Name	3
Cover	Britney3.png
Alt	The image of a blonde woman wearing a black short dress, repeated three times in colors red, black and pink, along the right side of the image. The image has a black border. On the lower left corner, the number "3" is written in black. On the left of the number, the words "britney spears" are written in small letters.
Artist	Britney Spears
Album	The Singles Collection
Released
Format	CD single, digital download
Recorded	July 12–18, 2009; Maratone Studios, (Stockholm, Sweden)
Genre	Electropop, dance-pop
Length	3:33
Label	Jive
Writer	Max Martin, Karl Schuster, Tiffany Amber
Producer	Max Martin, Shellback
Artist	Britney Spears
Type	singles
Last single	"Radar"(2009)
This single	"3"(2009)
Next single	"Hold It Against Me"(2011)

"3" is a song by American recording artist Britney Spears, from her second greatest hits compilation The Singles Collection. It was released on September 29, 2009, as the only single of the album by Jive Records. The song was produced by long-time collaborator Max Martin and Shellback, and recorded by Spears in July 2009 while touring Sweden. "3" is an uptempo electropop song that features a heavy bassline and synthesizers. The song's lyrics talk about threesomes, while referencing Peter, Paul & Mary during the chorus as sexual slang. "3" received positive appreciation from contemporary critics, with some reviewers calling it a classic Spears song.

The song also achieved commercial success by topping the charts in the United States and Canada, as well as reaching the top ten in many countries around the world, including Australia, Finland, Norway, Sweden and the United Kingdom. In the United States, "3" debuted at number one in the Billboard Hot 100, becoming the first song to debut at the top position in over three years and the only non-American Idol artist in eleven years to do so. It was also the fifteenth song in history to debut at number one. The accompanying music video was directed by Diane Martel, who described it as sexy and playful. The video features Spears and her dancers in front of different black and white backgrounds. It received positive reviews from critics, who complimented its simplicity.

Background

In July 2009, Spears went into the studio to work with Swedish songwriter and producer Max Martin, while she was in Stockholm, during the European leg of The Circus Starring Britney Spears. They had previously collaborated on earlier hits including "...Baby One More Time", "Oops!...I Did It Again", "Stronger" and "If U Seek Amy". Spears recorded the song with Martin and Shellback at Maratone Studios. Instrumental work was done by Martin and Shellback. The song was later mixed by Serban Ghenea at MixStar Studios in Virginia. "3" was announced as the lead single along with the release of The Singles Collection, and was sent to radio stations on September 29, 2009.

Composition

"3" is an uptempo electropop song, which opens with synths and vocal effects. The song is written in the key of F minor and is set in time signature of common time with a tempo of 138 beats per minute. Spears' vocal range spans from the high-tome of C₄ to the lower register of C₅. The song has a basic sequence of Fm–E–Bm–Fm as its chord progression. During the middle eight, the song slows down with synthetic strings and bass beats, and the section ends with a beat similar to a four-on-the floor, a rhythm pattern popularized in 1970's disco music.

The song's lyrics are about threesomes. The chorus has been compared to a playground chant and closes with an extended moan. that in the song is used as sexual slang for a threesome.

Critical reception

"3" received positive reviews from contemporary music critics. Monica Herrera of Billboard commented that the song "builds to a climax of wildly pulsing bass that summons fans to the dancefloor" and added that "[it] will be another notch in this pop provocateur's belt". On its online edition, Rolling Stone's writer Daniel Kreps praised the song for its up-tempo melody and racy lyrics, while comparing it to Flo Rida's recent work, saying that "3" "is more of a surefire dance-floor stomper than anything Brit loaded onto Blackout or Circus". Clark Collis of Entertainment Weekly called it "a fembot voice, near-seizure-inducing dance-floor frenzy". Bill Lamb of About.com said that although the lyrics are controversial, "the bottom line is this is another irresistibly catchy pop confection that beats out most everything else on pop radio today". He praised the chorus and the middle section and called the track "classic Britney". The song was also compared to Madonna’s "Celebration" (2009), since they "musically present nothing particularly new, but they do manage to encapsulate many of the elements that make the singer a star". A.J. Mayers of MTV picked it as the eighth best song of 2009.

Chart performance

On October 8, 2009, "3" entered at number fourteen on the U.S. Billboard Bubbling Under Hot 100 and at number thirty-eight on the U.S. Billboard Pop Songs, becoming Spears' twenty-fourth career entry in the latter chart, most among all artists. The following week, the song debuted at number one on the Billboard Hot 100, becoming Spears’ third number-one single in the United States and breaking many of the chart records. It made Spears the first artist in over three years to debut at the top position and the only non-American Idol artist in eleven years to do so. It was the sixteenth song in the chart history to debut at the top position and also the shortest title for a song reaching the top of the Billboard Hot 100. As of October 2010, "3" has sold over 2,000,000 paid digital downloads in the United States. In Canada, the song debuted at number eighty-six on the Canadian Hot 100 on October 17, 2009 and rose up to number one the following week. It was certified two times platinum by the Canadian Recording Industry Association (CRIA) for sales over 80,000 copies.

"3" debuted at number fifty on the Australian Singles Chart on October 12, 2009, with only two days of digital sales. It peaked at number six on the week of October 26, 2009. "3" has been certified platinum by the Australian Recording Industry Association (ARIA) with sales of over 70,000 copies. On October 12, 2009, the song debuted at number sixteen in New Zealand, making it her highest chart debut since "Womanizer". On its fifth week on the chart, "3" reached its peak position at number twelve. On the UK Singles Chart, "3" debuted at number seven on November 16, 2009, becoming Spears' twentieth top ten hit on the chart. According to The Official Charts Company, the song has sold 145,000 copies there. "3" achieved similar success throughout Europe reaching the top ten in Belgium (Wallonia), Czech Republic, Finland, Norway, Sweden as well as the top twenty in Austria, Belgium (Flanders) and Denmark.

Music video

Development

The music video was filmed on October 5 and October 6, 2009 in Los Angeles, California, directed by Diane Martel and choreographed by Tone & Rich. Fashion stylist GK Reid worked closely with Spears to design the fashion. On October 15, 2009, images of the video were released. When asked about the video, Diane Martel said,

"I think it's her next sexy video. It's a very simple video for her – I don't think you've seen her this much under a magnifying glass. Everything's really strong and playful. We collaborated on the wardrobe and had meetings about hair and makeup people, we talked a lot on the phone and met Tone and Rich — two of the best choreographers. [..] [Spears]' so sweet and funny and so normal and down to earth. It's really fun as a director to see her in front of the camera. She's so creative with this stuff. The video is very simple, it's very, very minimal. So it's her, her, her. And she's totally engaging every second. She really knows how to work with a camera and move. I was really impressed, and I have worked almost with every female artist in the business".

Concept

The video begins with Spears wearing a sparkly black dress at a dressing table, putting mascara and Circus Fantasy on. Then, it cuts to her holding her hair up and singing the first lines in front of a white background. There are also black and white scenes of her wearing a white leotard behind a foggy glass. In the chorus, she dances in front of a white wall with barcode-like light installations with six male dancers. There also scenes of her dancing provocatively with two male dancers. Jocelyn Vena of MTV gave the video a positive review, stating that it's a "sexy, fast-paced clip" and that "there are a few moments in the video where Britney's personality shines" adding that "she smiles at the song's lyrics, particularly when she finishes the song's bridge." On December 15, 2009, the director's cut version of the video leaked online. Kreps commented that the new version "offers up a slightly more NSFW edit of Martel’s dance-heavy vid that seems to find a better cadence with the music, as opposed to the original version, which was essentially filmed and edited in the matter of days to coincide with The Singles Collection release".

Track listings

Radio Promo # "3" – 3:33 # "3" (Instrumental) – 3:33 # "3" (A capella) – 3:33

Digital Download # "3" – 3:33

'''Digital Download Single/Promo Single/CD Single # "3" – 3:33 # "3" (Instrumental) – 3:33

Remixes Promo # "3" (Clean Radio Edit) – 3:33 # "3" (Groove Police Club Mix) – 7:08 # "3" (Groove Police Dub) – 7:09 # "3" (Groove Police Mixshow) – 5:28 # "3" (Groove Police Extended Mix) – 9:21 # "3" (Groove Police Radio Edit) – 3:57

International Digital EP # "3" – 3:33 # "3" (The Knocks Extended Remix) – 5:47 # "3" (DiscoTech Remix Club Edit) – 4:23 # "3" (Tonal Club Remix) – 5:04 # "3" (Trypsin Club Mix) – 7:45

International Digital EP – The Remixes # "3" – 3:33 # "3" (Instrumental) – 3:33 # "3" (Wolfgang Gartner Extended Club Mix) – 6:35 # "3" (Groove Police Club Mix) – 7:09 # "3" (Manhattan Clique Remix Radio) – 3:36

Japan - Enhanced CD EP # "3" - 3:33 # "3" (Instrumental) -3:33 # "3" (Groove Police Mixshow) - 7:08 # "3" (Groove Police Radio Edit) - 3:57 # "3" (Enhanced Video) - 3:36

The Singles Collection Box Set Single # "3" – 3:33 # "3" (Groove Police Club Mix) – 7:08

Credits and personnel

Britney Spears – lead and background vocals

Max Martin – songwriting, production, keyboards

Shellback – songwriting, production, keyboards, guitars

Serban Ghenea – mixing

Tim Roberts – assistant engineer

John Hanes – vocal editing

Charts, certifications and succession

Charts

{|class="wikitable sortable" |- !Chart (2009) !Peakposition |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |- |}

Certifications

End of year charts

References

External links

Category:2009 singles Category:Britney Spears songs Category:Billboard Hot 100 number-one singles Category:Canadian Hot 100 number-one singles Category:Music videos directed by Diane Martel Category:Songs produced by Max Martin Category:Songs written by Max Martin Category:Songs written by Shellback Category:Electropop songs Category:Dance-pop songs Category:Songs produced by Shellback

Name	Britney Spears
Years active	1992–present
Background	solo_singer
Birth name	Britney Jean Spears
Born	December 02, 1981McComb, Mississippi,
Genre	Pop, dance-pop
Occupation	Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director
Instrument	Vocals, piano
Label	Jive
Associated acts	The New Mickey Mouse Club
Url

Britney Jean Spears (born December 2, 1981) is an American recording artist and entertainer. Born in McComb, Mississippi and raised in Kentwood, Louisiana, Spears began performing as a child, landing acting roles in stage productions and television shows. She signed with Jive Records in 1997 and released her debut album ...Baby One More Time in 1999. During her first decade within the music industry, she became a prominent figure in mainstream popular music and popular culture, followed by a much-publicized personal life. Her first two albums established her as a pop icon and broke sales records, while title tracks "...Baby One More Time" and "Oops!... I Did It Again" became international number-one hits. Spears was credited with influencing the revival of teen pop during the late 1990s.

In 2001, she released her third studio album Britney and expanded her brand, playing the starring role in the film Crossroads. She assumed creative control of her fourth studio album, In the Zone released in 2003, which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went under hiatus. Her fifth studio album, Blackout, was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behaviour and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album Circus was released, with the global chart-topping lead single "Womanizer". After embarking on The Circus Starring Britney Spears, she released greatest hits The Singles Collection, which featured U.S. and Canadian number-one single "3".

Spears has sold over 100 million records worldwide, making her one of the best-selling music artists in the history of contemporary music. According to the Recording Industry Association of America (RIAA), she is the eighth top-selling female artist in the United States, with 32 million certified albums. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall. She was ranked the 8th Artist of the 2000–10 decade by Billboard. In June 2010, Spears was ranked sixth on Forbes list of the 100 Most Powerful and Influential celebrities in the world; she is also ranked as the third most powerful musician in the world.

Biography

1981–97: Early life and career beginnings

Britney Jean Spears was born on December 2, 1981, the second child of Lynne Irene (née Bridges) and James Parnell Spears. She is of English heritage through her maternal grandmother, who was born in London, and of distant Maltese descent. Her siblings are Bryan James and Jamie Lynn. At age three, she started to attend dance lessons in her hometown of Kentwood, Louisiana, and was selected to perform a solo at the annual recital. During her childhood, she also attended gymnastics and voice lessons, and won many state-level competitions and children's talent shows. Spears made her local stage debut at age five, singing "What Child Is This?" at her kindergarten graduation. She said about her ambition as a child, "I was in my own world, [...] I found out what I'm supposed to do at an early age". In December 1992, she was finally cast in The Mickey Mouse Club, but returned to Kentwood after the show was cancelled. She enrolled at Parklane Academy in nearby McComb, Mississippi. Although she made friends with most of her classmates, she compared the school to "the opening scene in Clueless with all the cliques. [...] I was so bored. I was the point guard on the basketball team. I had my boyfriend, and I went to homecoming and Christmas formal. But I wanted more."

In June 1997, Spears was in talks with manager Lou Pearlman to join female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song from Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears travelled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing audiences wanted pop bands such as The Backstreet Boys and The Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R; Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'— is extremely important. And Britney had that." After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt alright with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz PoP and Rami, among others. Her debut album, ...Baby One More Time, was released on January 1999. It debuted at number one on the U.S. Billboard 200 and was certified two-times platinum by the Recording Industry Association of America after a month. Worldwide, the album topped the charts in fifteen countries and sold over ten million copies in a year. It became the biggest selling album ever by a teenage artist. "...Baby One More Time" later received a Grammy nomination for Best Female Pop Vocal Performance. The title track also topped the singles chart for two weeks in the United Kingdom, and became the fastest-selling single ever by a female artist, shipping over 460,000 copies. It would later become the 25th most successful song of all time in British chart history. Spears is also the youngest female artist to have a million seller in the country. "(You Drive Me) Crazy" was released as the third single from the album. It became a top-ten hit worldwide and propelled ...Baby One More Time to sell 26 million copies. The April 1999 cover of Rolling Stone featured Spears laying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time." Shortly before, Spears had announced publicly she would remain a virgin until marriage. but generated some controversy due to her racy outfits. An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show. The album sold over 20 million copies worldwide. Rob Sheffield of Rolling Stone said that "the great thing about Oops! – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition." The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations. The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively. The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, Britney Spears' Heart-to-Heart, co-written with her mother. On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped of her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer. Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake. The album debuted at number one in the Billboard 200 and reached top five positions in Australia, the United Kingdom and mainland Europe and sold over 12 million copies worldwide. Stephen Thomas Erlewine of Allmusic called Britney "the record where she strives to deepen her persona, making it more adult while still recognizably Britney. [...] It does sound like the work of a star who has now found and refined her voice, resulting in her best record yet." The album was honored with two Grammy nominations—Best Pop Vocal Album and Best Female Pop Vocal Performance for "Overprotected"— and was listed in 2008 as one of Entertainment Weekly's "100 Best Albums from the Past 25 Years". The album's first single, "I'm a Slave 4 U", became a top-ten hit worldwide. Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears. The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's . Her career success was highlighted by Forbes in 2002, as Spears was ranked the world's most powerful celebrity. Spears also landed her first starring role in Crossroads, released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting. Crossroads, which had a $11 million budget, went on to gross over $57 million worldwide. In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in October to record her new album. Spears's relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him. As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani. The same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears, only to deny it later. In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her." Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized. NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work." In the Zone sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one. In the Zone sold over 10 million copies worldwide. The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won a Grammy for Best Dance Recording; "Everytime" and "Outrageous". She began The Onyx Hotel Tour in support of In the Zone in March 2004. On June 8, 2004, Spears fell and injured her left knee during the music video shoot for "Outrageous". She was taken immediately to a local hospital, where doctors performed an MRI scan and found floating cartilage. The following day, Spears underwent arthroscopic surgery. She was forced to remain six weeks with a thigh brace, followed by eight to twelve weeks of rehabilitation, which caused The Onyx Hotel Tour to be canceled. During 2004, Spears became involved in the Kabbalah Centre through her friendship with Madonna. In July 2004, she announced her engagement to American dancer Kevin Federline, who she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time. Shortly after, she released her first fragrance with Elizabeth Arden, Curious, which broke the company's first-week gross for a perfume. , her first greatest hits compilation album, was released in November 2004. Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway. The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe. Worldwide, Greatest Hits: My Prerogative sold over 5 million copies. In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons. Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.

In November 2005, she released her first remix compilation, , which consists of eleven remixes. In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part. She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion." On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences. Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children. Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January. On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, California. She admitted herself to other treatment facilities during the following weeks. After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD." Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.

Her fifth studio album, Blackout, was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. Billboard 200,—held off from the top spot by Eagles's Long Road out of Eden— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart. Blackout sold over 3.1 million copies worldwide. Peter Robinson of The Observer said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's Shock Value and her own back catalogue." Dennis Lim of Blender commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop." Blackout won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by The Times. Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards". Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted. The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly. In December 2007, Spears began a relationship with paparazzi Adnan Ghalib.

2008–10: Conservatorship, Circus, and The Circus Starring Britney Spears

and her 27th birthday party.]] On January 3, 2008, Spears refused to relinquish custody of her sons to Federline's representatives. She was hospitalized at Cedars-Sinai Medical Center, after police that arrived at her house noted she appeared to be under the influence of an illicit substance. The following day, Spears's visitation rights were suspended at an emergency court hearing, and Federline was given sole physical and legal custody of the children. On January 31, 2008, Spears was committed to the psychiatric ward of Ronald Reagan UCLA Medical Center and put on 5150 involuntary psychiatric hold. The court placed her under temporary conservatorship of her father James Spears and attorney Andrew Wallet, giving them complete control of her assets. The following month, she guest-starred on the How I Met Your Mother episode "Ten Sessions" as receptionist Abby. She received positive reviews for her performance, as well as bringing the series highest ratings ever. In July 2008, Spears regained some visitation rights after coming to an agreement with Federline and his counsel. On September 7, 2008, Spears opened the MTV Video Music Awards with a pre-taped comedy sketch with Jonah Hill and an introduction speech. She won Best Female Video, Best Pop Video and Video Of The Year for "Piece of Me".

A 60-minute introspective documentary, , was produced to chronicle Spears' return to the recording industry. Directed by Phil Griffin, For the Record was entirely shot in Beverly Hills, Hollywood, and New York City during the third quarter of 2008. Main shooting began on September 5, 2008, two days before Spears' appearance at the MTV Video Music Awards. For the Record was broadcast on MTV on November 30, 2008 to 3.7 million viewers.

Her sixth studio album Circus, was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100. Circus debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations. In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the Guinness Book of World Records. She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold. and has sold 4 million copies worldwide. Its lead single, "Womanizer", became her first number one in the Billboard Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden. It was also nominated for a Grammy in the category of Best Dance Recording. In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members. Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.

She released her second greatest hits album, The Singles Collection in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years. Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!". In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship. Spears designed a limited edition clothing line for Candie's. It was released on stores in July 2010. On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show Glee, titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics. The episode drew Glee's second largest audience, as well as the show's highest ratings ever.

2010–present: Upcoming seventh album

In March 2010, it was confirmed by Jive Records that Spears had begun recording her seventh studio album. Max Martin and Dr. Luke are set to be the executive producers. Luke stated that he wanted the sound to "get harder" in different ways "and maybe a little more deep into electronic – grimier." On December 2, 2010, Spears announced via her Twitter account that the album will be released in March 2011. The lead single "Hold It Against Me" was premiered on Ryan Seacrest's radio show on January 10, 2011... It was released as a Digital Download exclusively to the iTunes store on January 11, 2011.

Musical style and performance

]] Following her debut, Spears was credited with leading the revival of teen pop in the late 1990s. The Daily Yomiuri reported that "[m]usic critics have hailed her as the most gifted teenage pop idol for many years, but Spears has set her sights a little higher-she is aiming for the level of superstardom that has been achieved by Madonna and Janet Jackson." Rolling Stone wrote: "Britney Spears carries on the classic archetype of the rock & roll teen queen, the dungaree doll, the angel baby who just has to make a scene." Rami Yacoub who co-produced Spears's debut album with lyricist Max Martin, commented, "I know from Denniz Pop and Max's previous productions, when we do songs, there's kind of a nasal thing. With N' Sync and the Backstreet Boys, we had to push for that mid-nasal voice. When Britney did that, she got this kind of raspy, sexy voice." Following the release of her debut album, Chuck Taylor of Billboard observed, "Spears has become a consummate performer, with snappy dance moves, a clearly real-albeit young-and funkdified voice ... "(You Drive Me) Crazy", her third single ... demonstrates Spears's own development, proving that the 17-year-old is finding her own vocal personality after so many months of steadfast practice." Stephen Thomas Erlewine of Allmusic referred to her music as a "blend of infectious, rap-inflected dance-pop and smooth balladry." Spears later commented, "With ...Baby One More Time, I didn't get to show my voice off. The songs were great, but they weren't very challenging".

Oops!...I Did It Again and subsequent albums saw Spears working with several contemporary R&B; producers, leading to "a combination of bubblegum, urban soul, and raga." Her third studio album, Britney derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of The Age wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."

Spears possesses the vocal range of a contralto. Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of Entertainment Weekly observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics. In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she can indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's.

Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book Natural selection: Gary Giddins on comedy, film, music, and books (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of The Baltimore Sun observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert." Noting on the prevalence of lip-syncing, Los Angeles Daily News reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all". Similarly, Aline Mendelsohn of the Orlando Sentinel remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.

Influences

Throughout her career, Spears has drawn frequent comparisons to Madonna and Janet Jackson, in terms of vocals, choreography and stage presence, citing both as influences in her work. She has also named Michael Jackson as a source of inspiration." According to Spears: "I know when I was younger, I looked up to people... like, you know, Janet Jackson and Madonna. And they were major inspirations for me. But I also had my own identity and I knew who I was, you know." In the 2002 book Madonnastyle by Carol Clerk, she is quoted saying: "I have been a huge fan of Madonna since I was a little girl. She's the person that I've really looked up to. I would really, really like to be a legend like Madonna."

Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the Rocky Mountain Collegian observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." Joan Anderman of the Boston Globe remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B; producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."

Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album Britney "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [Britney] feels like [Spears's] attempt at 'Control'." The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act." She is listed by the Guinness World Records as having the "Best-selling album by a teenage solo artist" for her debut album ...Baby One More Time which sold over thirteen million copies in the United States. Melissa Ruggieri of the Richmond Times-Dispatch reported, "She's also marked for being the best-selling teenage artist. Before she turned 20 in 2001, Spears sold more than 37 million albums worldwide".

Barbara Ellen of The Observer has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". 'Britney Spears' has been Yahoo!'s most popular search term for the last four consecutive years, seven times in total. Spears was named as Most Searched Person in the Guinness World Records book edition 2007 and 2009. Spears has also become a major influence among many new artists, including Kristinia DeBarge, Lady Gaga, Little Boots, Selena Gomez & The Scene, Pixie Lott and Miley Cyrus who has cited Spears as one of her biggest inspirations and has also referenced Spears in her hit song "Party in the U.S.A.".

Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. She is also mentioned in P!nk's song "Don't Let Me Get Me". Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". People magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears. Spears herself was present during the ceremony and donated $10,000 to the school's music program.

Discography

...Baby One More Time (1999)

Oops!... I Did It Again (2000)

Britney (2001)

In the Zone (2003)

Blackout (2007)

Circus (2008)

Awards and nominations

See also

Britney Spears filmography

Britney Spears products

List of Britney Spears tours

List of Britney Spears songs

List of best-selling music artists

List of best selling music artists in the United States

List of honorific titles in popular music

Notes

References

Further reading

Dennis, Steve (2009). Britney: Inside the Dream. Harper Collins. ISBN 978-0007317516.

Peters, Beth (1999). True Brit: The Story of Singing Sensation Britney Spears. Ballantine Books. ISBN 978-0345436870.

Spears, Britney (2000). Britney Spears's Heart to Heart. Three Rivers Press. ISBN 978-0609807019.

Scott, Kieran (2001). I was a Mouseketeer!. Disney Press. ISBN 978-0786844708.

Stevens, Amanda (2001). Britney Spears: the illustrated story. Billboard Books. ISBN 978-0823078677.

Smith, Sean (2006). Britney The Unauthorized Biography of Britney Spears. Pan Macmillan. ISBN 978-0330440776.

External links

Category:1981 births Category:1990s singers Category:2000s singers Category:2010s singers Category:Actors from Louisiana Category:American child singers Category:American dance musicians Category:American dancers Category:American female singers Category:American film actors Category:American music video directors Category:American pop singers Category:American singer-songwriters Category:American stage actors Category:American television actors Category:Baptists from the United States Category:English-language singers Category:Grammy Award winners Category:Innosense members Category:Jive Records artists Category:Living people Category:Mouseketeers Category:Musicians from Louisiana Category:Parklane Academy alumni Category:Participants in American reality television series Category:People from Kentwood, Louisiana Category:Sony BMG artists Category:World Music Awards winners Category:American people of Maltese descent

Esther Ofarim (, born Esther Zaied, 13 June 1941 in Safed) is an Israeli female vocalist.

She met Abi Ofarim, a guitarist and dancer, in 1959 and subsequently married him. With her husband and without him she began to sing Hebrew and international folk songs.

In 1960 Esther got a small role in the film Exodus. In 1961 Esther won the Song Festival in Tel Aviv, where she sang "Saeni imcha bemachol" and "Neama". Two years later, Esther made the second place at the Eurovision Song Contest with "T'en vas pas", representing Switzerland.

From then on, her duo with her then-husband Abi Ofarim took off. In 1966 they had their first hit in Germany with "Noch einen Tanz". Their greatest success in Germany was "Morning of my Life" in 1967, which was written by the Bee Gees. In 1968 the Ofarims had their international breakthrough with "Cinderella Rockefella", which hit the top of the charts in a number of countries including the UK. They played many live concerts in New York and London, and in 1969 they toured around the world.

They divorced in Germany in 1970.

Esther started her solo career with several albums and concerts. In 1984 she played in Joshua Sobol's piece "Ghetto", produced by Peter Zadek in Berlin (Germany). There she sang some songs, including "Frühling" and "Unter deinen weissen Sternen". The play was extremely successful, which was attributed in part to Esther's strong presence.

Since 1998, Esther Ofarim has been performing several concerts each year, especially in Israel and Germany. This includes annual concerts in the Hamburger Kammerspiele.

Ofarim's songs were prominently featured in the 2004 Israeli film, Walk on Water.

References

External links

Esther's official website

Conny's Fansite

Ofarim, Esther Ofarim, Esther Category:Jews in Ottoman and British Palestine Category:Israeli Jews Ofarim, Esther Ofarim, Esther Category:Jewish singers Ofarim, Esther Category:Eurovision Song Contest entrants of 1963 Category:People from Safed

Honorific-prefix	The Honourable
Name	Bob Marley
Img alt	Black and white picture of a man with long dreadlocks playing the guitar on stage.
Landscape	no
Background	solo_singer
Birth name	Nesta Robert Marley
Born	February 06, 1945Nine Mile, Saint Ann, Jamaica
Died	May 11, 1981Miami, Florida, United States
Instrument	Vocals, guitar, percussion
Genre	Reggae, ska, rocksteady
Occupation	Singer-songwriter, musician
Years active	1962–81
Label	Studio One, Upsetter, Tuff Gong
Associated acts	The Wailers, Wailers Band, The Upsetters, I Threes, Bob Marley & The Wailers
Url
Notable instruments	Gibson Les Paul Special

Robert Nesta "Bob" Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer-songwriter and musician. He was the rhythm guitarist and lead singer for the ska, rocksteady and reggae bands The Wailers (1964–1974) and Bob Marley & The Wailers (1974–1981). Marley remains the most widely known and revered performer of reggae music, and is credited with helping spread both Jamaican music and the Rastafari movement to a worldwide audience.

Marley's music was heavily influenced by the social issues of his homeland, and he is considered to have given voice to the specific political and cultural nexus of Jamaica. His best-known hits include "I Shot the Sheriff", "No Woman, No Cry", "Could You Be Loved", "Stir It Up", "Jamming", "Redemption Song", "One Love" and, together with The Wailers, "Three Little Birds", as well as the posthumous releases "Buffalo Soldier" and "Iron Lion Zion". The compilation album Legend (1984), released three years after his death, is reggae's best-selling album, going ten times Platinum (Diamond) in the U.S., and selling 20 million copies worldwide.

Early life and career

Bob Marley was born in the village of Nine Mile in Saint Ann Parish, Jamaica as Nesta Robert Marley. A Jamaican passport official would later swap his first and middle names. His father, Norval Sinclair Marley, was a white Jamaican of English descent whose family came from Essex, England. Norval was a captain in the Royal Marines, as well as a plantation overseer, when he married Cedella Booker, an Afro-Jamaican then 18 years old. Norval provided financial support for his wife and child, but seldom saw them, as he was often away on trips. In 1955, when Marley was 10 years old, his father died of a heart attack at age 60. Marley faced questions about his own racial identity throughout his life. He once reflected:

I don't have prejudice against meself. My father was a white and my mother was black. Them call me half-caste or whatever. Me don't dip on nobody's side. Me don't dip on the black man's side nor the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.

Although Marley recognised his mixed ancestry, throughout his life and because of his beliefs, he self-identified as a black African, following the ideas of Pan-African leaders. Marley stated that his two biggest influences were the African-centered Marcus Garvey and Haile Selassie. A central theme in Bob Marley's message was the repatriation of black people to Zion, which in his view was Ethiopia, or more generally, Africa. In songs such as "Black Survivor", "Babylon System", and "Blackman Redemption", Marley sings about the struggles of blacks and Africans against oppression from the West or "Babylon".

Marley became friends with Neville "Bunny" Livingston (later known as Bunny Wailer), with whom he started to play music. He left school at the age of 14 to make music with Joe Higgs, a local singer and devout Rastafari. At a jam session with Higgs and Livingston, Marley met Peter McIntosh (later known as Peter Tosh), who had similar musical ambitions. In 1962, Marley recorded his first two singles, "Judge Not" and "One Cup of Coffee", with local music producer Leslie Kong. These songs, released on the Beverley's label under the pseudonym of Bobby Martell, attracted little attention. The songs were later re-released on the box set Songs of Freedom, a posthumous collection of Marley's work.

Musical career

The Wailers

In 1963, Bob Marley, Bunny Wailer, Peter Tosh, Junior Braithwaite, Beverley Kelso, and Cherry Smith formed a ska and rocksteady group, calling themselves "The Teenagers". They later changed their name to "The Wailing Rudeboys", then to "The Wailing Wailers", at which point they were discovered by record producer Coxsone Dodd, and finally to "The Wailers". By 1966, Braithwaite, Kelso, and Smith had left The Wailers, leaving the core trio of Bob Marley, Bunny Wailer, and Peter Tosh.

In 1966, Marley married Rita Anderson, and moved near his mother's residence in Wilmington, Delaware in the United States for a short time, during which he worked as a DuPont lab assistant and on the assembly line at a Chrysler plant, under the alias Donald Marley.

Though raised in the Catholic tradition, Marley became captivated by Rastafarian beliefs in the 1960s, when away from his mother's influence. Formally converted to Rastafari after returning to Jamaica, Marley began to wear his trademark dreadlocks (see the religion section for more on Marley's religious views). After a conflict with Dodd, Marley and his band teamed up with Lee "Scratch" Perry and his studio band, The Upsetters. Although the alliance lasted less than a year, they recorded what many consider The Wailers' finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again. Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise The Wailers' sound. Bunny later asserted that these songs "should never be released on an album … they were just demos for record companies to listen to". Also in 1968, Bob and Rita visited the Bronx to see Johnny Nash's songwriter Jimmy Norman. A three-day jam session with Norman and others, including Norman's co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom's compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the American charts.

In 1972, the Wailers entered into an ill-fated deal with CBS Records and embarked on a tour with American soul singer Johnny Nash. Broke, the Wailers became stranded in London. Marley turned up at Island Records founder and producer Chris Blackwell's London office, and asked him to advance the cost of a new single. Since Jimmy Cliff, Island's top reggae star, had recently left the label, Blackwell was primed for a replacement. In Marley, Blackwell recognized the elements needed to snare the rock audience: "I was dealing with rock music, which was really rebel music. I felt that would really be the way to break Jamaican music. But you needed someone who could be that image. When Bob walked in he really was that image." Blackwell told Marley he wanted The Wailers to record a complete album (essentially unheard of at the time). When Marley told him it would take between £3,000 and £4,000, Blackwell trusted him with the greater sum. Despite their "rude boy" reputation, the Wailers returned to Kingston and honored the deal, delivering the album Catch A Fire.

Primarily recorded on eight-track at Harry J's in Kingston, Catch A Fire marked the first time a reggae band had access to a state-of-the-art studio and were accorded the same care as their rock'n'roll peers. and restructured Marley's mixes and arrangements. Marley travelled to London to supervise Blackwell's overdubbing of the album, which included tempering the mix from the bass-heavy sound of Jamaican music, and omitting two tracks. Many Jamaicans were not keen on the new "improved" reggae sound on Catch A Fire, but the Trenchtown style of Burnin' found fans across both reggae and rock audiences. The Wailers broke up in 1974 with each of the three main members pursuing solo careers. The reason for the breakup is shrouded in conjecture; some believe that there were disagreements amongst Bunny, Peter, and Bob concerning performances, while others claim that Bunny and Peter simply preferred solo work.

Bob Marley & The Wailers

during the Uprising Tour|alt=A crowd of people standing in water and listening to a band perform on stage.]]

Despite the break-up, Marley continued recording as "Bob Marley & The Wailers". His new backing band included brothers Carlton and Aston "Family Man" Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, "No Woman, No Cry", from the Natty Dread album. This was followed by his breakthrough album in the United States, Rastaman Vibration (1976), which spent four weeks on the Billboard Hot 100. In December 1976, two days before "Smile Jamaica", a free concert organised by the Jamaican Prime Minister Michael Manley in an attempt to ease tension between two warring political groups, Marley, his wife, and manager Don Taylor were wounded in an assault by unknown gunmen inside Marley's home. Taylor and Marley's wife sustained serious injuries, but later made full recoveries. Bob Marley received minor wounds in the chest and arm. The shooting was thought to have been politically motivated, as many felt the concert was really a support rally for Manley. Nonetheless, the concert proceeded, and an injured Marley performed as scheduled, two days after the attempt. When asked why, Marley responded, "The people who are trying to make this world worse aren’t taking a day off. How can I?" The members of the group Zap Pow, which had no radical religious or political beliefs, played as Bob Marley's backup band before a festival crowd of 80,000 while members of The Wailers were still missing or in hiding.

Marley left Jamaica at the end of 1976, and after a month-long "recovery and writing" sojourn at the site of Chris Blackwell's Compass Point Studios in Nassau, Bahamas, arrived in England, where he spent two years in self-imposed exile. Whilst there he recorded the albums Exodus and Kaya. Exodus stayed on the British album charts for 56 consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love" (a rendition of Curtis Mayfield's hit, "People Get Ready"). During his time in London, he was arrested and received a conviction for possession of a small quantity of cannabis. In 1978, Marley returned to Jamaica and performed at another political concert, the One Love Peace Concert, again in an effort to calm warring parties. Near the end of the performance, by Marley's request, Michael Manley (leader of then-ruling People's National Party) and his political rival Edward Seaga (leader of the opposing Jamaica Labour Party), joined each other on stage and shook hands.

Under the name Bob Marley and the Wailers eleven albums were released, four live albums and seven studio albums. The releases included Babylon by Bus, a double live album with thirteen tracks, was released in 1978 and received critical acclaim. This album, and specifically the final track "Jamming" with the audience in a frenzy, captured the intensity of Marley's live performances.

Survival, a defiant and politically charged album, was released in 1979. Tracks such as "Zimbabwe", "Africa Unite", "Wake Up and Live", and "Survival" reflected Marley's support for the struggles of Africans. His appearance at the Amandla Festival in Boston in July 1979 showed his strong opposition to South African apartheid, which he already had shown in his song "War" in 1976. In early 1980, he was invited to perform at the 17 April celebration of Zimbabwe's Independence Day. Uprising (1980) was Bob Marley's final studio album, and is one of his most religious productions; it includes "Redemption Song" and "Forever Loving Jah". Confrontation, released posthumously in 1983, contained unreleased material recorded during Marley's lifetime, including the hit "Buffalo Soldier" and new mixes of singles previously only available in Jamaica.

Discography

Tours

Apr–Jul 1973: Catch a Fire Tour (England, USA)

Oct–Nov 1973: Burnin' Tour (USA, England)

Jun–Jul 1975: Natty Dread Tour (USA, Canada, England)

Apr–Jul 1976: Rastaman Vibration Tour (USA, Canada, Germany, Sweden, Netherlands, France, England, Wales)

May–Jun 1977: Exodus Tour (France, Belgium, Netherlands, Germany, Sweden, Denmark, England)

May–Aug 1978: Kaya Tour (USA, Canada, England, France, Spain, Sweden, Denmark, Norway, Netherlands, Belgium)

Apr–May 1979: Babylon by Bus Tour (Japan, New Zealand, Australia, Hawaii)

Oct 1979–Jan 1980: Survival Tour (USA, Canada, Trinidad/Tobago, Bahamas, Gabon)

May–Sep 1980: Uprising Tour (Switzerland, Germany, France, Norway, Sweden, Denmark, Belgium, Netherlands, Italy, Spain, Ireland, England, Scotland, Wales, USA)

Sound samples

(1964)

Religion

Bob Marley was a member of the Rastafari movement, whose culture was a key element in the development of reggae. Bob Marley became an ardent proponent of Rastafari, taking their music out of the socially deprived areas of Jamaica and onto the international music scene. He once gave the following response, which was typical, to a question put to him during a recorded interview:

Interviewer: "Can you tell the people what it means being a Rastafarian?"

Bob: "I would say to the people, Be still, and know that His Imperial Majesty, Emperor Haile Selassie of Ethiopia is the Almighty. Now, the Bible seh so, Babylon newspaper seh so, and I and I the children seh so. Yunno? So I don't see how much more reveal our people want. Wha' dem want? a white God, well God come black. True true."

As observant Rastafari practice Ital, a diet that shuns meat, Marley was a vegetarian. According to his biographers, he affiliated with the Twelve Tribes Mansion. He was in the denomination known as "Tribe of Joseph", because he was born in February (each of the twelve sects being composed of members born in a different month). He signified this in his album liner notes, quoting the portion from Genesis that includes Jacob's blessing to his son Joseph. Marley was baptised by the Archbishop of the Ethiopian Orthodox Church in Kingston, Jamaica, on 4 November 1980.

Wife and children

Bob Marley had a number of children: three with his wife Rita, two adopted from Rita's previous relationships, and several others with different women. The Bob Marley official website acknowledges eleven children.

Those listed on the official site are: # Sharon, born 23 November 1964, to Rita in previous relationship # Cedella born 23 August 1967, to Rita # David "Ziggy", born 17 October 1968, to Rita # Stephen, born 20 April 1972, to Rita # Robert "Robbie", born 16 May 1972, to Pat Williams # Rohan, born 19 May 1972, to Janet Hunt # Karen, born 1973 to Janet Bowen # Stephanie, born 17 August 1974; according to Cedella Booker she was the daughter of Rita and a man called Ital with whom Rita had an affair; nonetheless she was acknowledged as Bob's daughter # Julian, born 4 June 1975, to Lucy Pounder # Ky-Mani, born 26 February 1976, to Anita Belnavis # Damian, born 21 July 1978, to Cindy Breakspeare

Makeda was born on 30 May 1981, to Yvette Crichton, after Marley's death. lists her as Marley's child, but she is not listed as such on the Bob Marley official website.

Various websites, for example, also list Imani Carole, born 22 May 1963 to Cheryl Murray; but she does not appear on the official Bob Marley website. Despite his illness, he wished to continue touring and was in the process of scheduling a world tour in 1980. The intention was for Inner Circle to be his opening act on the tour but after their lead singer Jacob Miller died in Jamaica in March 1980 after returning from a scouting mission in Brazil this was no longer mentioned. The album Uprising was released in May 1980 (produced by Chris Blackwell), on which Redemption Song is particularly considered to be about Marley coming to terms with his mortality. The band completed a major tour of Europe, where they played their biggest concert, to a hundred thousand people in Milan. After the tour Marley went to America, where he performed two shows at Madison Square Garden as part of the Uprising Tour. Shortly afterwards, his health deteriorated and he became very ill; the cancer had spread throughout his body. The rest of the tour was canceled and Marley sought treatment at the Bavarian clinic of Josef Issels, where he received a controversial type of cancer therapy partly based on avoidance of certain foods, drinks, and other substances. After fighting the cancer without success for eight months, Marley boarded a plane for his home in Jamaica.

Death

While flying home from Germany to Jamaica, in acceptance that he was going to die, Marley's vital functions worsened. After landing in Miami, Florida, he was taken to hospital for immediate medical attention. He died at Cedars of Lebanon Hospital in Miami (now University of Miami Hospital) on the morning of 11 May 1981, at the age of 36. The spread of melanoma to his lungs and brain caused his death. His final words to his son Ziggy were "Money can't buy life". Marley received a state funeral in Jamaica on 21 May 1981, which combined elements of Ethiopian Orthodoxy and Rastafari tradition. He was buried in a chapel near his birthplace with his red Gibson Les Paul (some accounts say it was a Fender Stratocaster).

On May 21, 1981, Jamaican Prime Minister Edward Seaga delivered the final funeral eulogy to Marley, declaring:

Global legacy

In 1999 Time magazine chose Bob Marley & The Wailers' Exodus as the greatest album of the 20th century. In 2001, he was posthumously awarded the Grammy Lifetime Achievement Award, and a feature-length documentary about his life, Rebel Music, won various awards at the Grammys. With contributions from Rita, The Wailers, and Marley's lovers and children, it also tells much of the story in his own words. A statue was inaugurated, next to the national stadium on Arthur Wint Drive in Kingston to commemorate him. In 2006, the State of New York renamed a portion of Church Avenue from Remsen Avenue to East 98th Street in the East Flatbush section of Brooklyn "Bob Marley Boulevard".

Internationally, Marley’s message also continues to reverberate amongst various indigenous communities. For instance, the Aboriginal people of Australia continue to burn a sacred flame to honor his memory in Sydney’s Victoria Park, while members of the Native American Hopi and Havasupai tribe consider Marley to be the fulfillment of an ancient prophecy. Additionally, for many in Nepal, Marley is considered to be an incarnation of the Hindu God Vishnu.

"One Love" named song of the millennium by BBC.

Voted as one of the greatest lyricists of all time by a BBC poll. 2006: A blue plaque was unveiled at his first UK residence in Ridgmount Gardens, London, dedicated to him by Nubian Jak community trust and supported by Her Majesty's Foreign Office. 2010 "Catch a Fire" inducted into the Grammy Hall of Fame (Reggae Album).

Film adaptation(s)

In February 2008, director Martin Scorsese announced his intention to produce a documentary movie on Marley. The film was set to be released on 6 February 2010, on what would have been Marley's 65th birthday. Recently, however, Scorsese dropped out due to scheduling problems. He is being replaced by Jonathan Demme.

In March 2008, The Weinstein Company announced its plans to produce a biopic of Bob Marley, based on the book No Woman No Cry: My Life With Bob Marley by Rita Marley. Rudy Langlais will produce the script by Lizzie Borden and Rita Marley will be executive producer.

See also

Babylon

Bob Marley Museum

Bunny Wailer

Dreadlocks

Ganja

Ethiopia

Ital

Jah

Jamaican Patois

Lion of Judah

List of reggae musicians

Marcus Garvey

Peter Tosh

Rastafari movement

Rastafarian vocabulary

Selassie I

Spiritual use of marijuana

Trenchtown

Tuff Gong

Ziggy Marley

Zion

Notes and references

Further reading

Farley, Christopher (2007). Before the Legend: The Rise of Bob Marley, Amistad Press ISBN 0060539925

Goldman, Vivien (2006). The Book of Exodus: The Making and Meaning of Bob Marley and the Wailers' Album of the Century, Aurum Press ISBN 1845132106

Marley, Rita; Jones, Hettie (2004) No Woman No Cry: My Life with Bob Marley Hyperion Books ISBN 0786887559

Masouri, John (2007) Wailing Blues: The Story of Bob Marley's "Wailers" Wise Publications ISBN 1846096898

White, Timothy (2006). Catch a Fire: The Life of Bob Marley Owl Books ISBN 0805080864

External links

The Bob Marley Foundation

Bob Marley at Rolling Stone

Marley Elected one of the Greatest Songwriters BBC News, 23 May 2001

Showcase: Bob Marley by James Estrin, The New York Times, 18 May 2009

Interview with Heather Marley in Bob Marley Magazine

Extensive discography

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