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Name | Paul Verhoeven |
---|---|
Caption | Verhoeven at the Netherlands Film Festival in 2006 |
Birth name | Paul Verhoeven |
Birth date | July 18, 1938 |
Birth place | Amsterdam, Netherlands |
Occupation | Film director |
Years active | 1960–present |
Spouse | Martine Tours(1967–present) |
Children | Claudia Verhoeven (1972)Helen Verhoeven (1974) |
Turkish Delight (1973) received the award for Best Dutch Film of the Century at the Netherlands Film Festival. His films altogether received a total of 9 Academy Award nominations, mainly for editing and effects. Both RoboCop and Total Recall won an Academy Special Achievement Award. In contrast, his film Showgirls (1995) was poorly received and won 7 Golden Raspberry Awards, but has become a cult film over time.
In 1943 the family moved to The Hague, the location of the German headquarters in the Netherlands during World War II. The Verhoeven house was near a German military base with V1 and V2-rocket launchers, which was repeatedly bombed by allied forces. Their neighbours' house was hit and Verhoeven's parents were almost killed when bombs fell on a street crossing. From this period, Verhoeven mentioned in interviews, he remembers images of violence, burning houses, dead bodies on the street and continuous danger. As a small child he experienced the war as an exciting adventure and compares himself with the character Bill Rowan in Hope and Glory (1987).
His father Wim Verhoeven became head teacher on the Van Heutszschool in The Hague and Paul Verhoeven attended this school. Sometimes they watched informative films at home with the school's film projector. Paul Verhoeven and his father also liked to see American films, that were in the cinema after the liberation, such as The Crimson Pirate (1952). They went as many as ten times to see The War of the Worlds (1953). Paul Verhoeven was a fan of the Dutch comic Dick Bos, where the character Dick Bos is a private detective who fights crime using jujutsu. Verhoeven himself liked comic drawing and created The Killer, a grey character in a detailed story full of revenge. Other fiction he liked were Frankenstein and Rice Burroughs' Barsoom series.
Verhoeven received a doctorandus degree in math and physics from the University of Leiden in the Netherlands. He never used his degree, opting instead to invest his energies in a career in film. After his studies he entered the Dutch Navy as a conscript. He made the documentary "Het Korps Mariniers" (The Royal Dutch Marine Corps 1965) about the Navy, which won the French Golden Sun award for military films. The film is based on a true story about the Dutch resistance in World War II, written by Erik Hazelhoff Roelfzema. Soldier of Orange received the 1979 LA Film Critics Award for best foreign language film. It was also nominated for a Golden Globe in 1980.
In 1980 he made the film Spetters with Renée Soutendijk and again Rutger Hauer. The story is sometimes compared to Saturday Night Fever, but the film has more explicit violence and sexuality (in this case also homosexuality) which are sometimes seen as the trademarks of Paul Verhoeven. Verhoeven's film The Fourth Man (1983) is a horror film starring Jeroen Krabbé and Renée Soutendijk. It was written by Gerard Soeteman from a novel by the popular Dutch writer Gerard Reve. This film would be Verhoeven's last Dutch film production until the 2006 film Black Book.
Verhoeven followed those successes with the equally intense and provocative Basic Instinct (1992), which was not science fiction. The 9th-highest grossing film of the year, the movie was a return to the themes Verhoeven had explored in Turkish Delight and The Fourth Man. The most notorious scene shows Sharon Stone's character in a police interrogation, where she uncrosses her legs, briefly revealing her pudenda (she doesn't wear underwear underneath her skirt). The film received two Academy Awards nominations, for Film Editing and for Original Music.
Then he made the poorly received NC-17 rated film Showgirls (1995), about a stripper in Las Vegas trying to have a career as a showgirl. The film won seven Raspberry Awards including the ones for worst film and for worst director. Paul Verhoeven was the first director to accept the award in person. Afterward, the film enjoyed success on the home video market, generating more than $100 million from video rentals and became one of MGM's top 20 all-time bestsellers.
After Basic Instinct and Showgirls, Paul Verhoeven returned to the science fiction, graphic violence, and special-effects that had marked his earlier films with Starship Troopers (1997), based on the noted and controversial science-fiction novel of the same name by Robert A. Heinlein, and Hollow Man (2000). Both films received an Academy Award nomination for Best Visual Effects.
Verhoeven is unusually loyal in terms of his crew. Before Black Book he had only used two cinematographers over the course of his professional film career: Jost Vacano and Jan de Bont. He worked with the same writer (Gerard Soeteman) for all of his major Dutch films, and his American films (excluding Showgirls but including Flesh and Blood) have been scored exclusively by Basil Poledouris and Jerry Goldsmith. Alan Marshall has produced Paul's last four films.
In 2007 Verhoeven authored the book Jesus of Nazareth () about the life of Jesus of Nazareth. The book reviews the ideas of Jesus of Nazareth and the alleged corruption of these same ideas over the last 2,000 years. The book may be a preparation for Jesus: The Man, a controversial film project about the life of Jesus.
Category:Dutch expatriates in the United States Category:Dutch film directors Category:Golden Calf winners Category:Leiden University alumni Category:People from Amsterdam Category:People from The Hague Category:Dutch atheists Category:1938 births Category:Living people
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