, Alberta, Canada.]] satellite photograph of the Amazon River in Brazil.]]

A river is a natural watercourse, usually freshwater, flowing towards an ocean, a lake, a sea, or another river. In a few cases, a river simply flows into the ground or dries up completely before reaching another body of water. Small rivers may also be called by several other names, including stream, creek, brook, rivulet, tributary and rill; there is no general rule that defines what can be called a river, although in some countries or communities a stream may be defined by its size. Many names for small rivers are specific to geographic location; one example is "burn" in Scotland and North-east England. Sometimes a river is said to be larger than a creek, but this is not always the case, because of vagueness in the language.

A river is part of the hydrological cycle. Water within a river is generally collected from precipitation through surface runoff, groundwater recharge, springs, and the release of stored water in natural ice and snowpacks (e.g., from glaciers).

Topography

The water in a river is usually confined to a channel, made up of a stream bed between banks. In larger rivers there is also a wider floodplain shaped by flood-waters over-topping the channel. Flood plains may be very wide in relation to the size of the river channel. This distinction between river channel and floodplain can be blurred especially in urban areas where the floodplain of a river channel can become greatly developed by housing and industry.

The term upriver refers to the direction leading to the source of the river, which is against the direction of flow. Likewise, the term downriver describes the direction towards the mouth of the river, in which the current flows.

The river channel typically contains a single stream of water, but some rivers flow as several interconnecting streams of water, producing a braided river. Extensive braided rivers are now found in only a few regions worldwide, such as the South Island of New Zealand. They also occur on peneplains and some of the larger river deltas. Anastamosing rivers are similar to braided rivers and are also quite rare. They have multiple sinuous channels carrying large volumes of sediment.

A river flowing in its channel is a source of energy which acts on the river channel to change its shape and form. According to Brahm's law (sometimes called Airy's law), the mass of objects that may be carried away by a river is proportional to the sixth power of the river flow speed. Thus, when the speed of flow increases two times, it can transport 64 times larger (i.e., more massive) objects. Other systems are based on a whole eco-system approach such as developed by the New Zealand Ministry for the Environment. In Europe, the requirements of the Water Framework Directive has let to the development of a wide range of classification methods including classifications based on fishery status A system of river zonation used in francophone communities Riverine navigation provides a cheap means of transport, and is still used extensively on most major rivers of the world like the Amazon, the Ganges, the Nile, the Mississippi, and the Indus. Since river boats are often not regulated, they contribute a large amount to global greenhouse gas emissions, and to local cancer due to inhaling of particulates emitted by the transports. They can provide a rich source of fish and other edible aquatic life, and are a major source of fresh water, which can be used for drinking and irrigation. It is therefore no surprise to find most of the major cities of the world situated on the banks of rivers. Rivers help to determine the urban form of cities and neighbourhoods and their corridors often present opportunities for urban renewal through the development of foreshoreways such as Riverwalks. Rivers also provide an easy means of disposing of waste-water and, in much of the less developed world, other wastes.

Fast flowing rivers and waterfalls are widely used as sources of energy, via watermills and hydroelectric plants. Evidence of watermills shows them in use for many hundreds of years such as in Orkney at Dounby click mill. Prior to the invention of steam power, water-mills for grinding cereals and for processing wool and other textiles were common across Europe. In the 1890s the first machines to generate power from river water were established at places such as Cragside in Northumberland and in recent decades there has been a significant increase in the development of large scale power generation from water, especially in wet mountainous regions such as Norway

The coarse sediments, gravel and sand, generated and moved by rivers are extensively used in construction. In parts of the world this can generate extensive new lake habitats as gravel pits re-fill with water. In other circumstances it can destabilise the river bed and the course of the river and cause severe damage to spawning fish populations which rely on stable gravel formations for egg laying.

In upland rivers, rapids with whitewater or even waterfalls occur. Rapids are often used for recreation, such as whitewater kayaking.

Rivers have been important in determining political boundaries and defending countries. For example, the Danube was a long-standing border of the Roman Empire, and today it forms most of the border between Bulgaria and Romania. The Mississippi in North America and the Rhine in Europe are major east-west boundaries in those continents. The Orange and Limpopo Rivers in southern Africa form the boundaries between provinces and countries along their routes.

Ecosystem

The flora and fauna of rivers use the aquatic habitats available, from torrential waterfalls through to lowland mires. Although many organisms are restricted to the fresh water in rivers, some, such as salmon and hilsa, have adapted to be able to survive both in rivers and in the sea. The organisms in the riparian zone respond to changes in river channel location and patterns of flow. The ecosystem of rivers is generally described by the River continuum concept, which has some additions and refinements to allow for spatial (dams, waterfalls) and temporal (extensive flooding). The basic idea is that the river can be described as a system that is continuously changing along its length in the physical parameters, the availability of food particles and the composition of the ecosystem. The food (energy) that is the leftover of the upstream part is being utilized downstream.

The general pattern is that the first order streams contain particulate matter (decaying leaves from the surrounding forests), which is processed there by shredders like Plecoptera larvae. The leftovers of the shredders are utilized by collectors as Hydropsyche and furter downstream algae that create the primary production become the main foodsource of the organisms. All changes are gradual and the distribution of each species can be described as a normal curve with the highest density where the conditions are optimal. In rivers succession is virtually absent and the composition of the ecosystem stays fixed in time.

Chemistry

The chemistry of rivers is complex and depends on inputs from the atmosphere, the geology through which it travels and the inputs from man's activities. The chemistry of the water has a large impact on the ecology of that water for both plants and animals and it also affects the uses that may be made of the river water. Understanding and characterising river water chemistry requires a well designed and managed programme of sampling and analysis

Like many other Aquatic ecosystems, rivers too are under increasing threat of pollution. According to a study of the WWF's Global Freshwater Programme, the 10 most polluted rivers are: Ganges, Indus, Yangtze, Salween-Nu, Mekong-Lancang, Rio Grande/Rio Bravo, La Plata, Danube, Nile-Lake Victoria, and the Murray-Darling.

Brackish water

, as seen from Earth orbit. The Nile is an example of a wave-dominated delta that has the classic Greek delta (Δ) shape after which River deltas were named.]] Some rivers generate brackish water by having their river mouth in the ocean. This, in effect creates a unique environment in which certain species are found.

Flooding

Flooding is a natural part of a river's cycle. The majority of the erosion of river channels and the erosion and deposition on the associated floodplains occur during flood stage. In many developed areas, human activity has changed river channel form, altering different magnitudes and frequencies of flooding. Some examples of this are the building of levees, the straightening of channels, and the draining of natural wetlands. In many cases human activities in rivers and floodplains have dramatically increased the risk of flooding. Straightening rivers allows water to flow more rapidly downstream increasing the risk of flooding places further downstream. Building on flood plains removes flood storage which again exacerbates downstream flooding. The building of levees may only protect the area behind the levees and not those further downstream. Levees and flood-banks can also increase flooding upstream because of back-water pressure as the upstream water has to squeeze between the levees.

Flow

Studying the flows of rivers is one aspect of hydrology. }}

Further reading

— a non-technical primer on the geomorphology and hydraulics of water.

Category:Fluvial landforms Category:Geomorphology Category:Sedimentology Category:Water streams

Name	Joni Mitchell
Background	solo_singer
Birth name	Roberta Joan Anderson
Born	November 07, 1943Fort Macleod, Alberta, Canada
Origin	Saskatoon, Saskatchewan, Canada
Instrument	Vocals, piano, guitar, dulcimer
Occupation	Singer-songwriter, record producer, musician,
Label	Reprise (1968–1972; 1994–2001)Asylum (1972–1981)Geffen (1982–1993)Nonesuch (2002)Hear Music (2007–present)
Url	www.JoniMitchell.com

Joni Mitchell, CC, (born Roberta Joan Anderson; November 7, 1943) is a Canadian musician, songwriter, and painter. Mitchell began singing in small nightclubs in her native Western Canada and then busking on the streets of Toronto. In the mid-1960s she left for New York City and its rich folk music scene, recording her debut album in 1968 and achieving fame first as a songwriter ("Urge for Going", "Chelsea Morning", "Both Sides, Now", "Woodstock") and then as a singer in her own right. Finally settling in Southern California, Mitchell played a key part in the folk rock movement then sweeping the musical landscape. Blue, her starkly personal 1971 album, is regarded as one of the strongest and most influential records of the time. Mitchell also had pop hits such as "Big Yellow Taxi", "Free Man in Paris", and "Help Me", the last two from 1974's best-selling Court and Spark.

Mitchell's distinctive harmonic guitar style, and piano arrangements all grew more complex through the 1970s as she was deeply influenced by jazz, melding it with pop, folk and rock on experimental albums like 1976's Hejira. She worked closely with jazz greats including Pat Metheny, Wayne Shorter, Jaco Pastorius, Herbie Hancock, and on a 1979 record released after his death, Charles Mingus. From the 1980s on, Mitchell reduced her recording and touring schedule but turned again toward pop, making greater use of synthesizers and direct political protest in her lyrics, which often tackled social and environmental themes alongside romantic and emotional ones.

Mitchell's work is highly respected both by critics and fellow musicians. Rolling Stone magazine called her "one of the greatest songwriters ever," Mitchell is also a visual artist. She created the artwork for each of her albums, and in 2000 described herself as a "painter derailed by circumstance." A blunt critic of the music industry, Mitchell stopped recording over the last several years, focusing more attention on painting, but in 2007 she released Shine, her first album of new songs in nine years.

Early life

Joni Mitchell was born Roberta Joan Anderson on November 7, 1943, in Fort Macleod, Alberta, Canada, to Bill Anderson and Myrtle Anderson (née McKee). Her mother was a teacher, and her father an officer in the Royal Canadian Air Force. During the war years, she moved with her parents to a number of bases in western Canada. After the war, her father began working as a grocer, and his work took the family to Saskatchewan to the towns of Maidstone and North Battleford. When she was eleven years old, the family settled in Saskatoon, Saskatchewan, which Mitchell considers her hometown.

Her mother's ancestors were Scottish and Irish. Her father's were Norwegian. Her paternal grandmother was born on the farm Farestveit in Modalen, Hordaland, Norway. Her paternal grandfather was from Sømna, Sør-Helgeland, Nordland, Norway.

At the age of nine, Mitchell contracted polio during a Canadian epidemic, but she recovered after a stay in hospital. It was during this time that she first became interested in singing. She describes her first experience singing while in hospital during the winter in the following way:

"They said I might not walk again, and that I would not be able to go home for Christmas. I wouldn't go for it. So I started to sing Christmas carols and I used to sing them real loud ... The boy in the bed next to me, you know, used to complain. And I discovered I was a ham."

She began smoking at the age of nine as well, a habit which is arguably one of the factors contributing to the change in her voice in recent years (Mitchell herself disputes this in several interviews).

As a teenager, Joni taught herself ukulele and, later, guitar. She began performing at parties and bonfires, which eventually led to gigs playing in coffeehouses and other venues in Saskatoon. After finishing high school at Aden Bowman Collegiate in Saskatoon, she attended the Alberta College of Art and Design in Calgary for a year, during which she made the acquaintance of another budding singer-songwriter, Harry Chapin, but Mitchell then left, telling her mother: "I'm going to Toronto to be a folksinger."

After leaving art college in June 1964, Mitchell left her home in Saskatoon to relocate to Toronto. She found out that she was pregnant by her college ex-boyfriend, and in February 1965 she gave birth to a baby girl. A few weeks after the birth, Joni Anderson married folk-singer Chuck Mitchell, and took his surname. A few weeks later she gave her daughter, Kelly Dale Anderson, up for adoption. The experience remained private for most of her career, but she made allusions to it in several songs, most notably a very specific telling of the story in the 1971 song "Little Green". Mitchell's 1982 song "Chinese Cafe", from the album Wild Things Run Fast, includes the lyrics "Your kids are coming up straight / My child's a stranger / I bore her / But I could not raise her."

Mitchell's daughter, renamed Kilauren Gibb, began a search for her as an adult. In 1997 Gibb mentioned her search to the girlfriend of a man with whom she had grown up. By coincidence, this woman knew a third person who had once told her that he knew Joni Mitchell years earlier "when she was pregnant." Mitchell and her daughter were reunited shortly thereafter.

Career

1965–1969: Breakthrough

In the summer of 1965, Chuck Mitchell took Joni with him to the United States. While living in Detroit, Chuck & Joni were regular performers at area coffee houses as well as The Alcove bar near Wayne State University and the "Rathskelter" a restaurant on the campus of the University of Detroit. Oscar Brand featured her several times on his CBC television program Let's Sing Out in 1965 and 1966, broadening her exposure. Mitchell attended school at West Virginia University for short period, which led to her song "Morning Morgantown." The marriage and partnership of Joni and Chuck Mitchell dissolved in early 1967, and Joni moved to New York City to pursue her musical dreams as a solo artist. She played venues up and down the East Coast, including Philadelphia, Boston, and Fort Bragg, North Carolina. She performed frequently in coffeehouses and folk clubs and, by this time creating her own material, became well known for her unique songwriting and her innovative guitar style.

Folk singer Tom Rush had met Mitchell in Toronto and was impressed with her songwriting ability. He took "Urge For Going" to popular folk act Judy Collins but she was not interested in the song at the time, so Rush recorded it himself. Country singer George Hamilton IV heard Rush performing it and recorded a hit country version. Other artists who recorded Mitchell songs in the early years were Buffy Sainte-Marie ("The Circle Game"), Dave Van Ronk ("Both Sides Now"), and eventually Judy Collins ("Both Sides Now", a top ten hit, included on her 1967 album Wildflowers). Collins also covered "Chelsea Morning", a recording which again eclipsed Mitchell's own commercial success early on.

While she was playing one night in "The Gaslight South", a club in Coconut Grove, Florida, David Crosby walked in and was immediately struck by her ability and her appeal as an artist. He took her back to Los Angeles, where he set about introducing her and her music to his friends. Crosby convinced a record company to agree to let Mitchell record a solo acoustic album without all the folk-rock overdubs that were in vogue at the time, and his clout earned him a producer's credit in March 1968, when Reprise Records released her debut album, alternately known as Joni Mitchell or Song to a Seagull.

Mitchell continued touring steadily to promote the LP. The tour helped create eager anticipation for Mitchell's second LP, Clouds, which was released in April 1969. It finally contained Mitchell's own versions of some of her songs already recorded and performed by other artists: "Chelsea Morning", "Both Sides, Now", and "Tin Angel." The covers of both LPs, including a self-portrait on Clouds, were designed and painted by Mitchell, a marriage of her art and music which she would continue throughout her career.

1970–1974: Mainstream success

tour with the LA Express March 5, 1974 Anaheim Convention Center]] In March 1970 Clouds won Joni Mitchell her first Grammy Award for Best Folk Performance. The following month, Reprise released her third album, Ladies of the Canyon. Mitchell's sound, still under the guidance of producer Crosby, was already beginning to expand beyond the confines of acoustic folk music and toward pop and rock, with more overdubs, percussion, and backing vocals, and for the first time, many songs composed on piano, which would become a hallmark of Mitchell's style in her most popular era. Her own version of "Woodstock", slower and darker than the Crosby, Stills & Nash cover, was performed on a Wurlitzer electric piano. The album also included the already-familiar song "The Circle Game" and the environmental anthem "Big Yellow Taxi", with its now-famous line, "they paved paradise and put up a parking lot."

Ladies of the Canyon was an instant smash on FM radio and sold briskly through the summer and fall, eventually becoming Mitchell's first gold album (selling over a half million copies). Mitchell made a decision to stop touring for a year and just write and paint, yet she was still voted "Top Female Performer" for 1970 by Melody Maker, the UK's leading pop music magazine. On the April 1971 release of James Taylor's Mud Slide Slim and the Blue Horizon album, Joni Mitchell is credited with backup vocals - along with Carole King - on the track "You've Got A Friend". The songs she wrote during the months she took off for travel and life experience would appear on her next album, Blue, released in June 1971. Of Blue and in comparing Joni Mitchell's talent to that of his own, David Crosby said, "By the time she did Blue she was past me and rushing toward the horizon" (A 65th Birthday Tribute to Joni Mitchell, 2008).

Blue was an almost instant critical and commercial success, peaking in the top 20 in the Billboard Album Charts in September and also hitting the British Top 3. Lushly produced "Carey" was the single at the time, but musically, other parts of Blue departed further from the sounds of Ladies of the Canyon in favor of simpler, rhythmic acoustic parts allowing a focus on Mitchell's voice and emotions ("All I Want", "A Case of You"), while others such as "Blue", "River" and "The Last Time I Saw Richard" were sung to her rolling piano accompaniment. In its lyrics, the album was regarded as an inspired culmination of her early work, with depressed assessments of the world around her serving as counterpoint to exuberant expressions of romantic love (for example, in "California"). Mitchell later remarked, "At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong." However, Mitchell and Rolling Stone have had a contentious relationship, beginning years earlier when the magazine featured a "tree" illustrating all of Mitchell's alleged romantic partners, primarily other musicians, which the singer said "hurt my feelings terribly at the time." During 1975, Mitchell also participated in several concerts in the Rolling Thunder Revue tours featuring Bob Dylan and Joan Baez, and in 1976 she performed as part of The Last Waltz by The Band. In January 1976, Mitchell received one nomination for the Grammy Award for Best Female Pop Vocal Performance for the album The Hissing of Summer Lawns, though the Grammy went to Linda Ronstadt.

In early 1976, Mitchell traveled with friends who were driving cross country to Maine. Afterwards, Mitchell drove back to California alone and composed several songs during her journey which would feature on her next album, 1976's Hejira. She states, "This album was written mostly while I was traveling in the car. That's why there were no piano songs..." Mitchell herself believes the album to be unique. In 2006 she said, "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on Hejira could only have come from me."

Mitchell continued experimenting with synthesizers, drum machines and sequencers for the recordings of her next album, 1988's Chalk Mark in a Rain Storm. She also collaborated with artists including Willie Nelson, Billy Idol, Wendy & Lisa, Tom Petty, Don Henley and Peter Gabriel. The album's first official single, "My Secret Place", was in fact a duet with Gabriel, and just missed the Billboard Hot 100 charts. The song "Lakota" was one of many songs on the album to take on larger political themes, in this case the deadly battle between Native American activists and the FBI on the Lakota Sioux reservation in the previous decade. Musically, several songs fit into the trend of world music popularized by Gabriel during the era. Reviews were mostly favorable towards the album, and the cameos by well-known musicians brought it considerable attention. Chalk Mark ultimately improved on the chart performance of Dog Eat Dog, peaking at No. 45.

After its release, Mitchell, who rarely performed live anymore, participated in Roger Waters' The Wall Concert in Berlin in 1990. She performed the song, "Goodbye Blue Sky" and also was one of the performers on the concerts ending song, "The Tide Is Turning" along with Waters, Cyndi Lauper, Bryan Adams, Van Morrison and Paul Carrack.

Throughout the first half of 1990, Mitchell recorded songs that would appear on her next album. She delivered the final mixes for the new album to Geffen just before Christmas, after trying nearly a hundred different sequences for the songs. The album Night Ride Home was released in March 1991. In the United States, it premiered on Billboard's Top Album charts at No. 68, moving up to No. 48 in its second week, and peaking at No. 41 in its sixth week. In the United Kingdom, the album premiered at No. 25 on the album charts. Critically, it was better received than her '80s work and seemed to signal a move closer to her acoustic beginnings, along with some references to the style of Hejira.

1994–2001: Resurgence

To wider audiences, the real "return to form" for Mitchell came with the 1994's Grammy-winning Turbulent Indigo. While the recording period also saw the divorce of Mitchell and bassist Larry Klein, their marriage having lasted almost 12 years, Indigo was seen as Mitchell's most accessible set of songs in years. Songs such as "Sex Kills", "Sunny Sunday", "Borderline" and "The Magdalene Laundries" mixing social commentary and guitar-focused melodies for "a startling comeback." The album won two Grammy awards, including Best Pop Album, and it coincided with a much-publicized resurgence in interest in Mitchell's work by a younger generation of singer-songwriters.

In 1996, Mitchell agreed to release a greatest Hits collection when label Reprise also allowed her a second Misses album to include some of the lesser known songs from her career. Hits charted at No. 161 in the US, but made No. 6 in the UK. Mitchell also included on Hits, for the first time on an album, her first recording, a version of "Urge for Going" which preceded Song to a Seagull but was previously released only as a B-side.

Two years later, Mitchell released her final set of "original" new work before nearly a decade of other pursuits, 1998's Taming the Tiger. She promoted Tiger with a return to regular concert appearances, most notably a co-headlining tour with Bob Dylan and Van Morrison. On the album, Mitchell had played a "guitar synthesizer" on most songs, and for the tour she adapted many of her old songs to this instrument, and reportedly had to re-learn all her complex tunings once again.

It was around this time that critics also began to notice a real change in Mitchell's voice, particularly on her older songs; the singer later admitted to feeling the same way, explaining that "I'd go to hit a note and there was nothing there." While her more limited range and huskier vocals have sometimes been attributed to her smoking (she has been described as "one of the world's last great smokers"), Mitchell believes the changes in her voice that became noticeable in the nineties were due to other problems, including vocal nodules, a compressed larynx, and the lingering effects of having had polio.

The singer's next two albums featured no new songs and, Mitchell has said, were recorded to "fulfill contractual obligations", In 1998 she told The New York Times that her memoirs were "in the works", that they would be published in as many as four volumes, and that the first line would be "I was the only black man at the party." In 2005, Mitchell said that she was using a tape recorder to get "down [her memories] in the oral tradition."

As well in the early 2000s, Joni Mitchell worked with internationally acclaimed artist Gilles Hebert. Joni visited the Mendel Art Gallery in Saskatoon, where she and Giles produced a book called 'Voices'. The book received international attention and extended her fame, and the fame of Gilles Hebert.

Although Mitchell stated that she would no longer tour or give concerts, she has made occasional public appearances to speak on environmental issues. Mitchell divides her time between her longtime home in Los Angeles, and the property in Sechelt, British Columbia that she has owned since the early 1970s. "L.A. is my workplace", she said in 2006, "B.C. is my heartbeat." According to interviews, today she focuses mainly on her visual art, which she does not sell and which she displays only on rare occasions.

2006–present: Successful comeback

In an October 2006 interview with The Ottawa Citizen, Mitchell "revealed she's recording her first collection of new songs in nearly a decade", but gave few other details. Early media reports characterized the album as having "a minimal feel... that harks back to [Mitchell's] early work", and a focus on political and environmental issues. debuting at number 14 on the Billboard 200 album chart, her highest chart position in the United States since the release of Hejira in 1976, over thirty years previously, and at number 36 on the United Kingdom albums chart.

On the same day, Herbie Hancock, a longtime associate and friend of Mitchell's, released , an album paying tribute to Mitchell's work. Among the album's contributors were Norah Jones, Tina Turner, Leonard Cohen, and Mitchell herself, who contributed a vocal to the re-recording of "The Tea Leaf Prophecy (Lay Down Your Arms)" (originally on her album Chalk Mark in a Rain Storm). On February 10, 2008, Hancock's recording won Album of the Year at the Grammy Awards. It was the first time in 43 years that a jazz artist took the top prize at the annual award ceremony. In accepting the award, Hancock paid tribute to Mitchell as well as to Miles Davis and John Coltrane. At the same ceremony Mitchell won a Grammy for Best Instrumental Pop Performance for the opening track "One Week Last Summer" from her album Shine.

On February 12, 2010, "Both Sides, Now" was performed at the opening ceremonies of the Winter Olympic Games in Vancouver.

Mitchell is currently receiving treatment for the controversial condition called "Morgellons syndrome". Mitchell spoke to the LA Times on April 22, 2010 about the disease, saying, "I have this weird, incurable disease that seems like it's from outer space, but my health's the best it's been in a while." She described Morgellons as a "slow, unpredictable killer" but said she is determined to fight the disease. "I have a tremendous will to live: I've been through another pandemic — I'm a polio survivor, so I know how conservative the medical body can be." According to Mitchell, Morgellons is often misdiagnosed as "delusion of parasites," and sufferers of the disease are offered psychiatric treatment. Mitchell said she plans to leave the music industry to work toward giving people diagnosed with Morgellons more credibility. In the same interview, Mitchell made the statement that singer-songwriter Bob Dylan, with whom she had worked closely in the past, was a fake and plagiarist. The controversial remark was widely reported by other media. Mitchell did not explain the contention further, but it may have related to the allegations of plagiarism surrounding songs on Dylan's 2006 album Modern Times.

Mitchell's longtime archivist, the San Francisco-based Joel Bernstein, maintains a detailed list of all her tunings, and has assisted her in relearning the tunings for several older songs.

Mitchell was also highly innovative harmonically in her early work (1966–72) using techniques including , chromaticism, and pedal points.

In 2003 Rolling Stone named her the 72nd greatest guitarist of all time; she was the highest-ranked woman on the list.

Influence on other artists

Mitchell's work has had an influence on artists as disparate as Led Zeppelin, Nancy Wilson (Heart) , Sonic Youth, Morrissey, Prince, Chaka Khan, Alanis Morissette, Björk, Counting Crows, Stevie Nicks, Kate Bush, Jeff Buckley, Elvis Costello, Dan Fogelberg, Janet Jackson, Maynard James Keenan (Tool), Cyndi Lauper, Annie Lennox, k.d. lang, Madonna, Frank Turner, Cassandra Wilson, Chan Marshall (Cat Power), George Michael, Marillion, Juice Newton, Conor Oberst, The Roots, Roxette, The Sundays, Clannad, Shawn Colvin, Anita Baker, Fiona Apple, Holly Brook, KT Tunstall, Seal, Tori Amos, Keith Green, Spank Rock, Schuyler Fisk, Kate Voegele, Regina Spektor, Me'Shell Ndegeocello, Keith Jarrett, Slash, Laura Marling, Keri Noble, and Sarah Dawn Finer.

For instance, Prince's song "The Ballad of Dorothy Parker" on the album Sign 'O' the Times (1987), pays tribute to Mitchell, both through his evocative Mitchell-like harmonies and through the use of one of Mitchell's own techniques: as in Mitchell's song "This Flight Tonight", Prince references a song in his lyrics (Joni's own "Help Me") as the music begins to emulate the chords and melody of that song. Another Mitchell reference left by Prince can also be seen on the back cover of his 1981 Controversy record, where one of the headlines reads "★JONI★." His song "Raspberry Beret" also references "McGee's general store" from Joni's song "Paprika Plains". Roy Muniz

Madonna has also cited Mitchell as the first female artist that really spoke to her as a teenager; "I was really, really into Joni Mitchell. I knew every word to Court and Spark; I worshiped her when I was in high school. Blue is amazing. I would have to say of all the women I've heard, she had the most profound effect on me from a lyrical point of view."

Steve Hogarth, Steve Rothery and Mark Kelly of Marillion all cite Mitchell as a favorite artist.

In fitting tribute to Joni Mitchell, the TNT network presented an all-star celebration at the Hammerstein Ballroom in New York City, April 6, 2000. Many legendary performers sang Mitchell's songs, including James Taylor, Elton John, Wynonna Judd, Bryan Adams, Cyndi Lauper, Diana Krall, and Richard Thompson of Fairport Convention fame. Mitchell herself ended the evening with a rendition of "Both Sides Now" with a full 70 piece orchestra. The version was featured on the soundtrack to the hit movie, "Love Actually".

Regarding her as a national treasure, Mitchell's home country Canada has bestowed a number of honours on her. She was inducted into the Canadian Music Hall of Fame in 1981 and received a star on Canada's Walk of Fame in 2000. In 2002 she became only the third popular Canadian singer/songwriter (Gordon Lightfoot and Leonard Cohen being the other two), to be appointed a Companion of the Order of Canada, Canada's highest civilian honour. She received an honorary doctorate in music from McGill University in 2004. In January 2007 she was inducted into the Canadian Songwriters Hall of Fame. In June 2007 Canada Post featured Mitchell on a postage stamp.

In November, 2006, the album Blue was listed by Time magazine as among the "All-Time 100 Albums."

In 1999 Mitchell was listed as fifth on VH1's list of "The 100 Greatest Women of Rock N' Roll." In 2010, Vh1 would name her the #44 Greatest Artist of All Time.

In the 2010 film The Kids Are All Right, the character Joni is supposed to have been named after Joni Mitchell since the character Nic, Joni's mother, declares to be a fan of Mitchell.

Grammy Awards

- * Although officially a Herbie Hancock release, Joni also received a Grammy due to her vocal contribution to the album.

Discography

;Studio releases

1968: Song to a Seagull

1969: Clouds

1970: Ladies of the Canyon

1971: Blue

1972: For the Roses

1974: Court and Spark

1975: The Hissing of Summer Lawns

1976: Hejira

1977: Don Juan's Reckless Daughter

1979: Mingus

1982: Wild Things Run Fast

1985: Dog Eat Dog

1988: Chalk Mark in a Rain Storm

1991: Night Ride Home

1994: Turbulent Indigo

1998: Taming the Tiger

2000: Both Sides Now

2002: Travelogue

2007: Shine

See also

Canadian rock

Music of Canada

References

External links

JoniMitchell.com

1974 Cover Story: Time Magazine, following Joni Mitchell's Court and Spark album and tour.

Hear the public radio special "The Emergence of Joni Mitchell"

Salon.com - Joni Mitchell

Joni Mitchell at the Rock and Roll Hall of Fame

Joni Mitchell in the Canadian Encyclopedia

CBC Digital Archives - Joni Mitchell: All Sides Now

[ Joni Mitchell] at the All Music Guide

Category:1943 births Category:Living people * Category:Musicians from Alberta Category:Appalachian dulcimer players Category:Canadian female guitarists Category:Canadian female singers Category:Canadian folk guitarists Category:Canadian folk singers Category:Canadian Music Hall of Fame inductees Category:Canadian pop singers Category:Canadian singer-songwriters Category:Canadian people of Norwegian descent Category:Canadian people of Irish descent Category:Canadian people of Scottish descent Category:Companions of the Order of Canada Category:Crossover (music) Category:Female rock singers Category:Feminist artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Juno Award winners Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:People from Saskatoon Category:People from Willow Creek, Alberta Category:Musicians from Saskatchewan

Name	Bruce Springsteen
Landscape	No
Background	solo_singer
Alias	The Boss
Born	September 23, 1949Long Branch, New JerseyUnited States
Instrument	Vocals, guitar, harmonica, piano
Genre	Rock, heartland rock, folk rock, roots rock, Americana
Occupation	Musician, singer-songwriter
Years active	1972–present
Label	Columbia
Associated acts	E Street Band, Steel Mill, Miami Horns, The Sessions Band
Url	brucespringsteen.net
Notable instruments	Fender TelecasterFender EsquireTakamine GuitarsHohner Marine Band Harmonica

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss", is an American singer-songwriter who records and tours with the E Street Band. Springsteen is widely known for his brand of Heartland rock, poetic lyrics, and Americana sentiments centered on his native New Jersey.

Springsteen's recordings have included both commercially accessible rock albums and more sombre folk-oriented works. His most successful studio albums, Born to Run and Born in the U.S.A., showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and 120 million worldwide and he has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes and an Academy Award.

Early life

Springsteen was born in Long Branch, New Jersey, and spent his childhood and high school years in Freehold Borough. Springsteen is a vegetarian. He lived on South Street in Freehold Borough and attended Freehold Borough High School. His father, Douglas Frederick Springsteen, was of Dutch and Irish ancestry and worked, among other vocations, as a bus driver; his surname is Dutch for jump stone. His mother, Adele Ann (née Zerilli), was a legal secretary and was of Italian ancestry. Overall, his heritage is 50% Italian, 37% Irish and 13% Dutch. His maternal grandfather was born in Vico Equense, a city near Naples. He has two younger sisters, Virginia and Pamela. Pamela had a brief film career, but left acting to pursue still photography full time; she took photos for the Human Touch and Lucky Town albums.

Raised a Roman Catholic, Springsteen attended the St. Rose of Lima Catholic school in Freehold Borough, where he was at odds with the nuns and rejected the strictures imposed upon him, even though some of his later music reflects a Catholic ethos and included a few rock-influenced, traditional Irish-Catholic hymns.

In ninth grade, he transferred to the public Freehold Regional High School, but did not fit in there, either. Old teachers have said he was a "loner, who wanted nothing more than to play his guitar." He completed high school, but felt so uncomfortable that he skipped his own graduation ceremony. He briefly attended Ocean County College, but dropped out.

Called for induction when he was 18, Springsteen failed his physical examination and did not serve in Vietnam. In an interview in Rolling Stone magazine in 1984, he said, "When I got on the bus to go take my physical, I thought one thing: I ain't goin'." He had suffered a concussion in a motorcycle accident when he was 17, and this together with his "crazy" behaviour at induction and not taking the tests, was enough to get him a 4F.

, New Jersey inspired the themes of ordinary life in Bruce Springsteen's music.]]

In the late 1960s, Springsteen performed briefly in a power trio known as Earth, playing in clubs in New Jersey. Springsteen acquired the nickname "The Boss" during this period as when he played club gigs with a band he took on the task of collecting the band's nightly pay and distributing it amongst his bandmates. Springsteen is not fond of this nickname, due to his dislike of bosses, but seems to have since given it a tacit acceptance. Previously he had the nickname "Doctor". From 1969 through early 1971, Springsteen performed with Steel Mill, which also featured Danny Federici, Vini Lopez, Vinnie Roslin and later Steve Van Zandt and Robbin Thompson. They went on to play the mid-Atlantic college circuit, and also briefly in California. In January 1970 well-known San Francisco Examiner music critic Philip Elwood gave Springsteen credibility in his glowing assessment of Steel Mill: "I have never been so overwhelmed by totally unknown talent." Elwood went on to praise their "cohesive musicality" and, in particular, singled out Springsteen as "a most impressive composer." During this time Springsteen also performed regularly at small clubs in Canton, Massachusetts, Asbury Park and along the Jersey Shore, quickly gathering a cult following. Other acts followed over the next two years, as Springsteen sought to shape a unique and genuine musical and lyrical style: Dr Zoom & the Sonic Boom (early–mid 1971), Sundance Blues Band (mid 1971), and The Bruce Springsteen Band (mid 1971–mid 1972). With the addition of pianist David Sancious, the core of what would later become the E Street Band was formed, with occasional temporary additions such as horn sections, "The Zoomettes" (a group of female backing vocalists for "Dr. Zoom") and Southside Johnny Lyon on harmonica. Musical genres explored included blues, R&B;, jazz, church music, early rock'n'roll, and soul. His prolific songwriting ability, with "More words in some individual songs than other artists had in whole albums," as his future record label would describe it in early publicity campaigns, brought his skill to the attention of several people who were about to change his life: new managers Mike Appel and Jim Cretecos, and legendary Columbia Records talent scout John Hammond, who, under Appel's pressure, auditioned Springsteen in May 1972.

Even after Springsteen gained international acclaim, his New Jersey roots showed through in his music, and he often praised "the great state of New Jersey" in his live shows. Drawing on his extensive local appeal, he routinely sold out consecutive nights in major New Jersey and Philadelphia venues. He also made many surprise appearances at The Stone Pony and other shore nightclubs over the years, becoming the foremost exponent of the Jersey Shore sound.

1972–1974: Initial struggle for success

Springsteen signed a record deal with Columbia Records in 1972, with the help of John Hammond, who had signed Bob Dylan to the same label a decade earlier. Springsteen brought many of his New Jersey–based colleagues into the studio with him, thus forming the E Street Band (although it would not be formally named as such for several more years). His debut album, Greetings from Asbury Park, N.J., released in January 1973, established him as a critical favorite, though sales were slow. Because of Springsteen's lyrical poeticism and folk rock–rooted music exemplified on tracks like "Blinded by the Light" and "For You", as well as the Columbia and Hammond connections, critics initially compared Springsteen to Bob Dylan. "He sings with a freshness and urgency I haven't heard since I was rocked by "Like a Rolling Stone"," wrote Crawdaddy magazine editor Peter Knobler in Springsteen's first interview/profile, in March 1973, on newsstands in February 1973. Crawdaddy discovered Springsteen in the rock press and was his earliest champion. (Springsteen and the E Street Band acknowledged by giving a private performance at the Crawdaddy 10th Anniversary Party in New York City in June 1976.) Music critic Lester Bangs wrote in Creem in 1975 that when Springsteen's first album was released "... many of us dismissed it: he wrote like Bob Dylan and Van Morrison, sang like Van Morrison and Robbie Robertson, and led a band that sounded like Van Morrison's." The track "Spirit in the Night" especially showed Morrison's influence, while "Lost in the Flood" was the first of many portraits of Vietnam veterans and "Growin' Up", his first take on the recurring theme of adolescence.

In September 1973 his second album, The Wild, the Innocent & the E Street Shuffle, was released, again to critical acclaim but no commercial success. Springsteen's songs became grander in form and scope, with the E Street Band providing a less folky, more R&B; vibe and the lyrics often romanticized teenage street life. "4th of July, Asbury Park (Sandy)" and "Incident on 57th Street" would become fan favorites, and the long, rousing "Rosalita (Come Out Tonight)" continues to rank among Springsteen's most beloved concert numbers.

In the May 22, 1974, issue of Boston's The Real Paper, music critic Jon Landau wrote after seeing a performance at the Harvard Square Theater, "I saw rock and roll future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time." Landau subsequently became Springsteen's manager and producer, helping to finish the epic new album, Born to Run. Given an enormous budget in a last-ditch effort at a commercially viable record, Springsteen became bogged down in the recording process while striving for a wall of sound production. But, fed by the release of an early mix of "Born to Run" to progressive rock radio, anticipation built toward the album's release. All in all the album took more than 14 months to record, with six months alone spent on the song "Born To Run." During this time Springsteen battled with anger and frustration over the album, saying he heard "sounds in [his] head" that he could not explain to the others in the studio. It was during these recording sessions that "Miami" Steve Van Zandt would stumble into the studio just in time to help Springsteen organize the horn section on "Tenth Avenue Freeze-Out" (it is his only written contribution to the album), and eventually led to his joining the E Street Band. Van Zandt had been a long-time friend of Springsteen, as well as a collaborator on earlier musical projects, and understood where he was coming from, which helped him to translate some of the sounds Springsteen was hearing. Still, by the end of the grueling recording sessions, Springsteen was not satisfied, and, upon first hearing the finished album, threw the record into the alley and told Jon Landau he would rather just cut the album live at The Bottom Line, a place he often played.

1975–1983: Breakthrough

On August 13, 1975, Springsteen and the E Street Band began a five-night, 10-show stand at New York's Bottom Line club. The engagement attracted major media attention, was broadcast live on WNEW-FM, and convinced many skeptics that Springsteen was for real. (Decades later, Rolling Stone magazine would name the stand as one of the 50 Moments That Changed Rock and Roll.) With the release of Born to Run on August 25, 1975, Springsteen finally found success. The album peaked at number 3 on the Billboard 200, and while there were no hit singles, "Born to Run" (Billboard #23), "Thunder Road", "Tenth Avenue Freeze-Out" (Billboard #83), and "Jungleland" all received massive album-oriented rock airplay and remain perennial favorites on many classic rock stations. The songwriting and recording was more disciplined than before, while still maintaining an epic feel. With its panoramic imagery, thundering production and desperate optimism, Born to Run is considered by some fans to be among the best rock and roll albums of all time and Springsteen's finest work. It established him as a sincere and dynamic rock and roll personality who spoke for and in the voice of a large part of the rock audience. To cap off the triumph, Springsteen appeared on the covers of both Time and Newsweek in the same week, on October 27 of that year. So great did the wave of publicity become that Springsteen eventually rebelled against it during his first venture overseas, tearing down promotional posters before a concert appearance in London.

A legal battle with former manager Mike Appel kept Springsteen out of the studio for nearly a year, during which time he kept the E Street Band together through extensive touring across the U.S. Despite the optimistic fervor with which he often performed, his new songs had taken a more somber tone than much of his previous work. Reaching settlement with Appel in 1977, Springsteen returned to the studio, and the subsequent sessions produced Darkness on the Edge of Town (1978). Musically, this album was a turning point in Springsteen's career. Gone were the raw, rapid-fire lyrics, outsized characters and long, multi-part musical compositions of the first two albums; now the songs were leaner and more carefully drawn and began to reflect Springsteen's growing intellectual and political awareness. The cross-country 1978 tour to promote the album would become legendary for the intensity and length of its shows.

By the late 1970s, Springsteen had earned a reputation in the pop world as a songwriter whose material could provide hits for other bands. Manfred Mann's Earth Band had achieved a U.S. number one pop hit with a heavily rearranged version of Greetings' "Blinded by the Light" in early 1977. Patti Smith reached number 13 with her take on Springsteen's unreleased "Because the Night" (with revised lyrics by Smith) in 1978, while The Pointer Sisters hit number two in 1979 with Springsteen's also unreleased "Fire".

. Drammenshallen, Drammen, Norway, May 5, 1981.]] In September 1979, Springsteen and the E Street Band joined the Musicians United for Safe Energy anti-nuclear power collective at Madison Square Garden for two nights, playing an abbreviated set while premiering two songs from his upcoming album. The subsequent No Nukes live album, as well as the following summer's No Nukes documentary film, represented the first official recordings and footage of Springsteen's fabled live act, as well as Springsteen's first tentative dip into political involvement.

Springsteen continued to consolidate his thematic focus on working-class life with the 20-song double album The River in 1980, which included an intentionally paradoxical range of material from good-time party rockers to emotionally intense ballads, and finally yielded his first hit Top Ten single as a performer, "Hungry Heart". This album marked a shift in Springsteen's music toward a pop-rock sound that was all but missing from any of his earlier work. This is apparent in the stylistic adoption of certain eighties pop-rock hallmarks like the reverberating-tenor drums, very basic percussion/guitar and repetitive lyrics apparent in many of the tracks. The title song pointed to Springsteen's intellectual direction, while a couple of the lesser-known tracks presaged his musical direction. The album sold well, becoming his first topper on the Billboard Pop Albums chart, and a long tour in 1980 and 1981 followed, featuring Springsteen's first extended playing of Europe and ending with a series of multi-night arena stands in major cities in the U.S.

The River was followed in 1982 by the stark solo acoustic Nebraska. Recording sessions had been held to expand on a demo tape Springsteen had made at his home on a simple, low-tech four-track tape deck. However during the recording process Springsteen and producer Landau realized the songs worked better as solo acoustic numbers than full band renditions and the original demo tape was released as the album. Although the recordings of the E Street Band were shelved, other songs from these sessions would later be released, including "Born in the U.S.A." and "Glory Days". According to the Marsh biographies, Springsteen was in a depressed state when he wrote this material, and the result is a brutal depiction of American life. While Nebraska did not sell well, it garnered widespread critical praise (including being named "Album of the Year" by Rolling Stone magazine's critics) and influenced later significant works by other major artists, including U2's album The Joshua Tree. It helped inspire the musical genre known as lo-fi music, becoming a cult favorite among indie-rockers. Springsteen did not tour in conjunction with Nebraska's release.

1984–1991: Commercial and popular phenomenon

Springsteen probably is best known for his album Born in the U.S.A. (1984), which sold 15 million copies in the U.S. and became one of the best-selling albums of all time, with seven singles hitting the Top 10, and the massively successful world tour that followed it. The title track was a bitter commentary on the treatment of Vietnam veterans, some of whom were Springsteen's friends and bandmates. The lyrics in the verses were entirely unambiguous when listened to, but the anthemic music and the title of the song made it hard for many, from politicians to the common person, to get the lyrics—except those in the chorus, which could be read many ways. The song was widely misinterpreted as jingoistic, and in connection with the 1984 presidential campaign became the subject of considerable folklore. Springsteen also turned down several million dollars offered by the Chrysler Corporation to use the song in a car commercial. (In later years, to eliminate the bombast and make the song's original meaning more explicitly clear, Springsteen performed the song accompanied only by acoustic guitar. An acoustic version also appeared on Tracks, a later album.) "Dancing in the Dark" was the biggest of seven hit singles from Born in the U.S.A., peaking at number 2 on the Billboard music charts. The music video for the song featured a young Courteney Cox dancing on stage with Springsteen, an appearance which helped kickstart the actress's career. The song "Cover Me" was written by Springsteen for Donna Summer, but his record company persuaded him to keep it for the new album. A big fan of Summer's work, Springsteen wrote another song for her, "Protection". Videos for the album were made by noted film directors Brian De Palma and John Sayles. Springsteen was featured on the "We Are the World" song and album in 1985.

During the Born in the U.S.A. Tour, Springsteen met actress Julianne Phillips, whom he would marry in 1985.

at the Radrennbahn Weißensee in East Berlin on July 19, 1988.]] The Born in the U.S.A. period represented the height of Springsteen's visibility in popular culture and the broadest audience demographic he would ever reach (aided by the release of Arthur Baker's dance mixes of three of the singles). Live/1975–85, a five-record box set (also on three cassettes or three CDs), was released near the end of 1986 and became the first box set to debut at number 1 on the U.S. album charts. It is one of the most commercially successful live albums of all time, ultimately selling 13 million units in the U.S. Live/1975–85 summed up Springsteen's career to that point and displayed some of the elements that made his shows so powerful to his fans: the switching from mournful dirges to party rockers and back; the communal sense of purpose between artist and audience; the long, intense spoken passages before songs, including those describing Springsteen's difficult relationship with his father; and the instrumental prowess of the E Street Band, such as in the long coda to "Racing in the Street". Despite its popularity, some fans and critics felt the album's song selection could have been better. Springsteen concerts are the subjects of frequent bootleg recording and trading among fans.

During the 1980s, several Springsteen fanzines were launched, including Backstreets magazine, which started in Seattle and continues today as a glossy publication, now in communication with Springsteen's management and official website.

After this commercial peak, Springsteen released the much more sedate and contemplative Tunnel of Love album (1987), a mature reflection on the many faces of love found, lost and squandered, which only selectively used the E Street Band. It presaged the breakup of his marriage to Julianne Phillips and described some of his unhappinesses in the relationship. Reflecting the challenges of love in "Brilliant Disguise", Springsteen sang:

The subsequent Tunnel of Love Express tour shook up fans with changes to the stage layout, favorites dropped from the set list, and horn-based arrangements. During the European leg in 1988, Springsteen's relationship with backup singer Patti Scialfa became public and Phillips and Springsteen filed for divorce in 1988. Later in 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International. In the fall of 1989 he dissolved the E Street Band, and he and Scialfa relocated to California, marrying in 1991.

1992–2001: Artistic and commercial ups and downs

In 1992, after risking charges of "going Hollywood" by moving to Los Angeles (a radical move for someone so linked to the blue-collar life of the Jersey Shore) and working with session musicians, Springsteen released two albums at once. Human Touch and Lucky Town were even more introspective than any of his previous work and displayed a newly revealed confidence. As opposed to his first two albums, which dreamed of happiness, and his next four, which showed him growing to fear it, at points during the Lucky Town album, Springsteen actually claims happiness for himself.

An electric band appearance on the acoustic MTV Unplugged television program (later released as In Concert/MTV Plugged) was poorly received and further cemented fan dissatisfaction. Springsteen seemed to realize this a few years hence when he spoke humorously of his late father during his Rock and Roll Hall of Fame acceptance speech: }}

A multiple Grammy Award winner, Springsteen also won an Academy Award in 1994 for his song "Streets of Philadelphia", which appeared on the soundtrack to the film Philadelphia. The song, along with the film, was applauded by many for its sympathetic portrayal of a gay man dying of AIDS. The music video for the song shows Springsteen's actual vocal performance, recorded using a hidden microphone, to a prerecorded instrumental track. This technique was developed on the "Brilliant Disguise" video.

In 1995, after temporarily re-organizing the E Street Band for a few new songs recorded for his first Greatest Hits album (a recording session that was chronicled in the documentary Blood Brothers), he released his second (mostly) solo guitar album, The Ghost of Tom Joad, inspired by John Steinbeck's The Grapes of Wrath, Journey to Nowhere: The Saga of the New Underclass, a book by Pulitzer Prize-winners author Dale Maharidge and photographer Michael Williamson. This was generally less well-received than the similar Nebraska, due to the minimal melody, twangy vocals, and political nature of most of the songs, although some praised it for giving voice to immigrants and others who rarely have one in American culture. The lengthy, worldwide, small-venue solo acoustic Ghost of Tom Joad Tour that followed successfully featured many of his older songs in drastically reshaped acoustic form, although Springsteen had to explicitly remind his audiences to be quiet and not to clap during the performances. During the shows Bruce did occasional take request. Rejecting some "popular" songs by saying things like "Not that old thing."Another change from the usual Springsteen concert experience, no alcohol was served at the venues.

Following the tour, Springsteen moved back to New Jersey with his family. In 1998, Springsteen released the sprawling, four-disc box set of out-takes, Tracks. Subsequently, Springsteen would acknowledge that the 1990s were a "lost period" for him: "I didn't do a lot of work. Some people would say I didn't do my best work."

Springsteen was inducted into the Rock and Roll Hall of Fame in 1999 by Bono of U2, a favor he returned in 2005.

In 1999, Springsteen and the E Street Band officially came together again and went on the extensive Reunion Tour, lasting over a year. Highlights included a record sold-out, 15-show run at Continental Airlines Arena in East Rutherford, New Jersey and a ten-night, sold-out engagement at New York City's Madison Square Garden which ended the tour. The final two shows were recorded for an HBO Concert, with corresponding DVD and album releases as . A new song, "American Skin (41 Shots)", about the police shooting of Amadou Diallo which was played at these shows proved controversial.

2002–2007: Return to mainstream success

parking lot for banner-marked, record-setting, 10-night stand of The Rising Tour during July 2003.]] In 2002, Springsteen released his first studio effort with the full band in 18 years, The Rising, produced by Brendan O'Brien. The album, mostly a reflection on the September 11 attacks, was a critical and popular success. (Many of the songs were influenced by phone conversations Springsteen had with family members of victims of the attacks who in their obituaries had mentioned how his music touched their lives.) The title track gained airplay in several radio formats, and the record became Springsteen's best-selling album of new material in 15 years. Kicked off by an early-morning Asbury Park appearance on The Today Show, The Rising Tour commenced, barnstorming through a series of single-night arena stands in the U.S. and Europe to promote the album in 2002, then returning for large-scale, multiple-night stadium shows in 2003. While Springsteen had maintained a loyal hardcore fan base everywhere (and particularly in Europe), his general popularity had dipped over the years in some southern and midwestern regions of the U.S. But it was still strong in Europe and along the U.S. coasts, and he played an unprecedented 10 nights in Giants Stadium in New Jersey, a ticket-selling feat to which no other musical act has come close. During these shows Springsteen thanked those fans who were attending multiple shows and those who were coming from long distances or another country; the advent of robust Bruce-oriented online communities had made such practices more common. The Rising Tour came to a final conclusion with three nights in Shea Stadium, highlighted by renewed controversy over "American Skin" and a guest appearance by Bob Dylan.

During the early 2000s, Springsteen became a visible advocate for the revitalization of Asbury Park, and played an annual series of winter holiday concerts there to benefit various local businesses, organizations, and causes. These shows were explicitly intended for the devoted fans, featuring numbers such as the E Street Shuffle outtake "Thundercrack", a rollicking group-participation song that would mystify casual Springsteen fans. He also frequently rehearses for tours in Asbury Park; some of his most devoted followers even go so far as to stand outside the building to hear what fragments they can of the upcoming shows. The song "My City of Ruins" was originally written about Asbury Park, in honor of the attempts to revitalize the city. Looking for an appropriate song for a post-Sept. 11 benefit concert honoring New York City, he selected "My City of Ruins," which was immediately recognized as an emotional highlight of the concert, with its gospel themes and its heartfelt exhortations to "Rise up!" The song became associated with post-9/11 New York, and he chose it to close The Rising album and as an encore on the subsequent tour.

At the Grammy Awards of 2003, Springsteen performed The Clash's "London Calling" along with Elvis Costello, Dave Grohl, and E Street Band member Steven Van Zandt and No Doubt's bassist, Tony Kanal, in tribute to Joe Strummer; Springsteen and the Clash had once been considered multiple-album-dueling rivals at the time of the double The River and the triple Sandinista!. In 2004, Springsteen and the E Street Band participated in the "Vote for Change" tour, along with John Mellencamp, John Fogerty, the Dixie Chicks, Pearl Jam, R.E.M., Bright Eyes, the Dave Matthews Band, Jackson Browne, and other musicians. All concerts were to be held in swing states, to benefit the liberalism political organization group America Coming Together and to encourage people to register and vote. A finale was held in Washington, D.C., bringing many of the artists together. Several days later, Springsteen held one more such concert in New Jersey, when polls showed that state surprisingly close. While in past years Springsteen had played benefits for causes in which he believed – against nuclear energy, for Vietnam veterans, Amnesty International, and the Christic Institute – he had always refrained from explicitly endorsing candidates for political office (indeed he had rejected the efforts of Walter Mondale to attract an endorsement during the 1984 Reagan "Born in the U.S.A." flap). This new stance led to criticism and praise from the expected partisan sources. Springsteen's "No Surrender" became the main campaign theme song for John Kerry's unsuccessful presidential campaign; in the last days of the campaign, he performed acoustic versions of the song and some of his other old songs at Kerry rallies.

performance at the Festhalle Frankfurt, June 15, 2005.]] Devils & Dust was released on April 26, 2005, and was recorded without the E Street Band. It is a low-key, mostly acoustic album, in the same vein as Nebraska and The Ghost of Tom Joad although with a little more instrumentation. Some of the material was written almost 10 years earlier during, or shortly after, the Ghost of Tom Joad Tour, a couple of them being performed then but never released. The title track concerns an ordinary soldier's feelings and fears during the Iraq War. Starbucks rejected a co-branding deal for the album, due in part to some sexually explicit content but also because of Springsteen's anti-corporate politics. The album entered the album charts at No. 1 in 10 countries (United States, Austria, Switzerland, Sweden, Denmark, Italy, Germany, the Netherlands, the United Kingdom, and Ireland). Springsteen began the solo Devils & Dust Tour at the same time as the album's release, playing both small and large venues. Attendance was disappointing in a few regions, and everywhere (other than in Europe) tickets were easier to get than in the past. Unlike his mid-1990s solo tour, he performed on piano, electric piano, pump organ, autoharp, ukulele, banjo, electric guitar, and stomping board, as well as acoustic guitar and harmonica, adding variety to the solo sound. (Offstage synthesizer, guitar, and percussion were also used for some songs.) Unearthly renditions of "Reason to Believe", "The Promised Land", and Suicide's "Dream Baby Dream" jolted audiences to attention, while rarities, frequent set list changes, and a willingness to keep trying even through audible piano mistakes kept most of his loyal audiences happy.

In November 2005, Sirius Satellite Radio started a 24-hour, seven-day-a-week radio station on Channel 10 called E Street Radio. This channel featured commercial-free Bruce Springsteen music, including rare tracks, interviews, and daily concerts of Bruce Springsteen & the E Street Band recorded throughout their career.

performing on their tour at the Fila Forum, Milan, Italy on May 12, 2006.]] In April 2006, Springsteen released , an American roots music project focused around a big folk sound treatment of 15 songs popularized by the radical musical activism of Pete Seeger. It was recorded with a large ensemble of musicians including only Patti Scialfa, Soozie Tyrell, and The Miami Horns from past efforts. In contrast to previous albums, this was recorded in only three one-day sessions, and frequently one can hear Springsteen calling out key changes live as the band explores its way through the tracks. The Bruce Springsteen with The Seeger Sessions Band Tour began the same month, featuring the 18-strong ensemble of musicians dubbed The Seeger Sessions Band (and later shortened to The Sessions Band). Seeger Sessions material was heavily featured, as well as a handful of (usually drastically rearranged) Springsteen numbers. The tour proved very popular in Europe, selling out everywhere and receiving some excellent reviews, but newspapers reported that a number of U.S. shows suffered from sparse attendance. By the end of 2006, the Seeger Sessions tour toured Europe twice and toured America for only a short span. , containing selections from three nights of November 2006 shows at The Point Theatre in Dublin, Ireland, was released the following June.

behind him, on the Magic Tour stop at Veterans Memorial Arena, Jacksonville, Florida, August 15, 2008.]] Springsteen's next album, titled Magic, was released on October 2, 2007. Recorded with the E Street Band, it featured 10 new Springsteen songs plus "Long Walk Home", performed once with the Sessions band, and a hidden track (the first included on a Springsteen studio release), "Terry's Song", a tribute to Springsteen's long-time assistant Terry Magovern, who died on July 30, 2007. The first single, "Radio Nowhere", was made available for a free download on August 28. On October 7, Magic debuted at number 1 in Ireland and the UK. Greatest Hits reentered the Irish charts at number 57, and Live in Dublin almost cracked the top 20 in Norway again. Sirius Satellite Radio also restarted E Street Radio on Channel 10 on September 27, 2007, in anticipation of Magic. Radio conglomerate Clear Channel Communications was alleged to have sent an edict to its classic rock stations to not play any songs from the new album, while continuing to play older Springsteen material. However, Clear Channel Adult Alternative (or "AAA") station KBCO did play tracks from the album, undermining the allegations of a corporate blackout. The Springsteen and E Street Band Magic Tour began at the Hartford Civic Center with the album's release and was routed through North America and Europe. Springsteen and the band performed live on NBC's Today Show in advance of the opener. Longtime E Street Band organist Danny Federici left the tour in November 2007 to pursue treatment for melanoma from which he would die in 2008

2008–present: Recent events

Springsteen supported Barack Obama's 2008 presidential campaign, announcing his endorsement in April 2008 and going on to appear at several Obama rallies as well as performing several solo acoustic performances in support of Obama's campaign throughout 2008, culminating with a November 2 rally where he debuted "Working On A Dream" in a duet with Scialfa. At an Ohio rally, Springsteen discussed the importance of "truth, transparency and integrity in government, the right of every American to have a job, a living wage, to be educated in a decent school, and a life filled with the dignity of work, the promise and the sanctity of home...But today those freedoms have been damaged and curtailed by eight years of a thoughtless, reckless and morally-adrift administration."

Following Obama's electoral victory on November 4, Springsteen's song "The Rising" was the first song played over the loudspeakers after Obama's victory speech in Chicago's Grant Park. Springsteen was the musical opener for the on January 18, 2009 which was attended by over 400,000. He performed "The Rising" with an all-female choir. Later he performed Woody Guthrie's "This Land Is Your Land" with Pete Seeger.

On June 18, 2008, Springsteen appeared live from Europe at the Tim Russert tribute at the Kennedy Center in Washington, D.C., to play one of Russert's favorite songs, "Thunder Road." Springsteen dedicated the song to Russert, who was "one of Springsteen's biggest fans."

On January 11, 2009, Springsteen won the Golden Globe Award for Best Song for "The Wrestler", from the Mickey Rourke film by the same name. After receiving a heartfelt letter from Mickey Rourke, Springsteen supplied the song for the film for free.

Springsteen performed at the halftime show at Super Bowl XLIII on February 1, 2009, agreeing to do it after many previous offers A few days before the game, Springsteen gave a rare press conference, where he promised a "twelve-minute party." His 12:45 set, with the E Street Band and the Miami Horns, included abbreviated renditions of "Tenth Avenue Freeze-Out"", "Born to Run", "Working on a Dream, and "Glory Days", the latter complete with football references. The set of appearances and promotional activities led Springsteen to say, "This has probably been the busiest month of my life."

Springsteen's Working on a Dream album was released in late January 2009 and the supporting Working on a Dream Tour ran from April 2009 until November 2009. The tour featured few songs from the new album, with instead set lists dominated by classics and selections reflecting the ongoing late-2000s recession. The tour also featured Springsteen playing songs requested by audience members holding up signs as on the final stages of the Magic Tour. and Hard Rock Calling in the UK. Several shows on the tour featured full album presentations of Born to Run, Darkness on the Edge of Town, or Born in the U.S.A. The band performed a stretch of five final shows at his homestate Giants Stadium, opening with a new song highlighting the historic stadium, and his Jersey roots, named "Wrecking Ball". The tour ended as scheduled in Buffalo, NY in November 2009 amid speculation that it was the last performance ever by the E Street Band, but during the show Springsteen said it was goodbye “for a little while.” A DVD from the Working of a Dream Tour entitled was released in 2010.

In addition to his own touring, Springsteen made a number of appearances at tribute and benefit concerts during 2009, including The Clearwater Concert, a celebration of Pete Seeger's 90th birthday, the Rock and Roll Hall of Fame's 25th anniversary benefit concert, a benefit for the charity Autism Speaks at Carnegie Hall. On January 22, 2010, he joined many well-known artists to perform on , organized by George Clooney to raise money to help the victims of the 2010 Haiti earthquake.

.]]

In 2009, Springsteen performed in The People Speak a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's "A People's History of the United States".

Springsteen was among the recipients of the Kennedy Center Honors, an annual award to figures from the world of arts for their contribution to American culture, in December 2009. President Obama gave a speech in which he talked about how Springsteen has incorporated the life of regular Americans in his expansive pallette of songs and how his concerts are beyond the typical rock-and-roll concerts, how, apart from being high-energy concerts, they are "communions". He ended the remark "while I am the president, he is The Boss". Tributes were paid by several well-known celebrities including Jon Stewart (who described Springsteen's "unprecedented combination of lyrical eloquence, musical mastery and sheer unbridled, unadulterated joy"). A musical tribute featured John Mellencamp Ben Harper and Jennifer Nettles, Rob Mathes band. Melissa Etheridge Eddie Vedder and Sting, The Joyce Garrett Choir

The 2000s ended with Springsteen being named one of eight Artists of the Decade by Rolling Stone magazine and with Springsteen's tours ranking him fourth among artists in total concert grosses for the decade.

In September 2010, a documentary about the making of his 1978 album "Darkness on The Edge of Town" was premiered at the Toronto International Film Festival. The film, The Promise: The Making of Darkness on the Edge of Town, will be included in a box set reissue of the album, entitled The Promise: The Darkness on the Edge of Town Story to be released in November 2010. The Documentary, "The Promise: The Making of ‘Darkness on the Edge of Town" aired on HBO on October 7th, 2010. The documentary explored Springsteen's making of the acclaimed album, and his role in the production and development of the tracks.

Musical style

Bruce Springsteen draws on many musical influences from the reservoir of traditional American popular music, folk, blues and country. From the beginning, rock and roll has been the dominant influence. On his debut album, Greetings from Asbury Park, New Jersey, the folk-influence is clear to hear. An example of the influence of this music genre to Springsteen's music is his song "This Hard Land" which demonstrates a clear influence of the style of Woody Guthrie.

He expanded the range of his musical compositions on his second album, The Wild, the Innocent & the E Street Shuffle. Elements of Latin American music, jazz, soul, and funk influences can be heard; the song "New York City Serenade" is even reminiscent of the music of George Gershwin. These two records prominently featured pianist David Sancious, who left the band shortly into the recording of Springsteen's third album, Born To Run. This album, however, also emphasized the piano, the responsibility now of Roy Bittan.

Later in his career, Springsteen has focused more on the rock elements of his music. He initially compressed the sound and developed Darkness On The Edge Of Town just as straightforward as concise musical idiom, for the simple riffs and clearly recognizable song structures are dominant. His music has been categorized as heartland rock, a style typified by Springsteen, John Fogerty, Tom Petty, Bob Seger, and John Mellencamp. This music has a lyrical reference to the U.S. everyday and the music is kept rather simple and straightforward. This development culminated with Springsteen's hit album Born in the U.S.A., the title song of which has a constantly repeating, fanfare-like keyboard riff and a pounding drum beat. These sounds fit with Springsteen's voice: it cries to the listener the unsentimental story of a disenchanted angry figure. Even songs that can be argued to be album tracks proved to be singles that enjoyed some chart success, such as "My Hometown" and "I'm on Fire", in which the drum line is formed from subtle hi-hat and rim-clicks-shock (shock at the edge of the snare drum).

In recent years, Springsteen has changed his music further. There are more folk elements up to the gospel to be heard. His last solo album, Devils and Dust, drew rave reviews not only for Springsteen's complex songwriting, but also for his expressive and sensitive singing.

On the album Springsteen performs folk classics with a folk band, rather than his usual E Street Band. On his ensuing tour he also interpreted some of his own rock songs in a folk style.

The 2007 album Magic was a reflection on the old stadium rock attitude and with its lush arrangements was almost designed to be performed at large stadiums, which also succeeded on the corresponding tour.

Lyrical themes

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Often described as cinematographic in their scope, Springsteen's lyrics frequently explore highly personal themes such as individual committment, dissatisfaction and dismay with life in a context of every day situations.

It has been recognized that there was a shift in his lyrical approach starting with the album "Darkness on the Edge of Town", in which he focused on the emotional struggles of working class life.

Politics and activism

Springsteen's music has often contained political themes, and he has publicly campaigned for several causes, including his opposition to the Iraq War and support for the presidential campaigns of Senator John Kerry and President Barack Obama. He is also noted for his support of various relief and rebuilding efforts in New Jersey and elsewhere, and for his response to the September 11 attacks in 2001, on which his album The Rising reflects. A Democrat, his work has often stirred controversy and caused some to identify his music with modern American liberalism.

In 1988, Springsteen headlined the worldwide Human Rights Now! tour for Amnesty International.

Springsteen has been associated with various local food banks, particularly with the New Jersey Food bank for many years. During concerts, he usually breaks the routine to announce his support and later matches the total collection during the concert with his own money. During his Charlotte, North Carolina concert on November 3, 2009, he started with a $10,000 donation for the local food bank to start the collections process - which he again matched later.

He has made substantial financial contributions to various workers' unions both in America and in Europe.

Personal life

, in 2005.]] on November 2, 2008.]] Springsteen's girlfriend in 1975 was Karen Darvin, 20, a model living in New York City.

Springsteen married Julianne Phillips (born May 6, 1960) in Lake Oswego, Oregon on May 13, 1985. The marriage helped her acting career flourish, although the two were opposites in background, and his traveling took its toll on their relationship. The final blow came when Bruce began an affair with Patti Scialfa (born July 29, 1953), whom he had dated briefly in 1984 shortly after she joined the band. Phillips and Springsteen separated in the spring of 1988, and on August 30, 1988, Julianne filed for divorce. The Springsteen/Phillips divorce was finalized on March 1, 1989.

After his wife filed for divorce in 1988, Bruce began living with Scialfa. Springsteen received press criticism for the hastiness in which he and Scialfa took up their relationship. In a 1995 interview with The Advocate, Springsteen spoke about the negative publicity the couple subsequently received. "It's a strange society that assumes it has the right to tell people whom they should love and whom they shouldn't. But the truth is, I basically ignored the entire thing as much as I could. I said, "Well, all I know is, this feels real, and maybe I have got a mess going here in some fashion, but that's life." In 1990, Springsteen and Scialfa welcomed their first child, son Evan James. They were expecting their second child, daughter Jessica Rae (born December 30, 1991), when Bruce and Patti married on June 8, 1991. "I went through a divorce, and it was really difficult and painful and I was very frightened about getting married again. So part of me said, Hey, what does it matter? But it does matter. It's very different than just living together. First of all, stepping up publicly- which is what you do: You get your license, you do all the social rituals- is a part of your place in society and in some way part of society's acceptance of you...Patti and I both found that it did mean something."

They have three children: Evan James (b. 1990), Jessica Rae (b. 1991) and Sam Ryan (b. January 5, 1994). The family lives in Rumson, New Jersey, and owns a horse farm in nearby Colts Neck. Springsteen also owns two adjacent homes in Wellington, Florida, a wealthy horse community near West Palm Beach. His eldest son, Evan, atttends Boston College in Chestnut Hill, a village in Newton, Massachusetts. His daughter Jessica Springsteen is a nationally-ranked champion equestrian and attends Duke University.

In November 2000, Springsteen filed legal action against Jeff Burgar which accused him of registering the domain brucespringsteen.com (along with several other celebrity domains) in bad faith to funnel web users to his Celebrity 1000 portal site. Once the legal complaint was filed, Burgar pointed the domain to a Springsteen biography and message board. In February 2001, Springsteen lost his dispute with Burgar. A WIPO panel ruled 2 to 1 in favor of Burgar.

Springsteen has led a relatively quiet and private life for a well-known popular performer and artist. He moved from Los Angeles to New Jersey in the early 1990s specifically to raise a family in a non-paparazzi environment. It has been reported that the press conference regarding the 2009 Super Bowl XLIII half-time show was his first press conference for more than 25 years. However, he has appeared in a few radio interviews, most notably on NPR and BBC. 60 minutes aired his last extensive interview on TV before his tour to support his album, Magic.

Bands

Bruce Springsteen has been a member of, or has been backed by, several bands during his career, most notably The E Street Band.

Prior to signing his first record deal in 1972, Springsteen was a member of several bands including Steel Mill. In October 1972 he formed a new band for the recording of his debut album Greetings from Asbury Park, N.J., which became known as The E Street Band, although the name was not officially introduced until September 1974. The E Street Band performed on all of Springsteen's recorded works from his debut until 1982's Nebraska, a solo album on which Springsteen himself played all the instruments. The full band returned for the next album Born in the USA, but there then followed a period from 1988 to 1999 in which albums were recorded with session musicians. The E Street band were briefly reunited in 1995 for new contributions to the Greatest Hits compilation, and on a more permanent basis from 1999, since which time they have recorded 3 albums together (The Rising, Magic and Working on a Dream) and performed a number of high profile tours.

The 2005 album Devils & Dust was largely a solo recording, with some contribution from session musicians and the 2006 folk rock album was recorded and toured with another band, known as The Sessions Band.

E Street Band

Current members:

Bruce Springsteen – lead vocals, guitar, harmonica, piano

Garry Tallent – bass guitar, tuba

Clarence "Big Man" Clemons – saxophone, percussion, backing vocals

Max Weinberg – drums, percussion

Roy Bittan – piano, keyboards

Steven Van Zandt – lead guitar, backing vocals, mandolin

Nils Lofgren – guitar, pedal steel guitar, backing vocals

Patti Scialfa – backing and duet vocals, acoustic guitar, percussion

Soozie Tyrell – violin, acoustic guitar, percussion, backing vocals Charles Giordano – organ, accordion, glockenspiel He also corroborated with Bjork in 2010 on a song called "I'm in love with you".

Film

Music used in films

Springsteen's music has been used in many films and he has also written and performed several works specifically for films, examples include Philadelphia, Dead Man Walking, and The Wrestler.

{| class="wikitable sortable" |- ! Film !! Year of film release !! Song(s) !! Notes |- | Dead End Street || 1982 || "Point Blank", "Hungry Heart" and "Jungleland" || First use of Springsteen's music in film |- | Light of Day || 1987 || (Just Around the Corner to the) Light of Day || Song written for the film. |- | In Country || 1989 || I'm On Fire || Film also contained many Springsteen references |- | Baby, It's You || 1983 || "It's Hard To Be A Saint In The City", "The E Street Shuffle", "She's The One" and "Adam Raised A Cain". || Film directed by John Sayles who later directed music videos for songs from Born in the U.S.A. and Tunnel of Love. |- | High Fidelity (film) || 2000 || "The River" and Blues Guitar Riff || Played by Springsteen, on-screen during his cameo appearance. |- | The Perfect Storm || 2000 || "Hungry Heart" || |- | The Wedding Singer || 1998 || "Hungry Heart" || |- | Risky Business || 1983 || "Hungry Heart" || |- | Thunderheart|| 1992 || "Badlands" (instrumental version) || |- | Reign Over Me || 2007 || "Drive All Night" and "Out In The Streets" || The album The River was also well mentioned in the movie. |- | Cop Land || 1997 || "Drive All Night" and "Stolen Car"|| Sylvester Stallone's character plays the songs on his turntable. |- | Jerry Maguire || 1996 || "Secret Garden" || |- | The Crossing Guard || 1995 || "Missing" || Song later was released in 2003 on The Essential Bruce Springsteen. |- | 25th Hour || 2002 || "The Fuse" || |- | Philadelphia || 1993 || "Streets of Philadelphia" || Song written for film. Won an Oscar. |- | Dead Man Walking || 1995 || "Dead Man Walkin'" || Song written for film. Nominated for a Oscar. |- | In the Land of Women || 2007 || "Iceman" || |- | The Wrestler || 2008 || "The Wrestler" || Written for film. The song was awarded a Golden Globe Award for Best Original Song and nominated for the MTV Movie Award as "Best Song From a Movie". |- | The Heartbreak Kid || 2007 || "Rosalita (Come Out Tonight)" || |- | Lucky You || 2007 || "Lucky Town" || |- | Big Daddy || 1999 || "Growin' Up" || Played over a montage near the end of the film. |- | Limbo || 1999 || "Lift Me Up" || A John Sayles film. |- | Honeymoon in Vegas || 1992 || "Viva Las Vegas" || A 1964 song recorded by Elvis Presley. |- | Food, Inc. || 2009 || This Land Is Your Land || Live version, Bruce Springsteen's performance of the Woody Guthrie song |}

Films inspired by music

In turn, films have been inspired by his music, including The Indian Runner, written and directed by Sean Penn, which Penn has specifically noted as being inspired by Springsteen's song "Highway Patrolman".

In September 2010, a documentary about the making of his 1978 album "Darkness of The Edge of Town" was premiered at the Toronto International Film Festival. and named his film Jersey Girl after the Tom Waits song which Springsteen made famous. The song was also used on the soundtrack.

Acting

Springsteen made his first on-screen appearance in a brief cameo as himself in High Fidelity in 2000 and it was voted "Best Cameo in a Movie" at the MTV Movie Awards.

Discography

in Ivory Coast during Amnesty International's 1988 Human Rights Now! Tour.]] Major studio albums (along with their chart positions in the U.S. Billboard 200 at the time of release):

1973: Greetings from Asbury Park, N.J. (#60)

1973: The Wild, the Innocent & the E Street Shuffle (#59)

1975: Born to Run (#3)

1978: Darkness on the Edge of Town (#5)

1980: The River (#1)

1982: Nebraska (#3)

1984: Born in the U.S.A. (#1)

1987: Tunnel of Love (#1)

1992: Human Touch (#2)

1992: Lucky Town (#3)

1995: The Ghost of Tom Joad (#11)

1998: Tracks (#64)

2002: The Rising (#1)

2005: Devils & Dust (#1)

2006: (#3)

2007: Magic (#1)

2009: Working on a Dream (#1)

2010: The Promise

Awards and recognition

Grammy Awards

:Springsteen has won 20 Grammy Awards, as follows (years shown are the year the award was given for, not the year in which the ceremony was held):

Best Rock Vocal Performance, Male, 1984, "Dancing in the Dark"

Best Rock Vocal Performance, Male, 1987, "Tunnel of Love"

Song of the Year, 1994, "Streets of Philadelphia"

Best Rock Song, 1994, "Streets of Philadelphia"

Best Rock Vocal Performance, Solo, 1994, "Streets of Philadelphia"

Best Song Written Specifically for a Motion Picture or Television, 1994, "Streets of Philadelphia"

Best Contemporary Folk Album, 1996, The Ghost of Tom Joad

Best Rock Album, 2002, The Rising

Best Rock Song, 2002, "The Rising"

Best Male Rock Vocal Performance, 2002, "The Rising"

Best Rock Performance by a Duo or Group with Vocal, 2003, "Disorder in the House" (with Warren Zevon)

Best Solo Rock Vocal Performance, 2004, "Code of Silence"

Best Solo Rock Vocal Performance, 2005, "Devils & Dust"

Best Traditional Folk Album, 2006,

Best Long Form Music Video, 2006,

Best Solo Rock Vocal Performance, 2007, "Radio Nowhere"

Best Rock Song, 2007, "Radio Nowhere"

Best Rock Instrumental Performance, 2007, "Once Upon a Time in the West"

Best Rock Song, 2008, "Girls in Their Summer Clothes"

Best Solo Rock Vocal Performance, 2009, "Working on a Dream"

Only one of these awards has been one of the cross-genre "major" ones (Song, Record, or Album of the Year); he has been nominated a number of other times for the majors, but failed to win.

Golden Globe Awards

Golden Globe Award for Best Original Song for "Streets of Philadelphia" in 1994.

Emmy Awards

The HBO special won two technical Emmy Awards in 2001.

Other recognition

October 27, 1975: Bruce Springsteen appears simultaneously on the covers of 'Newsweek' and 'Time'

Polar Music Prize in 1997. Inducted into the Rock and Roll Hall of Fame, 1999. Inducted into the Songwriters Hall of Fame, 1999. Inducted into the New Jersey Hall of Fame, 2007. "Born to Run" named "The unofficial youth anthem of New Jersey" by the New Jersey state legislature; something Springsteen always found to be ironic, considering that the song "is about leaving New Jersey". The minor planet 23990, discovered Sept. 4, 1999, by I. P. Griffin at Auckland, New Zealand, was officially named in his honor. Ranked #23 on Rolling Stone magazines 2004 list of the 100 Greatest Artists of All Time. Ranked #36 on Rolling Stone magazines 2004 list of the 100 Greatest Singers Of All Time. Made Time magazine's 100 Most Influential People Of The Year 2008 list. Won Critic's Choice Award for Best Song with "The Wrestler" in 2009.

Performed at the Super Bowl XLIII half time show.

Kennedy Center Honors, 2009.

Rolling Stone magazine also ranked 8 out of 16 Springsteen's studio albums in their 500 Greatest Albums Of All Time list.

Rolling Stone magazine ranked Born to Run and Thunder Road in its 500 Greatest Songs Of All Time list, in 21st and 86th, respectively.

Forbes ranked him 6th in The Celebrity 100 in 2009

John Steinbeck Award

Influence

In addition to his noted influence on music in his native New Jersey, Springsteen is also cited as an influence by Bon Jovi, Arcade Fire, The Gaslight Anthem, The Constantines, The Hold Steady, The National, Kings of Leon, The Killers, U2, Willy DeVille, Johnny Cash in his later recordings, and countless others. His songs have been covered by diverse artists such as The Pointer Sisters, Melissa Etheridge, Emmylou Harris, Johnny Cash, McFly, Tegan and Sara, Damien Jurado, Vampire Weekend, Free Energy, Aimee Mann, Social Distortion, Rage Against The Machine, Ben Harper, Eric Bachmann, Josh Ritter, Frank Turner, Hank Williams III, and Adam Green, in addition to above-noted bands like Arcade Fire and The National.

For Springsteen's influence on academic writers, see "Library of Hope and Dreams":a comprehensive annotated bibliography of published Springsteen scholarship in English. Note, bibliography is indexed by song, album, author and subject keywords.

See also

List of best selling music artists

List of artists who reached number one on the U.S. Mainstream Rock chart

Notes

References

Alterman, Eric. It Ain't No Sin To Be Glad You're Alive : The Promise of Bruce Springsteen. Little Brown, 1999. ISBN 0-316-03885-7.

Coles, Robert. Bruce Springsteen's America: The People Listening, a Poet Singing. Random House, 2005. ISBN 0-375-50559-8.

Cross, Charles R. Backstreets: Springsteen – the man and his music Harmony Books, New York 1989/1992. ISBN 0-517-58929-X. Contains 15+ interviews and a complete list of all Springsteen songs including unreleased compositions. Complete lising of all concerts 1965–1990 – most of them with tracklists. Hundreds of previously unreleased high quality color pictures.

Cullen, Jim. Born in the U.S.A.: Bruce Springsteen and the American Tradition. 1997; Middletown, CT: Wesleyan University Press, 2005. New edition of 1997 study book places Springsteen's work in the broader context of American history and culture. ISBN 0-8195-6761-2

Eliot, Marc with Appel, Mike. Down Thunder Road. Simon & Schuster, 1992. ISBN 0-671-86898-5.

Graff, Gary. The Ties That Bind: Bruce Springsteen A to E to Z. Visible Ink, 2005. ISBN 1-57859-151-1.

Guterman, Jimmy. Runaway American Dream: Listening to Bruce Springsteen. Da Capo, 2005. ISBN 0-306-81397-1.

Hilburn, Robert. Springsteen. Rolling Stone Press, 1985. ISBN 0-684-18456-7.

Knobler, Peter with special assistance from Greg Mitchell. "Who Is Bruce Springsteen and Why Are We Saying All These Wonderful Things About Him?", Crawdaddy, March 1973.

Marsh, Dave. Bruce Springsteen: Two Hearts : The Definitive Biography, 1972–2003. Routledge, 2003. ISBN 0-415-96928-X. (Consolidation of two previous Marsh biographies, Born to Run (1981) and Glory Days (1987).)

Wolff, Daniel. 4 July, Asbury Park: A History of the Promised Land. Bloomsbury, 2005. ISBN 1-58234-509-0.

Further reading

Greetings from E Street: The Story of Bruce Springsteen and the E Street Band. Chronicle Books, 2006. ISBN 0-8118-5348-9.

Days of Hope and Dreams: An Intimate Portrait of Bruce Springsteen. Billboard Books, 2003. ISBN 0-8230-8387-X.

Racing in the Street: The Bruce Springsteen Reader. Penguin, 2004. ISBN 0-14-200354-9.

Runaway American Dream: Listening to Bruce Springsteen. Da Capo Press, 2005. ISBN 0-306-81397-1.

The Ties That Bind: Bruce Springsteen A to E to Z. Visible Ink Press, 2005. ISBN 1-57859-157-0.

Bruce Springsteen: "Talking". Omnibus Press, 2004. ISBN 1-84449-403-9.

For You: Original Stories and Photographs by Bruce Springsteen's Legendary Fans. LKC Press, 2007. ISBN 978-0-9784156-0-0.

Bruce Springsteen on Tour: 1968–2005. by Dave Marsh Bloomsbury USA, 2006. ISBN 978-1-59691-282-3.

The Gospel according to Bruce Springsteen: Rock and Redemption from Asbury Park to Magic. by Jeffrey B. Symynkywicz. Westminster John Knox Press, 2008. ISBN 978-0-664-23169-9.

Magic in the Night: The Words and Music of Bruce Springsteen by Rob Kirkpatrick. St. Martin's Griffin, 2009. ISBN 0-312-53380-2.

Land of Hope and Dreams: Celebrating 25 Years of Bruce Springsteen In Ireland by Greg Lewis and Moira Sharkey. Magic Rat Books. ISBN 978-0-9562722-0-1

External links

Bruce Springsteen – official website

Bruce Springsteen at Rolling Stone

Bruce Springsteen at Idiomag''

brucespringsteen.it database of setlists, discography, tour, bootlegs

Complete Bruce Springsteen Discography

in 2005

Gridskipper: Mapping Out Bruce Springsteen's Asbury Park

Highlights of Springsteen at Glastonbury 2009.

Bruce Springsteen at NPR Music

Bruce Springsteen – Asbury Park, New Jersey boardwalk history including Bruce Springsteen stories.

NewsDay

Bruce Springsteen at Wolfgangsvault.com

Bruce Springsteen Special Collection (research archives)

http://articles.latimes.com/2009/dec/12/entertainment/la-et-people-speak12-2009dec12

iPhone Complete Bruce Springsteen Setlist Archive from 1971

Bruce Springsteen Concerts Setlist for iPhone

"Library of Hope and Dreams":bibliography of published Springsteen scholarship in English. Indexed by song, album, author and subject keywords.

Category:1949 births Category:Living people Category:American baritones Category:American folk singers Category:American male singer-songwriters Category:American people of Dutch descent Category:American people of Irish descent Category:American people of Italian descent Category:American rock guitarists Category:American rock singers Category:Best Song Academy Award winning songwriters Category:BRIT Award winners Category:Columbia Records artists Category:Grammy Award winners Category:American musicians of Italian descent Category:Jersey Shore musicians Category:Kennedy Center honorees Category:New Jersey Democrats Category:People from Monmouth County, New Jersey Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:Sony/ATV Music Publishing artists Category:The E Street Band members

Name	Synyster Gates
Background	non_vocal_instrumentalist
Birth name	Brian Elwin Haner, Jr.
Born	July 07, 1981Huntington Beach, California, United States
Instrument	Guitar, piano, vocals
Genre	Heavy metal, hard rock, metalcore, progressive metal, avant-garde metal, post-hardcore, punk rock
Occupation	Musician
Years active	1999–present
Label	Good Life Recordings, Hopeless, Warner Bros., Bucktan
Associated acts	Avenged Sevenfold, Pinkly Smooth,
Notable instruments	Schecter Synyster Custom

Brian Elwin Haner, Jr. (July 7, 1981), better known by his stage name Synyster Gates or simply Syn, is an American musician, best known for being the lead guitarist of the heavy metal band Avenged Sevenfold.

Early life

Haner attended Mayfair High School in Lakewood, but he later transferred and graduated from Ocean View High School in Huntington Beach, California.

He studied at the Musicians Institute in Hollywood as part of the Guitar Institute of Technology program, studying jazz guitar. After six or so months of being there, he got a phone call from The Rev asking him if he wanted to join his band, Avenged Sevenfold, as lead guitarist. Haner joined rather than continuing his education and becoming a studio musician. Up until that time he was primarily self-taught by watching music videos and reading books. His father, Brian Haner, Sr., is a songwriter and guitarist.

Avenged Sevenfold

Gates joined Avenged Sevenfold when he was 18 at the end of 1999, right before the recording of the band's first album, Sounding the Seventh Trumpet. He was featured on the EP "Warmness on the Soul", and on the reissue of the band's first album.

Gates became the band's official lead guitarist. After Sounding the Seventh Trumpet, the band has released 4 studio albums: Waking the Fallen, City of Evil, Avenged Sevenfold, Nightmare and a live DVD/CD Live in the LBC & Diamonds in the Rough.

On the Avenged Sevenfold DVD All Excess, Gates claimed that his name was created on a drunken drive through the park with The Rev.

He has won numerous awards, including the 2006 Metal Hammer "Young Shredder" award and the 2006 Total Guitar Magazine "Guitarist of the Year."

M. Shadows stated in a YouTube in the studio video, Gates wrote the song "So Far Away" for Nightmare, in honor of his friend and bandmate The Rev, who died in December 2009.

Pinkly Smooth

Haner, along with The Rev, played in an avant-garde metal band named Pinkly Smooth. Formed in the summer of 2001 in Huntington Beach, California, the band featured ex-Ballistico members Buck Silverspur on bass and D-Rock on drums. The band has released one album, Unfortunate Snort on Bucktan Records, which features a crossover sound of mostly punk, ska and avant-garde. Former Avenged Sevenfold bassist Justin Meacham played keyboards and piano on the album. There was speculation that Pinkly Smooth was going to produce another record, but due to the death of The Rev, it is highly unlikely that they will produce any more material.

Featured guest appearances

Bleeding Through's "Savior, Saint, Salvation," track

Good Charlotte's "The River" track and music video

Burn Halo's "Dirty Little Girl" music video

Burn Halo's "Anejo" track

He and his father wrote and recorded the theme song to The Jeff Dunham Show.

Equipment

Guitars

Synyster Gates uses mainly Schecter Guitars. Schecter Guitar Research has been sponsoring him and he has signature Avenger models.

Schecter Synyster Gates Signature Custom models with Seymour Duncan SH-8 Invaders and Sustainiac neck pickup sustainer

Schecters custom models with Rebel flag, American flag, German flag, Black with Red Stripes, Red with Black Stripes, and one with Tune-O-Matic Bridge.

Schecter Avengers

Schecter Custom C-1 FR

Schecter Hellraiser C-1 FR

Schecter PT Fastback

Schecter S-1 loaded with Seymour Duncan JBs

Gibson Custom Shop Les Paul Custom

Parker Fly (not sure exact model/color)

Ibanez - RG Prestige

Amplifiers & Effects Unit

Schecter Synyster Custom

Marshall JVM205H (for Nightmare)

Krank Distortus Maximus

Boss SD-1 Super Overdrive

Boss CS-3 Compresser Sustainer(2)

Boss RV-5 Digital Reverb

Boss BF-3 Flanger

Boss PH-3 Phase Shifter

Frantone "The Sweet" Distortion

Digitech Whammy Pedal

Dunlop Crybaby from Hell

Dunlop Crybaby RackWah

Budda Custom Wah

MXR Custom Audio Electronics MC-401 Boost Pedal

MXR Carbon Copy Delay

MXR Custom Comp

Visual Sound H20 Chorus & Echo Ernie Ball Wah Pedal

Sustainiac Stealth Pro Sustainer

Bogner Uberschall

Bogner Uberschall Twin Jet

Mesa Boogie Rectifier

Marshall JCM 800

Mesa Boogie 4x12 Cabinets

Marshall 4x12 Cabinets

References

External links

Category:American rock guitarists Category:Musicians from California Category:1981 births Category:Living people Category:American Roman Catholics Category:Avenged Sevenfold members Category:American musicians of German descent Category:Lead guitarists Category:American heavy metal guitarists

Name	Sarah McLachlan
Background	solo_singer
Img alt	A 37 year-old Caucasian woman wearing a long brown dress sings into a microphone with her hands upraised and eyes closed.
Birth name	Sarah Ann McLachlan
Born	January 28, 1968 Halifax, Nova Scotia, Canada
Genre	Pop, adult contemporary
Occupation	Singer-songwriter, multi-instrumentalist, painter, executive producer
Voice type	Mezzo-soprano

External links

Official site

Interview with Sarah McLachlan

Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Arista Records artists Category:Musicians from British Columbia Category:Canadian adoptees Category:Canadian female singers Category:Canadian mezzo-sopranos Category:Canadian pop singers Category:Canadian singer-songwriters Category:Canadian pop guitarists Category:Canadian pop pianists Category:Canadian harpists Category:Canadian keyboardists Category:Canadian music video directors Category:Canadian female guitarists Category:Canadian multi-instrumentalists Category:Canadian people of Scottish descent Category:Feminist artists Category:Ballad musicians Category:Gemini Award winners Category:Grammy Award winners Category:Juno Award winners Category:Members of the Order of British Columbia Category:Musicians from Nova Scotia Category:Officers of the Order of Canada Category:People from Vancouver Category:People from Halifax, Nova Scotia Category:1968 births Category:Living people Category:Animal rights advocates Category:Nova Scotia College of Art and Design University alumni

Name	Justin Timberlake
Background	solo_singer
Birth name	Justin Randall Timberlake
Birth date	January 31, 1981
Birth place	Memphis, Tennessee, U.S.
Instrument	Vocals, keyboards, guitar, beatboxing
Origin	Shelby Forest, Tennessee, U.S.
Genre	Pop, dance, R&B;
Occupation	Singer-songwriter, musician, record producer, dancer, actor, businessman
Years active	1993–present
Label	Jive
Associated acts	'N Sync, The Y's,Timbaland,T.I
Url

Justin Randall Timberlake (born January 31, 1981) and Southern Hospitality.

Early life

Timberlake was born in Memphis, Tennessee, the son of Lynn Harless (née Bomar) and Randall Timberlake. Timberlake is of English descent, and has also claimed unconfirmed American Indian ancestry. His paternal grandfather, Charles L. Timberlake, was a Baptist minister, and Timberlake was raised Baptist, though now considers himself more "spiritual than religious".

Timberlake's parents divorced in 1985, and both have remarried. His mother, who now runs an entertainment company called Just-in Time Entertainment, remarried to Paul Harless, a banker, when her son was five. His father, a choir director at a Baptist church, has two children, Jonathan (born c. 1993) and Steven Robert (born August 14, 1998), from his second marriage to Lisa Perry. Timberlake's half-sister, Laura Katherine, died shortly after birth on May 14, 1997, and is mentioned in his acknowledgments in the album *NSYNC as "My Angel in Heaven." Timberlake grew up in Shelby Forest, a middle class crime-free suburb between Memphis and Millington. His first attempts at a singing career were country music songs on Star Search as "Justin Randall."

In 1993, Timberlake joined the cast of The Mickey Mouse Club. His castmates included future girlfriend and pop superstar Britney Spears, future tourmate Christina Aguilera, and future bandmate JC Chasez. The show ended in 1994, but late in 1995 Timberlake recruited Chasez to be in an all-male singing group organized by boy band manager Lou Pearlman that eventually became 'N Sync.

Music career

1995–2002: 'N Sync

Timberlake and JC Chasez were the two lead singers of the popular 1990s boy band 'N Sync. The group formed in 1995, started its career 1996 in Europe, and hit it big in the United States in 1998 with the U.S. release of its debut album *NSYNC, which sold 11 million copies. The album included a number of hit singles, including "Tearin' Up My Heart". For the next two years, encouraged by similar developments with the Backstreet Boys, 'N Sync engaged in a lengthy legal battle with manager Lou Pearlman. Eventually the band signed with Jive Records. In March 2000, 'N Sync released a long-awaited album, No Strings Attached, which became the fastest-selling album of all time with 2.4 million copies sold in its first week and produced a #1 single, "It's Gonna Be Me". The release was followed by the band's third album, Celebrity, which was the second-fastest selling album of all time. In 2002, after the completion of a Celebrity Tour and the release of "Girlfriend", the third single from Celebrity, the group decided to take time off, at which point Timberlake began work on his first solo album and the group went into a hiatus. In its lifetime, 'N Sync was internationally famous and performed at the Academy Awards, the Olympics, and the Super Bowl, as well as selling more than 50 million copies worldwide, becoming the third-best selling boy band in history.

In late 1999, Timberlake made his acting debut in the Disney Channel movie Model Behavior. He played Jason Sharpe, a model who falls in love with a waitress after mistaking her for another model. It was released on March 12, 2000.

As a member of 'N Sync, Timberlake developed into a major celebrity in his own right in addition to achieving respect as a musician, since he was the writer or co-writer of all three singles from Celebrity. The rise of his own stardom and the general decline in the popularity of boy bands led to the dissolution of 'N Sync. Band member Lance Bass has stated that he believes the group is finished, and is openly critical of Timberlake's actions in his memoir Out of Sync. On the other hand, Chris Kirkpatrick remarked in August 2008 that the five remain friends, and he believed a reunion was possible: he repeated that opinion in October 2009. In September 2008, Bass also made conciliatory comments.

2002–04: Justified and Super Bowl

In August 2002, after months of recording Justified, his debut solo album, Timberlake performed at the 2002 MTV Video Music Awards. He premiered his first single, "Like I Love You", a sparse dance track produced by The Neptunes. The song reached #11 on the Billboard Hot 100. The album sold fewer copies than previous 'N Sync efforts. It debuted at #2 on the Billboard 200 album chart, selling 439,000 copies in its first week of release. It eventually went on to sell more than three million copies in the U.S. and more than seven million copies worldwide. The album also received critical acclaim, thanks to its heavy R&B; influence provided by hip-hop producers The Neptunes and Timbaland. It spun off hits throughout late 2002 and 2003, including the top ten singles "Cry Me a River" and "Rock Your Body". Timberlake supported the album by co-headlining the Justified/Stripped Tour with Christina Aguilera in the summer of 2003. At the end of the year, Timberlake recorded a song entitled "I'm Lovin' It". It was used by McDonald's as the theme to its "I'm Lovin' It" campaign. The deal with McDonald's earned Timberlake an estimated $6 million. A tour entitled Justified and Lovin' It Live was included with the deal as well. Timberlake was featured on Nelly's song, "Work It", which was remixed and included on Nelly's 2003 remix album.

In February 2004, during the halftime show of the Super Bowl XXXVIII broadcast on the CBS television network, Timberlake performed with Janet Jackson before a television audience of more than 140 million viewers. At the end of the performance, as the song drew to a close, Timberlake tore off a part of Jackson's black leather costume in a "costume reveal" meant to accompany a portion of the song lyrics. According to CBS, "both Jackson and Timberlake had confirmed they planned it 'independently and clandestinely' without informing anyone." Part of the costume detached, and Jackson's breast was briefly exposed. Timberlake apologized for the incident, stating he was "sorry that anyone was offended by the wardrobe malfunction during the halftime performance of the Super Bowl...." The phrase "wardrobe malfunction" has since been used by the media to refer to the incident and has entered pop culture. As a result of the controversy, Timberlake and Jackson were threatened with exclusion from the 2004 Grammy Awards unless they agreed to apologize on screen at the event. Timberlake attended and issued a scripted apology when accepting the first of two Grammy Awards he received that night (Best Pop Vocal Album for Justified and Best Male Pop Vocal Performance for "Cry Me a River"). He had also been nominated for Album of the Year for Justified, Record of the Year for "Cry Me a River", and Best Rap/Sung Collaboration for "Where Is the Love?" with The Black Eyed Peas. In 2004 American Idol judge Simon Cowell described Timberlake in People Magazine as "just some white kid who's tried to act black over the last several years".

2004–06: Collaborations and acting

After the Super Bowl controversy, Timberlake put his recording career on hold to act in several films, having starred in a few feature films earlier in his music career. He also appeared in the films Alpha Dog, Black Snake Moan, Richard Kelly's Southland Tales, and voiced Prince Artie Pendragon in the animated film Shrek the Third, released on May 18, 2007. He also appeared as a young Elton John, in the video for John's song "This Train Don't Stop There Anymore". Timberlake was considered to play the role of Roger Davis in the film version of the rock musical Rent, but director Chris Columbus had insisted that only the original Broadway members could convey the true meaning of Rent.

He continued to record with other artists. After "Where Is the Love?", he again collaborated with the Black Eyed Peas on the 2005 track "My Style" from their album Monkey Business. When recording the 2005 single "Signs" with Snoop Dogg, Timberlake discovered a throat condition. Nodules were subsequently removed from his throat in an operation that took place on May 5, 2005. He was advised not to sing or speak loudly for at least a few months. In the summer of 2005, Timberlake started his own record company, JayTee Records.

Timberlake made a cameo in the video for Nelly Furtado and Timbaland's single "Promiscuous", released on May 3, 2006.

2006–07: FutureSex/LoveSounds

, Minnesota (2007)]] Timberlake released his second solo album, FutureSex/LoveSounds, on September 12, 2006. It is the biggest album for pre-orders on iTunes, and beat Coldplay's record for the biggest one-week sales of a digital album. The album was produced by Timbaland and Danja (who produced a bulk of the album), will.i.am, Rick Rubin and Timberlake himself, and features guest vocals by Snoop Dogg, Three 6 Mafia, T.I. and will.i.am. A studio representative described it as being "all about sexiness" and aiming for "an adult feel". "My Love", the album's second single, also produced by Timbaland and featuring rapper T.I., reached number one on the Hot 100, as did third single "What Goes Around.../...Comes Around Interlude". The song is reported to have been inspired by the break-up of his childhood friend and business partner, Trace Ayala, with actress Elisha Cuthbert. In October 2006, Timberlake said that he would focus on his music career rather than his film roles, specifying that leaving the music industry would be a "dumb thing to do at this point".

In February 2008, Timberlake was awarded two Grammy Awards. At the 50th Grammy Awards Ceremony, Timberlake won the Male Pop Performance Award for "What Goes Around...Comes Around", and the Dance Recording Award for "LoveStoned/I Think She Knows".

2007–10: Collaborations and acting

In April 2007, Timberlake was seen entering a London studio with Madonna, thus confirming rumors that he was collaborating with her. A song "4 Minutes", was first played by Timbaland at Philadelphia's Jingle Ball on December 17, 2007. When released on March 17, 2008, "4 Minutes" was revealed to be a duet between Timberlake and Madonna, with backing vocals by Timbaland. It was lead single from Madonna's eleventh studio album Hard Candy, which featured four other song-writing collaborations with Timberlake. The single was an international hit, topping the charts in over 21 countries worldwide. Timberlake also appears in the music video, which was directed by Jonas & François. On March 30, 2008, Timberlake performed the song at Madonna's Hard Candy Promo Show at Roseland Ballroom in New York City. On November 6, 2008, Timberlake performed the song with Madonna on the Los Angeles stop of her Sticky & Sweet Tour.

Around June 2007 Timberlake co-wrote, produced and provided vocals for the songs "Nite Runner" and "Falling Down" for Duran Duran's album Red Carpet Massacre, released on November 13, 2007. "Falling Down" had been released as a single in the UK on the previous day. .]] Also in 2007, Timberlake made an appearance on 50 Cent's third album, Curtis. Timberlake, along with Timbaland, is featured on a track called "Ayo Technology", which was the album's fourth single. Also, another possible collaboration was to occur with Lil Wayne for his album Tha Carter III with Nelly Furtado and Timbaland.

With the wrapping up of the FutureSex/LoveSounds tour of Australasia and the Middle East in November 2007, Timberlake resumed his film career. Projects underway early in 2008 were starring roles in Mike Myers' comedy The Love Guru (released June 20, 2008) and Mike Meredith's drama The Open Road (released August 28, 2009). In March 2008 it was announced that he was be an executive producer in an American adaptation of the hit Peruvian comedy My Problem with Women for NBC.

On November 20, 2008, TV Guide reported that Timberlake’s next single, "Follow My Lead", which also featured vocals by Timberlake’s protégée, former YouTube star Esmee Denters, would be available for exclusive download through MySpace. All proceeds would go to Shriners Hospitals for Children, a charity dedicated to improving pediatric care for sick children.

In 2008 a collaboration between Timberlake and T.I., "Dead and Gone" featured on T.I.'s sixth studio album, Paper Trail, and was released as its fourth single late in 2009. In November 2008, it was confirmed that Timberlake would make a guest appearance and produce some tracks on R&B;/pop singer Ciara's upcoming album Fantasy Ride due out May 5, 2009. Timberlake featured on Ciara's second single "Love Sex Magic", the video being shot on February 20, 2009. The single became a worldwide hit, reaching the top ten in numerous countries and peaking at number one in several countries including Taiwan, India, and Turkey. The single was nominated for Best Pop Collaboration with Vocals at the 52nd Grammy Awards.

Timberlake and his production team The Y's, along with Mike Elizondo, produced and co-wrote the song "Don't Let Me Down" for Leona Lewis's second studio album, Echo, released (in the US) on November 17, 2009.

Timberlake also co-wrote and performed on "Carry Out", the third single from Timbaland's album Shock Value II, released on December 1, 2009.

Timberlake appeared at the 2010 MTV VMAs on September 12, 2010.

Other work

Near the end of 2002, Timberlake was the first celebrity to appear on Punk'd, a "candid camera" type show created by Ashton Kutcher to trick celebrities. Timberlake, who cried during the episode, later admitted to being under the influence of marijuana when he was pranked. Three episodes later, he set up Kelly Osbourne to be "punk'd", thus making him the first celebrity to appear on the show more than once. Timberlake later spoofed Ashton Kutcher and Punk'd in a 2003 episode of NBC's Saturday Night Live.

Timberlake has hosted many music events, including the European MTV Music Awards in 2006. On December 16, 2006, Timberlake hosted Saturday Night Live, doing double duty as both host and musical guest for the second time. During this appearance, he and Andy Samberg performed an R&B; song for a skit entitled "Dick in a Box", which some radio stations have aired as an unofficial single from Timberlake and has become one of the most viewed videos on YouTube. On May 9, 2009, he appeared in another SNL Digital Short opposite Samberg, Susan Sarandon and Patricia Clarkson entitled "Motherlover", a quasi-sequel to "Dick in a Box".

Timberlake appeared on Jimmy Fallon's debut as host of Late Night with Jimmy Fallon on March 2, 2009.

In 2004, ABC hired Timberlake to write a song for its NBA coverage.

Timberlake is the executive producer on the MTV reality series The Phone, which premiered on April 21, 2009. According to People Magazine, the series "thrusts contestants into a heart-stopping action adventure worthy of a summer blockbuster. In six hour-long episodes, a mysterious stranger on the phone invites four strangers into the dangerous game. If they accept, they're paired into two teams and dared to perform physical and mental challenges reminiscent of Matt Damon's The Bourne Identity or Shia LaBeouf's Eagle Eye."

Other ventures

Business

Timberlake has co-owned or provided celebrity endorsement for three restaurants in the United States: "Chi" opened in West Hollywood, California in 2003, and "Destino" and "Southern Hospitalty" in New York opened in 2006 and 2007, respectively. He also has his own brand of tequila called 901; the name comes in part from the area code of his hometown of Memphis.

In 2005, Timberlake launched the William Rast clothing line with childhood friend Juan ("Trace") Ayala. The 2007 line contained cord jackets, cashmere sweaters, jeans and polo shirts. The pair reports inspiration from fellow Memphis native Elvis Presley: "Elvis is the perfect mixture of Justin and I," Ayala says. "You can go back and see pictures of him in cowboy boots and a cowboy hat and a nice button-down shirt, but then again you can see him in a tux and a collared shirt with rhinestones on it and slacks. We like to think 'If he was alive today, what would he be wearing?'" Target has announced that a William Rast collection, including denim, outerwear and sportswear for men and women, would launch in December and be available for a month.

Timberlake provides celebrity endorsement for many commercial products, this aspect of his business being managed by IMG Sports & Entertainment since April 2008. Major endorsements in 2009 included Sony electronic products, Givenchy's men's fragrance "Play", Audi's "A1", and Callaway Golf Company products.

An avid amateur golfer, in 2007 Timberlake purchased the run-down Big Creek Golf Course in his home town of Millington, Tennessee, which he redeveloped as the eco-friendly Mirimichi Golf Course at a cost of some $US16 million. It was reopened on 25 July 2009 but closed again on 15 January 2010 for further improvements expected to take six months.

Charitable causes

Timberlake has been active in several charitable pursuits, initially through 'N Sync's "Challenge for the Children" aimed at a range of charities, and since 2001 through his "Justin Timberlake Foundation," which initially funded music education programs in schools, but now has a much broader agenda. In October 2005, the Grammy Association presented Timberlake with an award for his humanitarian efforts in Tennessee, alongside writer/director Craig Brewer, also a Memphis native.

In November 2007 he donated $A100,000 from takings from his Australian tour to Wildlife Warriors founded by the late Steve Irwin. On March 23, 2008, he donated $100,000 to the Memphis Rock 'n' Soul Museum and another $100,000 to the Memphis Music Foundation.

On November 12, 2007, the PGA Tour announced that Timberlake, an avid golfer who plays to a 6 handicap, would become the host of the tour's Las Vegas tournament starting in 2008. With Timberlake's agreement to host the tournament, its name was changed to the Justin Timberlake Shriners Hospitals for Children Open. He played in the celebrity pro-am on the day before the competitive tournament and hosted a charity concert during the week of the tournament. The activity was a success, and was repeated in 2009. A review of the value of celebrities to fundraising concluded that Timberlake's contribution to Shriners Hospitals for Children was the single most valuable celebrity endorsement in the US during 2009, and worth over $US9 million.

Personal life

Early in 1999, Timberlake began what eventually became a high-profile celebrity relationship with fellow pop singer Britney Spears, with whom he had worked on the New Mickey Mouse Club. This ended abruptly in March 2002, amidst tabloid press speculation on Spears' infidelity with choreographer Wade Robson, a mutual friend of Spears and Timberlake. Lynn Harless says as a mother she too was devastated regarding the break-up, but to this day speaks warmly of Spears, "Britney grew up on my living room floor. I still love her to death. They (Justin and Britney) were together 10 or 11 years and had, from day one, instant chemistry between them. She's a sweet girl. I just hate what she's going through now." The breakup influenced the lyrics and theme of Timberlake's hit "Cry Me A River", one of the most popular singles from Justified.

Post-Spears, Timberlake has generally refused to discuss his personal life with the media, as a result of which his relationships have been the subject of much speculation in the tabloid and celebrity press. He was involved with singer-actress Stacy Ferguson prior to 2001. He was romantically linked with actress-dancer Jenna Dewan (in mid-2002) and actress-singer Alyssa Milano (between September and October 2002). On the December 16, 2006 episode of Saturday Night Live, Diaz introduced Timberlake as the night's musical guest, and the couple officially split shortly afterwards. After the tabloid press alleged an affair between Timberlake and Scarlett Johansson, with whom he had shot the video for his single "What Goes Around.../...Comes Around Interlude", Diaz and Timberlake issued a joint statement on January 11, 2007:

}}

Later in January 2007 Timberlake was linked to Jessica Biel when pictures surfaced of the two snowboarding in Park City, Utah during the Sundance Film Festival. On May 12, 2007 romantic pictures of Timberlake and Biel on multiple dates were published. In the August 9–15, 2008 edition of Heat magazine, when Timberlake was asked to describe his perfect woman, he replied "About 5ft.7in.-5ft.8in., nice butt, Midwestern American, kind-of-German last name, green eyes, big pouty lips, fair skin, ahhh....sinewy bod..." However, during an appearance on The Tonight Show with Jay Leno on June 11, 2008 when Jay Leno questioned him about anything related to rumors of engagement and pregnancy, Timberlake jokingly responded that he "is engaging in a conversation with Leno" and "everybody in general can get pregnant."

Timberlake was given Sexiest Man titles by Teen People and Cosmopolitan magazines. On February 17, 2009, Timberlake was named the "Most Stylish Man in America" by GQ magazine.

Timberlake is also a fan of English Football Club Manchester United.

Discography

Studio albums

2002: Justified

2006: FutureSex/LoveSounds

Extended plays

2003: Justin & Christina

DVDs

2003: Justified: The Videos

2003: Live from London

2007: Futuresex/Loveshow – Live from Madison Square Garden

Tours

2003: Justified/Stripped Tour

2003/2004: Justified and Lovin' It Live

2007: FutureSex/LoveShow

Filmography

{| class="wikitable sortable" |+ Film ! Year ! Title ! Role ! class="unsortable" | Notes |- | 2000 | Longshot | Valet | |- | 2000 | Model Behavior | Jason Sharpe | TV film |- | 2001 | On the Line | Make-up artist | Uncredited cameo |- | 2005 | Edison | Josh Pollack | |- | 2006 | Alpha Dog | Frankie Ballenbacher | |- | 2006 | Black Snake Moan | Ronnie | |- | 2007 | Shrek the Third | Artie Pendragon | Voice role |- | 2007 | Southland Tales | Pvt Pilot Abilene | |- | 2008 | The Love Guru | Jacques "Le Coq" Grande | |- | 2009 | The Open Road | Carlton Garrett | |- | 2010 | Shrek Forever After | Artie Pendragon | Voice role, deleted scene |- | 2010 | The Social Network | Sean Parker | Phoenix Film Critics Society Award for Best CastNominated–Broadcast Film Critics Association Award for Best CastNominated—Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture |- | 2010 | Yogi Bear | Boo-Boo Bear | Voice role |- | 2011 | Bad Teacher | Scott | Post-production |- | 2011 | Now | Will Salas | Filming |- | 2011 | Friends with Benefits | Dylan | Post-production |} {| class="wikitable sortable" |+ Television ! Year ! Title ! Role ! class="unsortable" | Notes |- | 1993–1995 | The Mickey Mouse Club | Himself | |- | 1999 | Touched by an Angel | Street performer | "" |- | 2005–present | Saturday Night Live | Himself/Several roles | Four episodes |}

See also

List of awards and nominations received by Justin Timberlake

References

External links

Category:1981 births Category:1990s singers Category:2000s singers Category:2010s singers Category:Actors from Tennessee Category:American child actors Category:American child singers Category:American businesspeople Category:American Christians Category:American dance musicians Category:American dancers Category:American film actors Category:American male singers Category:American pop singers Category:American rhythm and blues singers Category:American voice actors Category:Baptists from the United States Category:Beatboxers Category:Blue-eyed soul singers Category:Hip hop singers Category:BRIT Award winners Category:American people of British descent Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Living people Category:Jive Records artists Category:Mouseketeers Category:Musicians from Tennessee Category:'N Sync members

Category:People from Memphis, Tennessee Category:Sony BMG artists

Category:World Music Awards winners Category:Blue-eyed soul musicians

Name	Herbie Hancock
Landscape	no
Background	non_vocal_instrumentalist
Birth name	Herbert Jeffrey Hancock
Born	April 12, 1940Chicago, IllinoisUnited States
Spouse	Gigi Hancock
Instrument	piano, synthesizer, organ, clavinet, keytar, vocoder
Genre	jazz, bebop, post bop, jazz fusion, hard bop, jazz-funk, funk, R&B;, electro funk, classical
Occupation	musician, composer, bandleader
Years active	1961–present
Label	Columbia, Blue Note, Verve/Polygram, Warner Bros. Records, Sony BMG Music Entertainment
Associated acts	Miles Davis Quintet, Jaco Pastorius, Stevie Wonder

Herbert Jeffrey "Herbie" Hancock (born April 12, 1940) is an American pianist, bandleader and composer. As part of Miles Davis's "second great quintet", Hancock helped redefine the role of a jazz rhythm section, and was one of the primary architects of the "post-bop" sound. He was one of the first jazz musicians to embrace synthesizers and funk. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success among pop audiences. His music embraces elements of funk and soul while adopting freer stylistic elements from jazz. In his jazz improvisation, he possesses a unique creative blend of jazz, blues, and modern classical music, with harmonic stylings much like the styles of Claude Debussy and Maurice Ravel.

Hancock's best-known solo works include "Cantaloupe Island", "Watermelon Man" (later performed by dozens of musicians, including bandleader Mongo Santamaría), "Maiden Voyage", "Chameleon", and the singles "I Thought It Was You" and "Rockit". His 2007 tribute album "" won the 2008 Grammy Award for Album of the Year, only the second jazz album ever to win the award after Getz/Gilberto in 1965.

As a member of Soka Gakkai, Hancock is an adherent of the Nichiren school of Mahayana Buddhism.

Early life and career

Hancock was born in Chicago, Illinois. Like many jazz pianists, Hancock started with a classical music education; Hancock studied from age seven. His talent was recognized early. Considered a child prodigy, he played the first movement of Mozart's Piano Concerto No. 5 at a young people's concert with the Chicago Symphony at age eleven.

Through his teens, Hancock never had a jazz teacher. Instead, around high school age, Hancock grew to like jazz after hearing some Oscar Peterson and George Shearing recordings, which he transcribed in his own time, and which developed his ear and sense of harmony. He was also influenced by records of the vocal group the Hi-Lo's:

..by the time I actually heard the Hi-Lo's, I started picking that stuff out; my ear was happening. I could hear stuff and that's when I really learned some much farther-out voicings -like the harmonies I used on 'Speak Like a Child' -just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it music after two years.

In 1960, he heard Chris Anderson play just once, and begged him to accept him as a student. Hancock often mentions Anderson as his harmonic guru. Hancock left Grinnell, moved to Chicago and began working with Donald Byrd and Coleman Hawkins, during which period he also took courses at Roosevelt University. (He later graduated from Grinnell, who also awarded him an honorary Doctor of Fine Arts degree in 1972). Donald Byrd was attending the Manhattan School of Music in New York at the time and suggested that Hancock study composition with Vittorio Giannini, which he did for a short time in 1960. The pianist quickly earned a reputation, and played subsequent sessions with Oliver Nelson and Phil Woods. He recorded his first solo album Takin' Off for Blue Note Records in 1962. "Watermelon Man" (from Takin' Off) was to provide Mongo Santamaría with a hit single, but more importantly for Hancock, Takin' Off caught the attention of Miles Davis, who was at that time assembling a new band. Hancock was introduced to Davis by the young drummer Tony Williams, a member of the new band.

Miles Davis quintet and Blue Note

Hancock received considerable attention when, in May 1963,

Mason was replaced by Mike Clark, and the band released a second album, Thrust, the following year. (A live album from a Japan performance, consisting of compositions from those first two Head Hunters releases was released in 1975 as Flood. The record has since been released on CD in Japan.) This was almost as well-received as its predecessor, if not attaining the same level of commercial success. The Headhunters made another successful album (called Survival of the Fittest) without Hancock, while Hancock himself started to make even more commercial albums, often featuring members of the band, but no longer billed as The Headhunters. The Headhunters reunited with Hancock in 1998 for Return of the Headhunters, and a version of the band (featuring Jackson and Clark) continues to play live and record.

In 1973, Hancock composed his second masterful soundtrack to the controversial film The Spook Who Sat By The Door. Then in 1974, Hancock also composed the soundtrack to the first Death Wish film. One of his memorable songs, "Joanna's Theme", would later be re-recorded in 1997 on his duet album with Wayne Shorter 1 + 1.

Hancock's next jazz-funk albums of the 1970s were Man-Child (1975), and Secrets (1976), which point toward the more commercial direction Hancock would take over the next decade. These albums feature the members of the 'Headhunters' band, but also a variety of other musicians in important roles.

Back to the Basics: VSOP and the Future Shock

During late 1970s and early 1980s, Hancock toured with his "V.S.O.P." quintet, which featured all the members of the 1960s Miles Davis quintet except Davis, who was replaced by trumpet giant Freddie Hubbard. There was constant speculation that one day Davis would reunite with his classic band, but he never did so. VSOP recorded several live albums in the late 1970s, including VSOP (1976), and (1977).

In 1978, Hancock recorded a duet with Chick Corea, who had replaced him in the Miles Davis band a decade earlier. He also released a solo acoustic piano album titled The Piano (1978), which, like so many Hancock albums at the time, was initially released only in Japan. (It was finally released in the US in 2004.) Several other Japan-only releases have yet to surface in the US, such as Dedication (1974), (1977), and Direct Step (1978). was a VSOP album remastered for the US in 2004, and included an entire second concert from the July 1979 tour.

From 1978-1982, Hancock recorded many albums consisting of jazz-inflected disco and pop music, beginning with Sunlight (featuring guest musicians like Tony Williams and Jaco Pastorius on the last track) (1978). Singing through a vocoder, he earned a British hit, "I Thought It Was You", although critics were unimpressed. This led to more vocoder on the 1979 follow-up, Feets, Don't Fail Me Now, which gave him another UK hit in "You Bet Your Love". Albums such as Monster (1980), Magic Windows (1981), and Lite Me Up (1982) were some of Hancock's most criticized and unwelcomed albums, the market at the time being somewhat saturated with similar pop-jazz hybrids from the likes of former bandmate Freddie Hubbard. Hancock himself had quite a limited role in some of those albums, leaving singing, composing and even producing to others. Mr. Hands (1980) is perhaps the one album during this period that was critically acclaimed. To the delight of many fans, there were no vocals on the album, and one track featured Jaco Pastorius on bass. The album contains a wide variety of different styles, including a disco instrumental song, a Latin-jazz number and an electronic piece in which Hancock plays alone with the help of computers.

Hancock also found time to record more traditional jazz whilst creating more commercially oriented music. He toured with Tony Williams and Ron Carter in 1981, recording Herbie Hancock Trio, a five-track live album released only in Japan. A month later, he recorded Quartet with Wynton Marsalis, released in the US the following year. Hancock, Williams and Carter toured internationally with Wynton and his brother Branford Marsalis in what was affectinately known as "VSOP II". This quintet can be heard on Marsalis' debut album on Columbia (1981). In 1982 he contributed to the Simple Minds album New Gold Dream (81,82,83,84), playing a synthesizer solo on the track 'Hunter and The Hunted'.

In 1983, Hancock had a mainstream hit with the Grammy-award winning instrumental single "Rockit" from the album Future Shock. It was perhaps the first mainstream single to feature scratching, and also featured an innovative animated music video which was directed by Godley and Creme and showed several robot-like artworks by Jim Whiting. The video was a hit on MTV. The video won 5 different categories at the inaugural MTV Video Music Awards. This single ushered in a collaboration with noted bassist and producer Bill Laswell. Hancock experimented with electronic music on a string of three LPs produced by Laswell: Future Shock (1983), Sound-System (1984) and Perfect Machine (1988). Despite the success of "Rockit", Hancock's trio of Laswell-produced albums (particularly the latter two) are among the most critically derided of his entire career, perhaps even more so than his erstwhile pop-jazz experiments. Hancock's level of actual contribution to these albums was also questioned, with some critics contending that the Laswell albums should have been labelled "Bill Laswell featuring Herbie Hancock".

During this period, he appeared onstage at the Grammy awards with Stevie Wonder, Howard Jones, and Thomas Dolby, in a famous synthesizer jam (The video on Youtube can be found here.). Lesser known works from the 80s are the live album Jazz Africa and the studio album Village Life (1984) which were recorded with Gambian kora player Foday Musa Suso. Also, in 1985 he performed as a guest on the album So Red The Rose by the Duran Duran shoot off group Arcadia. He also provided introductory and closing comments for the PBS rebroadcast in the United States of the BBC educational series from the mid-1980s, Rock School (not to be confused with the most recent Gene Simmons' Rock School series).

In 1986, Hancock performed and acted in the film 'Round Midnight. He also wrote the score/soundtrack, for which he won an Academy Award for Original Music Score. Often he would write music for TV commercials. "Maiden Voyage", in fact, started out as a cologne advertisement. At the end of the Perfect Machine tour, Hancock decided to leave Columbia Records after a 15-plus-year relationship.

As of June 2005, almost half of his Columbia recordings have been remastered. The first three US releases, Sextant, Head Hunters and Thrust as well as the last four releases Future Shock, Sound-System, the soundtrack to Round Midnight and Perfect Machine. Everything released in America from Man-Child to Quartet has yet to be remastered. Some albums, made and initially released in the US, were remastered between 1999 and 2001 in other countries such as Magic Windows and Monster. Hancock also re-released some of his Japan-only releases in the West, such as The Piano.

1990s and later

After leaving Columbia, Hancock took a break. Then, with friends Ron Carter, Tony Williams, Wayne Shorter, and Davis admirer Wallace Roney, they recorded A Tribute to Miles which was released in 1994. The album contained two live recordings and studio recording classics with Roney playing Davis's part as trumpet player. The album won a Grammy for best group album. He also toured with Jack DeJohnette, Dave Holland and Pat Metheny in 1990 on their Parallel Realities tour, which included a memorable performance at the Montreux Jazz Festival in July 1990.

Hancock's next album, Dis Is Da Drum released in 1994 saw him return to Acid Jazz. Also in 1994, Hancock appeared on the Red Hot Organization's compilation album, . The album, meant to raise awareness and funds in support of the AIDS epidemic in relation to the African American community, was heralded as "Album of the Year" by Time Magazine.

1995's The New Standard found him and an all-star band including John Scofield, Jack DeJohnette and Michael Brecker interpreting pop songs by Nirvana, Stevie Wonder, The Beatles, Prince, Peter Gabriel and others. A 1997 duet album with Wayne Shorter titled 1 + 1 was successful, the song "Aung San Suu Kyi" winning the Grammy Award for Best Instrumental Composition, and Hancock also achieved great success in 1998 with his album Gershwin's World which featured inventive readings of George & Ira Gershwin standards by Hancock and a plethora of guest stars including Stevie Wonder, Joni Mitchell and Shorter. Hancock toured the world in the support of Gershwin's World with a sextet that featured Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson.

In 2001, Hancock recorded Future2Future, which reunited Hancock with Bill Laswell and featured doses of electronica as well as turntablist Rob Swift of The X-Ecutioners. Hancock later toured with the band, and released a live concert DVD with a different lineup which also included the "Rockit" music video. Also in 2001, Hancock partnered with Michael Brecker and Roy Hargrove to record a live concert album saluting Davis and John Coltrane called recorded live in Toronto. The threesome toured t support the album, and have toured on and off through 2005.

2005 saw the release of a duet album called Possibilities. It features duets with Carlos Santana, Paul Simon, Annie Lennox, John Mayer, Christina Aguilera, Sting and others. In 2006, Possibilities was nominated for Grammy awards in two categories: "A Song For You", featuring Christina Aguilera was nominated for a Grammy Award for Best Pop Instrumental Performance, and "Gelo No Montanha", featuring Trey Anastasio on guitar was nominated for a Grammy Award for Best Instrumental Performance. Neither nomination resulted in an award.

Also in 2005, Hancock toured Europe with a new quartet that included Beninese guitarist Lionel Loueke, and explored textures ranging from ambient to straight jazz to African music. Plus, during the Summer of 2005, Hancock re-staffed the famous Head Hunters and went on tour with them, including a performance at The Bonnaroo Music & Arts Festival.

However, this lineup did not consist of any of the original Headhunters musicians. The group included Marcus Miller, Terri Lyne Carrington, Lionel Loueke and John Mayer. Hancock also served as the first artist in residence for Bonnaroo that summer.

Also in 2006, Sony BMG Music Entertainment (which bought out Hancock's old label, Columbia Records) released the two-disc retrospective The Essential Herbie Hancock. This two-disc set is the first compilation of Herbie's work at Warner Bros. Records, Blue Note Records, Columbia and at Verve/Polygram. This became Hancock's second major compilation of work since the 2002 Columbia-only "The Herbie Hancock Box" which was released at first in a plastic 4x4 cube then re-released in 2004 in a long box set. Hancock also in 2006, recorded a new song with Josh Groban and Eric Mouquet (co-founder of Deep Forest) titled "Machine". It is featured on Josh Groban's CD "Awake". Hancock also recorded and improvised with guitarist Lionel Loueke on Loueke's debut album Virgin Forest on the ObliqSound label in 2006, resulting in two improvisational tracks "Le Réveil des Agneaux (The Awakening of the Lambs)" and "La Poursuite du lion (The Lion's Pursuit)".

Hancock, a longtime associate and friend of Joni Mitchell released a 2007 album, , that paid tribute to her work. Norah Jones and Tina Turner recorded vocals, as did Corinne Bailey Rae, and Leonard Cohen contributed a spoken piece set to Hancock's piano. Mitchell herself also made an appearance. The album was released on September 25, simultaneously with the release of Mitchell's album Shine. "River" was nominated for and won the 2008 Album of the Year Grammy Award, only the second jazz album ever to receive either honor. The album also won a Grammy for Best Contemporary Jazz Album, and the song "Both Sides Now" was nominated for Best Instrumental Jazz Solo.

Recently Hancock performed at the Shriner's Children's Hospital Charity Fundraiser with Sheila E, Jim Brickman, Kirk Whalum and Wendy Alane Wright.

His latest work includes assisting the production of the Kanye West track "RoboCop", found on 808s & Heartbreak.

On June 14, 2008, Hancock performed at Rhythm on the Vine at the South Coast Winery in Temecula, California for Shriners Hospital for Children. Other performers at the event, that raised $515,000 for Shriners Hospital, were contemporary music artist Jim Brickman, and Sheila E. & the E. Family Band.

On January 18, 2009, Hancock performed at the , marking the start of inaugural celebrations for American President Barack Obama. Hancock also performed the Rhapsody in Blue at the 2009 Classical BRIT Awards with classical pianist Lang Lang. Hancock was named as the Los Angeles Philharmonic's creative chair for jazz for 2010-12. In June 2010, Hancock released his newest album, The Imagine Project.

On June 5, 2010, Hancock received an Alumni Award from his alma mater, Grinnell College.

Discography

{| cellspacing="0" cellpadding="2" border="0" |- style="background:#ffdead;" ! align="left" style="border-bottom:1px solid grey; border-top:1px solid grey;" | Title ! width="10" style="border-bottom:1px solid grey; border-top:1px solid grey;" | ! align="left" style="border-bottom:1px solid grey; border-top:1px solid grey;" | Year ! width="10" style="border-bottom:1px solid grey; border-top:1px solid grey;" | ! align="left" style="border-bottom:1px solid grey; border-top:1px solid grey;" | Label |- | style="border-bottom:1px solid grey;" | Takin' Off | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1962 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | My Point of View | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1963 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Inventions and Dimensions | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1963 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Empyrean Isles | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1964 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Maiden Voyage | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1965 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Blow-Up (Soundtrack) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1966 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | MGM |- | style="border-bottom:1px solid grey;" | Speak Like a Child | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1968 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | The Prisoner | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1969 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Blue Note |- | style="border-bottom:1px solid grey;" | Fat Albert Rotunda | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1969 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Warner Bros. |- | style="border-bottom:1px solid grey;" | Mwandishi | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1970 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Warner Bros. |- | style="border-bottom:1px solid grey;" | He Who Lives In Many Places (with bassist Terry Plumeri) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1971 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Airborne. |- | style="border-bottom:1px solid grey;" | Crossings | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1972 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Warner Bros. |- | style="border-bottom:1px solid grey;" | Sextant | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1973 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Head Hunters | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1973 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Thrust | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1974 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Death Wish (Soundtrack) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1974 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Dedication | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1974 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Man-Child | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1975 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Flood (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1975 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Secrets | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1976 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | VSOP (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1976 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Herbie Hancock Trio | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Sunlight | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1977 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Directstep | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1978 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album with Chick Corea) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1978 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | The Piano | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Feets, Don't Fail Me Now | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | CoreaHancock (Live album with Chick Corea) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1979 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Polydor |- | style="border-bottom:1px solid grey;" | Monster | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1980 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Mr. Hands | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1980 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Herbie Hancock Trio | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1981 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Magic Windows | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1981 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Lite Me Up | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1982 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Quartet (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1982 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Future Shock | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1983 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Sound-System | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1984 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Village Life (with Foday Musa Suso) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1985 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Round Midnight (Soundtrack) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1986 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | Jazz Africa (Live album with Foday Musa Suso) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1987 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Polygram |- | style="border-bottom:1px solid grey;" | Perfect Machine | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1988 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Columbia |- | style="border-bottom:1px solid grey;" | A Tribute to Miles | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1994 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Qwest/Warner Bros. |- | style="border-bottom:1px solid grey;" | Dis Is Da Drum | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1994 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve/Mercury |- | style="border-bottom:1px solid grey;" | The New Standard | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1995 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | 1 + 1 (with Wayne Shorter) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1997 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | Gershwin's World | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 1998 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | Future2Future | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2001 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Transparent |- | style="border-bottom:1px solid grey;" | (Live album) | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2002 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | Possibilities | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2005 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Concord/Hear Music |- | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2007 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2008 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Verve |- | style="border-bottom:1px solid grey;" | The Imagine Project | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | 2010 | style="border-bottom:1px solid grey;" | | style="border-bottom:1px solid grey;" | Hancock |}

Filmography

As a Leader

2000: Dejohnette, Hancock, Holland and Metheny - Live in Concert

2002: Herbie Hancock Trio: Hurricane! with Ron Carter and Billy Cobham

2002: The Jazz Channel Presents Herbie Hancock (BET on Jazz) with Cyro Baptista, Terri Lynne Carrington, Ira Coleman, Eli Degibri and Eddie Henderson

2004: Herbie Hancock - Future2Future Live

2006: Herbie Hancock - Possibilities with John Mayer, Christina Aguilera, Joss Stone, and more

Awards

Academy Awards

1986, Original Soundtrack, for Round Midnight

Grammy Awards

# 1984, Best R&B; Instrumental Performance, for Rockit # 1985, Best R&B; Instrumental Performance, for Sound-System # 1988, Best Instrumental Composition, for Call Sheet Blues # 1995, Best Jazz Instrumental Performance, Individual Or Group, for A Tribute to Miles # 1997, Best Instrumental Composition, for Manhattan (Island Of Lights And Love) # 1999, Best Instrumental Arrangement Accompanying Vocal(s), for St. Louis Blues # 1999, Best Jazz Instrumental Performance, Individual Or Group, for Gershwin's World # 2003, Best Jazz Instrumental Album, Individual or Group, for # 2003, Best Jazz Instrumental Solo, for My Ship # 2005, Best Jazz Instrumental Solo, for Speak Like a Child # 2008, Album of the Year, for # 2008, Best Contemporary Jazz Album, for

Playboy Music Poll

Best Jazz Group, 1985

Best Jazz Keyboards, 1985

Best Jazz Album - Rockit, 1985

Best Jazz Keyboards, 1986

Best R&B; Instrumentalist, 1987

Best Jazz Instrumentalist, 1988

Keyboard Magazine's Readers Poll

Best Jazz & Pop Keyboardist, 1983

Best Jazz Pianist, 1987

Best Jazz Keyboardist, 1987

Best Jazz Pianist, 1988

Other notable awards

MTV Awards (5 awards in total) - Best Concept Video - Rockit, 1983–84

Gold Note Jazz Awards - NY Chapter of the National Black MBA Association, 1985

French Award Officer of the Order of Arts & Letters-Paris, 1985

BMI Film Music Award "Round Midnight", 1986

U.S. Radio Award "Best Original Music Scoring - Thom McAnn Shoes", 1986

Los Angeles Film Critics Association "Best Score - Round Midnight", 1986

BMI Film Music Award "Colors", 1989

Soul Train Music Award "Best Jazz Album - The New Standard", 1997

Festival International Jazz de Montreal Prix Miles Davis, 1997

VH1's 100 Greatest Videos "Rockit" is "10th Greatest Video", 2001

NEA Jazz Masters Award, 2004

Downbeat Magazine Readers Poll Hall of Fame, 2005

Album of the Year, 2007

Harvard Foundation Artist of the Year, 2008

References

External links

Official website of Herbie Hancock

Official Herbie Hancock MySpace page

Herbie Hancock at Verve Records

River:The Joni Letters at Verve Records

Possibilities Herbie Hancock

Discography Herbie Hancock Discography

Interview with Herbie Hancock on music and technology from AppleMatters

Interview with Herbie Hancock on the "Possibilities" album release from LiveDaily

Herbie Hancock: Outside The Comfort Zone Herbie Hancock interview from JamBase

"Herbie Hancock: Essential Recordings" by Ted Gioia (www.jazz.com)

Herbie Hancock's Grinnell College Alumni Award citation from Grinnell College Alumni Assembly on June 5, 2010.

Category:1940 births Category:20th-century classical composers Category:African American songwriters Category:American Buddhists Category:American funk keyboardists Category:American jazz bandleaders Category:American jazz composers Category:American jazz pianists Category:Musicians from Chicago, Illinois Category:Grammy Award winners Category:Grinnell College alumni Category:Hard bop pianists Category:Jazz fusion pianists Category:Jazz-funk pianists Category:Living people Category:Miles Davis Category:Blue Note Records artists Category:Modal jazz pianists Category:Post-bop pianists Category:Converts to Buddhism Category:Members of Soka Gakkai Category:Keytarists

Name	Corinne Bailey Rae
Landscape	no
Background	solo_singer
Birth name	Corinne Jacqueline Bailey
Born	February 26, 1979Leeds, West Yorkshire, England
Instrument	Vocals, guitar
Genre	Soul, R&B;, jazz
Occupation	Singer-songwriter, guitarist
Years active	2005–present
Label	EMI, Capitol
Url
Notable instruments	Gibson Hummingbird

Corinne Bailey Rae (born Corinne Jacqueline Bailey on 26 February 1979) is a British singer-songwriter and guitarist from Leeds, who released her debut album Corinne Bailey Rae in February 2006. Bailey Rae was named the number-one predicted breakthrough act of 2006 in an annual BBC poll of music critics, Sound of 2006. She became the fourth female British act in history to have her first album debut at number one. Bailey Rae was nominated for Grammy Awards and BRIT Awards, and has won two MOBO Awards and an Album Of The Year Grammy and Best Contemporary Jazz Album for her work as a featured artist in Herbie Hancock's . Bailey Rae was married to fellow musician Jason Rae from 2001 until his death in 2008. Bailey Rae released her second album, The Sea on 26 January 2010, after a hiatus of nearly two years. Tracks on the new album have been produced by Steve Brown and also Steve Chrisanthou (who produced her debut album in 2006). She has sold 4 million albums, with her two albums combined, worldwide. Bailey Rae was nominated for the 2010 Mercury Prize for Album of the Year for The Sea.

Early years

Childhood

Bailey Rae was born in Leeds to a black Kittitian father and a white English mother as the oldest of three daughters, including Candice Bailey and actress Rhea Bailey.

Bailey Rae began her musical career at school where she studied classical violin before she turned her attention to singing: "I started off singing in church, I suppose, but people think it must have been a gospel church because of the whole, you know, black assumption," she says in reference to her multiracial background. "But it wasn't gospel at all, it was just your regular Brethren church, very middle-class, where we would sing these harmonies every Sunday. It was always my favourite part of the service, the singing."

Bailey Rae later transferred to a Baptist church, where the youth leader was coaching rock bands in the local high school. The church young people wrote their own worship songs and sang covers by the likes of Primal Scream. "We changed the words though," Bailey Rae states on her website. "We didn't want to offend the regular churchgoers, now did we?"

Performing in church broadened Bailey Rae's musical horizons, and her love for making music was solidified after the church youth leader offered to lend her the money for her first guitar. In her mid-teens, she was highly influenced by Lenny Kravitz, and through him she discovered rock legends Jimi Hendrix and Led Zeppelin. "I loved that band during my teens; I wanted, somehow, to follow in their footsteps, and to create music of my own."

The group raised eyebrows on several fronts; in the white male-dominated world of indie music, they were a mainly female group, fronted by a mixed-race singer from Leeds. The moniker "Helen" also drew attention, albeit for not all the right reasons: "What can I say? We were 15 years old, and thought that Helen was a cheeky, indie kind of thing to do. It seemed clever at the time. Admittedly, it seems less so now". they got married in 2001 at age of twenty-two and Bailey changed her name to Bailey Rae. Jason Rae (born in 1976), a musician, played saxophone for the eight-piece group called Haggis Horns, and had recorded with Bailey Rae, The New Mastersounds and Martina Topley-Bird (Quixotic) albums. On 22 March 2008, Jason Rae was found dead in a flat in the Hyde Park area of Leeds. In December 2008, Leeds Coroner's Court gave a verdict of death by misadventure, and stated that Rae died of an accidental overdose of methadone and alcohol.

Music career

2004–2008: Career music development

In the three years after she got married, Bailey Rae began working on solo material—this time steering away from her indie past and embarking on a more "soulful" path. She collaborated with Leeds-based funk group The New Mastersounds on the track "Your Love Is Mine," featured on their 2003 album Be Yourself, released via One Note Records. The following year she again worked with another Leeds-based group, Homecut Directive, on the song "Come the Revolution", which was the first single from the group's debut album.

on 18 August 2007]] In 2004, Bailey Rae got a breakthrough when she was signed by Global Talent Publishing and then approached by Craig David's mentor Mark Hill, from the duo The Artful Dodger, to appear on his new album better luck next time under his new alias, The stiX. The resulting collaboration, "Young and Foolish", was released in April 2005 and brought Bailey Rae to the attention of the major record label bosses.

Bailey Rae released her debut single, "Like a Star", in November 2005 and her first album, Corinne Bailey Rae, in February 2006. It debuted at number one in the UK and entered the top ten of the U.S.Billboard 200, peaking at number four and spending 71 weeks in the chart from 2006 to 2008. According to Nielsen SoundScan, the album sold 1.9 million copies in the United States alone.

The lead single, "Like a Star" became a hit in the UK and U.S., and sold over 327,000 U.S. downloads. Follow-up single "Put Your Records On", her biggest hit to date, rose to number two in the UK, and sold over 945,000 U.S. downloads. "Trouble Sleeping" made the top forty, and "I'd Like To", the top seventy. In the middle of 2006, Bailey Rae embarked on her first international tour through Europe and North America with singer R&B;, John Legend, playing 55 shows including the festivals Rock in Rio Lisboa 2 and Live Earth. In early April 2006, Corinne Bailey Rae was certified 2x platinum by the BPI and platinum by the RIAA. In September 2006, Bailey Rae scooped two awards at the UK's MOBO Awards: "Best UK Newcomer" and "Best UK Female". Bailey Rae recorded a live session at Abbey Road Studios in July 2006 for Live from Abbey Road.

Bailey Rae was the musical guest in a 2006 episode of Saturday Night Live with the host being Jaime Pressly. She performed "Put Your Records On" and "Like a Star". She also appeared on Studio 60 on the Sunset Strip on the episode "B-12", which aired in November of 2006, with Howie Mandel. She performed "Like a Star" and "Trouble Sleeping". Also in 2006, Bailey Rae performed on Radio 1 Live Lounge with the songs "Like a Star", a cover version of Editors' "Munich", and a cover version of Justin Timberlake's "SexyBack".

Bailey Rae also received three nominations at the 2007 Grammy Awards: Record of the Year, Song of the Year (both for "Put Your Records On"), and Best New Artist. During the ceremony, she performed "Like a Star" and joined John Legend and John Mayer in a collaborative performance, providing accompanying vocals to Legend's "Coming Home" and Mayer's "Gravity".

Also in 2007, Bailey Rae accepted an invitation to participate (Vanguard Records), where she contributed her version of Domino's "One Night (of Sin)". She also recorded John Lennon's "I'm Losing You" for Make Some Noise, Amnesty International's music venture. The song was also released on the 2007 John Lennon tribute album, "". In July of that year, Bailey Rae performed at the UK leg of Live Earth at Wembley Stadium, London.

In 2008, Like a Star was nominated for a Grammy for Song of the Year. Bailey Rae won in two categories for Album of the Year and Best Contemporary Jazz Album for her collaboration on . Also in 2008, she recorded a live session of "River" with Hancock at Abbey Road Studios in for Live from Abbey Road for Channel 4 which was broadcast on Series 2.

During the American and European tour, Bailey Rae recorded her first DVD with the title Live in London & New York. The DVD was filmed in London and the bonus CD was recorded in New York.

2009–present: The Sea

Corinne Bailey Rae released her new album titled The Sea on 26 January 2010. The album was released after a gap of two years following the death of her husband Jason Rae. Lead single I'd Do It All Again premiered on 25 November in 2009 on the Jools Holland program Later. Follow up single "Closer" was added to Smooth Jazz Radio on 25 January, Urban AC on 1 February and AC radio in late February. The album's second single "Paris Nights and New York Mornings" went to Triple A radio on 15 February. After the release of the second album, Corinne went on a national tour. Her London concert at Somerset House in the summer sold out, and she returned to London again in October to perform in Royal Festival Hall with Pete Lawrie as a supporting act.

In December 2009, Bailey Rae recorded a live performance in New York City that was broadcast in the summer of 2010 on the U.S. TV program Live From the Artists Den.

On June 2, 2010, Bailey Rae appeared with Herbie Hancock, singing "Blackbird" in a concert honoring (Sir) Paul McCartney in the East Room at the White House.

Bailey Rae made an appearance as a musical guest on The Tonight Show with Jay Leno on October 28, 2010, covering the Bob Marley song "Is This Love".

Soundtrack Inclusions

"Like a Star" is part of the soundtracks of several films, series and soap operas, such as Cashmere Mafia, 27 Dresses, Men in Trees, Nancy Drew, Perfect Stranger, Medium, Studio 60 on the Sunset Strip, Venus, Grey's Anatomy, and Sete Pecados.

In the film Venus, six songs from the debut album were included on the soundtrack of the film, which are "I'd Like To", "Another Rainy Day", "Choux Pastry Heart", "Put Your Records On", " Like a Star", " Breathless".

The song "I'd Like To", from Bailey Rae's debut album, was also featured in the soundtrack for the movie He's Just Not That Into You (2009).

Public Service

Bailey Rae is the Special Ambassador for the charity CORD. Bailey Rae is also the central ambassador for International water and Sanitation charity, Pump Aid.

Discography

;Studio albums

2006: Corinne Bailey Rae

2010: The Sea

;DVDs

2007: Live in London & New York

;Concert tours

2006/2007: World Tour

2010: The Sea Tour

Awards and nominations

Grammy Awards

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences. Bailey Rae has won two awards from four nominations, including Album of the Year; she featured artist, Best New Artist, Record of the Year, Song of the Year.

|- |rowspan="3"|2007 |Corinne Bailey Rae |Best New Artist | |- |rowspan="2"|"Put Your Records On" |Record of the Year | |- |Song of the Year | |- |rowspan="1"|2008 |"Like a Star" |Song of the Year |

Others Awards and nominations

{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 90%;" |- bgcolor="#B0C4DE" align="center" ! style="background-color: #BCBCBC"|Year ! style="background-color: #BCBCBC"|Result ! style="background-color: #BCBCBC"|Award ! style="background-color: #BCBCBC"|Category ! style="background-color: #BCBCBC"|Nominated Work |- |- |rowspan="10"| 2006 || || BET Awards || BET J Cool Like Dat Award || General |- | || MTV Europe Music Awards || Best UK & Ireland Act ||General |- | || MTV Woodie Awards || International Woodie (Favorite International Artist) || General |- | || UK Festival Music Awards || Best Urban Act || General |- | || Premios 40 Principales || Mejor Artista Nuevo Internacional || General |- | |rowspan="3"| MOBO Awards || Best Song || Put Your Records On |- | || Best UK Female || General |- | || Best UK Newcomer || General |- | || MOJO Awards || Best New Act || General |- | || Q Awards || Best New Act ||General |- |rowspan="21"| 2007 || |rowspan="2"| BET Awards || Best New Artist ||General |- | || Best Female R&B; Artist || General |- | |rowspan="3"| BRIT Award || Best British Single || Put Your Records On |- | || British Female Artist || General |- | ||British Breakthroug Act ||General |- | || Teen Choice Awards || Best Female Breakthrough Artist ||General |- | || ECHO Awards || International Newcomer of the Year|| General |- | || Ivor Novello Awards || PRS Most Performed Work ||General |- | || MOBO Awards ||Best UK Female|| General |- | |rowspan="3"| || Outstanding Album || Corinne Bailey Rae |- | || Outstanding Female Artist || General |- | || Outstanding New Artist ||General |- | || Music Week Awards || International Marketing Campaign of the Year || General |- | || European Border Breakers Awards || United Kingdom || General] |- | |rowspan="3"| Soul and Jazz Awards || Album of the Year |rowspan="2"| Corinne Bailey Rae |- | ||Best Album of Soul |- | || Best New Artist of the Year|| Corinne Bailey Rae |- | |rowspan="2"| Kickers Urban Music Award || Best Neo Soul Act || Corinne Bailey Rae |- | || Best Crossover Chart Act || General |- | || Urban Music Awards || Best Neo Soul Act || General |- | || BMI Pop Awards || Song of the Year || Put Your Records On |- |rowspan="10"| 2010 | |rowspan="4"| Soul and Jazz Awards || Album of the Year |rowspan="2"| The Sea |- | ||Best Album R&B; of the Year |- | || Artist of the Year |rowspan="2"| Corinne Bailey Rae |- | ||Best Artist of the Year Act Soul/R&B; |- | || Mercury Prize || Album of the Year || The Sea |- | || Q Awards || Best Female Act || Corinne Bailey Rae |- | || MOBO Awards || Best UK R&B; Soul Act Act || Corinne Bailey Rae |- | || American Smooth Jazz Awards || Best Female Act || Corinne Bailey Rae |- | || BET Awards || Best International Act || Corinne Bailey Rae |- | || Soul Train Music Awards || Centric Award || Corinne Bailey Rae |}

Notes

Closer can be heard in an episode of Hawaii Five-0.

"Put Your Records On" was featured on the Parenthood (television soundtrack) in August, 2010.

References

External links

Main reference sites

Corinne Bailey Rae — official website

Corinne Bailey Rae discography at Discogs

Corinne Bailey Rae discography at Musicbrainz

Interviews & others

Corinne Bailey Rae interview by Pete Lewis, 'Blues & Soul' February 2010

musicOMH.com interview

The Guardian interview 2005

The Guardian interview 2009

HiphopRnbSoul.com Audio Interview

aol.co.uk videos from AOL Sessions, live performances, official releases and interviews

theartsdesk.com interview 2010

Category:1979 births Category:2000s singers Category:2010s singers Category:Alumni of the University of Leeds Category:Black British musicians Category:British people of Saint Kitts and Nevis descent Category:Capitol Records artists Category:English Baptists Category:English female guitarists Category:English female singers Category:English rhythm and blues singers Category:English singer-songwriters Category:English soul singers Category:English-language singers Category:Grammy Award winners Category:Living people Category:Neo soul singers Category:People from Leeds Category:Rhythm and blues guitarists Category:Smooth jazz singers Category:Soul guitarists

Name	Brian Eno
Background	solo_singer
Birth name	Brian Peter George St. John le Baptiste de la Salle Eno
Born	May 15, 1948Woodbridge, Suffolk, England
Instrument	Synthesizer, keyboards, vocals, guitar, bass
Genre	Experimental rock, ambient, minimalism, electronic, art rock, glam rock
Occupation	Producer, musician, songwriter, artist
Years active	1970–present
Label	Island, Polydor, EG, Obscure, Opal, Virgin, Astralwerks, All Saints Records, Rykodisc
Associated acts	Roxy Music, David Bowie, Coldplay, Talking Heads, Robert Fripp, Cluster, Devo, U2, David Byrne, Robert Wyatt, Mike Kezner
Url	brian-eno.net

Brian Peter George St. John le Baptiste de la Salle Eno (born 15 May 1948), commonly shortened to Brian Eno and previously as simply Eno (), is an English musician, composer, record producer, music theorist, singer and visual artist, best known as one of the principal innovators of ambient music.

Eno studied at art school, taking inspiration from minimalist painting, but he had little musical education or playing experience when he joined the band Roxy Music as their keyboards and synthesizers player in the early 1970s. Roxy Music's success in the glam rock scene came quickly, but Eno soon tired of conflicts with lead singer Bryan Ferry, and of touring, and he left the group after the release of For Your Pleasure (1973), beginning his solo career with the art rock records Here Come the Warm Jets (1974) and Taking Tiger Mountain (By Strategy) (1974).

Eno extended his reach into more experimental musical styles with No Pussyfooting (1973) and Evening Star (1975), both collaborations with Robert Fripp, The Lamb Lies Down on Broadway (1974) by Genesis where his work is credited as "Enossification", and his influential solo records Another Green World (1975) and Discreet Music (1975). His pioneering ambient efforts at "sonic landscapes" began to consume more of his time beginning with Ambient 1/Music for Airports (1978) and later (1983) which was composed for the documentary film For All Mankind. Eno nevertheless continued to sing on some of his records, ranging from Before and After Science (1977) to Wrong Way Up (1990) with John Cale to most recently Another Day on Earth (2005).

Eno's solo work has been extremely influential, pioneering ambient and generative music, innovating production techniques, and emphasizing "theory over practice". He also introduced the concept of chance music to popular audiences partly through collaborations with other musicians. By the end of the 1970s, Eno had worked with David Bowie on the seminal "Berlin Trilogy," helped popularise the American punk rock band Devo and the punk-influenced "No Wave" genre, and worked frequently with Harold Budd, John Cale, Cluster, Robert Fripp and David Byrne, with whom he produced the influential My Life in the Bush of Ghosts (1981). He produced and performed on three albums by Talking Heads, including Remain in Light (1980); produced seven albums for U2, including The Joshua Tree (1987); and worked on records by James, Laurie Anderson, Coldplay, Depeche Mode, Paul Simon, Grace Jones and Slowdive, among others.

Eno pursues multimedia ventures in parallel to his music career, including art installations, a newspaper column in The Observer and a regular column on society and innovation in Prospect magazine, and "Oblique Strategies" (written with Peter Schmidt), a deck of cards in which each card has a cryptic remark or random insight meant to resolve a dilemma. He continues to collaborate with other musicians, produce records, release his own music, and write.

Education and early musical career

Brian Eno was born in 1948 at Phyllis Memorial Hospital, Woodbridge, Suffolk, and was educated at St Joseph's College, Birkfield, Ipswich, which was founded by the St John le Baptiste de la Salle order of Catholic brothers; at Ipswich Art School in Roy Ascott's Groundcourse; and the Winchester School of Art, graduating in 1969. In school, he used a tape recorder as musical instrument and experimented with his first, sometimes improvisational, bands. St. Joseph's College teacher and painter Tom Phillips encouraged him, recalling "Piano Tennis" with Eno, in which, after collecting pianos, they stripped and aligned them in a hall, striking them with tennis balls. From that collaboration, he became involved in Cornelius Cardew's Scratch Orchestra. The first released recording in which Eno played is the Deutsche Grammophon edition of Cardew's The Great Learning (rec. Feb. 1971), as one of the voices in the recital of The Great Learning Paragraph 7. Another early recording was the Berlin Horse soundtrack, by Malcom Le Grice, a nine-minute, 2 × 16 mm-double-projection, released in 1970 and presented in 1971.

Roxy Music

Brian Eno's professional music career began in London, as a member (1971–1973) of the glam/art rock band Roxy Music, initially not appearing on stage with them at live shows, but operating the mixing desk, processing the band's sound with a VCS3 synthesizer and tape recorders, and singing backing vocals. He then progressed to appearing on stage as a performing member of the group, usually flamboyantly costumed. He quit the band on completing the promotion tour for the band's second album, For Your Pleasure because of disagreements with lead singer Bryan Ferry and boredom with the rock star life.

In 1992, he described his Roxy Music tenure as important to his career: "As a result of going into a subway station and meeting Andy [saxophonist Andy Mackay], I joined Roxy Music, and, as a result of that, I have a career in music. If I'd walked ten yards farther, on the platform, or missed that train, or been in the next carriage, I probably would have been an art teacher now". During his period with Roxy Music, and for his first three solo albums, he was credited on these records only as 'Eno'.

Solo work

Eno embarked on a solo career almost immediately. Between 1973 and 1977 he created four albums of largely electronically inflected pop songs – Here Come the Warm Jets, Taking Tiger Mountain (By Strategy), Another Green World and Before and after Science, though the latter two also contained a number of minimal instrumental pieces in the so-called ambient style. Tiger Mountain contains the galloping "Third Uncle", one of Eno's best-known songs, due in part to its later being covered by Bauhaus. Critic Dave Thompson writes that the song is "a near punk attack of riffing guitars and clattering percussion, 'Third Uncle' could, in other hands, be a heavy metal anthem, albeit one whose lyrical content would tongue-tie the most slavish air guitarist."

These four albums were remastered and reissued in 2004 by Virgin's Astralwerks label. Due to Eno's decision not to add any extra tracks of the original material, a handful of tracks originally issued as singles have not been reissued ("Seven Deadly Finns" and "The Lion Sleeps Tonight" were included on the deleted Eno Vocal Box set and the single mix of "King's Lead Hat" has never been reissued).

During this period, Eno also played three dates with Phil Manzanera in the band 801, a "supergroup" that performed more or less mutated selections from albums by Eno, Manzanera, and Quiet Sun, as well as covers of songs by The Beatles and The Kinks.

In 1972, Eno developed a tape-delay system first utilized by Eno and Robert Fripp (from King Crimson), described as 'Frippertronics', and the pair released an album in 1973 called (No Pussyfooting). It is said the technique was borrowed from minimalist composer Terry Riley, whose tape delay feedback system with a pair of Revox tape recorders (a setup Riley used to call the "Time Lag Accumulator") was first used on Riley's album Music for The Gift in 1963. In 1975, Fripp and Eno released a second album, Evening Star, and played several live shows in Europe.

Eno was a prominent member of the performance art-classical orchestra the Portsmouth Sinfonia – having started playing with them in 1972. In 1973 he produced the orchestra's first album The Portsmouth Sinfonia Plays the Popular Classics (released in March 1974) and in 1974 he produced the live album Hallellujah! The Portsmouth Sinfonia Live At The Royal Albert Hall of their infamous May 1974 concert (released in October 1974.) In addition to producing both albums, Eno performed in the orchestra on both recordings – playing the clarinet. Eno also deployed the orchestra's famously dissonant string section on his second solo album Taking Tiger Mountain (By Strategy). The orchestra at this time included other musicians whose solo work he would subsequently release on his Obscure label including Gavin Bryars and Michael Nyman. That year he also composed music for the album Lady June's Linguistic Leprosy, with Kevin Ayers, to accompany the poet June Campbell Cramer.

Eno continued his career by producing a larger number of highly eclectic and increasingly ambient electronic and acoustic albums. He is widely credited with coining the term "ambient music", low-volume music designed to modify one's perception of a surrounding environment.

His first such work, 1975's Discreet Music (again created via an elaborate tape-delay methodology, which Eno diagrammed on the back cover of the LP ), is considered the landmark album of the genre. This was followed by his Ambient series (Music for Airports (Ambient 1), The Plateaux of Mirror (Ambient 2), Day of Radiance (Ambient 3) and On Land (Ambient 4)). Eno was the primary musician on these releases with the exception of Ambient 2 which featured Harold Budd on keyboard, and Ambient 3 where the American composer Laraaji was the sole musician playing the zither and hammered dulcimer with Eno producing.

In 1980 Eno provided a film score for Herbert Vesely's Egon Schiele Exzess und Bestrafung, also known as Egon Schiele Excess and Punishment. The ambient-style score was an unusual choice for a historical piece, but it worked effectively with the film's themes of sexual obsession and death.

In 1981, having returned from Ghana and before On Land, he discovered Miles Davis' 1974 track "He Loved Him Madly", a melancholy tribute to Duke Ellington influenced by both African music and Karlheinz Stockhausen: as Eno stated in the liner notes for On Land, "Teo Macero's revolutionary production on that piece seemed to me to have the "spacious" quality I was after, and like Federico Fellini's 1973 film Amarcord, it too became a touchstone to which I returned frequently."

Eno describes himself as a "non-musician" and coined the term "treatments" to describe his modification of the sound of musical instruments, and to separate his role from that of the traditional instrumentalist. His skill at using "The Studio as a Compositional Tool" (the title of an essay by Eno) led in part to his career as a producer. His methods were recognized at the time (mid-1970s) as unique, so much so that on Genesis's The Lamb Lies Down on Broadway, he is credited with 'Enossification'; on Robert Wyatt's Ruth Is Stranger Than Richard with a Direct inject anti-jazz raygun and on John Cale's Island albums as simply being "Eno".

Obscure Records label

Eno started the Obscure Records label in Britain in 1975 to release works by lesser-known composers. The first group of three releases included his own composition, Discreet Music, and the now-famous The Sinking of the Titanic (1969) and Jesus' Blood Never Failed Me Yet (1971) by Gavin Bryars. The second side of Discreet Music consisted of several versions of Pachelbel's Canon, the composition which Eno had previously chosen to precede Roxy Music's appearances on stage, to which various algorithmic transformations have been applied, rendering it almost unrecognizable. Side 1 consisted of a tape loop system for generating music from relatively sparse input. These tapes had previously been used as backgrounds in some of his collaborations with Fripp, most notably on Evening Star. Only 10 albums were released on Obscure, including works by John Adams, Michael Nyman, and John Cage. At this time he was also affiliating with artists in the Fluxus movement.

Collaboration

In 1975 Eno performed as the Wolf in a rock version of Sergei Prokofiev's classic Peter and The Wolf. Produced by Robin Lumley and Jack Lancaster, the album featured Gary Moore, Manfred Mann, Phil Collins, Stephane Grapelli, Chris Spedding, Cozy Powell, Jon Hiseman, Bill Bruford and Alvin Lee. Also in 1975, Eno provided sythesizers and treatments on Quiet Sun's Mainstream album alongside Phil Manzanera, Charles Hayward, Dave Jarrett, and Bill MacCormick, and he performed on and contributed songs and vocals to Phil Manzanera's Diamond Head album.

In 1980–1981, Eno collaborated with David Byrne of Talking Heads (which he had already anagrammatized as 'King's Lead Hat') on My Life in the Bush of Ghosts, which was built around radio broadcasts Eno collected while living in the United States, along with sampling recordings from around the world transposed over music predominately inspired by African and Middle Eastern rhythms.

He worked with David Bowie as a writer and musician on Bowie's influential 1977–79 'Berlin Trilogy' of albums, Low, "Heroes" and Lodger, on Bowie's later album Outside, and on the song "I'm Afraid of Americans". In 1980 Eno developed an interest in altered guitar tunings, which led to Guitarchitecture discussions with Chuck Hammer, former Lou Reed guitarist. Following on from his No-Wave involvement which brought him in contact with the "renegade" artist Greg Belcastro, who introduced him to the guitar techniques of a fledgling Sonic Youth, Eno has also collaborated with John Cale, former member of Velvet Underground, on his trilogy Fear, Slow Dazzle and Helen of Troy, Robert Wyatt on his Shleep CD, with Jon Hassell, with the German duo Cluster, with composers Harold Budd, Philip Glass and Roberto Carnevale. A new collaboration between David Byrne and Brian Eno titled Everything That Happens Will Happen Today was released digitally on 18 August 2008, with the enhanced CD released in October.

1990s

In 1992, Eno released an album featuring heavily syncopated rhythms entitled Nerve Net, with contributions from several former collaborators including Robert Fripp, Benmont Tench, Robert Quine and John Paul Jones. This album was a last-minute substitution for My Squelchy Life, which featured more pop oriented material, with Eno on vocals. (Several tracks from My Squelchy Life later appeared on 1993's retrospective box set Eno Box II: Vocals.) Eno also released in 1992 a work entitled The Shutov Assembly, recorded between 1985 and 1990. This album embraces atonality and abandons most conventional concepts of modes, scales and pitch. Much of the music shifts gradually and without discernible focus, and is one of Eno's most varied ambient collections. Conventional instrumentation is eschewed, save for treated keyboards.

During the 1990s, Eno became increasingly interested in self-generating musical systems, the results of which he called generative music. The basic premise of generative music is the blending of several independent musical tracks, of varying sounds, length, and in some cases, silence. When each individual track concludes, it starts again mixing with the other tracks allowing the listener to hear an almost infinite combination. In one instance of generative music, Eno calculated that it would take almost 10,000 years to hear the entire possibilities of one individual piece. Eno has presented this music in his own, and other artists', art and sound installations, most notably "I Dormienti (The Sleepers)", , Music for Civic Recovery Centre, The Quiet Room and "Music for Prague".

2000s

In 2004, Fripp and Eno recorded another ambient collaboration album, The Equatorial Stars.

Eno returned in June 2005 with Another Day on Earth, his first major album since Wrong Way Up (with John Cale) to prominently feature vocals (a trend continued with Everything That Happens Will Happen Today). The album differs from his 70s solo work as musical production has changed since then, evident in its semi-electronic production.

In early 2006, Eno collaborated with David Byrne, again, for the reissue of My Life in the Bush of Ghosts in celebration of the influential album's 25th anniversary. Eight previously unreleased tracks, recorded during the initial sessions in 1980/81, were added to the album, while one track, "Qu'ran", was removed due to requests from Muslims. An unusual interactive marketing strategy coincided with its re-release, the album’s promotional website features the ability for anyone to officially and legally download the multi-tracks of two songs from the album, "A Secret Life" and "Help Me Somebody". Individuals can then remix and upload new mixes of these tracks to the website so others can listen to and rate them.

In late 2006, Eno released 77 Million Paintings, a program of generative video and music specifically for the PC. As its title suggests, there is a possible combination of 77 million paintings where the viewer will see different combinations of video slides prepared by Eno each time the program is launched. Likewise, the accompanying music is generated by the program so that it's almost certain the listener will never quite hear the same arrangement twice. The second edition of "77 Million Paintings" featuring improved morphing and a further two layers of sound was released on 14 January 2008.

In 2007, Eno's music was featured in a movie adaption of Irvine Welsh's best-selling collection . He also appeared playing keyboards in Voila, Belinda Carlisle's solo album sung entirely in French.

Also in 2007, Eno contributed a composition titled "Grafton Street" to Dido's third album, Safe Trip Home, released in November 2008.

In 2008, he released Everything That Happens Will Happen Today with David Byrne, designed the sound for the video game Spore and wrote a chapter to Sound Unbound: Sampling Digital Music and Culture, edited by Paul D. Miller (a.k.a. DJ Spooky).

Eno revealed on radio in May 2009 that a skin graft he received as treatment for a severe burn on his arm was part human skin, part carbon fibre. He explained that as human skin is based on carbon, the experimental treatment was likely going to work out well for him, in spite of the fact that he feels a lightness in the affected arm.

In June 2009, Eno curated the Luminous Festival at Sydney Opera House, culminating in his first live appearance in many years. "Pure Scenius" consisted of three live improvised performances on the same day, featuring Eno, Australian improv trio The Necks, Karl Hyde from Underworld, electronic artist Jon Hopkins and guitarist Leo Abrahams.

Eno scored the music for Peter Jackson’s film adaptation of The Lovely Bones, released in December 2009.

2010s

In May 2010, the same Pure Scenius line-up as in 2009 performed 'This is Pure Scenius!', in the same format of three live improvised performances on the same day, at the Brighton Festival in England. Also at the 2010 Brighton Festival, after a performance of Woojun Lee's live arrangement of 'Apollo: Atmospheres and Soundtracks' by Icebreaker and BJ Cole, Eno and the band performed four of his songs.

Eno released a new solo album on Warp Records in late 2010. Small Craft on a Milk Sea was released on November 2 in the US and November 15 in the UK

Record producer and other projects

Record production

From the beginning of his solo career in 1973, Eno was in demand as a producer – though his management now describe him as a "sonic landscaper" rather than a producer. The first album with Eno credited as producer was Lucky Leif and the Longships by Robert Calvert. Eno's lengthy string of producer credits includes albums for Talking Heads, U2, Devo, Ultravox and James. He also produced part of the 1993 album When I Was a Boy by Jane Siberry. He won the best producer award at the 1994 and 1996 BRIT Awards.

Despite being a self-professed "non-musician", Eno has contributed to recordings by artists as varied as Nico, Robert Calvert, Genesis, David Bowie, and Zvuki Mu, in various capacities such as use of his studio/synthesizer/electronic treatments, vocals, guitar, bass guitar, and as just being 'Eno'. In 1984, he (along with several other authors) composed and performed the "Prophecy Theme" for the David Lynch film Dune; the rest of the soundtrack was composed and performed by the group Toto. Eno produced performance artist Laurie Anderson's Bright Red album, and also composed for it. The work is avant-garde spoken word with haunting and magnifying sounds. Eno played on David Byrne's musical score for The Catherine Wheel, a project commissioned by Twyla Tharp to accompany her Broadway dance project of the same name.

Eno co-produced The Unforgettable Fire (1984), The Joshua Tree (1987), Achtung Baby (1991), and All That You Can't Leave Behind (2000) for U2 with his frequent collaborator Daniel Lanois, and produced 1993's Zooropa for the band alone. In 1995, U2 and Eno joined forces to create the album Original Soundtracks 1 under the group name Passengers; songs from OST1 included "Your Blue Room" and "Miss Sarajevo". He also produced Laid (1993), Wah Wah (1994) and Pleased to Meet You (2001) for James.

Eno played on the 1986 album Measure for Measure by Australian band Icehouse. He remixed two tracks for Depeche Mode, "I Feel You" and "In Your Room", both single releases from the album Songs of Faith and Devotion in 1993. In 1995, Eno provided one of several remixes of "Protection" by Massive Attack (originally from their Protection album) for release as a single. The single also included more remixes by DJs J-Swift, Tom D, and Underdog.

In 2007, he produced the fourth studio album by Coldplay entitled Viva la Vida or Death and All His Friends, which was released in 2008. Also in 2008, he worked with Grace Jones on her album Hurricane, credited for "production consultation" and as a member of the band, playing keyboards, treatments and background vocals. With frequent collaborator Daniel Lanois, he worked on the twelfth studio album by U2, titled No Line on the Horizon. It was recorded in Morocco, South France and Dublin and released in Europe on 27 February 2009.

The Microsoft Sound

In 1994, Microsoft corporation designers Mark Malamud and Erik Gavriluk approached Brian Eno to compose music for the Windows 95 project. The result was the six-second start-up music-sound of the Windows 95 operating system, The Microsoft Sound (.wav). In the San Francisco Chronicle he said:

As a guest on The Museum of Curiosity radio show, Eno stated that the list of adjectives, which included "sexy", comprised "about one-hundred and fifty adjectives" and that the music was to be no more than "3.8 seconds" long.

Generative music

In 1996, he collaborated in developing the SSEYO Koan generative music system (by Pete Cole and Tim Cole of intermorphic) that he used in composing the hybrid music in the album Generative Music 1:

As C.S.J. Bofop, in 1996, he said:

Other work

Eno has also been active in other artistic fields, producing videos for gallery display and collaborating with visual artists in other endeavours. One is the set of "Oblique Strategies" cards that he and artist Peter Schmidt, produced in the mid-70s, described as "100 Worthwhile Dilemmas" and intended as guides to shaking up the mind in the process of producing works of art. Another was his collaboration with artist Russell Mills on the book More Dark Than Shark. He was also the provider of music for Robert Sheckley's In the Land of Clear Colours, a narrated story with music originally published by a small art gallery in Spain.

Eno appeared as Father Brian Eno at the "It's Great Being a Priest!" convention, in "Going to America", the final episode of the television sitcom Father Ted, which originally aired on 1 May 1998 on Channel 4.

In March 2008 Eno collaborated with the Italian artist Mimmo Paladino on a show of the latter's works with Eno's soundscapes at Ara Pacis in Rome.

In 2008, Eno designed the procedurally-generated music for the video game Spore.

In October 2008, Eno collaborated with Peter Chilvers to create an application titled Bloom, Trope, and Air for the iOS platform.

Eno will be the guest curator of the 2010 Brighton Festival.

Lizard Point from On Land is featured in the 2010 film Shutter Island.

Influence

Eno is frequently referred to as one of popular music's most influential artists. A critic at Allmusic argues that Eno "forever altered the ways in which music is approached, composed, performed, and perceived, and everything from punk to techno to new age bears his unmistakable influence." Eno's first collaboration with David Byrne, 1981's My Life in the Bush of Ghosts, pioneered sampling techniques and broke ground by incorporating world music. Eno's Oblique Strategies have been utilized by many bands, and Eno's production style has proven influential in several general respects: "his recording techniques have helped change the way that modern musicians – particularly electronic musicians – view the studio. No longer is it just a passive medium through which they communicate their ideas but itself a new instrument with seemingly endless possibilities."

While not the only inventor of ambient music, Eno is seen as a major contributor to the genre. The Ambient Music Guide argues that he has brought from "relative obscurity into the popular consciousness" fundamental ideas about ambient music, including "the idea of modern music as subtle atmosphere, as chill-out, as impressionistic, as something that creates space for quiet reflection or relaxation."

MGMT wrote a song about Brian Eno, called "Brian Eno", in their 2010 album Congratulations.

Politics

Brian Eno has been active politically throughout his life, frequently writing letters to government ministers, appearing on political debates, and writing newspaper columns to express his political views. He was sharply critical of the Thatcher government's decision to reduce funding to the BBC World Service, arguing that the £5 million cut to its £25 million budget was damaging, and was the equivalent cost of "just one wing of one F16 fighter jet"- a reference to a large order of military hardware the government had just made.

In 1996, Eno and others started the Long Now Foundation to educate the public about the very long term future of society. He is also a columnist for the British newspaper The Observer.

In 2003, he appeared on a UK Channel 4 discussion about the Iraq war with a top military spokesman; Eno was highly critical of the war. In 2005, he spoke at an anti-war demonstration in Hyde Park, London. In March 2006, he spoke at an anti-war demonstration at Trafalgar Square; he noted that 2 billion people on this planet do not have clean drinking water, and that water could have been supplied to them for about one-fifth of the cost of the Iraq war.

The Nokia 8800 Sirocco Edition mobile phone features exclusive music composed by Eno. Between 8 January 2007 and 12 February 2007, ten units of Nokia 8800 Sirocco Brian Eno Signature Edition mobile phones, individually numbered and engraved with Eno's signature were auctioned off. All proceeds went to two charities chosen by Eno: the Keiskamma Aids Treatment program and The World Land Trust.

In 2006, Eno was one of more than 100 artists and writers who signed an open letter calling for an international boycott of Israeli political and cultural institutions.

In December 2007, the newly-elected Leader of Liberal Democrats, Nick Clegg, appointed Eno as his youth affairs adviser.

In January 2009, Eno spoke out against Israel's military action on the Gaza Strip by writing an opinion for CounterPunch and participating in a large-scale protest in London.

Discography

Bibliography

Bracewell, Michael Roxy Music: Bryan Ferry, Brian Eno, Art, Ideas, and Fashion (Da Capo Press, 2005) ISBN 0-306-81400-5

Eno, Brian, Russell Mills and Rick Poynor More Dark Than Shark (Faber & Faber, 1986, out of print)

Eno, Brian A Year with Swollen Appendices: Brian Eno's Diary (Faber & Faber, 1996) ISBN 0-571-17995-9

I Dormienti with Mimmo Paladino (2000). Limited edition of 2000.

Sheppard, David On Some Faraway Beach: The Life and Times of Brian Eno (Orion Books, 2008) ISBN 978-0-7528-7570-5

Tamm, Eric Brian Eno: His Music and the Vertical Color of Sound (Da Capo Press, 1995, first published 1989) ISBN 0-306-80649-5

Dayal, Geeta 33 1/3: Brian Eno's Another Green World (Continuum 2007) ISBN 978-08264-2786-1

References

External links

EnoWeb (unofficial website) contains a discography, interview transcripts, and photo gallery

Paul Morley interviews Eno in The Guardian, 17 Jan 2010

Interview with Brian Eno from The Guardian, 19 May 2006

Category:1948 births Category:Ambient musicians Category:Aphorists Category:BRIT Award winners Category:English electronic musicians Category:English experimental musicians Category:English artists Category:English record producers Category:Grammy Award winners Category:Living people Category:New Age musicians Category:People from Woodbridge Category:Roxy Music members Category:Warp Records artists