Naked Lunch - Trailer
- Duration: 1:28
- Published: 2009-03-14
- Uploaded: 2010-12-19
- Author: TrailersAndTrash
Bizaare movie based upon the book by William Burroughs. Directed by David Cronenberg.
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| Name | Naked Lunch |
|---|---|
| Author | William S. Burroughs |
| Country | France |
| Language | English |
| Genre | Novel |
| Publisher | Olympia Press/Grove Press (US) |
| Pub date | 1959 |
| Media type | Print (Hardback & Paperback) |
| Isbn | ISBN 9783548028439 (reprint) |
| Oclc | 69257438 |
The book was originally published with the title The Naked Lunch in Paris in July 1959 by Olympia Press. Because of US obscenity laws, a complete American edition (by Grove Press) did not follow until 1962. It was titled Naked Lunch and was substantially different from the Olympia Press edition, because it was based on an earlier 1958 manuscript in Allen Ginsberg's possession.
The article "the" in the title was never intended by the author, but added by the editors of the Olympia Press 1959 edition. Nonetheless The Naked Lunch remained the title used for the 1968 and 1974 Corgi Books editions, and the novel is often known by the alternative name, especially in the UK where these editions circulated.
The novel was included in Time magazine's "100 Best English-language Novels from 1923 to 2005".
David Cronenberg released a film of the same title based upon the novel and other Burroughs writings in 1991.
The manner in which the novel is written might induce the reader to see only part of the picture—as much as he wants to see. It often happens that something mentioned in the book reappears much later producing thus a series of intratextual relationships and echoes. This idea, relating to different perspectives within a larger picture, is itself a theme which runs throughout this book. The novel's mix of taboo fantasies, peculiar creatures (like the predatory Mugwumps, perhaps a reference to the Mugwump political movement although it is not clear), and eccentric personalities all serve to unmask mechanisms and processes of control, and have led to much controversy. By decentralizing the plot Burroughs produces a series of interrelated literal caricatures, satires, and parodies throughout the novel.
The book begins with the adventures of William Lee (aka Lee the Agent), who is Burroughs' alter ego in the novel, as well as his pen name for Junky. His journey starts in the US where he is fleeing the police, in search of drugs and his next fix. There are short chapters here describing the different characters he travels with and meets along the way.
Eventually he gets to Mexico where he is assigned to Dr. Benway; for what, he is not told. Benway appears and he tells about his previous doings in Annexia as a "Total Demoralizator". The story then moves to a state called Freeland—a form of limbo—where we learn of Islam Inc. Here, some new characters are introduced; Clem, Carl, Joselito amongst others.
A short section then jumps in space and time to a market place. The Black Meat is sold here and compared to 'Junk', i.e. morphine. The action then moves back to the hospital where Benway is fully revealed as a manipulative, uncaring and corrupt monster.
Time and space again shifts the narrative to a location known as Interzone. Hassan, one of the notable characters of the book and "a notorious liquefactionist," is throwing a violent orgy. AJ crashes the party and wreaks havoc, decapitating people and imitating a pirate. Hassan is enraged and tells AJ never to return, calling him a "factualist bitch" - a term which is enlarged much later when the apparently "clashing" political factions within Interzone are described. These include the Liquefactionists, the Senders, the Factualists, the Divisionists, who occupy "a midway position". A short descriptive section tells us of Interzone University, where a professor and his students are ridiculed; the book moves on to an orgy that AJ himself throws.
The book then shifts back to the market place and a description of some form of government. Characters including the County Clerk, Benway, Dr Berger, Clem and Jody are sketched through heavy dialogue and their own sub-stories.
After the description of the four parties of Interzone, we are then told more stories about AJ. After briefly describing Interzone, the novel breaks down into sub-stories and heavily cut-up influenced passages.
In a sudden return to what seems to be Lee's reality, two police officers, Hauser and O'Brien, catch up with Lee, who manages to kill both of them. Lee then goes out to a street phone-booth and calls the Narcotics Squad, saying he wants to speak to O'Brien. A Lieutenant Gonzales on the other end of the line claims there's no one in their records called O'Brien. When Lee asks for Hauser instead, the reply is identical; Lee hangs up, and goes on the run once again.
The book ends "No glot...C'lom fliday" (which is Chinese Pidgin English for "No got... come back Friday").
Sections of the manuscript were published in the spring, 1958 number of Robert Creeley's Black Mountain Review and in the spring 1958 University of Chicago student-run publication The Chicago Review. The student edition was not well received, and caused the university administration to discuss the future censorship of the Winter 1959 edition of the publication, resulting in the resignation of all but one of the editors. When the editor Paul Carroll published BIG TABLE Magazine (Issue No. 1, Spring 1959) alongside former Chicago Review editor Irving Rosenthal, he was found guilty of sending obscene material through the U.S. mail for including "Ten Episodes from Naked Lunch," a piece of writing the Judicial Officer for the United States Postal Service deemed "undisciplined prose, far more akin to the early work of experimental adolescents than to anything of literary merit" and initially judged it as non-mailable under the provisions of .
Upon publication, Grove Press added to the book supplementary material regarding the censorship battle as well as an article written by Burroughs on the topic of drug addiction. In 2002, a "restored text" edition of Naked Lunch was published with some new and previously suppressed material added.
On a more specific level, Naked Lunch also protests the death penalty. In Burroughs' "Deposition: A Testimony Concerning A Sickness," "The Blue Movies" (appearing in the vignette "A.J.'s Annual Party"), is deemed "a tract against capital punishment."
*The British science fiction magazine Interzone takes its name from the novel.
Ever since the 1960s, numerous film makers considered how to adapt Naked Lunch for the screen. Antony Balch, who worked with Burroughs on a number of short film projects in 1960s, considered making the film as a musical with Mick Jagger in the leading role, but the project fell through when relationships soured between Balch and Jagger. Others, too, wanted to bring the novel to celluloid, but it was ultimately deemed unfilmable.
It was not until 1991 that Canadian director David Cronenberg took up the challenge. Rather than attempt an adaptation of the novel, which as any adaptation could never be expected to be completely faithful to the original, Cronenberg took very few elements from the book and combined them with elements from Burroughs' own life, to create a fiction-biography hybrid and a film about the writing of the book and not about the book itself. The film, however, was presented and marketed as "Naked Lunch." Peter Weller starred as William Lee in this film, Lee being the pseudonym Burroughs used when he wrote Junky. Burroughs did not supply the voice of the typewriter. The voice of the mugwumps, typewriters and Exterminator #2 was provided by actor Peter Boretski.
Category:1959 novels Category:Novels by William S. Burroughs Category:American novels Category:French novels Category:Moroccan novels Category:Beat Generation Category:Obscenity controversies Category:Postmodern literature Category:Metafictional works Category:Drug culture
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