's ideas." Grunge evolved from the local punk rock scene, and was inspired by bands such as The Fartz, The U-Men, 10 Minute Warning, The Accüsed, and the Fastbacks.

Outside the Pacific Northwest, a number of artists and music scenes influenced grunge. Alternative rock bands from the Northeastern United States, including Sonic Youth, Pixies, and Dinosaur Jr., are important influences on the genre. Through their patronage of Seattle bands, Sonic Youth "inadvertently nurtured" the grunge scene, and reinforced the fiercely independent attitudes of its musicians. The influence of the Pixies on Nirvana was noted by Kurt Cobain, who commented in a Rolling Stone interview that he "connected with the band so heavily that I should be in that band." Nirvana's use of the Pixies' "soft verse, hard chorus" popularized this stylistic approach in both grunge and other alternative rock subgenres.

Aside from the genre's punk and alternative rock roots, many grunge bands were equally influenced by heavy metal of the early 1970s. Clinton Heylin, author of Babylon's Burning: From Punk to Grunge, cited Black Sabbath as "perhaps the most ubiquitous pre-punk influence on the northwest scene." Black Sabbath played a role in shaping the grunge sound, through their own records and the records they inspired. The influence of Led Zeppelin is also evident, particularly in the work of Soundgarden, whom Q magazine noted were "in thrall to '70s rock, but contemptuous of the genre's overt sexism and machismo." The Los Angeles hardcore punk band Black Flag's 1984 record My War, on which the band combined heavy metal with their traditional sound, made a strong impact in Seattle. Mudhoney's Steve Turner commented, "A lot of other people around the country hated the fact that Black Flag slowed down ... but up here it was really great ... we were like 'Yay!' They were weird and fucked-up sounding." Turner explained grunge's integration of metal influences, noting, "Hard rock and metal was never that much of an enemy of punk like it was for other scenes. Here, it was like, 'There's only twenty people here, you can't really find a group to hate.'" Bands began to mix metal and punk in the Seattle music scene around 1984, with much of the credit for this fusion going to The U-Men.

The raw, distorted and feedback-intensive sound of some noise rock bands had an influence on grunge. Among them are Wisconsin's Killdozer, and most notably San Francisco's Flipper, a band known for its slowed-down and murky "noise punk." The Butthole Surfers' mix of punk, heavy metal and noise rock was a major influence, particularly on the early work of Soundgarden. Soundgarden and other early grunge bands were influenced by British post-punk bands such as Gang of Four and Bauhaus, which were popular in the early 1980s Seattle scene. After Neil Young played a few concerts with Pearl Jam and recorded the album Mirror Ball with them, some members of the media gave Young the title "Godfather of Grunge." This was grounded on his work with his band Crazy Horse and his regular use of distorted guitar, most notably on the album Rust Never Sleeps. A similarly influential yet often overlooked album is Neurotica by Redd Kross, about which the co-founder of Sub Pop said, "Neurotica was a life changer for me and for a lot of people in the Seattle music community."

Early development

. Released in 1986, the album was the first to showcase Seattle's developing grunge scene.]] A seminal release in the development of grunge was the Deep Six compilation, released by C/Z Records in 1986. The record featured multiple tracks by six bands: Green River, Soundgarden, Melvins, Malfunkshun, Skin Yard, and The U-Men. For many of them it was their first appearance on record. The artists had "a mostly heavy, aggressive sound that melded the slower tempos of heavy metal with the intensity of hardcore." As Jack Endino recalled, "People just said, 'Well, what kind of music is this? This isn't metal, it's not punk, What is it?' [...] People went 'Eureka! These bands all have something in common.'" Sub Pop's Bruce Pavitt and Jonathan Poneman, inspired by other regional music scenes in music history, worked to ensure that their label projected a "Seattle sound," reinforced by a similar style of production and album packaging. While music writer Michael Azerrad acknowledged that early grunge bands like Mudhoney, Soundgarden, and Tad had disparate sounds, he noted "to the objective observer, there were some distinct similarities." Early grunge concerts were sparsely attended (many by fewer than a dozen people) but Sub Pop photographer Charles Peterson's pictures helped create the impression that such concerts were major events. Mudhoney, which was formed by former members of Green River, served as the flagship band of Sub Pop during their entire time with the label and spearheaded the Seattle grunge movement. Other record labels in the Pacific Northwest that helped promote grunge included C/Z Records, Estrus Records, EMpTy Records and PopLlama Records. Grunge's popularity in the underground music scene was such that bands began to move to Seattle and approximate the look and sound of the original grunge bands. Mudhoney's Steve Turner said, "It was really bad. Pretend bands were popping up here, things weren't coming from where we were coming from." As a reaction, many grunge bands diversified their sound, with Nirvana and Tad in particular creating more melodic songs. Dawn Anderson of the Seattle fanzine Backlash recalled that by 1990 many locals had tired of the hype surrounding the Seattle scene and hoped that media exposure had dissipated. It was the release of the album's first single "Smells Like Teen Spirit" that "marked the instigation of the grunge music phenomenon". Due to constant airplay of the song's music video on MTV, Nevermind was selling 400,000 copies a week by Christmas 1991. In January 1992, Nevermind replaced pop superstar Michael Jackson's Dangerous at number one on the Billboard 200.

The success of Nevermind surprised the music industry. Nevermind not only popularized grunge, but also established "the cultural and commercial viability of alternative rock in general." Michael Azerrad asserted that Nevermind symbolized "a sea-change in rock music" in which the glam metal that had dominated rock music at that time fell out of favor in the face of music that was authentic and culturally relevant. Other grunge bands subsequently replicated Nirvana's success. Pearl Jam, which featured former Mother Love Bone members Jeff Ament and Stone Gossard, had released its debut album Ten in August 1991, a month before Nevermind, but album sales only picked up a year later. By the second half of 1992 Ten became a breakthrough success, being certified gold and reaching number two on the Billboard charts. Soundgarden's album Badmotorfinger and Alice in Chains' Dirt, along with the Temple of the Dog album collaboration featuring members of Pearl Jam and Soundgarden, were also among the 100 top selling albums of 1992. The popular breakthrough of these grunge bands prompted Rolling Stone to nickname Seattle "the new Liverpool."

The popularity of grunge resulted in a large interest in the Seattle music scene's perceived cultural traits. While the Seattle music scene in the late 1980s and early 1990s in actuality consisted of various styles and genres of music, its representation in the media "served to depict Seattle as a music 'community' in which the focus was upon the ongoing exploration of one musical idiom, namely grunge." The fashion industry marketed "grunge fashion" to consumers, charging premium prices for items such as knit ski hats. Critics asserted that advertising was co-opting elements of grunge and turning it into a fad. Entertainment Weekly commented in a 1993 article, "There hasn't been this kind of exploitation of a subculture since the media discovered hippies in the '60s" The New York Times compared the "grunging of America" to the mass-marketing of punk rock, disco, and hip hop in previous years. Pearl Jam also felt the burden of success, with much of the attention falling on frontman Eddie Vedder. Nirvana's follow-up album In Utero (1993) was an intentionally abrasive album that Nirvana bassist Krist Novoselic described as a "wild aggressive sound, a true alternative record." Nevertheless, upon its release in September 1993 In Utero topped the Billboard charts. Pearl Jam also continued to perform well commercially with its second album, Vs. (1993). The album sold a record 950,378 copies in its first week of release, topped the Billboard charts, and outperformed all other entries in the top ten that week combined.

Decline of mainstream popularity

A number of factors contributed to grunge's decline in prominence. During the latter half of the 1990s, grunge was supplanted by post-grunge, which remained commercially viable into the start of the 21st century. Post-grunge bands such as Candlebox and Bush emerged soon after grunge's breakthrough. These artists lacked the underground roots of grunge and were largely influenced by what grunge had become, namely "a wildly popular form of inward-looking, serious-minded hard rock." Post-grunge was a more commercially viable genre that tempered the distorted guitars of grunge with polished, radio-ready production.

Conversely, another alternative rock genre, Britpop, emerged in part as a reaction against the dominance of grunge in the United Kingdom. In contrast to the dourness of grunge, Britpop was defined by "youthful exuberance and desire for recognition." Britpop artists were vocal about their disdain for grunge. In a 1993 NME interview, Damon Albarn of Britpop band Blur agreed with interviewer John Harris' assertion that Blur was an "anti-grunge band," and said, "Well, that's good. If punk was about getting rid of hippies, then I'm getting rid of grunge." Noel Gallagher of Oasis, while a fan of Nirvana, wrote music that refuted the pessimistic nature of grunge. Gallagher noted in 2006 that the 1994 Oasis single "Live Forever" "was written in the middle of grunge and all that, and I remember Nirvana had a tune called 'I Hate Myself and I Want to Die,' and I was like . . . 'Well, I'm not fucking having that.' As much as I fucking like him [Cobain] and all that shit, I'm not having that. I can't have people like that coming over here, on smack, fucking saying that they hate themselves and they wanna die. That's fucking rubbish."

During the mid-1990s many grunge bands broke up or became less visible. Kurt Cobain, labeled by Time as "the John Lennon of the swinging Northwest," appeared "unusually tortured by success" and struggled with an addiction to heroin. Rumors surfaced in early 1994 that Cobain suffered a drug overdose and that Nirvana was breaking up. On April 8, 1994, Cobain was found dead in his Seattle home from an apparently self-inflicted gunshot wound; Nirvana summarily disbanded. That same year Pearl Jam canceled its summer tour in protest of what it charged as ticket vendor Ticketmaster's unfair business practices. Pearl Jam then began a boycott of the company; however, Pearl Jam's initiative to play only at non-Ticketmaster venues effectively, with a few exceptions, prevented the band from playing shows in the United States for the next three years. In 1996 Alice in Chains gave their final performances with their ailing estranged lead singer, Layne Staley, who subsequently died from a heroin overdose in 2002. That same year Soundgarden and Screaming Trees released their final studio albums, Down on the Upside and Dust, respectively. Soundgarden broke up the following year.

Some grunge bands have continued recording and touring with more limited success, including, most significantly, Pearl Jam. While in 2006 Rolling Stone writer Brian Hiatt described Pearl Jam as having "spent much of the past decade deliberately tearing apart their own fame," he noted the band developed a loyal concert following akin to that of the Grateful Dead. Despite Nirvana's demise, the band has continued to be successful posthumously. Due to the high sales for Kurt Cobain's Journals and the band's best-of compilation Nirvana upon their releases in 2002, The New York Times argued Nirvana "are having more success now than at any point since Mr. Cobain's suicide in 1994."

Prominent bands

Seattle area

7 Year Bitch

Alice in Chains

Blood Circus

Green River

Gruntruck

Hammerbox

Love Battery

Mad Season

Malfunkshun

Melvins

Mono Men

Mother Love Bone

Mudhoney

My Sister's Machine

Nirvana

Pearl Jam

Screaming Trees

Skin Yard

Soundgarden

Tad

Temple of the Dog

Truly

The U-Men

Outside the Seattle area

Babes in Toyland (Minneapolis, Minnesota)

The Fluid (Denver, Colorado)

Hole (Los Angeles, California)

L7 (Los Angeles, California)

The Nymphs (Los Angeles, California)

Paw (Lawrence, Kansas)

Stone Temple Pilots (San Diego, California)

See also

List of grunge albums

Notes

External links

Allmusic article on grunge

Category:Culture of the Pacific Northwest

Name	Todd Snider
Born	October 11, 1966
Origin	Portland, Oregon, United States
Label	Yep Roc
Background	solo_singer
Occupation	Singer, songwriter
Years active	1994–present
Genre	Americana, Alt-country, Folk-rock
Url	www.toddsnider.net

Todd Daniel Snider (born October 11, 1966 in Portland, Oregon) is an American singer-songwriter with a musical style that combines Americana, alt-country, and folk.

Career

Snider's 1994 debut album on MCA, entitled Songs for the Daily Planet, was named for the bar where Snider used to play regularly in Memphis. On that album were the minor hits "Talkin' Seattle Grunge Rock Blues"—a folk song about the early '90's grunge scene, featuring a band that "refused to play" —and "Alright Guy," which later became the title cut of Gary Allan's 2001 album.

He released two more albums for MCA, Step Right Up and Viva Satellite before moving to John Prine's Oh Boy Records where he made Happy to Be Here, New Connection, Near Truths and Hotel Rooms, East Nashville Skyline, and Peace Love and Anarchy. That Was Me: The Best of Todd Snider 1994–1998 was released on the Hip-O Records label in August 2005.

Snider's next studio album, The Devil You Know, was released in August 2006. It marked his return to a major label, New Door Records, a subsidiary of Universal Records. The Devil You Know was named to several critics' year-end "best" lists, including a #33 ranking in Rolling Stone magazine's top 50 albums of the year, a #25 ranking by No Depression magazine, and #14 by Blender magazine.

Snider's album, Peace Queer, was released on October 14, 2008 and reached #1 on the Americana Airplay Chart on October 27, 2008. His album, The Excitement Plan, was released on June 9, 2009 on the YepRoc Label and was produced by Don Was.

Snider contributed a cover version of A Boy Named Sue to the 2010 Sugar Hill Records album Twistable Turnable Man, a tribute by various artists to songwriter Shel Silverstein.

Snider's songs "Late Last Night" and "I Believe You" have been recorded by the Oklahoma red dirt band Cross Canadian Ragweed. He co-wrote the song "Barbie Doll" with country star Jack Ingram.

Discography

Albums

Singles

Music videos

References

External links

Todd Snider official page

EighteenMinutes.com - The Todd Snider Archives

Todd Snider Feature and CD reviews at Country Standard Time

Interview from honesttune.com

Interview on AmericanaRoots.com

Interview June 2009 on NPR

Category:1966 births Category:American agnostics Category:American country singers Category:American male singers Category:American country musicians Category:American folk singers Category:American singer-songwriters Category:Musicians from Oregon Category:People from Portland, Oregon Category:Living people

Name	Kurt Cobain
Birth name	Kurt Donald Cobain
Born	February 20, 1967Aberdeen, Washington, U.S.
Died	c. April 05, 1994Seattle, Washington, U.S.
Instrument	Vocals, guitar
Background	solo_singer
Occupation	Musician, songwriter, artist
Years active	1982–1994
Genre	Alternative rock, grunge
Label	Sub Pop, DGC/Geffen
Associated acts	Nirvana, Fecal Matter
Notable instruments	Fender Jag-StangFender JaguarFender MustangFender StratocasterMartin D-18EUnivox Hi-Flier

Kurt Donald Cobain (February 20, 1967 – c. April 5, 1994) was an American singer-songwriter, musician, and artist, best known as the lead singer and guitarist of the grunge band Nirvana.

Cobain formed Nirvana with Krist Novoselic in Aberdeen, Washington in 1985 and established it as part of the Seattle music scene, having its debut album Bleach released on the independent record label Sub Pop in 1989. After signing with major label DGC Records, the band found breakthrough success with "Smells Like Teen Spirit" from its second album Nevermind (1991). Following the success of Nevermind, Nirvana was labeled "the flagship band" of Generation X, and Cobain hailed as "the spokesman of a generation". Cobain however was often uncomfortable and frustrated, believing his message and artistic vision to have been misinterpreted by the public, with his personal issues often subject to media attention. He challenged Nirvana's audience with its final studio album In Utero (1993).

During the last years of his life, Cobain struggled with heroin addiction, his fame and public image, as well as the professional and lifelong personal pressures surrounding himself and his wife, musician Courtney Love. He also struggled with illness and depression for most of his life. On April 8, 1994, Cobain was found dead at his home in Seattle, the victim of what was officially ruled a suicide by a self-inflicted shotgun wound to the head. The circumstances of his death have become a topic of public fascination and debate. Since their debut, Nirvana, with Cobain as a songwriter, sold over twenty-five million albums in the US alone, and over fifty million worldwide.

Early life

Kurt Donald Cobain was born on February 20, 1967, at Grays Harbor Hospital in Aberdeen, Washington, to a waitress, Wendy Elizabeth (née Fradenburg), and an automotive mechanic, Donald Leland Cobain. His father is of Scottish, Irish and French ancestry and his mother is of German, Irish, Scottish, and English descent. Cobain had one younger sister named Kimberly, born in 1970. This enthusiasm was encouraged by his grandmother Iris Cobain, who was a professional artist herself. Cobain began developing an interest in music early in his life. According to his Aunt Mari, he began singing at two years old. At age four, Cobain started playing the piano and singing, writing a song about their trip to a local park. He listened to artists like the Ramones and would sing songs like Arlo Guthrie's "Motorcycle Song," The Beatles' "Hey Jude", Terry Jacks' "Seasons in the Sun" and the theme song to The Monkees television show at a young age.

When Kurt was eight years old, his parents divorced. Later in his life, he said the divorce had a profound effect on his life. His mother noted that his personality changed dramatically; Cobain became defiant and withdrawn. In a 1993 interview, he elaborated:

"I remember feeling ashamed, for some reason. I was ashamed of my parents. I couldn't face some of my friends at school anymore, because I desperately wanted to have the classic, you know, typical family. Mother, father. I wanted that security, so I resented my parents for quite a few years because of that."

Cobain's parents both found new partners after the divorce. His father had promised not to remarry; however, after meeting Jenny Westeby, he did, to Kurt's dismay. Kurt, his father, Westeby, and her two children Mindy and James, moved into a new household together. Cobain liked Westeby at first, who gave him the maternal attention he desired. In January 1979, Westeby gave birth to a boy, Chad Cobain. Wendy steadfastly refused to press charges, remaining completely committed to the relationship.

Cobain's teenage rebellion quickly became overwhelming for his father, who placed Kurt in the care of family and friends. While living with the born-again Christian family of his friend Jesse Reed, Cobain became a devout Christian and regularly attended church services. Cobain later renounced Christianity, engaging in what would be described as "anti-God" rants. The song "Lithium" is about his experience while living with the Reed family. Religion would remain an important part in Cobain's personal life and beliefs, as he often used Christian imagery in his work and maintained a constant interest in Jainism and Buddhist philosophy. The band name Nirvana was taken from the Buddhist concept, which Cobain described as "freedom from pain, suffering and the external world," which paralleled with the punk rock ethic and ideology. Cobain would regard himself as both a Buddhist and a Jain during different points of his life, educating himself about the philosophies through various sources, including through watching late night television documentaries on both subjects.

Although not interested in sports, Kurt was enrolled in a junior high school wrestling team at the insistence of his father. Kurt was a skilled wrestler, yet despised the experience. Because of the ridicule he endured from his teammates and coach, he allowed himself to be pinned, in an attempt to sadden his father. Later, his father enlisted him in a little league baseball team, where Cobain would intentionally strike out to avoid playing on the team.

Cobain befriended a homosexual student at school, and suffered bullying from heterosexual students who concluded that Cobain was gay. In an interview he said that he liked having the identity of being gay because he didn't like people and when they thought he was gay they left him alone. Kurt stated, "I started being really proud of the fact that I was gay even though I wasn't". His friend tried to kiss him and Kurt backed away and told his friend he was not gay but would still be friends with him. In a 1993 interview with The Advocate, Cobain claimed that he was "gay in spirit" and "probably could be bisexual." He also stated that he used to spray paint "God Is Gay" on pickup trucks in the Aberdeen area. However, Aberdeen police records show that the phrase for which he was arrested was actually "Ain't got no how watchamacallit". One of his personal journals states, "I am not gay, although I wish I were, just to piss off homophobes."

Cobain enjoyed creating works of art. He would often draw during school classes, including objects associated with human anatomy. When given a caricature assignment for an art course, Cobain drew a posing Michael Jackson. When his art teacher told him the caricature would be inappropriate to be displayed in a school hallway, Cobain drew an unflattering sketch of then-President Ronald Reagan.

As attested to by numerous of Cobain's classmates and family members, the first concert he attended was Sammy Hagar and Quarterflash at the Seattle Center Coliseum in 1983. Cobain, however, claimed his first attended concert to be the Melvins; an experience of which he wrote prolifically in his Journals. As a teenager living in Montesano, Cobain eventually found escape through the thriving Pacific Northwest punk scene, going to punk rock shows in Seattle. Cobain soon began frequenting the practice space of fellow Montesano musicians the Melvins.

During his sophomore year in high school, Cobain began living with his mother in Aberdeen. Two weeks prior to graduation, he dropped out of Aberdeen High School upon realizing he did not have enough credits to graduate. His mother gave him a choice: find employment or leave. After one week, Cobain found his clothes and other belongings packed away in boxes. Feeling banished from his own mother's home, Cobain stayed with friends, occasionally sneaking back into his mother's basement. Cobain also claimed during periods of homelessness to have lived under a bridge over the Wishkah River,

In late 1986 Cobain moved into an apartment, paying his rent by working at a Polynesian coastal resort approximately north of Aberdeen. During this period, he was traveling frequently to Olympia, Washington to go to rock concerts. During his visits to Olympia, Cobain formed a relationship with Tracy Marander, who reportedly was the subject of the song "About a Girl", and is listed in the photo credits on the album Bleach.

Soon after Marander separated from him, Cobain began dating Tobi Vail, an influential DIY punk zinester of the riot grrrl band Bikini Kill. After meeting Vail, Cobain vomited; he was so completely overwhelmed with anxiety regarding his infatuation with her. This event would inspire the lyric; "Love you so much it makes me sick," which would appear in the song "Aneurysm". While Cobain would regard Vail as his female counterpart, his relationship with her waned. Cobain desired the maternal comfort of a traditional relationship, which Vail regarded as sexist within a countercultural punk rock community. Those who dated Vail would be described by her friend Alice Wheeler as "fashion accessories." Kurt and Tobi spent most of their time together, as a couple, discussing political and philosophical issues. Cobain's relationship with Vail would inspire the lyrical content of many of songs on Nevermind. Once, while discussing anarchism and punk rock with friend Kathleen Hanna, Tobi spray-painted "Kurt Smells Like Teen Spirit" on Kurt's apartment wall. Teen Spirit was the name of a deodorant Vail wore, that Hanna joked Cobain smelled like. Cobain, unaware of this, initially interpreted the slogan as having a revolutionary meaning. The slogan inspired the title to the song "Smells Like Teen Spirit".

Musical influences

The Beatles were an early and lasting influence on Cobain; his aunt Mari remembers him singing "Hey Jude" at the age of two.

Cobain was also a fan of classic rock bands from the 1970s, including Led Zeppelin, AC/DC, Black Sabbath, Aerosmith, Queen, and Kiss. Nirvana occasionally played cover songs by these bands, including Led Zeppelin's "Immigrant Song", "Dazed and Confused" and "Heartbreaker", Black Sabbath's "Hand of Doom," and Kiss' "Do You Love Me?", and wrote the Incesticide song "Aero Zeppelin" as a tribute to Led Zeppelin and Aerosmith.

Punk rock proved to be a profound influence on a teenaged Cobain's attitude and artistic style. His first punk rock album was Sandinista! by The Clash, but he became a bigger fan of a fellow 1970s British punk band, the Sex Pistols, describing them as "one million times more important than the Clash" in his journals. In a 1993 interview with Rolling Stone, he said that "Smells Like Teen Spirit" was his attempt at "trying to rip off the Pixies. I have to admit it. When I heard the Pixies for the first time, I connected with that band so heavily that I should have been in that band— or at least a Pixies cover band. We used their sense of dynamics, being soft and quiet and then loud and hard."

Cobain's appreciation of early alternative rock bands also extended to Sonic Youth and R.E.M., both of which the members of Nirvana befriended and looked up to for advice. It was under recommendation from Sonic Youth's Kim Gordon that Nirvana signed to DGC in 1990, and both bands did a two week tour of Europe in the summer of 1991, as documented in the 1992 documentary, . In 1993, Cobain said of R.E.M.: "If I could write just a couple of songs as good as what they’ve written …I don’t know how that band does what they do. God, they’re the greatest. They’ve dealt with their success like saints, and they keep delivering great music."

Nirvana's acoustic Unplugged set, which was released posthumously as an album in 1994, may have provided a hint of Cobain's future musical direction. The record has drawn comparisons to R.E.M.'s 1992 release, Automatic for the People, and in 1993, Cobain himself predicted that the next Nirvana album would be "pretty ethereal, acoustic, like R.E.M.'s last album."

Artistry

Dave Grohl stated Cobain believed "Music comes first, lyrics come second". Cobain focused, foremost, on the melodies of his songs. Cobain complained when fans and rock journalists attempted to decipher his singing and extract meaning from his lyrics, writing "Why in the hell do journalists insist on coming up with a second-rate Freudian evaluation of my lyrics, when 90 percent of the time they've transcribed them incorrectly?" While Cobain would insist of the subjectivity and unimportance of his lyrics, he was known to labor and procrastinate in writing them, often changing the content and order of lyrics during performances. Cobain would describe his lyrics himself as "a big pile of contradictions. They're split down the middle between very sincere opinions that I have and sarcastic opinions and feelings that I have and sarcastic and hopeful, humorous rebuttals toward cliché bohemian ideals that have been exhausted for years."

Cobain originally wanted Nevermind to be divided into two sides. A "Boy"-side, for the songs written about the experiences of his early life and childhood, and a "Girl"-side, for the songs written about his dysfunctional relationship with Tobi Vail. Cobain would say in an interview with Musician that "some of my very personal experiences, like breaking up with girlfriends and having bad relationships, feeling that death void that the person in the song is feeling. Very lonely, sick." While Cobain would regard In Utero "for the most part very impersonal", on the album he dealt with the childhood divorce of his parents, his newfound fame and the public image and perception of himself and Courtney Love on "Serve the Servants", with his enamored relationship with Love conveyed through lyrical themes of pregnancy and the female anatomy on "Heart-Shaped Box". Cobain wrote "Rape Me" not only as an objective discussion of rape, but a metaphorical protest against his treatment by the media. He wrote about fame, drug addiction and abortion on "Pennyroyal Tea", as well as women's rights and the life of Seattle-born Frances Farmer on "Frances Farmer Will Have Her Revenge on Seattle".

Cobain was affected enough to write the song "Polly" from Nevermind, after reading a newspaper story of an incident in 1987, where a young girl was kidnapped after attending a punk rock show, then raped and tortured with a blowtorch. She managed to escape after gaining the trust of her captor through flirting with him. After seeing Nirvana perform, Bob Dylan would cite "Polly" as the best of Nirvana's songs, and was quoted as saying about Cobain, "the kid has heart". Patrick Süskind, whose novel Perfume: The Story of a Murderer inspired Cobain to write the song "Scentless Apprentice" from In Utero. The book is an historical horror novel about a perfumer's apprentice born with no body odor of his own but with a highly developed sense of smell, and who attempts to create the "ultimate perfume" by killing virginal women and taking their scent.

Cobain immersed himself in artistic projects throughout his life, as much so as he did in songwriting. The sentiments of his art work followed the same subjects of his lyrics, often expressed through a dark and macabre sense of humor. Noted was his fascination with physiology, his own rare medical conditions, and the human anatomy. Often unable to afford artistic resources, Cobain would improvise with materials, painting on board games and album sleeves, and painting with an array of substances, including his own bodily fluids. The artwork seen in his Journals would later draw acclaim as being of a high artistic standard. Many of Cobain's paintings, collages, and sculptures would appear in the artwork of Nirvana's albums. His artistic concepts would feature notably in Nirvana's music videos; the production and direction of which were acrimonious due to the artistic perfectionism of his visions.

Cobain would contribute backing guitar for a spoken word recording of beat poet William S. Burroughs' entitled "the "Priest" they called him". Cobain regarded Burroughs as a hero. During Nirvana's European tour Cobain kept a copy of Burroughs' Naked Lunch, purchased in a London bookstall. Ana Finel-Honigman, in her introduction to an interview with the artist Stella Vine on the Saatchi Gallery website, described Vine's art as bitterly honest in the same way Cobain's songs were; "acid outrage over adult lies and injustice", Holden Caulfield's observations about "a world filled with phonies", and Sylvia Plath's poetry an "over-heated anger and bitterness at the world's betrayals".

Nirvana

Cobain began learning guitar with a few covers, including "Louie Louie" and The Cars' "My Best Friend's Girl", and soon began working on his own songs.

Cobain was disenchanted after early touring, due to the band's inability to draw substantial crowds and the apparent difficulty in sustaining themselves. During their first few years playing together, Novoselic and Cobain were hosts to a rotating list of drummers. Eventually, the band settled on Chad Channing, with whom Nirvana recorded the album Bleach, released on Sub Pop Records in 1989. Cobain, however, became dissatisfied with Channing's style, leading the band to find a new drummer, eventually settling on Dave Grohl. With Grohl, the band found their greatest success via their 1991 major-label debut, Nevermind.

With the lead single "Smells Like Teen Spirit" from Nirvana's second album Nevermind (1991), Nirvana entered the mainstream, popularizing a subgenre of alternative rock, euphemistically titled grunge. Since their debut, Nirvana, with Cobain as a songwriter, sold over 25 million albums in the United States alone, and over 50 million worldwide. Cobain's discomfort with the media attention prompted him to focus on the band's music and, believing their message and artistic vision to have been misinterpreted by the public, challenged the band's audience with its third studio album In Utero (1993).

Cobain struggled to reconcile the massive success of Nirvana to his underground roots. He also felt persecuted by the media, comparing himself to Frances Farmer. He began to harbour resentments for people who claimed to be fans of the band yet refused to acknowledge, or misinterpreted, the band's social and political views. A vocal opponent of sexism, racism and homophobia, he was publicly proud that Nirvana had played at a gay rights benefit supporting No-on-Nine in Oregon in 1992, in opposition to Ballot Measure Nine, a ballot measure, that if passed, would have prohibited schools in the state from acknowledging or positively accepting LGBT rights and welfare.

Cobain was a vocal supporter of the pro-choice movement, and had been involved in Rock for Choice from the campaign inception by L7. He received death threats from a small number of anti-abortion activists for doing so, with one activist threatening Cobain that he would be shot as soon as he stepped on stage. The liner notes from Incesticide declared "if any of you in any way hate homosexuals, people of different color, or women, please do this one favor for us-leave us the fuck alone! Don't come to our shows and don't buy our records". An article from his posthumously released Journals declares that social liberation could be made possible only through the eradication of sexism.

Relationships and family

Courtney Love

Courtney Love met Cobain, on January 12, 1990, in Portland's Satyricon nightclub when they both still led ardent underground rock bands. Love made advances, but Cobain was evasive. Early in their interactions, Cobain broke off dates and ignored Love’s advances because he wasn’t sure he wanted a relationship. Cobain noted, "I was determined to be a bachelor for a few months [...] But I knew that I liked Courtney so much right away that it was a really hard struggle to stay away from her for so many months." Courtney Love first saw Cobain perform in 1989 at a show in Portland, Oregon; they talked briefly after the show and Love developed a crush on him.

Cobain was already aware of Love through her role in the 1987 film Straight to Hell. According to journalist Everett True, the pair were formally introduced at an L7 and Butthole Surfers concert in Los Angeles in May 1991. In the weeks that followed, after learning from Dave Grohl that Cobain shared mutual interests with her, Love began pursuing Cobain. In the fall of 1991 the two were often together and bonded through drug use.

Around the time of Nirvana's 1992 performance on Saturday Night Live, Love discovered that she was pregnant with Cobain's child. On February 24, 1992, a few days after the conclusion of Nirvana's Pacific Rim tour, Cobain and Love were married on Waikiki Beach in Hawaii. Love wore a satin and lace dress once owned by the actress Frances Farmer, and Cobain wore green pajamas, because he’d been "too lazy to put on a tux". In an interview with The Guardian, Love revealed the opposition to their marriage from various people: "Kim Gordon [of Sonic Youth] sits me down and says, 'If you marry him your life is not going to happen, it will destroy your life.' But I said, 'Whatever! I love him, and I want to be with him!'... It wasn't his fault. He wasn't trying to do that."

Frances Bean Cobain

On August 18, 1992, the couple's daughter Frances Bean Cobain was born.

In a 1992 article in Vanity Fair, Love admitted to using heroin while unknowingly pregnant. Love claimed that Vanity Fair had misquoted her, but the event created a media controversy for the couple. While Cobain and Love's romance had always been a media attraction, they found themselves hounded by tabloid reporters after the article was published, many wanting to know if Frances was addicted to drugs at birth. The Los Angeles County Department of Children's Services took the Cobains to court, claiming that the couple's drug usage made them unfit parents. Two-week-old Frances was ordered by the judge to be taken from their custody and placed with Courtney's sister Jamie for several weeks, after which the couple obtained custody in an exchange agreement to submit to urine tests and regular visits from a social worker. After months of legal wrangling, the couple were eventually granted full custody of their daughter.

Health history

Throughout most of his life, Cobain suffered from chronic bronchitis and intense physical pain due to an undiagnosed chronic stomach condition. His first drug experience was with marijuana in 1980, at age 13. He regularly used the drug during adulthood. Cobain also had a period of consuming "notable" amounts of LSD, as observed by Tracy Marander, and "really into getting fucked up: drugs, acid, any kind of drug", observed Krist Novoselic; Cobain was also prone to alcoholism and solvent abuse.

Cobain's stomach condition was emotionally debilitating to him, and he intermittently tried to find its cause, usually at the insistence of Love. None of the many doctors he consulted were able to pinpoint the specific cause. He suffered from an acute self-consciousness and developed a poor body image, due to his low body weight; which was primarily due to malnourishment caused by his stomach condition, poor diet (as attributed by numerous doctors), or a combination of both.

Cobain's first experience with heroin occurred sometime in 1986, administered to him by a local drug dealer in Tacoma, Washington who had previously supplied him with Percodan. He used heroin sporadically for several years, but, by the end of 1990, his use developed into a full-fledged addiction. Cobain claimed that he was "determined to get a habit" as a way to self-medicate his stomach condition. "It started with three days in a row of doing heroin and I don't have a stomach pain. That was such a relief," he related.

His heroin use began to affect the band's Nevermind supporting tour, Cobain fell unconscious during photo shoots. One memorable example came the day of the band's 1992 performance on Saturday Night Live, where Nirvana had a photographic session with photographer Michael Levine. Having taken heroin beforehand, Cobain fell asleep several times during the shoot. Cobain divulged to biographer Michael Azerrad, "I mean, what are they supposed to do? They're not going to be able to tell me to stop. So I really didn't care. Obviously to them it was like practicing witchcraft or something. They didn't know anything about it so they thought that any second, I was going to die."

Slowly, Cobain's heroin addiction worsened. His first attempt at rehab was made in early 1992, not long after he and Love discovered they were going to become parents. Immediately after leaving rehab, Nirvana embarked on their Australian tour, with Cobain appearing pale and gaunt while suffering through withdrawals. Not long after returning home, Cobain's heroin use resumed.

Prior to a performance at the New Music Seminar in New York City in July 1993, Cobain suffered a heroin overdose. Rather than calling for an ambulance, Love injected Cobain with Narcan to bring him out of his unconscious state. Cobain proceeded to perform with Nirvana, giving the public no indication that anything out of the ordinary had taken place.

Death

Following a tour stop at Terminal Eins in Munich, Germany, on March 1, 1994, Cobain was diagnosed with bronchitis and severe laryngitis. He flew to Rome the next day for medical treatment, and was joined there by his wife on March 3, 1994. The next morning, Love awoke to find that Cobain had overdosed on a combination of champagne and Rohypnol. Cobain was immediately rushed to the hospital, and spent the rest of the day unconscious. After five days in the hospital, Cobain was released and returned to Seattle.

On March 18, 1994, Love phoned Seattle police informing them that Cobain was suicidal and had locked himself in a room with a gun. Police arrived and confiscated several guns and a bottle of pills from Cobain, who insisted that he was not suicidal and had locked himself in the room to hide from Love. When questioned by police, Love said that Cobain had never mentioned that he was suicidal and that she had not seen him with a gun.

Love arranged an intervention regarding Cobain's drug use on March 25, 1994. The ten people involved included musician friends, record company executives, and one of Cobain's closest friends, Dylan Carlson. The intervention was initially unsuccessful, with an angry Cobain insulting and heaping scorn on its participants and eventually locking himself in the upstairs bedroom. However, by the end of the day, Cobain had agreed to undergo a detox program. Cobain arrived at the Exodus Recovery Center in Los Angeles, California on March 30, 1994. The staff at the facility were unaware of Cobain's history of depression and prior attempts at suicide. When visited by friends, there was no indication to them that Cobain was in any negative or suicidal state of mind. He spent the day talking to counselors about his drug abuse and personal problems, happily playing with his daughter Frances. These interactions were the last time she would see her father. The following night, Cobain walked outside to have a cigarette, climbed over a six-foot-high fence to leave the facility (which he joked earlier in the day would be a stupid feat to attempt). He took a taxi to Los Angeles Airport and flew back to Seattle. On the flight, he sat next to Duff McKagan of Guns N' Roses. With Cobain's own personal animosity towards Guns N' Roses and specifically Axl Rose, Cobain "seemed happy" to see McKagan. McKagan later stated he knew from "all of my instincts that something was wrong." On April 2 and April 3, 1994, Cobain was spotted in various locations around Seattle, although most of his close friends and family were unaware of his whereabouts. He was not seen on April 4, 1994. On April 3, 1994, Love contacted a private investigator, Tom Grant, and hired him to find Cobain. On April 7, 1994, amid rumors of Nirvana breaking up, the band pulled out of that year's Lollapalooza music festival.

On April 8, 1994, at the age of 27, Cobain's body was discovered at his Lake Washington home by an electrician who had arrived to install a security system. Apart from a minor amount of blood coming out of Cobain's ear, the electrician reported seeing no visible signs of trauma, and initially believed that Cobain was asleep until he saw the shotgun pointing at his chin. A suicide note was found, addressed to Cobain's childhood imaginary friend "Boddah", that said, paraphrasing, "I haven't felt the excitement of listening to as well as creating music, along with really writing . . . for too many years now". A high concentration of heroin and traces of Valium were also found in his body. Cobain's body had been lying there for days; the coroner's report estimated Cobain to have died on April 5, 1994.

A public vigil was held for Cobain on April 10, 1994 at a park at Seattle Center drawing approximately seven thousand mourners. Prerecorded messages by Krist Novoselic and Courtney Love were played at the memorial. Love read portions of Cobain's suicide note to the crowd, crying and chastising Cobain. Near the end of the vigil, Love arrived at the park and distributed some of Cobain's clothing to those who still remained. Dave Grohl would say that the news of Cobain's death was "probably the worst thing that has happened to me in my life. I remember the day after that I woke up and I was heartbroken that he was gone. I just felt like, 'Okay, so I get to wake up today and have another day and he doesn't.'" He also believed that he knew Cobain would die at an early age, saying that "sometimes you just can't save someone from themselves," and "in some ways, you kind of prepare yourself emotionally for that to be a reality." Dave Reed, who for a short time was Cobain's foster father, said that "he had the desperation, not the courage, to be himself. Once you do that, you can't go wrong, because you can't make any mistakes when people love you for being yourself. But for Kurt, it didn't matter that other people loved him; he simply didn't love himself enough."

A final ceremony was arranged for Cobain by his mother on May 31, 1999, attended by both Courtney Love and Tracey Marander. As a Buddhist monk chanted, his daughter Frances Bean scattered his ashes into McLane Creek in Olympia, the city where he "had found his true artistic muse." and by MTV as 7th in the "22 Greatest Voices in Music". In 2006, he was placed at number twenty by Hit Parader on their list of the "100 Greatest Metal Singers of All Time".

In 2005, a sign was put up in Aberdeen, Washington that read "Welcome to Aberdeen — Come As You Are" as a tribute to Cobain. The sign was paid for and created by the Kurt Cobain Memorial Committee, a non-profit organization created in May 2004 to honour Cobain. The Committee planned to create a Kurt Cobain Memorial Park and a youth center in Aberdeen. Because Cobain was cremated and his remains scattered into the Wishkah River in Washington, many Nirvana fans visit Viretta Park, near Cobain's former Lake Washington home, to pay tribute. On the anniversary of his death, fans gather in the park to celebrate his life and memory.

In 2006, Cobain took the place of Elvis Presley as the top-earning deceased celebrity, after the sale of the Nirvana song catalogue. Presley reclaimed the spot in 2007.

Controversy erupted in July 2009 when a monument to Cobain in Aberdeen along the Wishkah River included the quote "...Drugs are bad for you. They will fuck you up." The city ultimately decided to sandblast the monument to replace the expletive with "f---", but fans immediately drew the letters back in. The monument and bridge have become popular places for fans to leave tributes.

Gus Van Sant loosely based his 2005 movie Last Days on the events in the final days of Cobain's life. In January 2007, Courtney Love began to shop the biography Heavier Than Heaven to various movie studios in Hollywood to turn the book into an A-list feature film about Cobain and Nirvana. The video game Guitar Hero 5 features Cobain as a playable character. However, the inclusion of Cobain incensed surviving bandmates Krist Novoselic and Dave Grohl and wife Courtney Love, expressing their dismay at the ability to use Cobain with any song.

Books and films on Cobain

Prior to Cobain's death, writer Michael Azerrad published , a book chronicling Nirvana's career from its beginning, as well as the personal histories of the band members. The book explored Cobain's drug addiction, as well as the countless controversies surrounding the band. After Cobain's death, Azerrad re-published the book to include a final chapter discussing the last year of Cobain's life. The book is notable, as it involved the band members themselves, who provided interviews and personal information to Azerrad specifically for the book. In 2006, Azerrad's taped conversations with Cobain were transformed into a documentary about Cobain, titled Kurt Cobain About a Son. Though this film does not feature any music by Nirvana, it has songs by the artists that inspired Cobain.

In the 1998 documentary Kurt & Courtney, filmmaker Nick Broomfield investigated Tom Grant's claim that Cobain was actually murdered. He took a film crew to visit a number of people associated with Cobain and Love; Love's father, Cobain's aunt, and one of the couple's former nannies. Broomfield also spoke to Mentors bandleader Eldon "El Duce" Hoke, who claimed Love offered him $50,000 to kill Cobain. Although Hoke claimed he knew who killed Cobain, he failed to mention a name, and offered no evidence to support his assertion. Broomfield inadvertently captured Hoke's last interview, as he died days later, reportedly hit by a train. However, Broomfield felt he hadn't uncovered enough evidence to conclude the existence of a conspiracy. In a 1998 interview, Broomfield summed it up by saying,

"I think that he committed suicide. I don't think there's a smoking gun. And I think there's only one way you can explain a lot of things around his death. Not that he was murdered, but that there was just a lack of caring for him. I just think that Courtney had moved on, and he was expendable."

Journalists Ian Halperin and Max Wallace took a similar path and attempted to investigate the conspiracy for themselves. Their initial work, the 1999 book Who Killed Kurt Cobain? argued that, while there wasn't enough evidence to prove a conspiracy, there was more than enough to demand that the case be reopened. A notable element of the book included their discussions with Grant, who had taped nearly every conversation that he had undertaken while he was in Love's employ. Over the next several years, Halperin and Wallace collaborated with Grant to write a second book, 2004's .

In 2001, writer Charles R. Cross published a biography of Cobain titled Heavier Than Heaven. For the book, Cross conducted over 400 interviews, and was given access by Courtney Love to Cobain's journals, lyrics, and diaries. Cross' biography was met with criticism, including allegations of Cross accepting secondhand (and incorrect) information as fact. Friend Everett True, who derided the book as being inaccurate, omissive, and highly biased; he said Heavier than Heaven was "the Courtney-sanctioned version of history" or, alternatively, Cross's “Oh, I think I need to find the new Bruce Springsteen now” Kurt Cobain book. However, beyond the criticism, the book contained many details about Cobain and Nirvana's career that would otherwise been unnoted. Additionally, in 2008 Cross published Cobain Unseen: Mosaic of an Artist, a compilation of annotated photographs and creations and writings by Cobain throughout his life and career. In 2002, a sampling of Cobain's writings was published as Journals. The book fills 280 pages with a simple black cover; the pages are arranged somewhat chronologically (although Cobain generally did not date them). The journal pages are reproduced in color, and there is a section added at the back with explanations and transcripts of some of the less legible pages. The writings begin in the late 1980s and were continued until his death. A paperback version of the book, released in 2003, included a handful of writings that were not offered in the initial release. In the journals, Cobain talked about the ups and downs of life on the road, made lists of what music he was enjoying, and often scribbled down lyric ideas for future reference. Upon its release, reviewers and fans were conflicted about the collection. Many were elated to be able to learn more about Cobain and read his inner thoughts in his own words, but were disturbed by what was viewed as an invasion of his privacy.

In 2003, Omnibus Press released Godspeed: The Kurt Cobain Graphic. It was written by Jim McCarthy and Barnaby Legg with illustrations by Flameboy. It depicts Cobain's life, but is not a factual biography. Rather, it uses artistic license to tell Cobain's story from his own point of view.

In 2009, ECW Press released a book titled Grunge is Dead: The Oral History of Seattle Rock Music. It was written by Greg Prato, featuring portions about Nirvana and Kurt Cobain's life and death (including new interviews with bandmates and friends), as well as exploring the history of grunge in great detail. A picture of Cobain from the Bleach era is used for the book's front cover, and its title comes from a shirt that Cobain was once photographed wearing.

See also

27 Club

List of best-selling music artists

List of musicians from Seattle

Notes

References

Azerrad, Michael. Come as You Are: The Story of Nirvana. Doubleday, 1994. ISBN 0-385-47199-8.

Burlingame, Jeff. Kurt Cobain: Oh Well, Whatever, Nevermind. Enslow, 2006. ISBN 0-7660-2426-1

Cross, Charles. Heavier Than Heaven: A Biography of Kurt Cobain. Hyperion, 2001. ISBN 0-7868-8402-9.

Kitts, Jeff, et al. Guitar World Presents Nirvana and the Grunge Revolution. Hal Leonard, 1998. ISBN 0-7935-9006-X.

Summers, Kim.

External links

The Kurt Cobain Equipment FAQ - Detailed information on Cobain's guitars, amplifiers, and effects.

Official police reports into Cobain's death at The Smoking Gun

Category:1967 births Category:1994 deaths Category:American diarists Category:American feminists Category:American male singer-songwriters Category:American musicians of English descent Category:American musicians of French descent Category:American musicians of Irish descent Category:American musicians of German descent Category:American musicians of Scottish descent Category:American people of Canadian descent Category:American people of Scotch-Irish descent Category:American punk rock guitarists Category:American punk rock singers Category:American rock singer-songwriters Category:Feminist artists Category:Grunge musicians Category:Homeless people Category:Musicians who committed suicide Category:Nirvana members Category:People from Aberdeen, Washington Category:People from Olympia, Washington Category:People from Seattle, Washington Category:People self-identifying as substance abusers Category:People with bipolar disorder Category:Songwriters from Washington (U.S. state) Category:Suicides by firearm in Washington (U.S. state)

Name	Eugene Mirman
Caption	Eugene Mirman at the 2010 Comic Con in San Diego
Birth name	Eugene Boris Mirman
Birth date	July 24, 1974
Birth place	Russia
Active	1991 - present
Genre	Absurdism
Website	eugenemirman.com

Eugene Boris Mirman (Russian: Евгений Борис Мирман, Yevgeniĭ Boris Mirman; born July 24, 1974) is a Russian-born American comedian, writer, and filmmaker. He is based in New York City. Currently, he voices Gene Belcher for the animated comedy, Bob's Burgers.

Biography

Mirman was born in Russia to Jewish parents. His family immigrated to the United States when he was 4 and a half years old.

Mirman attended William Diamond Middle School and Lexington High School in Lexington, MA, and Hampshire College in Western Massachusetts. He returned to his high school to deliver its 2009 commencement address.

Mirman has appeared on several TV shows, including Late Night With Conan O'Brien, HBO's Flight of the Conchords, Comedy Central Presents, Delocated, Aqua Teen Hunger Force, Comedy Central's Premium Blend, VH1, Third Watch, Cartoon Network's Home Movies, Cheap Seats, Lucy, the Daughter of the Devil and more. He also played a spokes-potato on Food Network. He served as producer for the Boston-area satirical newspaper The Weekly Week from 1997 to 1999.

In 2004, Mirman released The Absurd Nightclub Comedy of Eugene Mirman, a CD/DVD on Suicide Squeeze Records. The album was voted one of the Best Albums of 2004 by both The Onion and Time Out New York. His second album, En Garde, Society was released by Sub Pop in 2006. Three years later, Mirman released another comedy album titled God Is a Twelve-Year-Old Boy with Aspergers which was recorded in Chicago at the Lakeshore Theatre.

Mirman has appeared at the U.S. Comedy Arts Festival in Aspen, Colorado, the Just for Laughs Festival in Montreal, Bumbershoot, and South by Southwest. For six years he co-produced the weekly standup-variety show Invite Them Up with Bobby Tisdale and Holly Schlesinger, which won a Nightlife Award. He currently produces Tearing the Veil of Maya at Union Hall in Park Slope, Brooklyn with Julie Smith, which has been voted the best comedy night in New York City by New York Magazine.

Mirman, much like David Cross and Patton Oswalt, is known to often perform in rock clubs and theaters as opposed to traditional comedy clubs. Often touring the United States, Mirman occasionally opens for the comedy troupe Stella (former members of The State). He has opened for various bands such as The Shins and toured with Modest Mouse, Yo La Tengo, Gogol Bordello and Cake. Mirman also toured with Patton Oswalt, Brian Posehn and Maria Bamford on the Comedians of Comedy tour.

He has toured as an opener for Flight of the Conchords and with Andy Kindler and Marc Maron in Stand Uppity. He plays the character Eugene in the Flight of the Conchords HBO television series.

In January 2009, Mirman released a satirical self-help book entitled The Will to Whatevs.

In January 2010, Mirman performed standup on the John Oliver's New York Stand Up Show on Comedy Central.

In late 2010, Mirman performed on the Comedy Central show The Benson Interruption.

Mirman currently voices the character Gene Belcher on the Fox animated series Bob's Burgers.

Absurdist humor

In addition to his standup work, Mirman has also produced a number of absurdist videos of himself acting in character. He is fairly well-known on the Internet for making a video mimicking 1990s-era anti-marijuana advertisements and for his "Sexpert" video in which he gives advice about women.

Discography

The Absurd Nightclub Comedy of Eugene Mirman (2004)

Invite Them Up (2005)

En Garde, Society! (2006)

Comedians of Comedy 3" Tour CD (2006)

The Pennsylvania Macaroni Company (2006)

God Is a Twelve-Year-Old Boy with Asperger's (2009)

Bibliography

The Will to Whatevs (2009)

See also

Invite Them Up

References

External links

Eugene Mirman official website

Kittenpants.org interview

Interview from May 2008

Eugene Mirman on MySpace

Interview by Vish Khanna at Exclaim!

Precious Moments with Eugene on BYT

Interview with Chief Magazine

Category:1974 births Category:American comedians Category:American television actors Category:American television writers Category:American voice actors Category:Hampshire College alumni Category:Sub Pop artists Category:American people of Russian-Jewish descent Category:American people of Russian descent Category:Russian Jews Category:Living people Category:Russian stand-up comedians