Name	Mel Blanc
Caption	Blanc in 1976
Birth name	Melvin Jerome Blank
Birth date	May 30, 1908
Birth place	San Francisco, California,United States
Death date	July 10, 1989
Death place	Los Angeles, California, United States
Occupation	Voice actor/Comedian
Years active	1927–1989
Spouse	Estelle Rosenbaum(1933–1989; his death)

Mel Blanc (May 30, 1908 – July 10, 1989) was an American voice actor and comedian. Although he began his nearly six-decade-long career performing in radio commercials, Blanc is best remembered for his work with Warner Bros. during the "Golden Age of American animation" (and later for Hanna-Barbera television productions) as the voice of such well-known characters as Bugs Bunny, Daffy Duck, Porky Pig, Sylvester the Cat, Tweety Bird, Foghorn Leghorn, Yosemite Sam, Wile E. Coyote, Woody Woodpecker, Barney Rubble, Mr. Spacely, Speed Buggy, Captain Caveman, Heathcliff, Speedy Gonzales and hundreds of others. Having earned the nickname “The Man of a Thousand Voices,” Blanc is regarded as one of the most influential people in the voice-acting industry.

At the time of his death, it was estimated that 20 million people heard his voice every day.

Early years and radio work

Blanc was born Melvin Jerome Blank in San Francisco, California, to Frederick and Eva Blank. He grew up in Portland, Oregon, attending Lincoln High School. He claimed that when he was 16, he changed the spelling from “Blank” to “Blanc” because a teacher told him that he would amount to nothing and be, like his name, a “blank.” Blanc joined The Order of DeMolay as a young man, and was eventually inducted into its Hall of Fame.

Blanc began his radio career in 1927 as a voice actor on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to KEX in 1933 to produce and host his Cobweb And Nuts show, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.

Blanc moved to Warner Bros.-owned KFWB in Hollywood, California, in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show. Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny’s Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny’s pet polar bear Carmichael, the tormented department store clerk, and the train announcer (see below).

One of Blanc’s most memorable characters from Benny's radio (and later TV) programs was “Sy, the Little Mexican,” who spoke one word at a time. The famous “Sí...Sy...sew...Sue” routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny.

At times, sharp-eyed audience members (and later, TV viewers) could see Benny struggling to keep a straight face; Blanc’s absolute dead-pan delivery was a formidable challenge for him. Benny’s daughter, Joan, recalls that Mel Blanc was one of her father’s closest friends in real life, because “nobody else on the show could make him laugh the way Mel could.”

Another famous Blanc shtick on Jack’s show was the train depot announcer who inevitably intoned, sidelong, “Train leaving on Track Five for Anaheim, Azusa, and Cucamonga”. Part of the joke was the Angeleno studio audience’s awareness that no such train existed connecting those then-small towns (years before Disneyland opened). To the wider audience, the primary joke was the pregnant pause that evolved over time between "Cuc.." and "...amonga"; eventually, minutes would pass while the skit went on as the audience awaited the inevitable conclusion of the word. (At least once, a completely different skit followed before the inevitable “...amonga” finally appeared.)

Benny's writers would regularly try to "stump" Blanc by asking him to perform supposedly impossible vocal effects and characterizations, such as an "English horse whinny" and a goldfish. For the latter, Mel walked up to the microphone and pursed his lips several times, making no noise.

Blanc’s success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie (who sounded quite a bit like Porky Pig). Many episodes required Mel to impersonate an exotic foreigner or other stranger in town, ostensibly for carrying out a minor deception on his girlfriend's father, but of course simply as a vehicle for him to show off his talents. Other regular characters were played by Mary Jane Croft, Joseph Kearns, Hans Conried, Alan Reed, Earle Ross, Jim Backus, Bea Benaderet and The Sportsmen Quartet, who would supply a song and sing the Colgate Tooth Powder commercials. (Blanc would later work with Reed and Benaderet on The Flintstones.) Shows usually adhered to a predictable formula, involving a date with his girl Betty Colby (Mary Jane Croft) and trying to either impress her father or at least avoid angering him. However, Mr. Colby (Earle Ross) usually had occasion to deliver his trademark line, "Mel Blanc, I'm going to break every bone in your body!"

Blanc appeared frequently on The Great Gildersleeve, uncredited, often voicing two or more supporting characters in a single episode: deliverymen in "Planting a Tree" and "Father's Day Chair" also "Gus", a petty crook in the latter; a radio station manager and a policeman in "Mystery Singer", and many others.

Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, most notably G.I. Journal. The character of Sad Sack was a bumbling Army private with an even worse stutter than Porky Pig. ("I'm Lieutena-eh-Lieutena-eh-Capta-eh-Majo-eh-Colone-eh-p-p-Private Sad Sack.")

For his contribution to radio, Mel Blanc has a star on the Hollywood Walk of Fame at 6385 Hollywood Boulevard.

Animation voice work during the Golden Age of Hollywood

In 1936, Mel Blanc joined Leon Schlesinger Productions, which made animated cartoons distributed by Warner Bros. Blanc liked to tell the story about how he got turned down at the Schlesinger studio by music director Norman Spencer, who was in charge of cartoon voices, saying that they had all the voices they needed. Then Spencer died, and sound man Treg Brown took charge of cartoon voices, while Carl Stalling took over as music director. Brown introduced Blanc to animation directors Tex Avery, Bob Clampett, Friz Freleng, and Frank Tashlin, who loved his voices. The first cartoon Blanc worked on was Picador Porky as the voice of a drunken bull. He took over as Porky Pig's voice in Porky's Duck Hunt, which marked the debut of Daffy Duck, also voiced by Blanc.

Blanc soon became noted for voicing a wide variety of cartoon characters, adding Bugs Bunny, Tweety Bird, Pepé Le Pew and many others. His natural voice was that of Sylvester the Cat, but without the lispy spray. (Blanc's voice can be heard in an episode of The Beverly Hillbillies that also featured frequent Blanc vocal foil Bea Benaderet; in his small appearance, Blanc plays a vexed cab-driver.)

In his later years, Blanc claimed that a handful of late 1930s and early 1940s Warner cartoons that each featured a rabbit clearly a precursor of Bugs Bunny all actually dealt with a single character named Happy Rabbit. No use of this name by other Termite Terrace personnel, then or later, has ever been documented, however. Happy Rabbit was noted for his laugh which became more famous as the laugh of Woody Woodpecker (of which Blanc was the original voice) until he won an exclusive contract with Warner Bros. which meant he couldn't do Woody's voice anymore as the Woody Woodpecker cartoons were produced by Walter Lantz Productions and distributed by Universal Pictures. Blanc later recorded "The Woody Woodpecker Song" for Capitol Records.

Though his best-known character was a carrot-chomping rabbit, munching on the carrots interrupted the dialogue. Various substitutes, such as celery, were tried, but none of them sounded like a carrot. So for the sake of expedience, he would munch and then spit the carrot bits into a spittoon rather than swallowing them, and continue with the dialogue. One oft-repeated story is that he was allergic to carrots and had to spit them out to minimize any allergic reaction; but his autobiography makes no such claim; in fact, in a 1984 interview with Tim Lawson, co-author of The Magic Behind The Voices: A Who's Who of Cartoon Voice Actors (University Press of Mississippi, 2004), Blanc emphatically denied being allergic to carrots. In a Straight Dope column, a Blanc confidante confirmed that Blanc only spit out the carrots because of time constraints, and not because of allergies or general dislike.

Blanc said his most challenging job was voicing Yosemite Sam; it was rough on the throat because of Sam’s sheer volume and raspiness. (Foghorn Leghorn's voice was similarly raucous, but to a lesser degree.) Late in life, he reprised several of his classic voices for Who Framed Roger Rabbit, but deferred to Joe Alaskey to do Yosemite Sam's and Foghorn Leghorn's voices.

Throughout his career, Blanc was well aware of his talents and protected the rights to them contractually and legally. He, and later his estate, did not hesitate to take civil action when those rights were violated. Voice actors usually got no screen credits at all, but Blanc was a notable exception; by 1944, his contract stipulated a credit reading "Voice characterization by Mel Blanc." Blanc asked for and received this screen credit from studio boss Leon Schlesinger when Leon objected to giving Blanc a raise in pay. Other frequent Warner voice artists, such as Arthur Q. Bryan (Elmer Fudd), Stan Freberg (Pete Puma among many other characters), June Foray (Granny) and Bea Benaderet (many female voices), remained uncredited on-screen. However, Freberg did receive screen credit for Three Little Bops, a musical spoof of The Three Little Pigs, directed by Friz Freleng. Freberg is a frequent contributor to the various Golden Collection projects that showcase the Looney Tunes and Merrie Melodies. Blanc, himself, is often spoken of with reverence by younger voice specialists in those DVD collections.

Blanc's screen credit was noticed by radio show producers, who gave him more radio work as a result. It wouldn't be until the early '60s that the other voice actors and actresses became credited on Warner Brothers theatrical cartoons.

Benny/Bugs crossover

The Warner cartoons were filled with references to the popular media of film and radio, including references to The Jack Benny Program, whose various gags frequently found their way into Warner scripts voiced by Blanc. For example:

Bugs was known for repeating Benny's catchphrase, "Now cut that out!"

The "Anaheim, Azusa and Cuc...amonga" joke was once used by Daffy Duck in the cartoon Daffy Duck Slept Here.

Frank Nelson's "Yeeeeees?" would be invoked by minor characters from time to time.

Blanc's imitations of sputtering cars, squawking parrots, whinnying horses, etc., would be invoked frequently in both series.

On the March 28, 1954 episode of Benny's radio program, Benny encounters Bugs Bunny in a dream.

The ultimate clash of the mythos occurred with the 1959 release of the Warner Bros. cartoon The Mouse that Jack Built. Directed by Robert McKimson, the cartoon features the cast of the Benny radio and TV program drawn as mice. Blanc was credited as the voice of the Maxwell, and besides Benny, co-stars Mary Livingstone, Eddie "Rochester" Anderson, and Don Wilson all reprised their Benny show roles.

Car accident and aftermath

On January 24, 1961, Blanc was involved in a near-fatal car accident on Sunset Boulevard in Hollywood. Hit head-on, Blanc suffered a triple skull fracture that left him in a coma for three weeks, along with fractures of both legs and the pelvis.

The accident prompted over 15,000 get-well cards from anxious fans, including some addressed only to "Bugs Bunny, Hollywood, USA", according to Blanc's autobiography. One newspaper falsely reported that he had died. After his recovery, Blanc reported in TV interviews, and later in his autobiography, that a clever doctor had helped him to come out of his coma by talking as-if to Bugs Bunny, after futile efforts to talk directly to Blanc. Although he had no actual recollection of this, Blanc's wife and son swore to him that when the doctor was inspired to ask him, "How are you today, Bugs Bunny?", Blanc answered in Bugs' voice. Blanc thus credited Bugs with saving his life.

Blanc returned home from the UCLA Medical Center on March 17 to the cheers of more than 150 friends and neighbors. On March 22, he filed a US$500,000 lawsuit against the city of Los Angeles. His accident, one of 26 in the preceding two years at the intersection, resulted in the city funding restructuring curves at the location.

Years later, Blanc revealed that during his recovery, his son Noel "ghosted" several Warner Brothers cartoons' voice tracks for him. At the time of the accident, Blanc also served as the voice of Barney Rubble on ABC's The Flintstones. His absence from the show would be relatively brief; Daws Butler provided the voice of Rubble for a few episodes, after which the show's producers set up recording equipment in Blanc's hospital room and later, at his house to allow him to work from his residence. Some of the recordings were made while he was in full-body cast while he lay flat on his back, with the other Flintstones' co-stars gathered around him. He also returned to The Jack Benny Program to film the program's 1961 Christmas show, moving around via crutches and/or a wheelchair.

Voice work for Hanna-Barbera and others

In the early 1960s, after the expiration of his exclusive contract with Warner Brothers, Blanc went to Hanna-Barbera and continued to voice various characters, his most famous being Barney Rubble from The Flintstones (whose dopey laugh is similar to Foghorn Leghorn's booming chuckle) and Mr. Spacely from The Jetsons (similar to Yosemite Sam, but not as raucous). Daws Butler and Don Messick were Hanna-Barbera's top voice men when Blanc began providing voices for the company.

Blanc did those voices plus others for such ensemble cartoons as Wacky Races and The Perils of Penelope Pitstop for Hanna-Barbera in the late '60s. Blanc shared the spotlight with his two professional rivals and personal friends, Butler and Messick: In a short called Lippy the Lion, Butler was Lippy, while Blanc was his hyena sidekick, Hardy Har-Har, and Don Messick was usually the guest villain or other supporting characters. In the short Ricochet Rabbit, Messick was the voice of the gun slinging rabbit, while Blanc was his sidekick, Deputy Droop-a-Long Coyote.

Blanc also worked with Chuck Jones, who by this time was directing shorts with his own company Sib Tower 12 (later MGM Animation), doing vocal effects in the Tom and Jerry series from 1962 to 1967.

In addition, Blanc was the first person to play Toucan Sam in Froot Loops commercials, using a slightly cartoonish version of his natural voice. (The ad agency later decided to give Sam an upper-crust English accent and replaced Blanc with Paul Frees.)

Blanc reprised some of his Warner Brothers characters when the studio contracted to make new theatrical cartoons in the mid-to-late 1960s. For these, Blanc voiced Daffy Duck and Speedy Gonzales, the characters who received the most frequent use in these shorts (later, newly introduced characters such as Cool Cat and Merlin the Magic Mouse were voiced by Larry Storch). Blanc also continued to voice the Looney Tunes characters on the bridging sequences for The Bugs Bunny Show and in numerous animated advertisements.

Later career and death

Contrary to popular belief, Blanc was not one of hundreds of individuals that George Lucas auditioned to provide the voice for the character of C-3PO for his 1977 film . That distinction instead fell to fellow voice actor Stan Freberg, and it was Freberg who ultimately suggested that the producers use mime actor Anthony Daniels' own voice in the role.

After spending most of two seasons voicing the robot Twiki in Buck Rogers in the 25th Century, Blanc's last original character, in the early 1980s, was Heathcliff, who spoke a little like Bugs Bunny. Blanc continued to voice his famous characters in commercials and TV specials for most of the decade, although he increasingly left the "yelling" characters like Yosemite Sam, Foghorn Leghorn and the Tasmanian Devil to other voice actors, as performing these were too hard on his throat. One of his last recording sessions was for a new .

Blanc died on July 10, 1989 at Cedars-Sinai Medical Center in Los Angeles, California of heart disease and emphysema. He was interred in the Hollywood Forever Cemetery in Hollywood, California. Blanc's will stated his desire to have the inscription on his gravestone read, "THAT'S ALL FOLKS."

Blanc's death was considered a significant loss to the cartoon industry because of his skill, expressive range, and sheer volume of continuing characters he portrayed, which are currently taken up by several other voice talents. Indeed, as movie critic Leonard Maltin once pointed out, "It is astounding to realize that Tweety Bird and Yosemite Sam are the same man!"

That range was partially aided by recording technology; for instance, Blanc's standard Daffy Duck voice is essentially his Sylvester voice played a few percent faster than it was recorded to give it a higher pitch, as well as pronouncing "s" with a "th" sound. Blanc would later develop the skill to reproduce such "sped-up" voices himself live as necessary. Other Blanc character voices that were given this special treatment included Porky Pig, Henery Hawk, and Speedy Gonzales.

After his death, Blanc's voice continued to be heard in newly released properties. In particular, a recording of his Dino the Dinosaur from the 1960s Flintstones series was used without a screen credit in the 1994 live-action theatrical film based upon the series. This resulted in legal action against the film studio by the Blanc estate, which claimed his recordings were used without permission or proper credit. The credit was later added to the home release of the movie. Less problematic was the retention of older recordings of Blanc as Uncle Orville and a pet bird in the 1994 update of the Carousel of Progress attraction at Walt Disney World, despite cast changes in other roles. Blanc's distinctive voice can still be heard in the Audio-Animatronic presentation. In addition, Blanc's archive recordings of the Maxwell are used for the AMC Gremlin in the 2003 film .

Children

Blanc trained his son, Noel, in the field of voice characterization. Though the younger Blanc has performed his father's characters (particularly Porky Pig) on some programs, he has chosen not to become a full-time voice artist. Noel appeared in the booth as a celebrity guest for the 2002 and 2003 Chevrolet Monte Carlo 400 NASCAR Races featuring the Looney Tunes characters in themed paint schemes for Chevrolet drivers and did the voices of the characters. Noel is a regular featured guest on radio shows throughout the United States and Canada. Noel's wife, Katherine Blanc, is an artist and book author.

Animation records

Mel Blanc holds a few very important records in the field of animation (none of which are currently recognized by the Guinness Book of World Records), the most famous being, of course, the "1000 Voices" he was said to have performed. Not as notable are two records of longevity: his original characterization of Daffy Duck (for over 52 years) is the longest time any animated character has been performed by his or her original voice contributor. He also voiced Porky Pig for exactly the same amount of time as Daffy — since the same cartoon (Porky's Duck Hunt) — through to his death, though Porky was not originally voiced by Blanc. Blanc was also the original voice of almost every character he voiced, leaving him as the clear runaway for the record of "Most Characters Originally Voiced By One Actor," and he almost certainly provided voices in more cartoons than any other voice actor. And to top that off, he is runner-up to his own 52-year record of his original characterization of Daffy, by voicing Bugs Bunny for almost 49 years from the date of his debut (July 27, 1940). In third place is Clarence Nash, who voiced Donald Duck for 48 and a half years.

List of cartoon characters

Porky Pig (1936–1989, assumed from Joe Dougherty)

The Maxwell (Jack Benny's car in "The Mouse that Jack Built")

Daffy Duck (1937–1989)

Bugs Bunny's prototype/Happy Rabbit (1938–1940)

Papa Panda from the Andy Panda series

Bugs Bunny (1940–1989)

Woody Woodpecker (1940–1941)

Slapsie Maxie Rosenbull (1940)

Hiawatha (1941)

Cecil Turtle (1941–1947)

Tweety Bird (1942–1989)

Private Snafu, numerous World War II related cartoons (1943)

Yosemite Sam (1945–1987)

Pepé Le Pew (1945–1989)

Sylvester (1945–1989) aka Thomas (1947) in some films.

Foghorn Leghorn (1946–1987)

The Barnyard Dawg (1946–1989)

Henery Hawk (1946–1989)

Charlie Dog (1947)

Mac (of Mac & Tosh) (1947)

K-9 (1948) (sidekick to Marvin the Martian)

Marvin the Martian (1948–1989)

Sylvester J. Pussycat, Jr. Mel also plays Sylvester's son Sylvester Junior when the young cat was introduced (1949)

Beaky Buzzard (1950)

Curt Martin (1950-1 episode Hillbilly Hare)

Elmer Fudd (The Scarlet Pumpernickel, 1970s and 1980s, replacing Arthur Q. Bryan)

Bruno the Bear (1951)

Wile E. Coyote (silent until 1952, first spoke in the short "")

Speedy Gonzales (1953–1989)

Rocky and Mugsy (Bugs and Thugs 1954)

The Tasmanian Devil (1954–1960) aka Taz

Ed (Jack Benny's underground valet guard in "The Mouse that Jack Built", since Joseph Kearns was unavailable to reprise his role as Ed the Vault Guard in that cartoon)

Blacque Jacque Shellacque (1959–1962)

Barney Rubble (1960–1989)

Dino (1960–1989) (Fred Flintstone's pet.)

Cosmo G. Spacely (The Jetsons, 1962–1989)

Hardy Har Har (1962–1964)

Tom Cat and Jerry Mouse (1963–1967)

Sneezly Seal (1964–1967)

Secret Squirrel (1965–1966)

Frito Bandito (1967–1971)

Bubba McCoy from "Where's Huddles?"

Chugga-Boom/Yak Yak/The Bully Brothers also from "The Perils of Penelope Pitstop"

Speed Buggy (1973)

Tucker the Mouse from "The Cricket in Times Square" (1973) and two sequels

Captain Caveman (1977)

Twiki from Buck Rogers in the 25th Century (1979–1981)

Heathcliff (1980, appeared in syndication from 1984–1987)

Gideon from Pinocchio (hiccups)

Bertie Mouse (of Hubie and Bertie)

Marc Antony

Moo the Cow in Berkeley Farms Radio Ads. "Farms in Berkeley....Moooo"

Officer Short Shrift, several Lethargians, three out of five of the royal palace guards, The Word Speller, The Dodecahedron, and The Demon of Insincerity from The Phantom Tollbooth (1969)

Go Go Gomez, Flat Top, B.B. Eyes, additional voices from The Dick Tracy Show

Besides these, Blanc also voiced many minor and one time characters and animal sound effect roles.

List of noteworthy radio characters

Besides voicing characters on his own radio show (which ran from 1946–47) Blanc was a regular on such comedy classics as The Jack Benny Show, Burns & Allen, and Abbott & Costello, providing both voices and sound effects ranging from people to animals to backfiring cars.

The Happy Postman (Burns & Allen)

Professor LeBlanc (The Jack Benny Program)

Mr. Technicolovich (Abbott & Costello)

Sy the Mexican (Jack Benny, radio & TV)

Himself (The Mel Blanc Show)

Zookie (The Mel Blanc Show)

Polly the Parrot (The Jack Benny Program)

Carmichael the Polar Bear (The Jack Benny Program)

Train Station Announcer (The Jack Benny Program; "Train now departing on Track Five for Ana-heim, A-zuza, and Cuc-a-monga!!")

Christmas sales clerk (The Jack Benny Program; in most holiday episodes of the radio and TV version, Blanc would appear as a sales clerk in a department store who's driven insane by Jack's style of shopping and returning gifts.)

The Maxwell (The Jack Benny Program)

Other credits

Mel Blanc was hired to perform the voice of Gideon the Cat in Walt Disney's Pinocchio. However, it was eventually decided for Gideon to be mute (just like Dopey, whose whimsical, Harpo Marx-style persona made him one of Snow White and the Seven Dwarfs' most comic and popular characters), and all of Blanc's recorded dialogue in this film had been deleted, save for one military hiccup, which was heard three times in the film (he was still paid for all of the unused dialogue so if you consider his salary against the actual used "hiccup", he holds the record for highest paid—per word—voice-over actor). This and Who Framed Roger Rabbit are the only known work he ever did for Disney animation. He was, however, heard on occasional radio projects featuring Disney characters, such as The Mickey Mouse Theater of the Air.

In 1949, Mel appeared in the film Neptune's Daughter with Esther Williams, Red Skelton and Ricardo Montalban.

Blanc was one of three regular panelists in the 1955 game show Musical Chairs. Occasionally, he was asked to sing in the style of a popular singer.

Blanc once called into the game show Press Your Luck during the end credits when host Peter Tomarken mistakenly gave the answer to the question "Which cartoon character uses the phrase 'Sufferin' succotash'?" as Daffy Duck. Blanc informed him that the correct answer was Sylvester. (In reality, both characters have used the phrase, although it is more commonly associated with Sylvester.) Blanc spoke to Tomarken in Sylvester's voice to explain the error, as well in the voices of Speedy Gonzales and Porky Pig. Tomarken apologized for the error and promised that all three contestants would be allowed to return to play the game again.

Blanc was the voice of Bob and Doug McKenzie's father in the movie Strange Brew.

In 1970, Blanc narrated an educational film that was commissioned by the City of Dallas called How Motor Cars and Other Living Things Can Find Happiness in the Dallas Freeway System. He also did the sound effects for the animated car.

In 1971, he appeared as himself in one of the American Express "Do you know me?" credit card TV commercials. The ad campaign centered on famous people whose faces were nonetheless usually not recognized by the public.

Blanc appeared in a public service announcement for the Shriners Burns Institute on the dangers of burns on children.

He also provided the voice of Quintro the Puppet in Snow White and the Three Stooges.

Blanc did virtually all of his famous Looney Tunes characters' voices in NFL Films' The Son of Football Follies

In addition to hundreds of credited vocal roles, Blanc also provided many brief incidental voices and vocal effects for TV sitcoms, almost never receiving screen credit. Two noted examples were regularly providing the voice of the raven cuckoo clock in The Munsters' and voicing a parrot (who even spoke in the courtroom) in the Perry Mason episode "The Case of the Perjured Parrot."

In his autobiography, That's Not All, Folks!, Blanc confessed to a minor bit of deception regarding his nickname, "The Man of a Thousand Voices," stating that by his estimate, he had provided only 850 voices. The simple inscription on the print reads: "Speechless." According to Warner Bros., it is the highest selling piece of animation art ever produced. The picture was also made into an animated picture, with sound and changing scenes, and sold in the now-defunct Warner Brothers chain of retail stores. In the The Office episode "Take Your Daughter to Work Day", boss Michael Scott acts out Blanc's "Cucamonga" bit, even including a pause.

In the Histeria! episode "General Sherman's Campsite", during the sketch about the Transcontinental Railroad, Loud Kiddington acts as a conductor and does the "Cucamonga" bit.

On an episode of Night Court, Harry's father, Buddy (John Astin), tells Harry (Harry Anderson) that he had wanted to name him Mel, after Mel Blanc. The joke is that Harry is an avid fan of singer Mel Tormé, and assumes that to be what Buddy meant.

Listen to

Mel Blanc sings Somebody Stole My Gal (Capitol F2470)

40 MP3 downloads of The Mel Blanc Show

References

Notes

Bibliography

That's Not All, Folks!, 1988 by Mel Blanc, Philip Bashe. Warner Books, ISBN 0-446-39089-5 (Softcover), ISBN 0-446-51244-3 (Hardcover)

Terrace, Vincent. Radio Programs, 1924–1984. Jefferson, NC: McFarland, 1999. ISBN 0-7864-0351-9

External links

Warner Bros. Animation Chronology

Mel Blanc Show Archive in MP3 format

Toonopedia article about Mel Blanc

Category:1908 births Category:1989 deaths Category:American Jews Category:American radio actors Category:American voice actors Category:Voice actors Category:Burials at Hollywood Forever Cemetery Category:Cardiovascular disease deaths in California Category:Jewish actors Category:Looney Tunes Category:People from Los Angeles, California Category:People from Portland, Oregon Category:People from San Francisco, California Category:Jewish comedians Category:Lincoln High School (Portland, Oregon) alumni

Name	Jack Benny
Caption	Jack Benny in 1958
Birthname	Benjamin Kubelsky
Birth date	February 14, 1894
Birth place	Chicago, Illinois, United States
Death date	December 26, 1974
Death place	Beverly Hills, CaliforniaUnited States
Show	The Jack Benny Program
Network	NBC, CBS
Style	Comedian
Country	United States

Jack Benny (February 14, 1894 – December 26, 1974), born Benjamin Kubelsky,, and grew up in neighboring Waukegan, Illinois. He was the son of Meyer Kubelsky and Emma Sachs Kubelsky. Meyer was a Jewish saloon owner, later to become a haberdasher, who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying the violin, an instrument that would become his trademark, when he was just six, with his parents' hopes that he would be a great classical violinist. He loved the violin, but hated practice. By age 14, he was playing in local dance bands as well as in his high school orchestra. Benny was a dreamer and a poor student and he was expelled from high school. He did equally badly in business school and at his father's trade. At age 17, he began playing the instrument in local vaudeville theaters for $7.50 a week.

In 1911, Benny was playing in the same theater as the young Marx Brothers, whose mother Minnie was so enchanted with Benny's musicianship that she invited him to be their permanent accompanist. The plan was foiled by Benny's parents, who refused to let their son, then 17, go on the road, but it was the beginning of his long friendship with Zeppo Marx. Benny's future wife Mary Livingstone was a distant cousin of the Marx Brothers.

The following year, Benny formed a vaudeville musical duo with pianist Cora Salisbury, a buxom 45-year-old widow who needed a partner for her act. This provoked famous violinist Jan Kubelik, who thought that the young vaudeville entertainer with a similar name (Kubelsky) would damage his reputation. Under pressure from Kubelik's lawyer, Benjamin Kubelsky agreed to change his name to Ben K. Benny (sometimes spelled Bennie). When Salisbury left the act, Benny found a new pianist, Lyman Woods, and re-named the act "From Grand Opera to Ragtime". They worked together for five years and slowly added comedy elements to the show. They even reached the Palace Theater, the "Mecca of Vaudeville", but bombed. Benny left show business briefly in 1917 to join the U.S. Navy during World War I, and he often entertained the troops with his violin playing. One evening, his violin performance was booed by the troops, so with prompting from fellow sailor and actor Pat O'Brien, he ad-libbed his way out of the jam and left them laughing. He got more comedy spots in the revues and was a big hit, and earned himself a reputation as a comedian as well as a musician.

Shortly after the war, Benny started a one-man act, "Ben K. Benny: Fiddle Funology". But then he heard from another lawyer, this time that of Ben Bernie, another patter-and-fiddle performer who also threatened to sue. So Benny adopted the common sailor's nickname Jack. By 1921, the fiddle became more of a prop and the low-key comedy took over.

Benny had several romantic encounters, including one with a dancer, Mary Kelly, whose devoutly Catholic family forced her to turn down Benny's proposal because he was Jewish. Benny was introduced to Mary Kelly by Gracie Allen. Some years after their split, Kelly resurfaced as a dowdy fat girl and Jack gave her a part in an act of three girls: one homely, one fat and one who couldn't sing. This lasted until, at Mary Livingstone's request, Mary Kelly was let go.

In 1922, Jack accompanied Zeppo Marx to a Passover seder where he met Sadye (Sadie) Marks, whom he married in 1927 after meeting again on a double-date. She was working in the hosiery section of the Hollywood Boulevard branch of the May Company and Benny would court her there. Called on to fill in for the "dumb girl" part in one of Benny's routines, Sadie proved a natural comedienne and a big hit. Adopting Mary Livingstone as her stage name, Sadie became Benny's collaborator throughout most of his career. They later adopted a daughter, Joan.

In 1929, Benny's agent Sam Lyons convinced MGM's Irving Thalberg to catch Benny's act at the Orpheum Theatre in Los Angeles. Benny was signed to a five-year contract and his first film role was in The Hollywood Revue of 1929. His next movie, Chasing Rainbows, was a flop and after several months, Benny was released from his contract and returned to Broadway in Earl Carroll's Vanities. At first dubious about the viability of radio, Benny was eager to break into the new medium. In 1932, after a four-week nightclub run, he was invited onto Ed Sullivan's radio program, uttering his first radio spiel "This is Jack Benny talking. There will be a slight pause while you say, 'Who cares?'..."

Radio

History

Benny had been only a minor vaudeville performer, but he became a national figure with The Jack Benny Program, a weekly radio show which ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS. It was consistently among the most highly rated programs during most of that run.

With Canada Dry Ginger Ale as a sponsor, Benny came to radio on The Canada Dry Program, beginning May 2, 1932, on the NBC Blue Network and continuing there for six months until October 26, moving the show to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933.

Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsor General Tire through the end of the season. In October, 1934, General Foods, the makers of Jell-O and Grape-Nuts, became the sponsor most identified with Jack, for the next ten years. American Tobacco's Lucky Strike was his longest-lasting radio sponsor, from October, 1944, through the end of his original radio series.

The show returned to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948–49. There it stayed for the remainder of its radio run, which ended on May 22, 1955. CBS aired repeats of old radio episodes from 1956 to 1958 as The Best of Benny.

Characters

Benny's stage character was just about everything the actual Jack Benny was not: cheap, petty, vain, and self-congratulatory. His comic rendering of these traits became the linchpin to the Benny show's success. Benny set himself up as the comedic foil, allowing his supporting characters to draw laughs at the expense of his character's flaws. By allowing such a character to be seen as human and vulnerable, in an era where few male characters were allowed such obvious vulnerability, Benny made what might have been a despicable character into a lovable Everyman character. Benny himself said on several occasions: "I don't care who gets the laughs on my show, as long as the show is funny." In her book, Benny's daughter Joan said her father always said it doesn't matter who gets laughs, because come the next day they will say, "Remember the Jack Benny Show, last night, it was good, or it was bad." Jack felt he got the credit or blame either way, not the actor saying the lines, so it had better be funny.

The supporting characters who amplified that vulnerability only too gladly included wife Mary Livingstone as his wisecracking and not especially deferential female friend (not quite his girlfriend, since Benny would often try to date movie stars like Barbara Stanwyck, and occasionally had stage girlfriends such as "Gladys Zybisco"); rotund announcer Don Wilson (who also served as announcer for Fanny Brice's hit, Baby Snooks); bandleader Phil Harris as a jive-talking, wine-and-women type whose repartee was rather risqué for its time; boy tenor Dennis Day, who was cast as a sheltered, naïve youth who still got the better of his boss as often as not (this character was originated by Kenny Baker, but perfected by Day); and, especially, Eddie Anderson as valet-chauffeur Rochester van Jones who was as popular as Benny himself.

And that was itself a radical proposition for the era: unlike the protagonists of Amos 'n' Andy, Rochester was a black man allowed to one-up his vain, skinflint boss. In more ways than one, with his mock-befuddled one-liners and his sharp retorts, he broke a comedic racial barrier. Unlike many black supporting characters of the time, Rochester was depicted and treated as a regular member of Benny's fictional household. Benny, in character, tended if anything to treat Rochester more like an equal partner than as a hired domestic, even though gags about Rochester's flimsy salary were a regular part of the show. (Frederick W. Slater, newsman of St. Joseph, Missouri, recalled when Benny and his staff stayed at the restricted Robidioux Hotel during their visit to that town. When the desk staff told Benny that "Rochester" could not stay at the hotel, Benny replied, "If he doesn't stay here, neither do I." The hotel's staff eventually relented.)

Rochester seemed to see right through his boss's vanities and knew how to prick them without overdoing it, often with his famous line "Oh, Boss, come now!" Benny deserves credit for allowing this character and the actor who played him (it is difficult, if not impossible, to picture any other performer giving Rochester what Anderson gave him) to transcend the era's racial stereotype and for not discouraging his near-equal popularity. A New Year's Eve episode, in particular, shows the love each performer had for the other, quietly toasting each other with champagne. That this attention to Rochester's race was no accident became clearer during World War II, when Benny would frequently pay tribute to the diversity of Americans who had been drafted into service.

After the war, once the depths of Nazi race hatred had been revealed, Benny made a conscious effort to remove the most stereotypical aspects of Rochester's character. In 1948, it became apparent to Benny how much the times had changed when a 1941 script for "The Jack Benny Program" was re-used for one week's show. The script included mention of several African-American stereotypes (i.e. a reference to Rochester carrying a razor), and prompted a number of listeners, who didn't know the script was an old one, to send in angry letters protesting the stereotypes. Thereafter, Benny insisted that his writers should make sure that no racial jokes or references should be heard on his show. Benny also often gave key guest-star appearances to African-American performers such as Louis Armstrong and the Ink Spots.

The rest of Benny's cast included character actors and comedians:

Sheldon Leonard (later a hugely successful television producer and creator) as a tight-lipped racetrack tout

Joseph Kearns (best remembered as cantankerous Mr. Wilson on the television version of Dennis the Menace) as Ed, the superannuated guard to Jack's money vault

Verna Felton as Dennis Day's mother

Frank Nelson, usually as an oily desk clerk or floorwalker, always greeting Benny with an eager Yeeeeeeesss?;

singer/bandleader Bob Crosby (who succeeded Phil Harris in the early 1950s);

Artie Auerbach as the Yiddish-accented Mr. Kitzel ("hoo, hoo, hoo!");

Bea Benaderet, as Gertrude the switchboard operator;

Mel Blanc, who provided several characters' voices, including the railroad station announcer who said, "Train leaving on track five for Anaheim, Azusa and Cucamonga!". This running gag became so well known that it eventually led to a statue of Benny in Cucamonga. Blanc also was featured with Benny in the classic Si-Sy routine and on radio as the sound of Benny's Maxwell automobile. Blanc is perhaps best remembered as Benny's perpetually frustrated violin teacher, Professor LeBlanc, who was as likely to throw his own and Benny's instrument into the fireplace as he was to have a nervous breakdown before he was out the door.

Other musical contributions came starting in 1946 from the singing quartet the Sportsmen (members: Bill Days, Max Smith, Marty Sperzel and Gurney Bell) singing the middle Lucky Strike commercial. In the early days of the program, the supporting characters were often vaudevillian ethnic stereotypes whose humor was grounded in dialects. As the years went by, the humor of these figures became more character-based.

Benny's method of bringing a character into a skit, by announcing his name, also became a well-known Benny shtick: "Oh, Dennis..." or "Oh, Rochester..." typically answered by, "Yes, Mr. Benny (Boss)?"

Situations

, Azusa and Cu-ca-monga!"]]

The Jack Benny Program evolved from a variety show blending sketch comedy and musical interludes into the situation comedy form we know even now, crafting particular situations and scenarios from the fictionalization of Benny the radio star. Any situation from hosting a party to income tax time to a night on the town was good for a Benny show, and somehow the writers and star would find the right ways and places to insert musical interludes from Phil Harris and Dennis Day. With Day, invariably, it would be a brief sketch that ended with Benny ordering Day to sing the song he planned to do on that week's show.

One extremely popular scenario that became an annual tradition on The Jack Benny Program was the "Christmas Shopping" episode, in which Benny would head to a local department store. Each year, Benny would buy a ridiculously cheap Christmas gift for Don Wilson from a store clerk played by Mel Blanc. Benny would then have second (then third, and even fourth) thoughts about his gift choice, driving Blanc (or, in two other cases, his wife and his psychiatrist, as well) to hilarious insanity by exchanging the gift, pestering about the Christmas card or wrapping paper countless times throughout the episode: in many cases, the clerk would commit suicide, or attempt and fail to commit suicide ("Look what you done! You made me so nervous, I missed!") as a result.

In the 1946 Christmas episode, for example, Benny buys shoelaces for Don, and then is unable to make up his mind whether to give Wilson shoelaces with plastic tips or shoelaces with metal tips. After Benny exchanges the shoelaces repeatedly, Mel Blanc is heard screaming insanely, "Plastic tips! Metal tips! I can't stand it anymore!" A variation in 1948 concerned Benny buying an expensive wallet for Don, but repeatedly changing the greeting card inserted—prompting Blanc to shout: "I haven't run into anyone like you in 20 years! Oh, why did the governor have to give me that pardon!?" – until Benny realizes that he should have gotten Don a wallet for $1.98, whereupon the put-upon clerk immediately responds by committing suicide. Over the years, in these Christmas episodes, Benny bought and repeatedly exchanged cuff links, golf tees, a box of dates, a paint set, and even a gopher trap.

In 1936, after a few years broadcasting from New York, Benny moved the show to Los Angeles, allowing him to bring in guests from among his show business friends — such as Frank Sinatra, James Stewart, Judy Garland, Barbara Stanwyck, Bing Crosby, Burns and Allen (George Burns was Benny's closest friend), and many others. Burns and Allen and Orson Welles guest hosted several episodes in March and April 1943 when Benny was seriously ill with pneumonia, while Ronald Colman and his wife Benita Hume appeared frequently in the 1940s as Benny's long-suffering neighbors.

Sponsors

In the early days of radio (and in the early television era, often as not), the airtime was owned by the sponsor, and Benny made a point of incorporating the commercials into the body of the show. Sometimes the sponsors were the butt of jokes, though Benny did not deploy this device as frequently as his friend and "rival" Fred Allen did at the time, or as his cast member Phil Harris later did on his own successful radio sitcom. Nevertheless, for many years Benny insisted in contract negotiations that his writers pen the sponsor's commercial in the middle of the program (leaving the sponsor to provide the opening and closing spots) and the resulting ads were cleverly and wittily worked into the storyline of the show. For example, on one program, Don Wilson accidentally misread Lucky Strike's slogan ("Be happy, go Lucky") as "Be Lucky, go happy", prompting a story arc over several weeks that had Wilson unable to attend the show due to being severely traumatized by the error.

In fact, the show was not officially called The Jack Benny Program for many years; usually, the primary name of the show tied to the sponsor. Benny's first sponsor was Canada Dry Ginger Ale from 1932 to 1933. Benny's sponsors included Chevrolet from 1933 to 1934, General Tire in 1934, and Jell-O from 1934 to 1942. The Jell-O Program Starring Jack Benny was so successful in selling Jell-O, in fact, that General Foods could not manufacture it fast enough when sugar shortages arose in the early years of World War II, and the company had to stop advertising the popular dessert mix. General Foods switched the Benny program from Jell-O to Grape-Nuts from 1942 to 1944, and it became, naturally, The Grape Nuts Program Starring Jack Benny. Benny's longest-running sponsor, however, was the American Tobacco Company's Lucky Strike cigarettes, from 1944 to 1955, and it was during Lucky Strike's sponsorship that the show became, at last, The Jack Benny Program once and for all (although it was often announced by Don Wilson at the start of the show as The Lucky Strike Program Starring Jack Benny).

Writers

Benny was notable for employing a small group of writers, most of whom stayed with him for many years. This was very much in contrast to other successful radio or television comedians, such as Bob Hope, who would change writers frequently. Historical accounts (like those by longtime Benny writer Milt Josefsberg) indicate that Benny's role, like that of Fred Allen, was essentially that of both head writer and director of his radio programs, though he was not credited in either capacity.

Theme music

During his early radio shows, Benny adopted a medley of "Yankee Doodle Dandy" and "Love in Bloom" as his theme music, opening every show. The strange interpolation of "Yankee Doodle Dandy" seems to have been an inside joke at Benny's expense: Jack Warner of Warner Brothers had once promised to cast Jack Benny as George M. Cohan in the film Yankee Doodle Dandy (which of course didn't happen, although Warner did cast Benny in The Meanest Man in the World, based on a Cohan play). "Love in Bloom" later became the theme of his television show as well. His radio shows often ended with the orchestra playing "Hooray for Hollywood". The TV show ended with one of two bouncy instrumentals written for the show by his musical arranger and conductor, Mahlon Merrick.

Benny would sometimes joke about the appropriateness of "Love in Bloom" as his theme song. On a segment often played in Tonight Show retrospectives, Benny talks with Johnny Carson about this. Benny says he has no objections to the song in and of itself, only as his theme. Proving his point, he begins reciting the lyrics slowly and deliberately: "Can it be the trees. That fill the breeze. With rare and magic perfume. Now what the hell has that got to do with me?"

"Your money or your life"

A master of the carefully timed pregnant pause, Benny and his writers used it to set up what is popularly (but incorrectly) believed to be the longest laugh in radio history. It climaxed an episode (broadcast March 28, 1948) in which Benny borrowed neighbor Ronald Colman's Oscar and was returning home when accosted by a mugger (voiced by comedian Eddie Marr). After asking for a match to light a cigarette, the mugger demanded, "Don't make a move, this is a stickup. Now, come on. Your money or your life." Benny paused, and the studio audience—knowing his skinflint character—laughed. The robber then repeated his demand: "Look, bud! I said your money or your life!" And that's when Benny snapped back, without a break, "I'm thinking it over!" This time, the audience laughed louder and longer than they had during the pause.

The punchline came to Benny staff writers John Tackaberry and Milt Josefsberg almost by accident. Writer George Balzer described the scene to author Jordan R. Young, for The Laugh Crafters, a 1999 book of interviews with veteran radio and television comedy writers: :... they had come to a point where they had the line, "Your money or your life." And that stopped them... Milt is pacing up and down, trying to get a follow... And he gets a little peeved at Tack, and he says, "For God's sakes, Tack, say something." Tack, maybe he was half asleep—in defense of himself, says, "I'm thinking it over." And Milt says, "Wait a minute. That's it." And that's the line that went in the script... By the way, that was not the biggest laugh that Jack ever got. It has the reputation of getting the biggest laugh. But that's not true.

The actual length of the laugh the joke got was five seconds when originally delivered and seven seconds when the gag was reprised on a follow-up show. In fact, the joke is probably not so memorable for the length of the laugh it provoked, but because it became the definitive "Jack Benny joke"—the joke that best illustrated Benny's "stingy man" persona. The punchline—"I'm thinking it over!"—simply would not have worked with any other comedian but Benny.

The actual longest laugh known to collectors of The Jack Benny Program lasted in excess of 32 seconds. The International Jack Benny Fan Club reports that, at the close of the program broadcast on December 13, 1936, sponsored by Jell-O, guest Andy Devine says that it is the "last number of the eleventh program in the new Jelly series." The audience, who loved any sort of accidental flub in the live program, is still laughing after 32 seconds, at which point the network cut off the program to prevent it from running overtime.

According to Jack himself, Mary Livingstone got the biggest laugh he ever heard on the show, on the April 25, 1948 broadcast. The punchline was the result of the following exchange between Don Wilson and noted opera singer Dorothy Kirsten:

:Don Wilson: Oh, Miss Kirsten, I wanted to tell you that I saw you in "Madame Butterfly" Wednesday afternoon, and I thought your performance was simply magnificent. :Dorothy Kirsten: Well, thanks, awfully. It's awfully nice and kind of you, Mr. Wilson. But, uh, who could help singing Puccini? It's so expressive. And particularly in the last act, starting with the allegro vivacissimo. :Don Wilson: Well, now, that's being very modest, Miss Kirsten. But not every singer has the necessary bel canto and flexibility or range to cope with the high tessitura of the first act. :Dorothy Kirsten: Thank you, Mr. Wilson. And don't you think that in the aria, "Un bel dì vedremo", that the strings played the con molto passione exceptionally fine and with great sostenuto? :Jack Benny: Well, I thought-- :Mary Livingstone (to Jack): Oh, shut up!

According to Jack, the huge laugh resulted from the long buildup, and the audience's knowledge that Jack, with his pompous persona, would have to break into the conversation at some point.

A nearly identical exchange occurred over a year earlier, among renowned violinist Isaac Stern, radio personality Ron Coleman, Jack Benny, and Mary Livingstone. The quartet's back-and-forth, which centered on Stern's recent public performance of a Mendelsohn piece, was heard on an episode first broadcast on February 16, 1947. The resulting laughter lasted some 18 seconds, after which Jack retorted, "Mary, that's no way to talk to Mr. Stern."

Later in life, when performing as a stand-up comedian in Las Vegas, Jack had just begun to tell an old joke about the salesman, the farmer and the farmer's daughter: "So the salesman and the farmer's daughter come to the front door, and the farmer opens the door." At this point, Sammy Davis, Jr. walks onstage behind Jack, the audience screams, and Sammy proceeds to speak and sing and dance about 25 minutes or so, while Jack continues to stand at center stage, quietly watching the spectacle. When Davis finally walks offstage and the audience's applause dies down, Jack continues to watch Davis offstage for a few moments, then as the audience is finally quiet continues: "... So the farmer said--" And that's about as far as that joke got, because the audience laughed for minutes afterward.

The Benny-Allen "feud"

In 1937 Benny began his famous radio "feud" with rival Fred Allen. Allen kicked the "feud" off on his own show, after child violinist Stewart Canin gave a performance credible enough that Allen wisecracked about "a certain alleged violinist" who should by comparison be ashamed of himself. Benny, who either listened to the Allen show or was told about the crack, answered in kind on his own show. And the two comedians were off and running.

For a decade, the two went at it back and forth, so convincingly that fans of either show could have been forgiven for believing they had become blood enemies. In fact, the two men were good friends and each other's greatest admirers. Benny and Allen often appeared on each other's show during the thick of the "feud"; numerous surviving episodes of both comedians' radio shows feature each other, in both acknowledged guest spots and occasional cameos. Benny in his eventual memoir (Sunday Nights at Seven) and Allen in his Treadmill to Oblivion later revealed that each comedian's writing staff often met together to plot future takes on the mock feud. If Allen zapped Benny with a satirisation of Benny's show ("The Pinch Penny Program"), Benny shot back with a parody of Allen's early favourite, Town Hall Tonight. Benny's parody? "Clown Hall Tonight." And their playful sniping ("Benny was born ignorant, and he's been losing ground ever since") was also advanced in the films Love Thy Neighbor and It's in the Bag!.

Perhaps the climax of the "feud" came during Fred Allen's parody of popular quiz-and-prize show Queen for a Day, which was barely a year old when Allen decided to have a crack at it on The Fred Allen Show---an episode that has survived for today's listeners to appreciate. Calling the sketch "King for a Day", Allen played the host and Benny a contestant who sneaked onto the show using the alias Myron Proudfoot. Benny answered the prize-winning question correctly and Allen crowned him "king" and showered him with a passel of almost meaningless prizes. Allen proudly announced, "Tomorrow night, in your ermine robe, you will be whisked by bicycle to Orange, New Jersey, where you will be the judge in a chicken-cleaning contest." To which Benny joyously declared, "I'm king for a day!" At this point a professional pressing-iron was wheeled on stage, to press Benny's suit properly. It didn't matter that Benny was still in the suit. Allen instructed his aides to remove Benny's suit, one item at a time, ending with his trousers, each garment's removal provoking louder laughter from the studio audience. As his trousers began to come off, Benny howled, "Allen, you haven't seen the end of me!" At once Allen shot back, "It won't be long now!"

The laughter was so loud and chaotic at the chain of events that the Allen show announcer, Kenny Delmar, was cut off the air while trying to read a final commercial and the show's credits. (Allen was notorious for running overtime often enough, largely thanks to his ad-libbing talent, and he overran the clock again this time.)

Benny was profoundly shaken by Allen's sudden death of a heart attack in 1956. In a statement released on the day after Allen's death, Benny said, "People have often asked me if Fred Allen and I were really friends in real life. My answer is always the same. You couldn't have such a long-running and successful feud as we did, without having a deep and sincere friendship at the heart of it."

The CBS talent raid

On the advice of MCA's Lew Wasserman, Jack Benny formed a holding company, "Amusement Enterprises" (a tax break major entertainers usually enjoyed in those years), which allowed him to bundle his entire program and personnel into a single commodity. The company also gave Benny the opportunity to produce and package other radio programs (including his 1947 summer replacement series starring Jack Paar), and invest in other entertainment ventures, including the production of a 1949 feature film, The Lucky Stiff, starring Dorothy Lamour, and as a key financial backer of the 1948 Broadway version of Mister Roberts, starring Henry Fonda. While Benny was top of the proverbial heap on NBC, CBS czar William S. Paley cast a hungry eye upon the comedian. Paley apparently had good reason to believe Benny could be had. In the summer of 1948, he successfully negotiated a deal with Freeman Gosden and Charles Correll, buying their holding company, which owned the Amos 'n' Andy radio show (and the rights to those characters), moving the entire "package" from NBC to CBS that fall: he then learned that NBC balked at buying a "Jack Benny" package deal when "Jack Benny" was not the star's real name. Paley reached out to Benny and offered him a deal that would allow that package-buy.

But Paley, according to CBS historian Robert Metz, also learned that Benny chafed under NBC's almost indifferent attitude toward the talent that attracted the listeners. NBC, under the leadership of David Sarnoff, seemed at the time to think that listeners were listening to NBC because of NBC itself. To Paley, according to Metz, that was foolish thinking at best: Paley believed listeners were listening because of the talent, not because of which platform hosted them. When Paley said as much to Benny, the comedian agreed. Because Paley took a personal interest in the Benny negotiations, as opposed to Sarnoff who had never met his top-rated star, Benny was convinced to make the jump. He convinced a number of his fellow NBC performers (notably Burns and Allen, Edgar Bergen, Red Skelton and Kate Smith) to join him.

To sweeten the deal for a very nervous sponsor, Paley also agreed to make up the difference to American Tobacco if Benny's Hooper rating (the radio version of today's Nielsen ratings) on CBS fell to a certain level below his best NBC Hooper rating. Benny's CBS debut on January 2, 1949 bested his top NBC rating by several points while also pumping up the ratings of the show that followed, Amos 'n' Andy. NBC, with its smash Sunday night lineup now broken up, offered lucrative new deals to two of those Sunday night hits, The Fred Allen Show and The Phil Harris-Alice Faye Show. Benny's bandleader and his singing actress wife now starred in their own hit sitcom, meaning Harris was featured on shows for two different networks.

Benny and Sarnoff eventually met several years later and became good friends. Benny said that if he had had this kind of relationship with Sarnoff earlier, when he was Sarnoff's number-one radio star, he never would have left NBC.

Television

The television version of The Jack Benny Program ran from October 28, 1950 to 1965. Initially scheduled as a series of five "specials" during the 1950–1951 season, the show appeared every six weeks for the 1951–1952 season, every four weeks for the 1952–1953 season and every three weeks in 1953–1954. For the 1953–1954 season, half the episodes were live and half were filmed during the summer, to allow Benny to continue doing his radio show. From the fall of 1954 to 1960, it appeared every other week, and from 1960 to 1965 it was seen weekly.

In September 1954, CBS premiered Chrysler's Shower of Stars co-hosted by Jack Benny and William Lundigan. It enjoyed a successful run from 1954 until 1958. Both television shows often overlapped the radio show. In fact, the radio show alluded frequently to its television counterparts. Often as not, Benny would sign off the radio show in such circumstances with the line "Well, good night, folks. I'll see you on television."

When Benny moved to television, audiences learned that his verbal talent was matched by his controlled repertory of dead-pan facial expressions and gesture. The program was similar to the radio show (several of the radio scripts were recycled for television, as was somewhat common with other radio shows that moved to television), but with the addition of visual gags. Lucky Strike was the sponsor. Benny did his opening and closing monologues before a live audience, which he regarded as essential to timing of the material. As in other TV comedy shows, canned laughter was sometimes added to "sweeten" the soundtrack, as when the studio audience missed some close-up comedy because of cameras or microphones in their way. The television viewers learned to live without Mary Livingstone, who was afflicted by a striking case of stage fright. Livingstone appeared rarely if at all on the television show (for the last few years of the radio show, she pre-recorded her lines and Jack and Mary's daughter, Joan, stood in for the live broadcast as the pre-recordings were played), and finally retired from show business permanently in 1958, as her friend Gracie Allen had done.

Benny's television program relied more on guest stars and less on his regulars than his radio program. In fact, the only radio cast members who appeared regularly on the television program as well were Don Wilson and Eddie Anderson. Day appeared sporadically, and Harris had left the radio program in 1952, although he did make a guest appearance on the television show (Bob Crosby, Phil's "replacement", frequently appeared on television through 1956). A frequent guest was the Canadian born singer-violinist Gisele Mackenzie.

Benny was able to attract guests who rarely, if ever, appeared on television. In 1953, both Marilyn Monroe and Humphrey Bogart made their television debuts on Benny's program.

Canadian singer Gisele MacKenzie, who toured with Benny in the early 1950s, guest starred seven times on The Jack Benny Program. Benny was so impressed with MacKenzie's talents that he served as co-executive producer and guest starred on her 1957–1958 NBC variety show, The Gisele MacKenzie Show.

In 1964, Walt Disney was a guest, primarily to promote his production of Mary Poppins. Benny persuaded Disney to give him over 100 free admission tickets to Disneyland for his friends, but later in the show Disney apparently sent his pet tiger after Benny as revenge, at which point Benny opened his umbrella and soared above the stage like Mary Poppins.

In due course the ratings game finally got to Benny, too. CBS dropped the show in 1964, citing Benny's lack of appeal to the younger demographic the network began courting, and he went to NBC, his original network, in the fall, only to be out-rated by CBS's Gomer Pyle, U.S.M.C. The network dropped Benny at the end of the season. He continued to make occasional specials into the 1970s. His last television appearance was in 1974, on a Dean Martin Roast for Lucille Ball. The videotaped show was telecast just a few weeks after his death.

In his unpublished autobiography, I Always Had Shoes (portions of which were later incorporated by Jack's daughter, Joan, into her memoir of her parents, Sunday Nights at Seven), Benny said that he, not NBC, made the decision to end his TV series in 1965. He said that while the ratings were still very good (he cited a figure of some 18 million viewers per week, although he qualified that figure by saying he never believed the ratings services were doing anything more than guessing, no matter what they promised), advertisers were complaining that commercial time on his show was costing nearly twice as much as what they paid for most other shows, and he had grown tired of what was called the "rate race." Thus, after some three decades on radio and television in a weekly program, Jack Benny went out on top. In fairness, Benny himself shared Fred Allen's ambivalence about television, though not quite to Allen's extent. "By my second year in television, I saw that the camera was a man-eating monster...It gave a performer close-up exposure that, week after week, threatened his existence as an interesting entertainer."

In a joint appearance with Phil Silvers on Dick Cavett's show, Benny recalled that he had advised Silvers not to appear on television. However, Silvers ignored Benny's advice and proceeded to win several Emmy awards as Sergeant Bilko on the popular series The Phil Silvers Show, while Benny claimed he never won any of the television honors.

Movies

Benny also acted in movies, including the Academy Award-winning The Hollywood Revue of 1929, Broadway Melody of 1936 (as a benign nemesis for Eleanor Powell and Robert Taylor), George Washington Slept Here (1942), and notably, Charley's Aunt and To Be or Not to Be. He and Livingstone also appeared in Ed Sullivan's Mr. Broadway (1933) as themselves. Benny often parodied contemporary movies and movie genres on the radio program, and the 1940 film Buck Benny Rides Again features all the main radio characters in a funny Western parody adapted from program skits. The failure of one Benny vehicle, The Horn Blows at Midnight, became a running gag on his radio program, although contemporary viewers may not find the film as disappointing as the jokes suggest.

Benny may have had an unbilled cameo role in Casablanca (claimed by a contemporary newspaper advertisement and reportedly in the Casablanca press book In response to a follow-up question in his next column, he stated, "I think you're right."

Benny also was caricatured in several Warner Brothers cartoons including Daffy Duck and the Dinosaur (1939, as Casper the Caveman), I Love to Singa, Slap Happy Pappy, and Goofy Groceries (1936, 1940, and 1941 respectively, as Jack Bunny), Malibu Beach Party (1940, as himself), and The Mouse that Jack Built (1959). The last of these is probably the most memorable: Robert McKimson engaged Benny and his actual cast (Mary Livingstone, Eddie Anderson, and Don Wilson) to do the voices for the mouse versions of their characters, with Mel Blanc—the usual Warner Brothers cartoon voicemeister—reprising his old vocal turn as the always-aging Maxwell, always a phat-phat-bang! away from collapse. In the cartoon, Benny and Livingstone agree to spend their anniversary at the Kit-Kat Club, which they discover the hard way is inside the mouth of a live cat. Before the cat can devour the mice, Benny himself awakens from his dream, then shakes his head, smiles wryly, and mutters, "Imagine, me and Mary as little mice." Then, he glances toward the cat lying on a throw rug in a corner and sees his and Livingstone's cartoon alter egos scampering out of the cat's mouth. The cartoon ends with a classic Benny look of befuddlement. It was rumored that Benny requested that, in lieu of monetary compensation, he receive a copy of the finished film.

Running gags

Benny teamed with Fred Allen for the best-remembered running gag in classic radio history, in terms of character dialogue. But Benny alone sustained a classic repertoire of running gags in his own right, including his skinflint radio and television persona, his perpetual stage age of 39, and his atonal violin playing.

A skit heard numerous times on radio, and seen many times on television, had Mel Blanc as a Mexican in a sombrero and sarape sitting on a bench. Jack Benny sits down and begins a conversation. To each question asked by Benny, Blanc replies Si, Benny asks his name, Blanc replies Sy and when Benny asks where Blanc is going, Blanc replies, "to see his sister", Sue.

A running gag in Benny's private life concerned George Burns. To Benny's eternal frustration, he could never get Burns to laugh. Burns, on the other hand, could crack Benny up with the least effort. An example of this occurred at a party when Benny pulled out a match to light a cigar. Burns announced to all, "Jack Benny will now perform the famous match trick!" Benny had no idea what Burns was talking about, so he proceeded to light up. Burns observed, "Oh, a new ending!" and Benny collapsed in helpless laughter.

Benny even had a sound-based running gag of his own: his famous basement vault alarm, allegedly installed by Spike Jones, ringing off with a shattering cacophony of whistles, sirens, bells, and blasts, before ending invariably with the sound of a foghorn. The alarm rang off even when Benny opened his safe with the correct combination. The vault also featured a guard named Ed (voiced by Joseph Kearns) who had been on post down below before, apparently, the end of the Civil War, the end of the Revolutionary War, the founding of Los Angeles, on Jack's 38th birthday, and even the beginning of humanity. In one appearance, Ed asked Benny, "By the way, Mr. Benny...what's it like on the outside?" Benny responded, "...winter is nearly here, and the leaves are falling." Ed responded, "Hey, that must be exciting." To which Benny replied (in a stunningly risqué joke for the period), "Oh, no—people are wearing clothes now."

In one episode of the Benny radio show, Ed the Guard actually agreed when Jack invited him to take a break and come back to the surface world, only to discover that modern conveniences and transportation, which hadn't been around the last time he'd been to the surface, terrorized and confused him. (Poor Ed thought a crosstown bus was "a red and yellow dragon.") Finally, Ed decides to return to his post fathoms below and stay there. The basement vault gag was also used in the cartoon The Mouse that Jack Built and an episode of The Lucy Show.

A separate sound gag involved a song Benny had written, "When You Say I Beg Your Pardon, Then I'll Come Back to You." Its inane lyrics and insipid melody guaranteed that it would never be published or recorded, but Benny continued to try to con, extort, or otherwise inveigle some of his musical guests (including The Smothers Brothers and Peter, Paul and Mary) to perform it. None ever made it all the way through.

In keeping with his "stingy" schtick, on one of his television specials he remarked that, to his way of looking at things, a "special" is when the price of coffee is marked down.

The explanation usually given for the "stuck on 39" running joke is that he had celebrated his birthday on-air when he turned 39, and decided to do the same the following year, because "there's nothing funny about 40." Upon his death, having celebrated his 39th birthday 41 times, some newspapers continued the joke with headlines such as "Jack Benny Dies – At 39?"

Another popular running gag concerned the social habits of Benny's on-air orchestra, who were consistently portrayed as a bunch of drunken ne'er-do-wells. Led first by Phil Harris and later by Bob Crosby, the orchestra, and in particular band member Frank Remley, were jokingly portrayed as often being too drunk to play properly, using an overturned bass drum to play cards on just minutes before a show, and so enamored by liquor that the sight of a glass of milk would make them sick. Remley was portrayed in various unflattering situations, such as being thrown into a garbage can by a road sweeper who had found him passed out in the street at 4 am, and on a wanted poster at the Beverly Hills police station. Crosby also got consistent laughs by frequently joking about his more famous brother Bing's vast wealth.

The Maxwell

from the seat of a c. 1908 Maxwell Roadster]] Starting on the radio show, a running joke was that Benny drove a Maxwell automobile, a brand that went out of business in 1925. Benny's old car was so worn out that it would barely run, but the miserly Benny insisted he could get a few more miles out of it. When a sound effects man missed a cue for the automobile engine, Mel Blanc quickly improvised a vocal imitation of a sputtering car engine that was so funny it became a regular feature of the show. By 1943, Jack Benny's Maxwell had become such a well known aspect of popular culture that it was referenced in the Spike Jones record "The Sound Effects Man".

When the Jack Benny Program began appearing on television in 1950, a 1916 Maxwell Model 25 Tourer became one of the production's standard props. Benny's Maxwell later became a 1923 Tourer. In addition to on the program, Benny would often make public appearances in Maxwells. He appeared behind the wheel of one in the film It's a Mad, Mad, Mad, Mad World and drove a Maxwell onto the stage in one of his last television specials. Benny and his archaic auto were featured in a series of television and print ads for Texaco from the 1950s through the 1970s. A series of gags were built around the premise that Benny appreciated the value of "Sky Chief" brand gasoline in keeping his car running smoothly, but was too cheap to buy more than one gallon at a time.

Final years

After his broadcasting career ended, Benny performed live as a stand up comedian and returned to films in 1963 with a cameo appearance in It's a Mad, Mad, Mad, Mad World. Benny was preparing to star in the film version of Neil Simon's The Sunshine Boys when his health failed. In fact, he prevailed upon his longtime best friend, George Burns, to take his place on a nightclub tour while preparing for the film. (Burns ultimately had to replace Benny in the film as well and went on to win an Academy Award for his performance).

Benny made one of his final television appearances in the fall of 1972 on The Tonight Show with Johnny Carson when Carson celebrated his 10th anniversary. (An audio recording featuring highlights of Benny's appearance is featured on the album Here's Johnny: Magic Moments From The Tonight Show released in 1973.) During this appearance, he stated that he loved the violin so much, "if God came to me and said 'Jack, starting tomorrow I will make you one of the world's great violinists, but no more will you ever be able to tell a joke', I really believe that I would accept that." He also related something Isaac Stern once told him: "You know, Jack, when you walk out in front of a symphony orchestra in white tie and tails and your violin, you actually look like one of the world's great violinists. It's a damned shame you have to play!" Jokes aside, Benny was a serious, dedicated violinist who could play aside Stern and not embarrass himself

Death

In October 1974, Benny canceled a performance in Dallas after suffering a dizzy spell, coupled with numbness in his arms. Despite a battery of tests, Benny's ailment could not be determined. When he complained of stomach pains in early December, a first test showed nothing, but a subsequent one showed he had inoperable pancreatic cancer. Choosing to spend his final days at home, he was visited by close friends including George Burns, Bob Hope, Frank Sinatra, Johnny Carson and New Zealand crooner John Rowles. He died on December 26, 1974. Bob Hope delivered the eulogy at his funeral. Two days after his death, he was interred in a crypt at Hillside Memorial Park Cemetery in Culver City, California. Benny's will arranged for flowers, specifically a single long-stemmed red rose, to be delivered to his widow, Mary Livingstone, every day for the rest of her life. Livingstone died nine years later on June 30, 1983.

In trying to explain his successful life, Benny summed it up by stating "Everything good that happened to me happened by accident. I was not filled with ambition nor fired by a drive toward a clear-cut goal. I never knew exactly where I was going."

Upon his death, his family donated to UCLA his personal, professional, and business papers, as well as a collection of his television shows. The university established the Jack Benny Award in his honor in 1977 to recognize outstanding people in the field of comedy. Johnny Carson was the first award recipient. Benny also donated a Stradivarius violin purchased in 1957 to the Los Angeles Philharmonic Orchestra. Benny had commented, "If it isn't a $30,000 Strad, I'm out $120."

Honors

Jack Benny has one star each on the Hollywood Walk of Fame for TV, film, and radio.

Posthumous tributes

When the price of a standard first-class US postal stamp was increased to 39 cents in 2006, fans petitioned for a Jack Benny stamp to honor his stage persona’s perpetual age. The U.S. Postal Service had issued a stamp depicting Jack Benny in 1991, as part of a booklet of stamps honoring comedians; however, the stamp was issued at the then-current rate of 29 cents.

Jack Benny Middle School in Waukegan, Illinois, is named after the famous comedian. Its motto matches his famous statement as "Home of the '39ers".

See also

List of most-listened-to radio programs

References

Further reading

New York Times, April 16, 1953, p43,"Jack Benny plans more work on tv."

New York Times, March 16, 1960, p75, "Canned laughter: Comedians are crying on the inside about CBS rule that public know of its use."

Jack Benny, Mary Livingstone Benny, Hilliard Marks with Marcia Borie, Doubleday & Company, 1978, 322 p.

Sunday Nights at Seven: The Jack Benny Story, Jack Benny and Joan Benny, Warner Books, 1990, 302 p.

CBS: Reflections in a Bloodshot Eye, by Robert Metz, New American Library, 1978.

The Laugh Crafters: Comedy Writing in Radio and TV's Golden Age, by Jordan R. Young; Past Times Publishing, 1999.

Well! Reflections on the Life and Career of Jack Benny, edited by Michael Leannah, BearManor Media, 2007.

Jack Benny v. Commissioner of Internal Revenue, 25 T.C. 197 (1955).

Further reading

Benny, Jack; Benny, Joan. (1990) Sunday Nights at Seven: The Jack Benny Story. Warner Books.

Josefsberg, Milt. (1977) The Jack Benny Show. New Rochelle: Arlington House. ISBN 0-87000-347-X

Leannah, Michael, editor. (2007) Well! Reflections on the Life and Career of Jack Benny. BearManor Media. Contributing authors: Frank Bresee, Clair Schulz, Kay Linaker, Janine Marr, Pam Munter, Mark Higgins, B. J. Borsody, Charles A. Beckett, Jordan R. Young, Philip G. Harwood, Noell Wolfgram Evans, Jack Benny, Michael Leannah, Steve Newvine, Ron Sayles, Kathryn Fuller-Seeley, Marc Reed, Derek Tague, Michael J. Hayde, Steve Thompson, Michael Mildredson.

External links

Audio

*Jack Benny Show – OTR Podcast – Daily episodes of The Jack Benny Program in MP3 format with new introductions and Benny Trivia

*Over 350 episodes of The Jack Benny Program in MP3 format

*Two broadcasts (East/West) of The Jello Program: "Christmas Shopping for Perfume and a Necktie" (12/17/39)

Video

Jack Benny at TVGuide.com

Jack Benny Fred Allen Feud

Jack Benny Audio History

International Jack Benny Fan Club

Online audio and video of Jack Benny

Copies of Jack Benny's Radio and TV scripts, with handwritten edits

Free 2 minute download of Humphrey Bogart on the Jack Benny Show

Jack Benny Middle School

Jack Benny Center for the Cultural Arts

"The Friars Club"

Category:1950s American television series Category:1960s American television series Category:1950 television series debuts Category:1965 television series endings Category:American comedians Category:American film actors Category:American Jews Category:American military personnel of World War I Category:American people of Lithuanian-Jewish descent Category:American people of Polish-Jewish descent Category:American radio personalities Category:American radio actors Category:American stand-up comedians Category:American television actors Category:American violinists Category:Cancer deaths in California Category:CBS network shows Category:Deaths from pancreatic cancer Category:Jewish actors Category:Jewish comedians Category:Peabody Award winners Category:People from Chicago, Illinois Category:People from Waukegan, Illinois Category:United States Navy officers Category:Vaudeville performers Category:1894 births Category:1974 deaths

Bgcolour	yellow
Name	Spike Jones
Caption	Spike Jones (left) with Marilyn Monroe and Ken Murray, 1952
Birth name	Lindley Armstrong Jones
Birth date	December 14, 1911
Birth place	Long Beach, California
Death date	May 01, 1965
Death place	Beverly Hills, California

Lindley Armstrong "Spike" Jones (December 14, 1911 – May 1, 1965) was a popular musician and bandleader specializing in performing satirical arrangements of popular songs. Ballads and classical works receiving the Jones treatment would be punctuated with gunshots, whistles, cowbells, and ridiculous vocals. Through the 1940s and early 1950s, the band recorded under the title Spike Jones and his City Slickers and toured the United States and Canada under the title The Musical Depreciation Revue.

Biography

Jones's father was a Southern Pacific railroad agent. Young Lindley got his nickname by being so thin that he was compared to a railroad spike. At the age of 11 he got his first set of drums. As a teenager he played in bands that he formed himself. A railroad restaurant chef taught him how to use pots and pans, forks, knives and spoons as musical instruments. He frequently played in theater pit orchestras. In the 1930s he joined the Victor Young orchestra and thereby got many offers to appear on radio shows, including Al Jolson's Lifebuoy Program, Burns and Allen, and Bing Crosby's Kraft Music Hall.

From 1937 to 1942, he was the percussionist for the John Scott Trotter Orchestra, which played on Bing Crosby's first recording of White Christmas. Spike Jones was part of a backing band for songwriter Cindy Walker during her early recording career with Decca and Standard Transcriptions. Her song "We're Gonna Stomp Them City Slickers Down" provided the inspiration for the name of Jones’ future band, the City Slickers.

The City Slickers evolved out of the Feather Merchants, a band led by vocalist-clarinetist Del Porter, who took a back seat to Jones during the embryonic years of the group. They made experimental records for the Cinematone Corporation and performed publicly in Los Angeles, gaining a small following. The original members included vocalist-violinist Carl Grayson, banjoist Perry Botkin, trombonist King Jackson and pianist Stan Wrightsman.

The band signed a recording contract with RCA Victor in 1941 and recorded extensively for the company until 1955. They also starred in various radio programs (1945–1949) and television shows (1954–61) on both NBC and CBS.

During the 1940s, other prominent band members included:

's Dick Tracy]]

George Rock (trumpet, and vocals from 1944 to 1960)

Mickey Katz (clarinet and vocals)

Doodles Weaver (vocals - specialised in playing sports commentators and absent-minded singers who persistently scrambled their lyrics into malapropisms and digressed into stand-up comedy)

Red Ingle (sax and vocals)

Carl Grayson (violin and vocals)

Country Washburne (tuba)

Earl Bennett (aka Sir Frederick Gas, vocals)

Joe Siracusa (drums)

Joe Colvin (trombone)

Roger Donley (tuba)

Dick Gardner (sax and violin)

Paul Leu (piano)

Jack Golly (trumpet and clarinet)

John Stanley (trombone)

Don Anderson (trumpet)

Eddie Metcalfe (saxophone)

Dick Morgan (banjo)

George Lescher (piano)

Freddy Morgan (banjo and vocals)

A. Purvis Pullen (aka Dr. Horatio Q. Birdbath, vocals)

The band's 1950s personnel included:

Billy Barty (vocals)

Gil Bernal (sax and vocals)

Mousie Garner (vocals)

Bernie Jones (sax and vocals)

Phil Gray (trombone)

Jad Paul (banjo)

Peter James (vocals).

Marilyn Olson Oliveri (vocals & stand up bass)

The liner notes for at least two RCA compilation albums claimed that the two Morgans were brothers (the 1949 radio shows actually billed them as "Dick and Freddy Morgan"), but this is not true; Freddy's real name was Morgenstern. Peter James (who was sometimes billed as Bobby Pinkus) and Dick Garner were former members of Ted Healy's vaudeville act and had replaced Moe Howard, Larry Fine and Curly Howard as Healy's "stooges" in the 1930s.

Spike Jones's second wife, singer Helen Grayco, performed in his stage and TV shows. Jones had four children: Linda (by his first wife, Patricia), Spike Jr., Leslie Ann and Gina. Spike Jr. is a producer of live events and TV broadcasts. Leslie Ann is the Director of Music and Film Scoring at George Lucas's Skywalker Ranch in Marin County.

Record hits

Der Fuehrer's Face

In 1942, a strike by the American Federation of Musicians prevented Jones from making commercial recordings for over two years. He could, however, make records for radio broadcasts. These were released on the Standard Transcriptions label (1941–46) and have been reissued on a CD compilation called (Not) Your Standard Spike Jones Collection.

Recorded days before the record ban, Jones scored a huge broadcast hit late in 1942 with "Der Fuehrer's Face", a song ridiculing Adolf Hitler that followed every use of the word "Heil" with a derisive razzberry sound, as in the repeated phrase "...Heil, (razzberry), Heil (razzberry), right in Der Fuehrer's face!".

The song was originally written for Walt Disney's 1943 Oscar-winning propaganda cartoon, first titled Donald Duck in Nutzi Land according to the Disney Archives. The success of the record prompted Disney to re-title the animated cartoon after the song.

More satirical songs

Mel Blanc, the voice of Bugs Bunny and other Warner Brothers cartoon characters, performed a drunken, hiccuping verse for 1942's "Clink! Clink! Another Drink" (reissued in 1949 as "The Clink! Clink! Polka"). The romantic ballad "Cocktails for Two", originally written to evoke an intimate romantic rendezvous, was re-recorded by Spike Jones in 1944 as a raucous, horn-honking, voice-gurgling, hiccuping hymn to the cocktail hour. The Jones version was a huge hit, much to the resentment of composer Sam Coslow. Other Jones satires followed: "Hawaiian War Chant," "Chloe," "Holiday for Strings," "You Always Hurt the One You Love," "My Old Flame," (referring to Peter Lorre's voice [impersonated on the recording by Paul Frees] and eerie scenes in contemporary movies) and many more.

Ghost Riders

Spike's parody of Vaughn Monroe's "Ghost Riders in the Sky" was performed as if sung by a drunkard and ridiculed Monroe by name in its final stanza:

CHORUS: 'Cause all we hear is "Ghost Riders" sung by Vaughn Monroe DRUNK: I can do without his singing. FRIEND: But I wish I had his dough!

The original version was pressed for the European market in 1949. Furthermore, a few pressings containing the first ending were mistakenly pressed on the West Coast and are a prized rarity. The official (and more common) American release used an alternative take, minus the dig at Monroe, because Monroe, an RCA recording artist and also a major RCA stockholder, demanded it.

All I Want for Christmas

Jones's recording, "All I Want for Christmas Is My Two Front Teeth", with a piping vocal by George Rock, was a number-one hit in 1948. (Dora Bryan recorded a 1963 variation, "All I Want For Christmas is a Beatle".)

Murdering the Classics

Jones was a sort of precursor to PDQ Bach. Among the series of recordings in the 1940s were humorous takes on the classics such as the adaptation of Liszt's Liebesträume, played at a breakneck pace on unusual instruments. Others followed: Rossini's William Tell Overture was rendered on kitchen implements using a horse race as a backdrop, with one of the "horses" in the "race" likely to have inspired the nickname of the lone SNJ aircraft flown by the US Navy's Blue Angels aerobatic team's shows in the late 1940s, "Beetle Bomb". In live shows Spike would acknowledge the applause with complete solemnity, saying "Thank you, music lovers." This collection of these 12 "homicides" was released by RCA (on its prestigious Red Seal label) in 1971 as Spike Jones Is Murdering the Classics. They include such tours de force as Pal-Yat-Chee (I Pagliacci), Ponchielli's Dance of the Hours, Tchaikovsky's None but the Lonely Heart, and Bizet's Carmen, besides the two above.

In December 1945 Spike released his version of Tchaikovsky's Nutcracker Suite, arranged by Joe "Country" Washburne with lyrics by Foster Carling. An abridged version is also included in the aforementioned album, with a complete version available in Spiked: The Music of Spike Jones.

Radio

After appearing as the house band on The Bob Burns Show, Spike got his own radio show on NBC, The Chase and Sanborn Program, as Edgar Bergen's summer replacement in 1945. Frances Langford was co-host and Groucho Marx was among the guests. The guest list for Jones' 1947-49 CBS program for Coca-Cola (originally The Spotlight Revue, retitled The Spike Jones Show for its final season) included Frankie Laine, Mel Torme, Peter Lorre, Don Ameche and Burl Ives. Frank Sinatra appeared on the show in October 1948, and Lassie in May 1949.

One of the announcers on Jones's CBS show was the young Mike Wallace. Writers included Eddie Maxwell, Eddie Brandt and Jay Sommers. The final program in the series was broadcast in June 1949.

Spike Jones and His Other Orchestra

The very name of Spike Jones became synonymous with crazy music. While he enjoyed the fame and prosperity, he was annoyed that nobody seemed to see beyond the craziness. Determined to show the world that he was capable of producing legitimate "pretty" music, he formed a second group in 1946. Spike Jones and His Other Orchestra played lush arrangements of dance hits. This alternative group played nightclub engagements and was an artistic success, but the paying public preferred the City Slickers and stayed away. Jones wound up paying some of the band's expenses out of his own pocket.

The one outstanding recording by the Other Orchestra is "Laura," which features a serious first half (played exquisitely by the Other Orchestra) and a manic second half (played hilariously by the City Slickers).

Note that technically there never was an "Other Orchestra". The Other Orchestra musicians augmented the same players as the City Slickers.

Movies

In 1940, Jones had an uncredited bandleading part in the Dead End Kids film Give Us Wings, appearing on camera for about four seconds.

In 1942 the Jones gang worked on numerous Soundies musical shorts seen on coin-operated projectors in arcades, malt shops and bars. The band appeared on camera under their own name in four of the Soundies, and provided background music for at least 13 others, according to musicologist Mark Cantor.

As the band's fame grew, Hollywood producers hired the Slickers as a specialty act for feature films, including Thank Your Lucky Stars and Variety Girl. Jones was set to team with Abbott and Costello for a 1954 Universal Pictures comedy, but when Lou Costello withdrew for medical reasons, Universal replaced the comedy team with look-alikes Hugh O'Brian and Buddy Hackett, and promoted Jones to the leading role. The finished film, Fireman, Save My Child, is a juvenile comedy that turned out to be Spike Jones's only top-billed theatrical movie.

Television

As a shrewd businessman, Jones saw the potential of television and filmed two half-hour pilot films, Foreign Legion and Wild Bill Hiccup, in the summer of 1950. Veteran comedy director Eddie Cline worked on both, but neither was successful. The band fared much better on live television, where their spontaneous antics and crazy visual gags guaranteed the viewers a good time. Spike usually dressed in a suit with an enormous check pattern and was seen leaping around playing a washboard, cowbells, a suite of klaxons and foghorns, then xylophone, then shooting a pistol. The band starred in variety shows such as The Colgate Comedy Hour (1951, 1955) and their All Star Revue (1952) before being given his own slot by NBC, The Spike Jones Show, which aired early in 1954, and Club Oasis on NBC, in 1957 and the summer of 1958; and by CBS, as The Spike Jones Show, in the summers of 1957, 1960, and 1961. Jones and his City Slickers also appeared on NBC's The Ford Show, Starring Tennessee Ernie Ford in the episode which aired on November 15, 1956. In 1990, BBC2 screened six compilation shows from these broadcasts; they were subsequently aired on PBS stations.

Later years

The rise of rock-'n'-roll and the decline of big bands hurt Spike Jones's repertoire. The new rock songs were already novelties, and Jones could not decimate them the way he had lampooned "Cocktails for Two" or "Laura." He played rock-'n'-roll for laughs when he presented "for the first time on television, the bottom half of Elvis Presley!" This was the cue for a pair of pants -- inhabited by dwarf actor Billy Barty -- to scamper across the stage.

Jones was always prepared to adapt to changing tastes. In 1950, when America was nostalgically looking back at the 1920s, Jones recorded an album of Charleston arrangements. In 1953 he responded to the growing market for children's records, with tunes aimed directly at kids (like "Socko, the Smallest Snowball"). In 1956 Jones supervised an album of Christmas songs, many of which were performed seriously. In 1957, noting the TV success of Lawrence Welk and his dance band, he revamped his own act for television. Gone was the old City Slickers mayhem, replaced by a more straightforward big-band sound, with tongue-in-cheek comic moments. The new band was known as Spike Jones and the Band that Plays for Fun. He also recorded a cover of "Dominique" with Spike Jones' New Band in 1964, a hit by The Singing Nun, in which he not only plays part of the melody on a banjo but melds the melody successfully with "When the Saints Go Marching In!"

The last City Slickers record was the LP Dinner Music For People Who Aren't Very Hungry. The whole field of comedy records changed from musical satires to spoken-word comedy (Tom Lehrer, Bob Newhart, Mort Sahl, Stan Freberg). Spike Jones adapted to this, too; most of his later albums are spoken-word comedy, including the horror-genre sendup Spike Jones in Stereo (1959) and Omnibust (1960). Jones remained topical to the last: his final group, Spike Jones' New Band, recorded four LPs of brassy renditions of pop-folk tunes of the 1960s (including "Washington Square" and "The Ballad of Jed Clampett").

Death

Jones was a lifelong smoker. He was once said to have gotten through the average workday on coffee and cigarettes. Smoking may have contributed to his developing emphysema. His already thin frame deteriorated, to the point where he used an oxygen tank offstage, and onstage he was confined to a seat behind his drum set. He died at the age of 53, and is buried in Holy Cross Cemetery, Culver City, California.

Influence

There is a clear line of influence from the Hoosier Hot Shots, Freddie Fisher and his Schnickelfritzers and the Marx Brothers to Spike Jones—and to Stan Freberg, Gerard Hoffnung, Peter Schickele's P.D.Q. Bach, The Goons, The Beatles, Frank Zappa, The Bonzo Dog Doo-Dah Band, The Mystic Knights of the Oingo Boingo, and "Weird Al" Yankovic. Billy Barty appeared in Yankovic's film UHF and a video based on the movie.

Syndicated radio personality Dr. Demento regularly features Jones's music on his program of comedy and novelty tracks. Jones is mentioned in The Band's song, "Up on Cripple Creek". (The song's protagonist's paramour states of Jones: "I can't take the way he sings, but I love to hear him talk.") Novelist Thomas Pynchon is an admirer and wrote the liner notes for a 1994 reissue, Spiked! (BMG Catalyst). A scene in the romantic comedy I.Q. shows a man demonstrating the sound of his new stereo to Meg Ryan's character by playing a record of Jones's music.

Popular recordings

"All I Want For Christmas Is My Two Front Teeth"

"Black Bottom"

"The Blue Danube"

"Bottom's Up"

"By the Beautiful Sea"

"Chloe"

"Cocktails for Two"

"Dance of the Hours" (Ponchielli)

"Der Fuehrer's Face"

"Down In Jungle Town"

"Flight of the Bumblebee" (Laughing Record)"

"Hawaiian War Chant"

"Holiday For Strings"

"Hotcha Cornia"

"The Hut-Sut Song"

"I Want Eddie Fisher For Christmas"

"I Went to Your Wedding"

"Mairzy Doats"

"The Man on the Flying Trapeze"

"Never Hit Your Grandma With A Shovel"

"Old MacDonald Had a Farm"

"Omnibust, (LP Album of spoken-word comedy)"

"Powerhouse" by Raymond Scott (Recognizable as the 'industrial factory' music from cartoons.)

"The Sailor With The Navy Blue Eyes"

"The Sheik of Araby"

"The Sound Effects Man"

"Spike Jones in Stereo (A Spooktacular in Screaming Sound, LP album)"

""

"That Old Black Magic"

"Pal-Yat-Chee"

"William Tell Overture"

"Yes, We Have No Bananas"

"You Always Hurt the One You Love"

References

Sources

Notes by Peter Gamble from Clink Clink Another Drink CD by Audio Book & Music Company, ABMMCD 1158.

Further reading

Corbett, Scott C. (1989) An Illustrated Guide to the Recordings of Spike Jones. Monrovia: Corbett. No ISBN.

Mirtle, Jack. (1986) Thank You Music Lovers: A Bio-discography of Spike Jones. Westport; Greenwood Press ISBN 0-313-24814-1

Young, Jordan R. (2005). Spike Jones Off the Record: The Man Who Murdered Music. Albany: BearManor Media ISBN 1-59393-012-7 3rd edition.

External links

Red Hot Jazz

[ Allmusic]

Phillywire article with added links

Category:1911 births Category:1940s American radio programs Category:1965 deaths Category:American bandleaders Category:American comedy musicians Category:American novelty song performers Category:RCA Victor artists Category:Liberty Records artists

Category:Burials at Holy Cross Cemetery Category:Deaths from emphysema

Name	Kirk Douglas
Caption	Douglas in 1956
Birth name	Issur Danielovitch
Birth date	December 09, 1916
Birth place	Amsterdam, New York, U.S.
Occupation	Actor, producer, director, author
Nationality	American
Children	Michael DouglasJoel DouglasPeter DouglasEric Douglas (deceased)
Years active	1942–present
Other names	Izzy Demsky
Spouse	Diana Dill (1943–1951; divorced)Anne Buydens (1954–present)

Kirk Douglas (born Issur Danielovitch or И́сер Даниело́вич; December 9, 1916) is an American stage and film actor, film producer and author. His popular films include Champion (1949), Ace in the Hole (1951), The Bad and the Beautiful (1952), Lust for Life (1956), Paths of Glory (1957), Spartacus (1960), and Lonely Are the Brave (1962).

He is #17 on the American Film Institute's list of the greatest male American screen legends of all time. In 1996, he received the Academy Honorary Award "for 50 years as a creative and moral force in the motion picture community".

Early life

Douglas was born Issur Danielovitch in Amsterdam, New York, the son of Bryna "Bertha" (née Sanglel) and Herschel "Harry" Demsky, a businessman. Douglas's parents, originally surnamed Danielovitch, were Jewish immigrants from Gomel, Belarus. His father's brother, who emigrated earlier, used the surname Demsky, which Douglas's family adopted in the United States.

Coming from a poor family, as a boy, Douglas sold snacks to mill workers to earn enough to buy milk and bread. Later, he delivered newspapers and claims to have worked at more than forty jobs before becoming an actor. He found living in a family of six sisters to be stifling, "I was dying to get out. In a sense, it lit a fire under me." During high school, he acted in school plays, and discovered "The one thing in my life that I always knew, that was always constant, was that I wanted to be an actor."

Unable to afford tuition, Douglas talked his way into St. Lawrence University and received a loan, which he paid back by working part-time as a gardener and a janitor. He was a standout on the wrestling team, and wrestled one summer in a carnival to make money.

Douglas's acting talents were noticed at the American Academy of Dramatic Arts in New York City, and he received a special scholarship. One of his classmates was Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in launching his film career. Another classmate was aspiring Bermudian actress Diana Dill. While doing summer stock theater during a college term break, he began using the name Kirk Douglas, which he later legally adopted. Graduating from drama school, Douglas made his Broadway debut as a singing telegraph boy in Spring Again.

Douglas enlisted in the United States Navy in 1941, shortly after the United States entered World War II. He was medically discharged for war injuries in 1944. On May 3, 1943, Diana Dill, his former classmate, appeared on the cover of Life magazine. Seeing the photograph, Douglas told his fellow sailors that he was going to marry her. He did, on November 2, 1943. The couple had two sons together (Michael in 1944 and Joel in 1947) before they divorced in 1951.

After the war, Douglas returned to New York City and found work in radio theatre and commercials. His stage break occurred in Kiss and Tell, which led to other roles. Douglas had planned to remain a stage actor but Lauren Bacall helped him get his first screen role in the Hal B. Wallis film The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck. Wallis was on his way to New York to look for new talent when Bacall suggested he visit Douglas, who was rehearsing a play called The Wind Is Ninety. Douglas finished the play's run and with no follow-up work in sight, headed to Hollywood. He was immediately cast in one of the leading roles in Wallis' film, and made his film acting debut as a weak man dominated by a ruthless woman, unlike his later roles where he often played dominating characters.

Career

Douglas established his image as a tough guy in his eighth film, Champion, playing a selfish boxer. From then on, he made a career of playing "sons of bitches." From that film on, he decided that to succeed as a star, he needed to ramp up his intensity, overcome his natural shyness, and choose stronger roles. He conceded later, "I don’t think I’d be much of an actor without vanity. And I’m not interested in being a 'modest actor'." Early in his Hollywood career, he demonstrated his independent streak and broke his studio contracts to gain total control over his projects, forming his own movie company "Bryna Productions", named after his mother.

on the set of The Arrangement (1969)]] Douglas was a major box office star in the 1950s and 60s, playing opposite some of the leading actresses of that era. Among his various roles, he played a frontier peace officer in his first western Along the Great Divide (1951). He quickly became comfortable with riding horses and playing gunslingers, and returned in many westerns. In Lonely Are the Brave (1962), one of his favorite roles, Douglas plays a cowboy trying to live by his own code, much as he did in real life.

In The Bad and the Beautiful (1952), one of his three Oscar-nominated roles, Douglas plays Jonathan Shields, a hard-nosed film producer who manipulates and uses his actors, writers, and directors. In Young Man with a Horn (1950), Douglas portrays the rise and fall of a driven jazz musician, based on real-life horn player Bix Beiderbecke. Composer-pianist Hoagy Carmichael, playing the sidekick role, added realism to the film and gave Douglas insight into the role, being a friend of the real Beiderbecke.

In one of his early television appearances, Douglas was a musical guest (as himself) on The Jack Benny Program. In the opening monologue, Benny reads the reviews of critics who liked his season premiere, while skipping the ones who did not. He then hurries home for his weekly jam session with Tony Martin (on clarinet), Fred MacMurray (saxophone), Dick Powell (trumpet), Dan Dailey (drums), and Douglas (four-string banjo). They avail themselves of the coin-operated vending machines in Benny's living room. The band plays Basin Street (Blues), but Douglas keeps going into Bye Bye Blues, the only song he knows. Watch the full episode here on the Internet Archive, Jam Session at Jack's (1954).

as Vincent Van Gogh]] Douglas played many military men, with varying nuance, in Top Secret Affair (1957), Paths of Glory (1957) (his most famous role in that genre), Town Without Pity (1961), The Hook (1963), Seven Days in May (1964), Heroes of Telemark (1965), In Harm's Way (1965), Cast a Giant Shadow (1966), Is Paris Burning (1966), and The Final Countdown (1980).

His role as Vincent Van Gogh in Lust for Life (1956), filmed mostly on location in France, was noted not only for the veracity of his appearance but also for how he conveyed the painter’s internal turmoil. He won a Golden Globe award for his role. Director Vincente Minnelli stated, "Kirk Douglas achieved a moving and memorable portrait of the artist—a man of massive creative power, triggered by severe emotional stress, the fear and horror of madness. In my opinion, Kirk should have won the Academy Award." Douglas himself called his acting role as Van Gogh a "very painful experience." He writes, "Not only did I look like Van Gogh, I was the same age he was when he committed suicide." He also played an important role in breaking the Hollywood blacklist by making sure that Dalton Trumbo's name was mentioned in the opening and ending credits of the film for the outstanding screenplay he did for the film. Spartacus was a huge success, but Kubrick, considering himself a mere employee of Douglas and since much of the footage (including Peter Ustinov's key scenes) was shot under Mann, did not consider it to be part of his own oeuvre.

greets Kirk Douglas and Mrs. Douglas, March 1978]] , December 1987]] (right) in Dr. Jekyll and Mr. Hyde (1973)]]

In addition to serious, driven characters, Douglas was adept at roles requiring a comic touch, as in 20,000 Leagues Under the Sea (1954), an adaptation of the Jules Verne novel, wherein he plays a happy-go-lucky sailor who is the opposite in every way of the brooding Captain Nemo (James Mason). The film was one of Walt Disney's most successful live-action movies and a major box-office hit.

Douglas stated that the keys to acting success are determination and application, "You must know how to function and how to maintain yourself, and you must have a love of what you do. But an actor also needs great good luck. I have had that luck." Douglas had great vitality, "It takes a lot out of you to work in this business. Many people fall by the wayside because they don’t have the energy to sustain their talent." His intensity spilled over into all elements of his film-making. As an actor, he dove into every role, dissecting not only his own lines but all the parts in the script to measure the rightness of the role, and he was willing to fight with the director if he felt justified. According to his wife, he often brought home that intensity, "When he was doing Lust for Life, he came home in that red beard of Van Gogh’s, wearing those big boots, stomping around the house—it was frightening."

Unlike some actors such as Robert Mitchum, Douglas had a high opinion of actors, movies, and moviemaking, "To me it is the most important art form—it is an art, and it includes all the elements of the modern age." But he also stressed the entertainment value of films, "You can make a statement, you can say something, but it must be entertaining." It was a difficult debut with many production problems, requiring his wife to act as producer. Douglas plays a charming scoundrel with one leg, a considerable challenge to his athleticism, and though he got credit for his role, the film received unimpressive reviews. Later in 1973, Douglas appeared in a made-for-TV musical version of Dr. Jekyll and Mr. Hyde.

Douglas was nominated three times for the Academy Award for Best Actor for his work in Champion, The Bad and the Beautiful and Lust for Life. He was especially disappointed for not winning for the latter film, "I really thought I had a chance." In 1984, he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma, USA, and he received the AFI Life Achievement Award in 1991.

In October 2004, the avenue Kirk Douglas Way in Palm Springs, California was named in his honor by the Palm Springs International Film Society and Film Festival. Popular at home and around the world, Douglas received the Presidential Medal of Freedom in 1981, the French Legion of Honor in 1985, and the National Medal of the Arts in 2001.

In March 2009, Douglas starred in an autobiographical one man show titled Before I Forget at the Center Theater Group's Kirk Douglas Theatre in Culver City, California. The four performances were filmed and turned into a documentary that was first screened in January 2010.

Personal life

in Jerusalem (circa 1973)]] Douglas married twice, first to Diana Dill, on November 2, 1943. The couple had two sons, actor Michael Douglas and producer Joel Douglas. They divorced in 1951. He then married Anne Buydens on May 29, 1954. They had two sons, producer Peter Douglas and actor Eric Douglas. Eric Douglas died July 6, 2004 of a drug overdose.

In 1991, he survived a helicopter crash in which two people died. This sparked a search for meaning, which led him, after much study, to embrace the Judaism in which he was raised. He documented this spiritual journey in his book Climbing the Mountain: My Search for Meaning (2001). In his autobiography, The Ragman's Son, he writes that "coming to grips with what it means to be a Jew has been a theme in my life." In an interview in 2000, he explained this transition:

Judaism and I parted ways a long time ago, when I was a poor kid growing up in Amsterdam, N.Y. Back then, I was pretty good in cheder, so the Jews of our community thought they would do a wonderful thing and collect enough money to send me to a yeshiva to become a rabbi. Holy Moses! That scared the hell out of me. I didn't want to be a rabbi. I wanted to be an actor. Believe me, the members of the Sons of Israel were persistent. I had nightmares -- wearing long payos and a black hat. I had to work very hard to get out of it. But it took me a long time to learn that you don't have to be a rabbi to be a Jew.

In 1996, he suffered a stroke, partially impairing his ability to speak. On December 8, 2006, Douglas appeared on Entertainment Tonight, where the entire staff wished him a happy 90th birthday the night before. His son Michael and his wife, Catherine Zeta-Jones, were among the many celebrities who attended his birthday celebration. On the show, he discussed the books he has written and the death of his son Eric. In accordance with Jewish custom, Douglas celebrated a second Bar-Mitzvah ceremony in 1999 at the age of eighty-three.

A portrait of Douglas, titled "The Great and the Beautiful," which encapsulated his film career, art collection, philanthropy and rehabilitation from the helicopter crash and the stroke, appeared in Palm Springs Life magazine in 1999. The article said "For years, this energetic performer could be seen jogging several miles to get his morning paper, playing tennis with locals or posing for snapshots and signing autographs for star-struck out-of-towners. He has been a veritable one-man tourist promotion over the past four decades, extolling the virtue of the city he loves to virtually anyone who'll listen".

Douglas blogs regularly on his MySpace account. At 94, he is the oldest celebrity blogger.

Family tree

Filmography

(1952)]]

Features

The Strange Love of Martha Ivers (1946)

Out of the Past (1947)

Mourning Becomes Electra (1947)

I Walk Alone (1948)

The Walls of Jericho (1948)

My Dear Secretary (1949)

A Letter to Three Wives (1949)

Champion (1949)

Young Man with a Horn (1950)

The Glass Menagerie (1950)

Along the Great Divide (1951)

Ace in the Hole (1951)

Detective Story (1951)

The Big Trees (1952)

The Big Sky (1952)

The Bad and the Beautiful (1952)

The Story of Three Loves (1953)

The Juggler (1953)

Act of Love (1953)

The Jack Benny Program (television, 1954)

20,000 Leagues Under the Sea (1954)

The Racers (1955)

Ulisse (U.S. title: Ulysses, 1955)

Man Without a Star (1955)

The Indian Fighter (1955)

Lust for Life (1956)

Top Secret Affair (1957)

Gunfight at the O.K. Corral (1957)

Paths of Glory (1957)

The Vikings (1958)

Last Train from Gun Hill (1959)

The Devil's Disciple (1959)

Strangers When We Meet (1960)

Spartacus (1960)

Town Without Pity (1961)

The Last Sunset (1961)

Lonely Are the Brave (1962)

Two Weeks in Another Town (1962)

The Hook (1963)

The List of Adrian Messenger (1963)

For Love or Money (1963)

Seven Days in May (1964)

In Harm's Way (1965)

The Heroes of Telemark (1965)

Cast a Giant Shadow (1966)

Is Paris Burning? (1966)

The Way West (1967)

The War Wagon (1967)

Once Upon a Wheel (documentary, 1968)

A Lovely Way to Die (1968)

The Brotherhood (1968)

The Arrangement (1969)

There Was a Crooked Man... (1970)

To Catch a Spy (1971)

The Light at the Edge of the World (1971)

A Gunfight (1971)

A Man to Respect (1972)

The Master Touch (1972)

Scalawag (1973)

Dr. Jekyll and Mr. Hyde (1973)

Posse (1975) Also director

Once Is Not Enough (1975)

Holocaust 2000 (1977)

The Fury (1978)

The Villain (1979)

Saturn 3 (1980)

Home Movies (1980)

The Final Countdown (1980)

The Man from Snowy River (1982)

Remembrance of Love (1982)

Eddie Macon's Run (1983)

Draw! (1984)

Amos (1985)

Tough Guys (1986)

Queenie (television, 1987)

Inherit the Wind (1988)

Oscar (1991)

Veraz (1991)

The Secret (television, 1992)

A Century of Cinema (documentary, 1994)

Greedy (1994)

Diamonds (1999)

It Runs in the Family (2003)

Illusion (2004)

Meurtres à l'Empire State Building (U.S. title: Empire State Building Murders, 2008)

Before I Forget (documentary) (2010)

Short subjects

Van Gogh: Darkness Into Light (1956)

Rowan & Martin at the Movies (1968)

Awards

Academy Awards

1995 nominated for Honorary Awards

1956 Lust for Life nominated for Best Actor

1952 Bad & the Beautiful nominated for Best Actor

1949 Champion nominated for Best Actor

Berlin International Film Festival

1975 Posse nominated for Competing Film

New York Film Critics Circle Award

1956 Lust for Life won for Best Actor

1951 Detective Story nominated for Best Actor

Bibliography

Wisdom of the Elders. 1986.

The Ragman's Son. Simon & Shuster, 1988. ISBN 0-671-63717-7.

Dance With the Devil. Random House, 1990. ISBN 0-394-58237-3.

The Gift"> The Gift. Warner Books, 1992. ISBN 0-446-51694-5.

Last Tango in Brooklyn. Century, 1994. ISBN 0-7126-4852-6.

The Broken Mirror: A Novella. Simon & Schuster Books for Young Readers, 1997. ISBN 0-689-81493-3.

Young Heroes of the Bible. Simon & Schuster Children's Publishing, 1999. ISBN 0-689-81491-7.

Climbing The Mountain: My Search For Meaning. Simon and Schuster, 2001. ISBN 0-7432-1438-2.

My Stroke of Luck. HarperCollins, 2003. ISBN 0-06-001404-0.

Let's Face It – 90 Years of Living, Loving, and Learning. John Wiley & Sons, 2007. ISBN 0-470-08469-3.

See also

References

Further reading

Kress, Michael. Rabbis: Observations of 100 Leading and Influential Rabbis of the 21st Century. (foreword by Kirk Douglas.) Universe, 2002. ISBN 978-0-7893-0804-7.

McBride, Joseph. Kirk Douglas. Pyramid Publications, 1976. ISBN 0-515-04084-3.

Munn, Michael. Kirk Douglas. St. Martin's Press, 1985. ISBN 0-312-45681-6.

Press, Skip. Michael and Kirk Douglas. Silver Burdett Press, 1995. ISBN 0-382-24941-0.

External links

Guest of honor on "Dean Martin Show" Video, 3 min. (circa 1980)

Profile at Turner Classic Movies

An Interview with Kirk Douglas

Kirk Douglas, le champion de Hollywood

Kirk Douglas interviewed by Mike Wallace on The Mike Wallace Interview from November 2, 1957

Category:1916 births Category:Living people Category:20th-century actors Category:21st-century actors Category:Academy Honorary Award recipients Category:Actors from New York Category:American film actors Category:American film directors Category:American film producers Category:American Jews Category:American people of Belarusian-Jewish descent Category:American military personnel of World War II Category:American television actors Category:Best Drama Actor Golden Globe (film) winners Category:Cecil B. DeMille Award Golden Globe winners Category:Jewish actors Category:Jewish American military personnel Category:Kennedy Center honorees Category:Légion d'honneur recipients Category:People from Montgomery County, New York Category:Presidential Medal of Freedom recipients Category:St. Lawrence University alumni Category:Stroke survivors Category:United States National Medal of Arts recipients Category:United States Navy sailors

Name	Johnny Carson
Caption	Carson in January 1966
Birth name	John William Carson
Birth date	October 23, 1925
Birth place	Corning, Iowa
Death date	January 23, 2005
Death place	Los Angeles, California
Nationality	American
Active	1950–1994
Signature	Johnny Carson Signature.svg
Influences	Groucho Marx, Jack Benny, Fred Allen, Bob Hope, Laurel and Hardy, Red Skelton, George Burns, Milton Berle
Influenced	Ray Combs, Ellen DeGeneres, Kathy Griffin, Bill Hicks, Jay Leno, David Letterman, Bill Maher, Conan O'Brien, Jerry Seinfeld, Garry Shandling
Spouse	Joan Morrill Wolcott (1949–1963)Joanne Copeland (1963–1972)Joanna Holland (1972–1985)Alexandra Mass (1987–2005)
Notable work	Host of The Tonight Show Starring Johnny Carson

}} John William “Johnny” Carson (October 23, 1925 – January 23, 2005) was an American television host and comedian, known as host of The Tonight Show Starring Johnny Carson for 30 years (1962–1992). Carson received six Emmy Awards including the Governor Award and a 1985 Peabody Award; he was inducted into the Television Academy Hall of Fame in 1987. He was awarded the Presidential Medal of Freedom in 1992, and received Kennedy Center Honors in 1993.

Although his show was already hugely successful by the end of the 1960s, it was during the 1970s that he became an American icon and the "best guest" in American homes up until his retirement in 1992. Carson is credited with molding modern television late night talk shows, transitioning the format from Ed Sullivan's era of post-war vaudeville-derived variety where the host was merely an announcer of acts, to today's more casual, conversational approach with extensive interaction with guests. Late night hosts David Letterman, Jay Leno, Conan O'Brien, Craig Ferguson and Jimmy Fallon have all cited Carson's influence on their late night talk shows, which greatly resemble Carson's show in format and tone.

Early life and career

Born in Corning, Iowa, on October 23, 1925 Carson lived in the nearby Iowa towns of Avoca, Clarinda, and Red Oak before later moving to Norfolk, Nebraska. He left college after one year to join the United States Navy, being commissioned an Ensign. He joined the U.S. Navy on June 8, 1943, as an apprentice seaman enrolled in the V-12 program, which trained Navy and Marine pilots. He hoped to train as a pilot, but was sent instead to Columbia University for midshipman training. He performed magic for classmates on the side. Commissioned an ensign late in the war, Carson was assigned to the USS Pennsylvania, a battleship on station in the Pacific. He was en route to the combat zone aboard a troopship when the bombing of Hiroshima and Nagasaki brought the war to a close.

The Pennsylvania was torpedoed on August 12, 1945 and Carson reported for duty on August 14 — the last day of the war. Although he arrived too late for combat, he got a firsthand education in the consequences of war. The damaged warship sailed to Guam for repairs, and as the newest and most junior officer, Carson was assigned to supervise the removal of 20 dead sailors. He later served as a communications officer in charge of decoding encrypted messages. He recalls that the high point of his military career was performing a magic trick for United States Secretary of the Navy James V. Forrestal.

He began his performing career in 1950 at WOW radio and television in Omaha, Nebraska. He appeared on radio with Ken Case, an Omaha native who was later a news anchor and sportscaster in Monroe, Louisiana. Carson soon hosted a morning television program called The Squirrel's Nest. One of his routines involved interviewing pigeons on the roof of the local courthouse that would allegedly report on the political corruption they had seen. Carson supplemented his income by serving as master of ceremonies at local church dinners, attended by some of the same politicians and civic leaders that he had lampooned on the radio. The wife of one of the political figures owned stock in a radio station in Los Angeles and referred Carson to her brother, who was influential in the emerging television market in Southern California. Carson went to work at CBS-owned Los Angeles television station KNXT. He would later joke that he owed his success to the birds of Omaha.

In 1953, comic Red Skelton — a fan of Carson's sketch comedy show Carson's Cellar, which appeared from 1951 to 1953 on KNXT — asked Carson to join his show as a writer. Skelton once accidentally knocked himself unconscious an hour before his show went on the air live. Carson filled in for him.

In 1955, Jack Benny invited Carson to appear on one of his programs, during the opening and closing segments. Carson imitated Benny and claimed that Benny had copied his gestures. Benny, however, predicted that Carson would have a successful career as a comedian.

Carson hosted several shows before The Tonight Show, including the game show Earn Your Vacation (1954), and the variety show The Johnny Carson Show (1955–1956). He was a regular panelist on the original To Tell the Truth until 1962. After the prime time The Johnny Carson Show failed, he moved to New York City to host Who Do You Trust? (1957–1962), formerly known as Do You Trust Your Wife?. In 1958, he appeared as a guest star in an episode entitled "Do You Trust Your Wife" on NBC's short-lived variety show, The Polly Bergen Show. It was on Who Do You Trust? that Carson met his future sidekick, Ed McMahon. Although he saw moving to daytime as hurting his career, Who Do You Trust? was a success. It was the first show where he could ad lib and interview guests.

The Tonight Show

Carson's success on Who Do You Trust? led NBC to invite him to replace Jack Paar as host of The Tonight Show, who would leave in March 1962. Carson declined the offer, but NBC asked him again after Bob Newhart, Jackie Gleason, and Joey Bishop also refused. Carson accepted in March, but had six months left on his CBS contract, during which NBC used many guest hosts including Merv Griffin.

Although he continued to have doubts about his new job, Carson became host of The Tonight Show Starring Johnny Carson in October 1962 and quickly overcame his fears. His announcer and sidekick was Ed McMahon throughout the program. McMahon's opening line, "Heeeere's Johnny" became a hallmark. Most of the later shows began with music and the announcement "Heeeeeere's Johnny!", followed by a brief monologue by Carson. This was often followed by comedy sketches, interviews, and music. Carson's trademark was a phantom golf swing at the end of his monologues, aimed stage left where the Tonight Show Band was. Guest hosts sometimes parodied that gesture. Bob Newhart rolled an imaginary bowling ball toward the audience. Johnny enjoyed what he calls the "Carson Kits," or beautiful girls to dress his show. Theona Bryant, a favorite, was a model. The other "Carson Cuties" were Phyllis Applegate, Norma Brooks, and Sally Todd.

Paul Anka wrote the theme song ("Johnny's Theme"), a reworking of his "Toot Sweet", given lyrics, renamed "It's Really Love," and recorded by Annette Funicello in 1959. Anka gave Carson co-authorship and they split the royalties for three decades.

The show was originally produced in New York City, with occasional stints in California. It was not live in its early years, although during the 1970s, NBC fed the live taping from Burbank to New York via satellite for editing (see below). The program had been done "live on tape" (uninterrupted unless a problem occurred) since the Jack Paar days.

Move to Burbank

In May 1972, the show moved from New York to Burbank, California. Carson often joked about "beautiful downtown Burbank" and referred to "beautiful downtown Bakersfield," which prompted Mayor Mary K. Shell to chide Carson and invite him to her city to see improvements made during the early 1980s.

After July 1971, Carson stopped doing shows five days a week. Instead, on Monday nights there was a guest host, leaving Carson to do the other four each week. Shows were taped in Burbank at 5:30pm (8:30 pm Eastern time) to be shown that evening at 11:30pm Eastern time. On September 8, 1980, at Carson's request, the show cut its 90-minute format to 60 minutes; Tom Snyder's Tomorrow added a half hour to fill the vacant time. Joan Rivers became the "permanent" guest host from September 1983 until 1986, when she was fired for accepting a competing show on Fox without consulting Carson. The Tonight Show returned to using rotating guest hosts, including comic George Carlin. Jay Leno then became the exclusive guest host in fall 1987. Leno stated that although other guest hosts upped their fees, he kept his low, assuring himself the show. Eventually, Monday night was for Leno, Tuesday for the Best of Carson, rebroadcasts usually of a year earlier but occasionally from the 1970s.

Carson had a talent for quick quips to deal with problems. If the opening monologue fared poorly, the band would start playing "Tea for Two" and Carson danced, to laughs from the studio audience. Alternately, Carson might pull the boom mic close to his face and announce "Attention K-Mart shoppers!"

Carson's show was the launch for many performers, notably comedians. Many got their break on the show, and it was an achievement to get Carson to laugh and be called to the guest chair. Carson was successor to The Ed Sullivan Show as a showcase for all kinds of talent, as well as continuing a vaudeville-style variety show.

In 1973, Carson had a run-in with psychic Uri Geller. Carson, a magician, wanted a neutral demonstration of Geller's abilities, so, at the advice of his friend and fellow magician James Randi, he gave Geller spoons and asked him to bend them with his psychic powers. Geller proved unable, and his appearance on The Tonight Show has been regarded as Geller's fall from glory.

Carson successfully sued a manufacturer of portable toilets who wanted to call its product "Here's Johnny".

Carson and Don Rickles

On December 13, 1976, comedian Don Rickles was a guest when comedian Bob Newhart guest-hosted. While poking fun at Newhart and improvising an "immigration" bit, Rickles stamped an imaginary passport, slamming the cigarette box Carson kept on his desk and breaking it. When Carson returned the next night and discovered this, he took a camera crew to the studio next door where CPO Sharkey, a sitcom starring Rickles, was being taped. Carson barged into the studio, shouting, "RICKLES!" He disrupted the taping, berating the embarrassed Rickles with a barrage of insults, in imitation of Rickles's act. Carson also teased CPO Sharkey's African-American actor Harrison Page by speaking to him in an exaggerated southern dialect.

Dolly Parton

However, a bit of adult humor was not beyond Carson. During an interview with Dolly Parton, in reference to her large bust, she said, "People are always asking if they're real and ... I'll tell you what, these are mine." Carson replied, "I have certain guidelines on this show. But I would give about a year's pay to peek under there." Videotape of the Parton interview survives and has been rebroadcast several times during Tonight Show retrospectives.

Rolling Stone controversy

In a 1980 Rolling Stone article, Carson caused quite a public backlash when he called the Brian Wilson-penned (Beach Boys) song "Johnny Carson" from 1977's Love You album "not a work of art". Wilson wrote the song tribute citing the fact no such song had existed previously about the 'king of late night'.

Feuds

Carson made several routine jokes at the expense of other celebrities, like Wayne Newton (after Newton had performed on Carson's show several times). Newton claimed in his 1991 autobiography, among other times including a 1989 interview with Phil Donahue, that the circumstances led to a confrontation in Carson's dressing room where Newton threatened a physical altercation if Carson didn't cease the barrage of jokes with homosexual connotations. In a November 29, 2007 interview on Larry King Live, Wayne Newton said, "I'm going to say something I've never said on television, Mr. King. Johnny Carson was a mean-spirited human being. And there are people that he has hurt that people will never know about. And for some reason at some point, he decided to turn that kind of negative attention toward me. And I refused to have it."

Another famous feud came on the heels of an appearance by author Truman Capote in 1966. The diminutive writer was already embroiled in a public feud with fellow novelist Jacqueline Susann when he told Johnny — and millions of viewers — that Susann looked "like a truck driver in drag." The remark was not censored from the broadcast, and made headlines the next day. Capote subsequently issued a public apology — to truck drivers.

Carson reportedly loathed what he felt was disloyalty among friends. The comedian was displeased when former "Tonight Show" guest hosts John Davidson and Joan Rivers got their own talk shows. Rivers' FOX show directly competed with Carson during the 1986-1987 season, and died a quick death. On June 24, 2009 following Ed McMahon's death, Rivers lauded McMahon on "Larry King Live" but stated that Carson "never again spoke to me, up to his death". Another guest host, Jay Leno, was treated coolly for being perceived as ushering Carson into retirement. Leno's agent ignited the then-false rumor in Hollywood circles that Carson's retirement was pending, and Leno was heir to the "Tonight Show". Carson vowed not to return to the show while Leno headed it, and indeed would make his final TV appearance about a year after his retirement on the competing Late Show with David Letterman.

Some of Carson's good-natured barbs were directed at his friends. Ronald Reagan's hair and Frank Sinatra's temper and mob connections were frequent topics. Carson humorously chided Nancy Reagan for falling down and "breaking her hair."

Comic characters

Carson played several continuing characters on sketches during the show, including

Art Fern, the "Tea Time Movie" announcer (always selling strange or shoddy merchandise). The character was based on late-show TV hosts who would deliver commercials throughout the movie. Carson originally played the fast-talking huckster in his own voice (as Honest Bernie Schlock or Ralph Willie), and finally settled on a nasal, high-pitched, smarmy drone reminiscent of Jackie Gleason's "Reginald Van Gleason III" character. The character, now permanently known as Art Fern, wore a lavish toupee, loud jackets, and a pencil mustache. Actress Carol Wayne became famous for her 100-plus appearances (1971–1982) as Art's buxom assistant, the Matinée Lady. While Art gave his spiel, she would enter the stage behind him. Art would react to her attractive body, wincing loudly, "Ho — leeeee!" After Carol Wayne's death in 1985, Carson kept Art Fern off the air for most of the next year, and finally hired Danuta Wesley and then Teresa Ganzel to play the Matinée Lady. Carson also used these sketches to poke fun at the intricate Los Angeles interstate system, using a pointer and map to give confusing directions to shoppers (often including points where he would unfold the cardboard map to point out, via the appropriate picture, when the shopper would arrive at "the fork in the road." Another freeway routine in the same theme centered around the fictional "Slauson Cutoff." Art Fern would advise drivers to take a series of freeways until they reached the Slauson Cutoff, and would then advise them to "Get out of your car, cut off your slauson, get back in your car," often followed by peals of laughter from the audience, led by McMahon.

Carnac the Magnificent, a turbaned psychic who could answer questions before seeing them. (This same routine had been done by Carson's predecessor, Steve Allen, as "The Question Man.") Carnac had a trademark entrance in which he always turned the wrong direction when coming onto stage and then "tripped" on the step up to Carson's desk. (In one episode, technicians rigged Carson's desk to fall apart when Carnac fell into it.) These comedic missteps were an indication of Carnac's true prescient abilities. Ed McMahon would hand Carnac a series of envelopes, containing questions. Carnac would place each envelope against his forehead and predict the answer, such as "Gatorade." Then he would read the question: "What does an alligator get on welfare?" Some of the jokes were feeble, and McMahon used pauses after terrible puns and audience groans to make light of Carnac's lack of comic success ("Carnac must be used to quiet surroundings"), prompting Carson to return an equal insult. McMahon would always announce near the end, "I hold in my hand the last envelope," at which the audience would applaud wildly, prompting Carnac to pronounce a comedic "curse" on the audience, such as "May your sister elope with a camel!" (In fact, "Carnac the Magnificent" was the stage name Johnny used in his magic act as a youth.)

Floyd R. Turbo American (with no pause between words). A stereotypical redneck wearing a plaid hunting coat and cap, who offered "editorial responses" to left-leaning causes or news events. Railing against women's rights in the workplace, for example, Turbo would shout, "This raises the question: kiss my Dictaphone!"

Aunt Blabby, a cantankerous and sometimes amorous old lady, invariably being interviewed by straight man Ed McMahon about elder affairs. McMahon would innocently use a common expression like "check out," only to have Aunt Blabby warn him, "Don't say 'check out' to an old person!" Aunt Blabby was an obvious copy of Jonathan Winters’ most famous creation, Maude Frickert, including her black spinster dress and wig.

El Mouldo, a mentalist, who would attempt to perform mind-reading and mind-over-matter feats, all of which failed. Often his tricks would include an attempt to bilk money from Ed McMahon or would end with him begging for money.

Carson uncensored on satellite

Even though Carson's program was based in Burbank, NBC's editing and production services for the program were located in New York, resulting in the requirement that Carson's program be transmitted from Burbank to New York. Beginning in 1976, NBC used the Satcom 2 satellite to do this, feeding the live taping (which usually took place in the early evening) directly to New York, where it would be edited prior to the normal broadcast. This live feed lasted usually from two to two-and-a-half hours a night, and was uncensored and commercial-free. During the commercial breaks the audio and picture would be left on, capturing at times risque language and other events that would certainly be edited out later going out over the feed.

At the same time, however, satellite ground stations owned by private individuals began to appear, and some managed to find the live feed. Satellite dish owners began to document their sightings in technical journals, giving viewers knowledge of things they were not meant to see. Carson and his production staff grew concerned about this, and pressured NBC into ceasing the satellite transmissions of the live taping in the early 1980s. The satellite link was replaced by microwave landline transmission until the show's editing facilities were finally moved to Burbank.

Business ventures

Carson was a major investor in the ultimately failed DeLorean Motor Company. Founder John DeLorean was involved in a drug scandal, causing Carson's guest Red Skelton to quip, "The DeLorean, is that a hopped-up car?"

Carson was head of a group of show business people and businessmen who purchased and operated two television stations — channel 5 KVVU-TV in Henderson, Nevada, serving Las Vegas, now owned by Meredith Broadcasting, and channel 23 KNAT in Albuquerque, New Mexico. KVVU had been the earliest Las Vegas independent station and was sort of a local in-joke for its threadbare operation and ragtag program lineup. Many thought it ironic that a leading entertainer like Carson, along with Sal Durante, Neil Simon and others, would own such a station. There was talk at the time that the station would become the NBC affiliate, as then long-time affiliate KORK-TV was in the process of being replaced by KVBC-TV, but it never happened. KNAT started at exactly the wrong time. Several new channels — 2, 9, 11, 14, and 23 — were starting up in the southwest and the competition for good syndicated shows was fierce. KNAT was later sold to Trinity Broadcasting.

Carson's other business ventures included a successful clothing line, through which his turtlenecks became a fashion trend, and a failed restaurant franchise.

Retirement

Carson retired from show business on May 22, 1992, when he stepped down as host of The Tonight Show. His farewell was a major media event, and stretched over several nights. It was often emotional for Carson, his colleagues, and the audiences, particularly the farewell statement he delivered on his 4,531st and final Tonight Show:

NBC gave the role of host to the show's then-current permanent guest host, Jay Leno. Leno and David Letterman were soon competing on separate networks.

Post-retirement appearances

in 1992]] At the end of his final Tonight Show appearance, Carson indicated that he might, if so inspired, return with a new project, but instead chose to go into full retirement, rarely giving interviews and declining to participate in NBC's 75th Anniversary celebrations. He made the occasional cameo appearance, including voicing himself on a 1993 episode of The Simpsons ("Krusty Gets Kancelled"), telephoning David Letterman on a November 1993 episode of Late Show with David Letterman, and appearing in the 1993 NBC Special Bob Hope: The First 90 Years. On May 13, 1994, Carson appeared on Late Show with David Letterman. During a week of shows from Los Angeles, Letterman was having Larry "Bud" Melman (Calvert DeForest) deliver his "Top Ten Lists" under the guise that a famous personality would be delivering the list instead. On the last show of the week, Letterman indicated that Carson would be delivering the list. Instead, DeForest delivered the list, insulted the audience (in keeping with the gag), and walked off to polite applause. Letterman then indicated that the card he was given did not have the proper list on it and asked that the "real" list be brought out. On that cue, the real Johnny Carson emerged from behind the curtain (as Letterman's band played "Johnny's Theme"), an appearance which prompted a standing ovation from the audience. Carson then requested to sit behind Letterman's desk; Letterman obliged, as the audience continued to cheer and applaud. After some moments, Carson departed from the show without having spoken to the audience. He later cited acute laryngitis as the reason for his silence. This night turned out to be Carson's last television appearance.

Letterman

Just days before Carson's death, it was revealed that the retired "King of Late Night" occasionally sent jokes to Letterman. Letterman would then use these jokes in the monologue of his show, which Carson got "a big kick out of" according to Worldwide Pants, Inc., Senior Vice-President Peter Lassally, who formerly produced both men's programs; he also claimed that Carson had always believed Letterman, not Leno, to be his "rightful successor". Letterman frequently employs some of Carson's trademark bits on his show, including "Carnac" (with band leader Paul Shaffer as Carnac), "Stump the Band," and the "Week in Review."

Personal life

Carson was born in Corning, Iowa, to Homer "Kit" Lloyd Carson, a power company manager, and Ruth Hook Carson. He grew up in southwest Iowa until the age of 8, when the family moved to Norfolk, Nebraska. There he learned to perform magic tricks, debuting as "The Great Carsoni" at 14. He attended Millsaps College in Jackson, Mississippi, where he received V-12 officer training, and then served in the Navy from 1943-1946. He served in USS Pennsylvania (BB-38) in the final days of the war. Carson then attended the University of Nebraska in Lincoln where he joined Phi Gamma Delta fraternity, wrote a thesis on the structure of Jack Benny's comedy routines, and graduated with a bachelor of arts degree in radio and speech with a minor in physics in 1949.

Despite his on-camera demeanor, Carson was very shy off-camera. He was referred to as "the most private public man who ever lived". Dick Cavett recalled that "I felt sorry for Johnny in that he was so socially uncomfortable. I've hardly ever met anybody who had as hard a time as he did."

Marriages

In 1954, Carson married his high school sweetheart Joan. The marriage was volatile, with infidelities by both parties, finally ending in divorce. They had three sons. Their son Richard died in a car accident on June 21, 1991. Another son, Cory, worked as a stage manager at NBC in Burbank.

In 1963, Carson got a "quickie" Mexican divorce from Joan and married Joanne Copeland on August 17, 1963. After a protracted divorce in 1972, Copeland received nearly half a million dollars in cash and art and US$100,000 a year in alimony for life.

Joanne Copeland recently discovered 39 episodes of the debut season of The Johnny Carson Show which were originally telecast in 1955 and 1956. She then made an arrangement with Shout! Factory to produce and distribute selected programs on DVD. The two-disk DVD set contains Johnny's "top 10" episodes. Johnny's first wife Joan and the couple's three sons appear in the first episode on the DVD.

At the Carson Tonight Show's 10th anniversary party on September 30, 1972, Carson announced that he and former model Joanna Holland had been secretly married that afternoon, shocking his friends and associates. Carson kidded that he had married three similarly named women to avoid "having to change the monogram on the towels." A similar joke was made by Bob Newhart during Carson's roast by Dean Martin. On March 8, 1983, Holland filed for divorce. Under California's community property laws, she was entitled to 50 percent of all the assets accumulated during the marriage, even though Carson earned virtually 100 percent of the couple's income. During this period, he joked on The Tonight Show, "My producer, Freddy de Cordova, really gave me something I needed for Christmas. He gave me a gift certificate to the Law Offices of Jacoby & Meyers." The divorce case finally ended in 1985 with an 80-page settlement, Holland receiving $20 million in cash and property.

Carson married Alexandra Mass on June 20, 1987; Johnny was 61, Alexis 35.

Children

Carson's son from his first marriage, Richard, died on June 21, 1991, when his car plunged down a steep embankment along a paved service road off Highway 1 near Cayucos, a small town north of San Luis Obispo, California. Apparently, Richard had been taking photographs when the accident occurred. Carson was deeply shaken by his son's death. On his first show after Ricky's death, he gave a stirring tribute in the final minutes of his show as samples of his son's photographic work (and images of Ricky, himself) were displayed with the music accompaniment of Riviera Paradise by blues guitarist Stevie Ray Vaughan. In addition, the final image — as well as some "More To Come" bumpers — of Carson's last show that aired May 22, 1992 featured a photo Richard had taken.

Donations

In 1981, Carson created the John W. Carson Foundation, dedicated to supporting children, education and health services. The Foundation continues to support charitable causes.

In November 2004, Carson announced a $5.3 million gift to the University of Nebraska Foundation to support the Hixson-Lied College of Fine and Performing Arts' Department of Theatre Arts, which created the Johnny Carson School of Theatre and Film. Another $5 million donation was announced by the estate of Carson to the University of Nebraska following his death.

Carson also donated to causes in his hometown of Norfolk, including the Carson Cancer Center at Faith Regional Health Services, the Elkhorn Valley Museum, and the Johnny Carson Theater at Norfolk Senior High School.

In August 2010, the charitable foundation created by Johnny Carson reported receiving $156 million from a personal trust established by the entertainer years prior to his January 2005 death. Carson's foundation was now by far the biggest of Hollywood charities. (from Smoking Gun )

Other events

Carson, an amateur astronomer, was close friends with astronomer Carl Sagan, who often appeared on The Tonight Show. The unique way Sagan had of saying certain words, like "billions" of galaxies, would lead to Carson ribbing his friend, imitating his voice and saying "BILL-ions and BILL-ions", a phrase erroneously attributed to Sagan. Carson was the first person to contact Sagan's wife with condolences when the scientist died in 1996. He owned several telescopes, including a Questar, considered at the time a top-of-the line telescope.

Also an amateur drummer, Carson was shown on a segment of 60 Minutes practicing at home on a drum set given to him by close friend Buddy Rich, who was the jazz musician with the most appearances on The Tonight Show. Writer Gore Vidal, another frequent Tonight Show guest and friend, writes about Carson's personality in his 2006 memoirs.

Death and tributes

On March 19, 1999, Carson, then 73, suffered a severe heart attack at his home in Malibu, California. Carson was sleeping when he suddenly awoke with severe chest pains. He was rushed to a hospital in nearby Santa Monica where he underwent quadruple-bypass surgery.

At 6:50 AM PST on January 23, 2005, Carson died at Cedars-Sinai Medical Center in Los Angeles, of respiratory arrest arising from emphysema. He was 79 years old. Carson had revealed his illness to the public in September 2002. Following Carson's death his body was cremated, and the ashes were given to his wife. In accordance with his family's wishes, no public memorial service was held. There were numerous tributes paid to Carson upon his death, including a statement by then President George W. Bush, recognizing the deep and enduring affection held for him.

On January 24, 2005, The Tonight Show with Jay Leno paid tribute to Carson with guests Ed McMahon, Bob Newhart, Don Rickles, Drew Carey and k.d. lang. Letterman followed suit on January 31 with former Tonight Show executive producer Peter Lassally and bandleader Doc Severinsen. During the beginning of this show, Letterman said that for 30 years no matter what was going on in the world, no matter whether people had a good or bad day, they wanted to end the day by being "tucked in by Johnny." Letterman also told his viewers that the monologue he had just given had consisted entirely of jokes sent to him by Carson in the last few months of his life. Doc Severinsen ended the Letterman show that night by playing one of Carson's two favorite songs, "Here's That Rainy Day" (the other was "I'll Be Seeing You"). It had been reported over the decades of Carson's fame that he was, off-camera, so intensely private that he had never once invited McMahon to his home. After Carson's death, though, McMahon disputed those rumors and claimed that a close friendship existed. On his final Tonight Show appearance, Carson himself said that while sometimes people who work together for long stretches of time on television don't necessarily like each other, this was not the case with him and McMahon: They were good friends who would have dinner together, and the camaraderie that they had on the show could not be faked. Carson and McMahon were friends for 30 years.

A week or so after the tributes, Dennis Miller was on the Tonight Show and told Jay Leno about the first time he tried to host a talk show, and how miserably it went. He said that he got a call immediately after the first show, from Carson, telling him, "It's not as easy as it looks, is it, kid?"

The 2005 film The Aristocrats was dedicated to Carson, as well as The Simpsons episode Mommie Beerest.

References

Further reading

Accounts on work and life

Humor material collections

Johnny Carson Collection, Manuscript Division, Library of Congress, Washington, D.C.

External links

Official website for The Tonight Show starring Johnny Carson

at Salon at The New Republic

1978 profile from The New Yorker by Kenneth Tynan

The Johnny Carson Show from USA Today

Johnny Carson biography at FilmReference.com

Posthumous Letter to Carson from Steve Martin published in The New York Times

Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln

Johnny Carson Singing with the Ratpack in 1965 YouTube Video

Obituaries

CNN obituary

MSNBC obituary

Johnny Carson obituary by James Wolcott

Category:1925 births Category:2005 deaths Category:American game show hosts Category:American skeptics Category:American stand-up comedians Category:American television talk show hosts Category:American military personnel of World War II Category:Deaths from emphysema Category:Disease-related deaths in California Category:Entertainers from Nebraska Category:University of Nebraska–Lincoln alumni Category:United States Navy officers Category:Presidential Medal of Freedom recipients Category:Emmy Award winners Category:Kennedy Center honorees Category:Peabody Award winners Category:People from Adams County, Iowa

Name	Jim Backus
Birth name	James Gilmore Backus
Birth date	February 25, 1913
Birth place	Cleveland, Ohio, U.S.
Death date	July 03, 1989
Death place	Los Angeles, California, U.S.
Years active	1937–1989
Occupation	Actor
Spouse

James Gilmore "Jim" Backus (February 25, 1913 – July 3, 1989) was a radio, television, film, and voice actor. Among his most famous roles are the voice of Mr. Magoo, the rich Hubert Updike, III on the Alan Young radio show, Joan Davis's character's husband (a domestic court judge) on TV's I Married Joan, James Dean's character's father in Rebel Without a Cause and Thurston Howell, III on the 1960s hit sitcom Gilligan's Island. He also starred in his own show of one season, The Jim Backus Show, also known as Hot off the Wire.

An avid golfer, Backus actually made the 36-hole cut at the 1964 Bing Crosby Pro-Am tournament.

Early life

James Gilmore Backus was born February 25, 1913 in Cleveland, Ohio, and raised in Bratenahl, Ohio, a wealthy village surrounded by greater Cleveland. He was the son of Russell Gould Backus, a mechanical engineer, and Daisy Gilmore (née Taylor) Backus. He was of Lebanese background. Backus was expelled from the Kentucky Military Institute for riding a horse through the mess hall.

Career

Acting

, Edward Platt and James Dean.]] Backus had an extensive career and worked steadily in Hollywood over five decades, often portraying characters with an "upper-crust", New English air, such as Mr. Howell in Gilligan's Island. He appeared in A Dangerous Profession (1949)(as well as Narrating), Deadline - U.S.A. (1951), with Humphrey Bogart, Pat and Mike (1952), with Spencer Tracy and Katharine Hepburn, Rebel Without a Cause (1955), and It's a Mad, Mad, Mad, Mad World (1963). He also made appearances on The Beverly Hillbillies (1962).

He was the voice of the near-sighted cartoon character Mr. Magoo. In 1952, he had a brief scene in Don't Bother To Knock with Marilyn Monroe. Years later, when Backus was a frequent talk show guest, he would recount the time Monroe urgently beckoned him into her dressing room. Once there, she exclaimed in her breathy voice, "Do Mr. Magoo!"

He frequently could be heard on prime-time radio programs in the postwar era, including The Jack Benny Program, and portrayed an exceedingly vain character named Hartley Benson on The Mel Blanc Show on the CBS Radio Network (1947–1948).

In stark contrast to his usual affluent characters, he appeared on The Brady Bunch as an old gold prospector, a role he also played on a Gilligan's Island episode. He also appeared in the final season episode "The Hustler" in which he plays Mike's boss, Mr. Matthews.

Writing and recording

Backus and his wife, Henny Backus, co-wrote several humorous books, including Only When I Laugh. He also co-wrote the 1971 family film Mooch Goes to Hollywood, about a dog who tries to become a movie star. In 1984, he wrote his autobiography, Backus Strikes Back.

In the late 1950s, he made two novelty 45 rpm records, "Delicious" and "Cave Man." In 1974, a collection of Backus' old radio material was compiled into a full-length comedy LP album released on the DORE label under the title The Dirty Old Man. Backus also played the voice of God in the recording of Truth of Truths, a 1971 rock opera based on the Bible.

Television commercials

Backus acted in several television commercials. As Mr. Magoo, he also helped advertise the GE line of products over the years. He was also spokesperson for La-Z-Boy furniture during the 1970s. In the late 1980s, he was reunited with former co-star Natalie Schafer in an advertisement for Orville Redenbacher's Popcorn. They reprised their roles from Gilligan's Island, but instead of still being shipwrecked, the setting was a luxurious study or den. Both performers were rather frail and this would be the last television appearance for both.

Death

On July 3, 1989, Jim Backus died in Los Angeles, California from complications of pneumonia, after suffering from Parkinson's disease for many years. Backus was buried at the southwest corner of Westwood Village Memorial Park Cemetery in Westwood, Los Angeles.

Partial filmography

A-Lad-In His Lamp (1948) (uncredited voice)

Father was a Fullback (1949)

Easy Living (1949)

The Great Lover (1949)

A Dangerous Profession (1949)

Ma and Pa Kettle Go to Town (1950)

M (1951)

Bright Victory (1951)

His Kind of Woman (1951)

The Man with a Cloak (1951)

I'll See You in My Dreams (1951)

I Want You (1951)

Here Come the Nelsons (1952)

Deadline – U.S.A. (1952)

Pat and Mike (1952)

Don't Bother to Knock (1952)

Angel Face (1952)

Androcles and the Lion (1952)

Above and Beyond (1952)

I Love Melvin (1953)

Francis in the Navy (1955)

Rebel Without a Cause (1955)

Meet Me in Las Vegas (1956)

The Opposite Sex (1956)

The Girl He Left Behind (1956)

You Can't Run Away from It (1956)

The Great Man (1956)

Top Secret Affair (1957)

Man of a Thousand Faces (1957)

Macabre (1958)

Ask Any Girl (1959)

The Wild and the Innocent (1959)

Ice Palace (1960)

The Horizontal Lieutenant (1962)

Boys' Night Out (1962)

Zotz! (1962)

The Beverly Hillbillies (1962)

The Wonderful World of the Brothers Grimm (1962)

Mister Magoo's Christmas Carol (1962) (TV) (voice)

Operation Bikini (1963)

My Six Loves (1963)

Critic's Choice (1963)

Johnny Cool (1963)

It's a Mad, Mad, Mad, Mad World (1963)

Sunday in New York (1963)

The Wheeler Dealers (1963)

Advance to the Rear (1964)

Billie (film) (1965)

John Goldfarb, Please Come Home! (1965)

Hurry Sundown (1967)

Where Were You When the Lights Went Out? (1968)

Hello Down There (1969)

Wake Me When the War Is Over (1969) (TV)

Cockeyed Cowboys of Calico County (1970)

Myra Breckinridge (1970)

The Brady Bunch (1971)

Now You See Him, Now You Don't (1972)

The Girl Most Likely to... (1973) (TV)

Yes, Virginia, There Is a Santa Claus (1974) (TV) (voice)

Crazy Mama (1975)

Friday Foster (1975)

The Magic Pony (1975) (voice)

Pete's Dragon (1977)

Rescue from Gilligan's Island (1978) (TV)

Angels' Brigade (1979)

The Castaways on Gilligan's Island (1979) (TV)

C.H.O.M.P.S. (1979)

The Harlem Globetrotters on Gilligan's Island (1981) (TV)

Slapstick of Another Kind (1982)

References

External links

Category:American film actors Category:American screenwriters Category:American television actors Category:American people of Lebanese descent Category:American radio actors Category:American voice actors Category:Burials at Westwood Village Memorial Park Cemetery Category:Deaths from Parkinson's disease Category:People from Cleveland, Ohio Category:Actors from Ohio Category:American Academy of Dramatic Arts alumni Category:University School alumni Category:1913 births Category:1989 deaths