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An author (sometimes, in reference to a female author, authoress) is broadly defined as "the person who originates or gives existence to anything" and that authorship determines responsibility for what is created. Narrowly defined, an author is the originator of any written work.
Questions arise as to the application of copyright law. How does it, for example, apply to the complex issue of fan fiction? If the media agency responsible for the authorized production allows material from fans, what is the limit before legal constraints from actors, music, and other considerations, come into play? As well, how does copyright apply to fan-generated stories for books? What powers do the original authors, as well as the publishers, have in regulating or even stopping the fan fiction?
Barthes challenges the idea that a text can be attributed to any single author. He quotes, in his essay "Death of the Author" (1968), that "it is language which speaks, not the author". The words and language of a text itself determine and expose meaning for Barthes, and not someone possessing legal responsibility for the process of its production. Every line of written text is a mere reflection of references from any of a multitude of traditions, or, as Barthes puts it, "the text is a tissue of quotations drawn from the innumerable centres of culture"; it is never original. For a reader to assign the title of author upon any written work is to attribute certain standards upon the text which, for Foucault, are working in conjunction with the idea of "the author function". It is this distinction between producing a written work and producing the interpretation or meaning in a written work that both Barthes and Foucault are interested in. Foucault warns of the risks of keeping the author's name in mind during interpretation, because it could affect the value and meaning with which one handles an interpretation.
Literary critics Barthes and Foucault suggest that readers should not rely on or look for the notion of one overarching voice when interpreting a written work, because of the complications inherent with a writer's title of "author." They warn of the dangers interpretations could suffer from when associating the subject of inherently meaningful words and language with the personality of one authorial voice. Instead, readers should allow a text to be interpreted in terms of the language as "author."
*Commissioned: Publishers made publication arrangements, and authors covered all expenses (today the practice of authors paying for their publications is often called vanity publishing, and is looked down upon by many publishers, even though it may have been a common and accepted practice in the past). Publishers would receive a percentage on the sale of every copy of a book, and the author would receive the rest of the money made.
Pierre Bourdieu’s essay “The Field of Cultural Production” depicts the publishing industry as a “space of literary or artistic position-takings,” also called the “field of struggles,” which is defined by the tension and movement inherent among the various positions in the field. Bourdieu claims that the “field of position-takings [...] is not the product of coherence-seeking intention or objective consensus,” meaning that an industry characterized by position-takings is not one of harmony and neutrality. In particular for the writer, their authorship in their work makes their work part of their identity, and there is much at stake personally over the negotiation of authority over that identity. However, it is the editor who has “the power to impose the dominant definition of the writer and therefore to delimit the population of those entitled to take part in the struggle to define the writer”. As “cultural investors,” publishers rely on the editor position to identify a good investment in “cultural capital” which may grow to yield economic capital across all positions.
According to the studies of James Curran, the system of shared values among editors in Britain has generated a pressure among authors to write to fit the editors’ expectations, removing the focus from the reader-audience and putting a strain on the relationship between authors and editors and on writing as a social act. Even the book review by the editors has more significance than the readership’s reception.
Good relationships between authors and editors are largely found to be the product of an awareness of writing as a social act, and an effort to create a balance wherein the authority over the text is negotiated among all of the positions in the industry, so that the meaning is effectively carried from the meaning-maker to the readership.
An author's contract may specify, for example, that they will earn 10% of the retail price of each book sold. Some contracts specify a scale of royalties payable (for example, where royalties start at 10% for the first 10,000 sales, but then increase to a higher percentage rate at higher sale thresholds).
An author's book must earn out their advance before any further royalties are paid. (For example, if an author is paid a modest advance of $2000.00, and their royalty rate is 10% of a book priced at $20.00 - that is, $2.00 per book - the book will need to sell 1000 copies before any further payment will be made. Publishers typically withhold payment of a percentage of royalties earned against returns.
In some countries, authors also earn income from a government scheme such as the ELR (Educational Lending Right) and PLR (Public Lending Right) schemes in Australia. Under these schemes, authors are paid a fee for the number of copies of their books in educational and/or public libraries.
These days, many authors supplement their income from book sales with public speaking engagements, school visits, residencies, grants, and teaching positions.
Ghostwriters, technical writers, and textbooks writers are typically paid in a different way: usually a set fee or a per word rate rather than on a percentage of sales.
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Honorific-prefix | The Right Honourable |
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Name | The Lord Archer of Weston-super-Mare |
Constituency mp | Louth (Lincolnshire) |
Term start | 8 December 1969 |
Term end | 10 October 1974 |
Predecessor | Cyril Osborne |
Successor | Michael Brotherton |
Birth date | April 15, 1940 |
Birth place | London |
Nationality | British |
Party | Conservative Party |
Spouse | Mary Doreen Weeden |
Children | William Harold (b.1972) and James Howard Archer (b.1974) |
Occupation | Politician, author |
Website | www.jeffreyarcher.co.uk |
Website | http://www.jeffreyarcher.co.uk/ |
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Alongside his literary work, Archer was a Member of Parliament (1969–74), deputy chairman of the Conservative Party (1985–86) and was made a life peer in 1992. Having suffered several controversies, his political career ended with his conviction and subsequent imprisonment (2001–03) for perjury and perverting the course of justice.
After Archer left school passing O-levels in English Literature, Art, and History, he worked in a number of jobs, including training with the army and for the police. This lasted only for a few months, but he fared better as a Physical Education teacher; first at Vicar's Hill, a Prep School in Hampshire, and later at the more prestigious independent school Dover College in Kent. As a teacher he was popular with pupils and reported by some to have had good motivational skills.
While in Oxford he was successful in athletics, competing in sprinting and hurdling. It is unclear whether he was in fact eligible to compete in Varsity matches, not being a member of the College.}}
It was during this period that Archer met his wife, Mary Weeden, at that time studying chemistry at St Anne's College, Oxford. They married in July 1966. Mary went on to specialise in solar power.
One organisation Archer worked for, the United Nations Association, alleged discrepancies in his claims for expenses, and details appeared in the press in a scrambled form. Archer brought a defamation action against the former Conservative member of parliament Humphry Berkeley, chairman of the UNA, as the source of the allegations. The case was settled out of court after three years. Berkeley tried to persuade Conservative Central Office that Archer was unsuitable as a parliamentary candidate, but a selection meeting at Louth disregarded any doubts.
In 1974, he was a casualty of a fraudulent investment scheme involving Aquablast, a Canadian company, a debacle which lost Archer his first fortune.
Archer states to spend considerable time writing and re-writing each book. He goes abroad to write the first draft, working in blocks of two-hours at a time, then writes anything up to seventeen further drafts. It has been suggested that his books require extensive editing by others to make them readable.
In 1979, Archer purchased the Old Vicarage, Grantchester, a house associated with the poet Rupert Brooke. He also began to hold shepherd's pie and Krug parties for prominent people at his London apartment, which overlooks the Houses of Parliament. By this time, according to the journalist Adam Raphael, Jeffrey and Mary Archer were, in fact, living largely separate lives. The editor of the Daily Star, Lloyd Turner, was sacked six weeks after the trial by the paper's owner Lord Stevens of Ludgate.
Archer lost a libel case after accusations in his book Twist in the Tale, portraying Major General James Oluleye to be a thief. (Oluleye is the author of "Architecturing a Destiny" and "Military Leadership in Nigeria".)
The basis of the allegations originated with Ted Francis, a friend who claimed Archer owed him money, and Angela Peppiatt, Archer's former personal assistant. They stated that Archer had fabricated an alibi in the 1987 trial and were concerned that Archer was unsuitable to stand as Mayor of London. Peppiatt had kept a diary of Archer's movements, which contradicted evidence given during the 1987 trial.
After the allegations, Archer was disowned by his party. Conservative leader William Hague explained: ""This is the end of politics for Jeffrey Archer. I will not tolerate such behaviour in my party." On 4 February 2000, Archer was expelled from the party for five years.
The perjury trial began on 30 May 2001, a month after Monica Coghlan's death. Archer never spoke during the trial, though his wife Mary again gave evidence as she had done during the 1987 trial. When Archer's mother died on 11 July, aged 87, he was released for the day to attend the funeral. On 19 July 2001, Archer was found guilty of perjury and perverting the course of justice at the 1987 trial. He was sentenced to four years' imprisonment by Mr Justice Potts. Ted Francis was found not guilty of perverting the course of justice.
While in prison, he wrote the three-volume memoir A Prison Diary, with volumes fashioned after Dante's Divine Comedy and named the first three prisons he was kept in. During his imprisonment, Archer was visited by a number of high-profile friends, including the actor Donald Sinden and the performer Barry Humphries.
In October 2002, Archer repaid the Daily Star the £500,000 damages he had received in 1987, as well as legal costs and interest of £1.3 million. That month, he was suspended from Marylebone Cricket Club for seven years.
On 21 July 2003, Archer was released on licence, after serving half of his sentence, from HMP Hollesley Bay, Suffolk.
In 2004, the government of Equatorial Guinea alleged that Archer was one of the financiers of the failed 2004 coup d'état attempt against them, citing bank details and telephone records as evidence.
On 26 February 2006, on Andrew Marr's Sunday AM programme, Archer said he had no interest in returning to front-line politics: he would pursue his writing instead. He has confirmed this when speaking at the Emmanuel College Politics Society and the Christ's Politics Society at the University of Cambridge.
In November 2004 Archer was the subject of a Gilbert and Sullivan-style spoof in the BBC series, "15 Minute Musical".
In There's No Place Like a Home, a comedy play by Paul Elliot, the residents of a retirement home for actors and actresses, trying to prevent its closure, kidnap Archer to use the ransom money to keep their home open.
The satirical magazine Private Eye refers to Archer as 'Jeffrey Archole' or 'Lord Archole' and characterises him as a liar and fantasist. On occasion it has published spoofs of Archer's fiction, describing a thinly-veiled heroic version of himself called 'Jeremy Bowman'.
Category:1940 births Category:Living people Category:Alumni of Brasenose College, Oxford Category:British criminals Category:British politicians convicted of crimes Category:Conservative Party (UK) MPs Category:English novelists Category:English perjurors Category:English thriller writers Archer of Weston-super-Mare Category:Members of the Greater London Council Category:Members of the United Kingdom Parliament for English constituencies Category:People from the City of London Category:People from Weston-super-Mare Category:UK MPs 1966–1970 Category:UK MPs 1970–1974 Category:UK MPs 1974
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Name | Yann Martel |
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Imagesize | 200px |
Birthdate | June 25, 1963 |
Birthplace | Salamanca, Spain |
Occupation | Novelist |
Nationality | Canadian |
Period | 1993-present |
Sexuality | homosexual |
Notableworks | Life of Pi |
Influences | Dante, Franz Kafka, Alphonse Daudet, J. M. Coetzee, Salman Rushdie, Knut Hamsen, Moacyr Scliar, Fyodor Dostoevsky |
Influenced | Michelle Obama, Khaled Hosseini, Jodi Picoult |
Yann Martel (born June 25, 1963) is a Spanish-born Canadian author best known for the Man Booker Prize-winning novel Life of Pi.
Martel spent a year in Saskatoon, Saskatchewan from September 2003 as the public library's writer-in-residence. He collaborated with Omar Daniel, composer-in-residence at the Royal Conservatory of Music in Toronto, on a piece for piano, string quartet and bass. The composition, You Are Where You Are, is based on text written by Martel, which includes parts of cellphone conversations taken from moments in an ordinary day.
In November 2005, the University of Saskatchewan announced that Martel would be scholar-in-residence. He continues to have an office at the University.
His novel Beatrice and Virgil deals with the Holocaust: its main characters are two stuffed animals (a monkey and a donkey) in a taxidermy shop. Martel describes them as simply two approaches to the same subject. He is also working on a project entitled What is Stephen Harper Reading, where he is sending the Prime Minister of Canada one book every two weeks that portrays "stillness" with an accompanying explanatory note. He is posting his letters, book selections and responses received to a website devoted to the project. A book-length account of the project was published in the fall of 2009.
Category:1963 births Category:Booker Prize winners Category:Canadian novelists Category:Living people Category:Trent University alumni
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Name | Twyla Tharp |
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Imagesize | 180px |
Caption | 2004 |
Birth date | July 01, 1941 |
Birth place | Portland, Indiana, USA |
Occupation | Choreographer, dancer |
Years active | 1960s-present |
Website | http://www.twylatharp.org/ |
Dramadeskawards | 'Outstanding Choreography 2003 Movin' Out |
Emmyawards | Outstanding Choreography 1985 Baryshnikov by Tharp With American Ballet Theatre |
Tonyawards | Best Choreography 2003 Movin' Out |
Twyla Tharp (born July 1, 1941) is an American dancer and choreographer, who lives and works in New York City.
Tharp's family—younger sister Twanette, twin brothers Stanley and Stanford, mother Lecile and father William—moved to Rialto, California, in 1951. Her parents opened a drive-in movie theater, where Tharp worked from the time she was 8 years old. The drive-in was on the corner of Acacia and Foothill, the major east–west artery in Rialto and the path of Route 66. She attended Pacific High School in San Bernardino and studied at the Vera Lynn School of Dance. Tharp, a "devoted bookworm," admits that this schedule left little time for a social life. Tharp attended Pomona College in California but later transferred to Barnard College in New York City, where she graduated with a degree in Art History in 1963. It was in New York that she studied with Martha Graham and Merce Cunningham. In 1963 Tharp joined the Paul Taylor Dance Company.
In 1973, Tharp choreographed Deuce Coupe to the music of The Beach Boys for the Joffrey Ballet. Deuce Coupe is considered to be the first crossover ballet. Later she choreographed Push Comes To Shove (1976), which featured Mikhail Baryshnikov and is now thought to be the best example of the crossover ballet.
In 1988, Twyla Tharp Dance merged with American Ballet Theatre, since which time ABT has held the world premieres of sixteen of Tharp's works. As of 2010, they have a total of twenty of her works in their repertory. Tharp has since choreographed dances for: Paris Opera Ballet, The Royal Ballet, New York City Ballet, Boston Ballet, Joffrey Ballet, Pacific Northwest Ballet, Miami City Ballet, American Ballet Theatre, Hubbard Street Dance and Martha Graham Dance Company. Tharp also created the dance roadshow Cutting Up, (1991) with Mikhail Baryshnikov, which went on to tour and appeared in 28 cities over two months.
In 1999, Twyla Tharp Dance regrouped and performed Tharp's choreography around the world with a company of dancers that eventually led to the creation of Movin' Out.
In 1985, her staging of Singin' in the Rain, played at the Gershwin for 367 performances and was followed by a national tour.
Tharp premiered her dance musical Movin' Out, set to the music and lyrics of Billy Joel in Chicago in 2001. The show opened on Broadway in 2002. Movin' Out ran for 1,331 performances on Broadway. A national tour opened in January 2004.
Tharp opened a new show titled The Times They Are a-Changin', to the music of Bob Dylan in 2005 at The Old Globe Theatre in San Diego. The Times they are A-Changin' set the records or the highest grossing show and highest ticket sales as of the date of closing (March 2006). It was also the first time a show received a second extension before the first preview. After this record setting run in California, the New York show ran for 35 previews and 28 performances.
In 2009, Tharp worked with the songs of Frank Sinatra to mount Come Fly With Me, which ran at the Alliance Theater in Atlanta and was the best selling four-week run as of the date of closing in 2009. Renamed Come Fly Away the show opened on Broadway in 2010 at the Marquis Theatre in New York and ran for 26 previews and 188 performances.
Television credits include choreographing Sue's Leg (1976) for the inaugural episode of the PBS program Dance in America,; co-producing and directing Making Television Dance (1977), which won the Chicago International Film Festival Award; and directing The Catherine Wheel (1983) for BBC Television. Tharp co-directed the award-winning television special "Baryshnikov by Tharp" in 1984.
Tharp has written three books: an early autobiography, Push Comes to Shove (1992; Bantam Books); (2003, Simon & Schuster), translated into Spanish, Chinese, Russian, Korean, Thai and Japanese; “The Collaborative Habit” (2009, Simon & Schuster), also translated into Thai, Chinese and Korean.
Tharp was inducted into the Academy of Achievement in 1993.
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Category:1941 births Category:Living people Category:American choreographers Category:American writers Category:Barnard College alumni Category:Drama Desk Award winners Category:Emmy Award winners Category:Guggenheim Fellows Category:Harvard University people Category:MacArthur Fellows Category:Modern dancers Category:People from Jay County, Indiana Category:Tony Award winners Category:United States National Medal of Arts recipients Category:Choreographers of American Ballet Theatre
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Name | Randall Munroe |
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Imagesize | 150 |
Caption | Randall Munroe |
Alt | Randall Munroe balancing a stack of rubber duckies on a diner table. |
Birthname | Randall Patrick Munroe |
Birthdate | October 17, 1984 |
Birthplace | Easton, Pennsylvania, USA |
Nationality | American |
Area | Pen and pencil Webcomics |
Signature | |
Notable works | xkcd |
Colaberators | } |
Spouse | } |
Relatives | } |
Influences | } |
Influenced | } |
Website | http://www.xkcd.com/ |
Sortkey | Munroe, Randall |
Randall Patrick Munroe (born October 17, 1984) as well as a programmer, best known as the creator of the webcomic xkcd. He and the webcomic have developed a cult following, and he is one of a small but growing group of webcomic artists who are self-sufficient. After graduating from the Chesterfield County Mathematics and Science High School at Clover Hill: A Renaissance Program, he graduated from Christopher Newport University in 2006 with a degree in physics. Munroe worked as an independent contractor for NASA at the Langley Research Center before and after his graduation. In October 2006 NASA did not renew his contract and he began to write xkcd full-time. He now supports himself by the sale of xkcd related merchandise. The webcomic quickly became very popular, garnering up to 70 million hits a month by October 2007.
He has also toured the lecture circuit, giving speeches at such places as Google's Googleplex in Mountain View, California.
In December 2006, he wrote a check to Verizon which used a complex math expression to specify its amount: $0.002. The check was written as a protest against problems a fellow customer experienced with Verizon's billing department.
Munroe lives in Somerville, Massachusetts and Ricky.
xkcd is a stick figure comic with themes in computer science, mathematics, science, language, and romance.
Munroe had originally used xkcd as an instant messaging screenname because he wanted a name without a meaning so he wouldn't eventually grow tired of it. He registered the domain name, but left it idle until he started posting his drawings The comic has a very loyal fanbase. Munroe said, "I think the comic that's gotten me the most feedback is actually the one about the stoplights". "The Funniest", "The Cutest", and "The Fairest", each of which presents the user with two options and asks them to choose one over the other.
He started the "WetRiffs" website as a joke, one month after drawing the "Rule 34" comic, "lamenting the lack of guitar-in-the-shower pictures on the internet."
LimerickDB encourages the creation of new and the collection of old limericks.
Most recently he started a Geohashing wiki based on one of his comics which contains an algorithm that generates pseudo-random coordinates around the world every day.
Aside from maintaining his websites, Munroe also engages in kite photography, in which cameras are attached to kites and pictures are then taken of the ground or buildings.
Category:Living people Category:Christopher Newport University alumni Category:American comics writers Category:American webcomic authors Category:People from Easton, Pennsylvania Category:1984 births
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Miki Dora died on January 3, 2002, at age 67 at his father's home in Montecito, California after a six-month battle with pancreatic cancer.
"... If you took James Dean’s cool, Muhammad Ali’s poetics, Harry Houdini’s slipperiness, James Bond’s jet-setting, George Carlin’s irony and Kwai Chang Caine’s Zen, and rolled them into one man with a longboard under his arm, you’d come up with something like Miki Dora, surfing’s mythical antihero, otherwise known as the Black Knight of Malibu.... His surfboard was his magic carpet and his wits were his wings, and from the late ’60s up until his death in 2002, excepting a couple brief prison stints, Dora lived the Endless Summer lifestyle, defining what it means to be a surfer ...."
Category:1934 births Category:2002 deaths Category:American surfers Category:People from Budapest
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Name | Michael Pollan |
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Imagesize | 180px |
Caption | Pollan speaking at Yale University |
Birth date | February 06, 1955 |
Birth place | Long Island, New York, USA |
Occupation | Author, Journalist, Professor |
Spouse | |
Website | www.michaelpollan.com |
Michael Pollan (born February 6, 1955) is an American author, journalist, activist, and professor of journalism at the University of California, Berkeley.
community.]]
Pollan's discussion of the industrial food chain is in large part a critique of modern agribusiness. According to the book, agribusiness has lost touch with the natural cycles of farming, wherein livestock and crops intertwine in mutually beneficial circles. Pollan's critique of modern agribusiness focuses on what he describes as the overuse of corn for purposes ranging from fattening cattle to massive production of corn oil, high-fructose corn syrup, and other corn derivatives. He describes what he sees as the inefficiencies and other drawbacks of factory farming and gives his assessment of organic food production and what it's like to hunt and gather food. He blames those who set the rules (i.e., politicians in Washington, D.C., bureaucrats at the United States Department of Agriculture, Wall Street capitalists, and agricultural conglomerates like Archer Daniels Midland) or what he calls a destructive and precarious agricultural system that has wrought havoc upon the diet, nutrition, and well-being of Americans. Pollan finds hope in Joel Salatin's Polyface Farm in Virginia, which he sees as a model of sustainability in commercial farming. Pollan appears in the documentary film King Corn (2007).
In The Botany of Desire, Pollan explores the concept of co-evolution, specifically of humankind's evolutionary relationship with four plants — apples, tulips, marijuana, and potatoes — from the dual perspectives of humans and the plants. He uses case examples that fit the archetype of four basic human desires, demonstrating how each of these botanical species are selectively grown, bred, and genetically engineered. The apple reflects the desire for sweetness, the tulip beauty, marijuana intoxication, and the potato control. Pollan then unravels the narrative of his own experience with each of the plants, which he then intertwines with a well-researched exploration into their social history. Each section presents a unique element of human domestication, or the "human bumblebee" as Pollan calls it. These range from the true story of Johnny Appleseed to Pollan's first-hand research with sophisticated marijuana hybrids in Amsterdam, to the alarming and paradigm-shifting possibilities of genetically engineered potatoes. in 2007]] Pollan's book, In Defense of Food: An Eater's Manifesto, released on January 1, 2008, explores the relationship with what he terms nutritionism and the Western diet, with a focus on late 20th century food advice given by the science community. Pollan holds that consumption of fat and dietary cholesterol do not lead to a higher rate of coronary disease, and that the reductive analysis of food into nutrient components is a flawed paradigm. He questions the view that the point of eating is to promote health, pointing out that this attitude is not universal and that cultures that perceive food as having purposes of pleasure, identity, and sociality may end up with better health. He explains this seeming paradox by vetting then validating the notion that nutritionism and, therefore, the whole Western framework through which we intellectualize the value of food is more a religious and faddish devotion to the mythology of simple solutions than a convincing and reliable conclusion of incontrovertible scientific research. Pollan spends the rest of his book explicating his first three phrases: "Eat food. Not too much. Mostly plants." He contends that most of what Americans now buy in supermarkets, fast food stores, and restaurants is not in fact food, and that a practical tip is to eat only those things that people of his grandmother's generation would have recognized as food.
In 2009, his most recent book, "" was published. This short work is a condensed version of his previous efforts, intended to provide a simple framework for healthy and sustainable diet. It is divided into three sections, further explicating the principles of "Eat food. Not too much. Mostly plants." It includes rules such as "let others sample your food" and "the whiter the bread, the sooner you'll be dead."
Pollan has contributed to Greater Good, a social psychology magazine published by the Greater Good Science Center at University of California, Berkeley. His article "Edible Ethics" discusses the intersection of ethical eating and social psychology.
In his 1998 book A Place of My Own: The Education of an Amateur Builder, Pollan methodically traced the design and construction of the out-building where he writes. The 2008 re-release of this book was re-titled A Place of My Own: The Architecture of Daydreams.
His recent work has dealt with the practices of the meat industry, and he has written a number of articles on trends in American agriculture. He has received the Reuters World Conservation Union Global Awards in environmental journalism, the James Beard Foundation Awards for best magazine series in 2003, and the Genesis Award from the American Humane Association. His articles have been anthologized in Best American Science Writing (2004), Best American Essays (1990 and 2003), The Animals: Practicing Complexity (2006) and the Norton Book of Nature Writing (1990).
Pollan co-starred in the documentary, Food, Inc. (2008), for which he was also a consultant. In 2010 Pollan was interviewed for the film "Queen of the Sun: What are the bees telling us?", a feature length documentary about honey bees and colony collapse disorder.
; Essays
; Interviews
Category:1955 births Category:Living people Category:Alumni of Mansfield College, Oxford Category:American botanical writers Category:American food writers Category:American journalists Category:American magazine editors Category:American non-fiction environmental writers Category:American science writers Category:American Jews Category:Bennington College alumni Category:Columbia University alumni Category:Journalism teachers Category:Agrarian theorists Category:University of California, Berkeley faculty
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Avlon has lectured at Yale University, NYU, the Citadel, the Kennedy School of Government, and the State Department’s visiting journalist program. He is an advisory board member of the Citizens Union of New York, Bronx Academy of Letters and the Theodore Roosevelt Association.
He has appeared on The Daily Show with Jon Stewart, CNN, MSNBC, Fox News, PBS, and C-Span. He hosts the "Wingnut of the Week" segment on CNN. Syndicated columnist Kathleen Parker wrote that "Americans who are fed up with the Ann Coulter/Michael Moore school of debate, and are looking for someone to articulate a common sense middle path, may have found their voice in John Avlon." His essay on the attacks of September 11, The Resilient City was selected to conclude the anthology Empire City: New York Through the Centuries and won acclaim from Fred Siegel, the author of The Future Once Happened Here, as "the single best essay written in the wake of 9/11."
In 2010, Avlon became a founding leader of No Labels, a 501(c)(4) citizens movement of Republicans, Democrats and Independents whose mission is to address the politics of problem solving.
Avlon is married to Margaret Hoover, the great-granddaughter of President Herbert Hoover.
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Name | Howard Stern |
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Caption | Howard Stern in 1996. |
Birth name | Howard Allan Stern |
Birth date | January 12, 1954 |
Birth place | Jackson Heights, New York, U.S. |
Occupation | Radio personality, humorist, television host, author, actor |
Years active | 1975–present |
Spouse | Alison Berns (1978–2001; div.) Beth Ostrosky (2008–present) |
Website | www.howardstern.com |
Howard Allan Stern (born January 12, 1954) is an American radio personality, humorist, television host, author and actor, best known for his long-running radio show, The Howard Stern Show. He gained national recognition in the 1990s when he was labelled a "shock jock" for his outspoken and sometimes controversial style. Stern wished for a radio career since he was five; his father, a recording and radio engineer, being a big influence. While studying at Boston University, Stern worked at its campus station WTBU before making his professional début in 1975 at WNTN.
In 1977, Stern worked at WRNW in Briarcliff Manor, New York performing on-air, production and managerial duties. After his departure in 1979 he began to develop a more open personality working mornings at WCCC in Hartford, Connecticut. In 1980, he moved to WWWW in Detroit, Michigan, where he earned his first Billboard radio award. Stern relocated to WWDC in Washington, D.C. in 1981, where he was paired with current show newscaster and co-host Robin Quivers. He moved to WNBC in New York City to host afternoons until his firing in 1985. Stern returned to the city's airwaves on WXRK for the next 20 years until his move to Sirius XM in December 2005. In this time, The Howard Stern Show would be syndicated to 60 markets while reaching a peak audience of 20 million listeners. The show was the highest-rated morning program from 1994 to 2001 in the New York market. Stern is an eight-time winner of the Billboard Nationally Syndicated Air Personality of the Year award (1994–2002). He is the highest-paid radio figure, including the most fined, after a history with the Federal Communications Commission (FCC) over alleged indecency resulted in $2.5 million being issued to station owners that carried his show.
Stern describes himself as the "King of All Media" for his work outside radio. Since 1987, he has hosted numerous late night television shows, pay-per-view events and home video releases. His two books, Private Parts (1993) and Miss America (1995), spent 20 and 16 weeks respectively on The New York Times Best Seller list. The former was adapted into Private Parts (1997), a biographical comedy film starring Stern and his radio show staff as themselves, which made a domestic gross of $41.2 million. The film's topped the the Billboard 200 chart.
Stern was born into a Jewish family who resided in Jackson Heights, Queens in New York City. His parents Ben and Ray (née Schiffman) are children of Austro-Hungarian immigrants, and his sister Ellen is four years his senior.
Stern developed an interest in radio at the age of five. While Ray was a homemaker and later an inhalation therapist, Ben was a co-owner of Aura Recording, Inc., a recording studio in Manhattan where cartoons and commercials were produced. When he made visits with his father, Stern saw the likes of Wally Cox, Don Adams and Larry Storch voice his favourite cartoon characters, influencing the young Stern to talk on the air, rather than playing records. Ben was also an engineer at WHOM, a radio station in Manhattan. The family moved to nearby Rockville Centre in June 1969, and Stern was transferred to South Side High School. After his graduation in 1972, he began the first two of four years at Boston University in the College of Basic Studies. In 1973, he worked up the courage to work at WTBU, the campus radio station where he spun records, read the news and hosted interviews. Stern gained admission to the School of Public Communications in 1974. The diploma he earned in July 1975 at the Radio Engineering Institute of Electronics in Fredericksburg, Virginia, allowed him to apply for a first class FCC radio-telephone license. With the certificate, Stern made his professional debut at WNTN in Newton, Massachusetts, performing airshift, newscasting and production duties between August and December. Stern graduated magna cum laude in May 1976 with a Communications degree,
In 1979, Stern spotted an advertisement for a "wild, fun morning guy" at WCCC, a rock station in Hartford, Connecticut. He showcased a more wild audition tape, playing Robert Klein and Cheech and Chong records mixed with flatulence routines and one-liners. Stern was hired with no change in salary, but a busier schedule. After four hours on the air, he voiced and produced commercials for another four. On Saturdays, following a six-hour show, he did production work for the next three. In addition, as the public affairs director, he hosted a Sunday morning talk show, which he favoured. Fred Norris, the overnight disc jockey, became Stern's producer and writer in late 1981. In the summer of the 1979 energy crisis, Stern held a two-day boycott of Shell Oil Company which attracted media attention. Stern left the station in early 1980 after he was declined a $25 weekly pay increase.
Management at rock outlet WWWW in Detroit, Michigan praised Stern's audition tape for a new morning man. Accepting a salary of $30,000, Stern began on April 21, 1980. He learned to become more open on the air. "I decided to cut down the barriers...strip down all the ego...and be totally honest", he later told Newsday. Stern's efforts earned him a Billboard award for "Album-Oriented Rock Personality of the Year For a Major Market" and the Drake-Chenault "Top Five Talent Search" title. The station however, was declining in listenership. A fall in Stern's Arbitron ratings, in addition to tough competition with other rock stations, led to WWWW switch to a country music format on January 18, 1981. Much to his dislike, Stern left the station soon after.
On April 2, 1982, a news report by Douglas Kiker on raunch radio featuring Stern aired on NBC Magazine. The piece stimulated discussion among NBC management to withdraw Stern's contract. When he began his afternoon program in September, management closely monitored Stern, telling him to avoid talk of a sexual and religious nature. In his first month, Stern was suspended for several days for "Virgin Mary Kong", a segment featuring a video game where a group of men pursued the Virgin Mary around a singles bar in Jerusalem. On September 30, Stern and Quivers were fired for what management claimed were "conceptual differences." said program director John Hayes, who Stern nicknamed "The Incubus". In 1992, Stern believed Thornton Bradshaw, chairman of WNBC's owner RCA, heard his "Bestiality Dial-a-Date" segment ten days earlier and ordered his firing.
Stern returned to afternoons on New York City rock station WXRK on November 18, 1985. On February 18, 1986, Stern moved to the morning shift and entered national syndication on August 18 when the show was simulcast on WYSP in Philadelphia. In the New York market, The Howard Stern Show was the highest-rated morning program from 1994 to 2001. In 1994, Billboard magazine added the "Nationally Syndicated Air Personality of the Year" category to its annual radio awards, based on entertainment value, creativity and ratings success. Stern was awarded the title from 1994 to 2002. Stern retained his morning position until December 16, 2005, where he began his contract at Sirius in 2006. In this 20-year period, he would be heard in over 60 markets across the United States and Canada while gaining a peak audience of around 20 million.
In May 1987, Stern recorded five television pilots of The Howard Stern Show for Fox when the network planned to replace The Late Show hosted by Joan Rivers. The series was never picked up; one executive having described the show as "poorly produced", "in poor taste" and "boring". Stern hosted his first pay-per-view event on February 27, 1988, Howard Stern's Negligeé and Underpants Party. On September 7, 1989, over 16,000 fans packed out Nassau Coliseum for Howard Stern's U.S. Open Sores, a live event that featured a tennis match between Stern and his radio show producer, Gary Dell'Abate. In February 1991, Stern released Crucified by the FCC, a collection of censored radio segments following the first fine issued to Infinity by the FCC. Stern released his third video tape, Butt Bongo Fiesta, in October 1992 that sold 260,000 copies.
Stern appeared at the 1992 MTV Video Music Awards as Fartman, a fictional superhero that first appeared in the National Lampoon magazine in the mid-1970s. He rejected multiple scripts for a proposed 1993 release of The Adventures of Fartman, until a verbal agreement was reached with New Line Cinema. Screenwriter J. F. Lawton had prepared a script before relations soured over the film's rating, content and merchandising rights. The project was then cancelled.
On March 21, 1994, Stern announced his candidacy for Governor of New York under the Libertarian Party ticket, challenging Mario Cuomo for re-election. He planned to reinstate the death penalty, stagger highway tolls to improve traffic flow, and limiting road work to night hours. At the party's nomination convention in Albany on April 23, Stern won the required two-thirds majority on the first ballot, receiving 287 of the 381 votes cast (75.33%). James Ostrowski finished second with 34 votes (8.92%). To place his name on the November ballot, Stern was obliged to state his home address and to complete a financial disclosure form under the Ethics in Government Act of 1987. Arguing the law violated his right to privacy and freedom of association, Stern was denied an injunction on August 2. He withdrew his candidacy two days later. Cuomo was defeated in the gubernatorial election on November 8 by George Pataki, whom Stern backed. In 1995, Pataki signed "The Howard Stern Bill" which limited construction on state roads to night hours in New York and Long Island.
In June 1994, six robot cameras were installed in Stern's radio show studio to film a condensed half-hour program on the E! network. Howard Stern ran for 11 years, until the last taped episode was broadcast on July 8, 2005. In conjunction with his move to Sirius, Stern launched Howard Stern on Demand, a subscription video-on-demand service, on November 18, 2005. The service was fully launched as Howard TV on March 16, 2006.
Stern signed an advance contract with ReganBooks worth $3 million in 1995 to write his second biographical book, Miss America. Stern wrote about his cybersex experiences on the Prodigy service, a private meeting with Michael Jackson, and his past suffering with obsessive-compulsive disorder (OCD). The book sold 33,000 copies at Barnes & Noble stores on November 7, the day of its release, setting a new one-day record. Publishers Weekly reported over 1.39 million hardcover copies were sold by the end of 1995, ranking it the third best-seller of the year. Miss America spent a total of 16 weeks on The New York Times best-seller list. The film premiered at The Theatre at Madison Square Garden on February 27, 1997, where Stern performed "The Great American Nightmare" with Rob Zombie. Private Parts made its general release on March 7, 1997, where it topped the box office in its opening weekend with a gross of $14.6 million, and $41.2 million in total. Rotten Tomatoes gave the film a score of 79%. For his performance, Stern won a Blockbuster Entertainment Award for "Favorite Male Newcomer" and nominated for a Golden Satellite Award for "Best Performance by an Actor in a Motion Picture (Comedy)" and a Golden Raspberry Award for "Worst New Star".
On October 8, 1997, Stern filed a $1.5 million lawsuit against Ministry of Film Inc., claiming it recruited him for a film titled Jane starring Melanie Griffith, while knowing it had insufficient funds. Stern, who was unpaid when production ceased, accused the studio of breach of contract, fraud and negligent representation. A settlement was reached in 1999, with Stern receiving $50,000.
In 1994, Stern launched the Howard Stern Production Company for original and joint production and development ventures. He intended to make a film adaptation of Brother Sam, the biography of the late comedian Sam Kinison. In September 1999, UPN announced the production of Doomsday, an animated science-fiction comedy series executively produced by Stern. Originally set for a 2000 release, Stern starred as Orinthal, a family dog. The project was eventually abandoned. From 2000 to 2002, Stern was the executive producer of Son of the Beach, a sitcom which ran for three seasons on FX. In late 2001, Howard Stern Productions was reportedly developing a new sitcom titled Kane. The pilot episode was never filmed. In 2002, Stern acquired the rights to comedy films Rock 'n' Roll High School (1979) and Porky's (1982). Neither has yet been re-made. In March 2003, Stern filed a $100 million lawsuit against ABC and the producers of Are You Hot?, claiming the series was based on a radio show segment known as "The Evaluators". A settlement was reached on August 7.
Stern announced in early 2004 of talks with ABC to host a prime time interview special, which never materialized. In August 2004, cable channel Spike picked up 13 episodes of Howard Stern: The High School Years, a second animated series Stern was to executive produce. On November 14, 2005, Stern announced the completion of episode scripts and 30 seconds of test animations. Stern eventually gave the project up. On September 10, 2007, he explained the episodes could have been produced "on the cheap" at $300,000 each, though the quality he demanded would have instead cost over $1 million. Actor Michael Cera was cast as the lead voice.
On October 6, 2004, Stern announced his contract with Sirius Satellite Radio, a medium free of FCC regulations, starting from January 2006. The move followed a crackdown on perceived indecency in broadcasting that occurred following the controversy surrounding the Super Bowl XXXVIII halftime show in February. The incident prompted tighter control over content by station owners and managers, leading to Stern feeling "dead inside" creatively. The five-year deal allows Stern to produce up to three channels on Sirius with a $100 million per year budget for all production, staff and programming costs including the construction of a dedicated studio. On January 9, 2006, the day of his first broadcast, Sirius issued 34.3 million shares of stock worth $218 million to Stern and his agent for exceeding a subscriber target set in 2004. A second stock incentive was paid on January 9, 2007, with Stern earning 22 million shares worth $82.9 million. Following his move, Time magazine included Stern in the Time 100 list in May 2006. He also ranked seventh in Forbes' "World's Most Powerful Celebrities" list a month later.
On February 28, 2006, CBS Radio (formerly Infinity Broadcasting) filed a 43-page lawsuit against Stern, his agent and Sirius. The suit claimed Stern had misused CBS broadcast time to promote Sirius for unjust enrichment during his last 14 months on terrestrial airwaves. In a press conference held hours before the suit was filed, Stern said it was nothing more than a "personal vendetta" against him by CBS president Leslie Moonves. A settlement was reached on May 25, with Sirius paying $2 million to CBS for control of Stern's broadcast archives since 1985.
On December 9, 2010, Stern announced the signing of a new five-year contract with Sirius which ends in 2015.
From 1990 to 2004, the Federal Communications Commission (FCC) has fined owners of radio stations that carried The Howard Stern Show a total of $2.5 million for indecent programming.
While attending Boston University, Stern developed an interest in Transcendental Meditation, which he practices to this day. He credits it with aiding him in quitting smoking and achieving his goals in radio. Stern has interviewed Maharishi Mahesh Yogi, the founder of the technique, twice in his career. Stern also plays on the Internet Chess Club, and has taken lessons from Dan Heisman, a chess master from Philadelphia.
{|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Album ! style="background:#B0C4DE;" | Label ! style="background:#B0C4DE;" | Notes |- | 1982 | 50 Ways to Rank Your Mother | Wren Records | Re-released as Unclean Beaver (1994) on Ichiban and Citizen X labels |- | 1991 | Crucified By the FCC | Infinity Broadcasting | |- | 1997 | | Warner Brothers | Billboard 200 Number-one album from March 15–21, 1997 |}
Category:1954 births Category:Actors from New York City Category:American actor-politicians Category:American comedians Category:American actors Category:American Jews Category:American libertarians Category:American radio personalities Category:American talk radio hosts Category:American television personalities Category:American television producers Category:American television talk show hosts Category:American writers Category:Free speech activists Category:Boston University alumni Category:Jewish comedians Category:Jewish comedy and humor Category:Living people Category:Obscenity controversies Category:People from Jackson Heights, Queens Category:People from Nassau County, New York Category:People from New York City Category:Radio personalities from New York City Category:Sirius Satellite Radio Category:Transcendental Meditation practitioners
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Name | Frank Schaeffer |
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Birth date | August 03, 1952 |
Birth place | Champéry, Switzerland |
Dead | dead |
Occupation | author, film director, screenwriter and public speaker |
Parents | Francis Schaeffer, Edith Seville |
Spouse | }} |
Frank Schaeffer (born August 3, 1952) is an American author, film director, screenwriter and public speaker. He is the son of the late theologian and author, Dr. Francis Schaeffer. He became a Hollywood film director and author, writing several internationally acclaimed novels depicting life in a strict, fundamentalist household including Portofino, Zermatt, and Saving Grandma.
In 2006 he published Baby Jack, a novel about a Marine killed in Iraq. He is also known for his best selling non-fiction books related to the United States Marine Corps, including Keeping Faith—A Father-Son Story About Love and the United States Marine Corps, co-written with his son John Schaeffer, and AWOL—The Unexcused Absence Of America's Upper Classes From Military Service and How It Hurts Our Country, co-authored with former Clinton presidential aide, Kathy Roth-Douquet.
In 1990 Schaeffer became an Orthodox Christian as a member of the Greek Orthodox Church, which he says "embraces paradox and mystery." He converted in 1992 at a Greek Orthodox Church in Newburyport Mass.
After the 2008 Russian-Georgian War, Schaeffer described Russia as a resurgent Orthodox Christian power, paying back the West for its support of Muslim Kosovar secessionists against Orthodox Serbia.
On October 10, 2008 a public letter to Senator McCain (and Sarah Palin) from Schaeffer was published in the Baltimore Sun newspaper. The letter contained an impassioned plea for John McCain to arrest what Schaeffer perceived as a hateful, and prejudiced tone of the Republican party's election campaign. Schaeffer was convinced that there was a pronounced danger that fringe groups in America could be goaded into pursuing violence. "If you do not stand up for all that is good in America and declare that Senator Obama is a patriot, fit for office, and denounce your hate-filled supporters ... history will hold you responsible for all that follows."
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Doris Lessing |
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Imagesize | 250px |
Caption | Doris Lessing at lit.cologne 2006 |
Pseudonym | Jane Somers |
Birthname | Doris May Tayler |
Birthdate | October 22, 1919 |
Birthplace | Kermanshah, Persia |
Occupation | Writer |
Nationality | British |
Period | 20th century, 21st century |
Spouse | Frank Charles Wisdom (1939-1943) Gottfried Anton Nicolai Lessing (1945-1949) |
Movement | Modernism, Postmodernism, Sufism, Socialism, Feminism, Science fiction |
Notableworks | The Grass is Singing, The Golden Notebook, Briefing for a Descent into Hell, The Good Terrorist, Canopus in Argos, The Cleft |
Awards | |
Influences | Idries Shah, Sufism, Olive Schreiner, Simone de Beauvoir, Sartre, Dostoyevsky, Brontë sisters, Christina Stead, D. H. Lawrence, Stendhal, Virginia Woolf, Mikhail Bulgakov, Olaf Stapledon |
Influenced | Alexandra Fuller, Elaine Showalter, Octavia Butler, Rachel Blau DuPlessis, Erica Jong, Toni Morrison, Joanna Russ, Marge Piercy, Joyce Carol Oates, Margaret Atwood, Simoun |
Website | http://www.dorislessing.org/ |
Lessing was awarded the 2007 Nobel Prize in Literature. She was described by the Swedish Academy as "that epicist of the female experience, who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny". Lessing was the eleventh woman and the oldest ever person to receive the Nobel Prize in Literature.
In 2001, Lessing was awarded the David Cohen Prize for a lifetime's achievement in British Literature. In 2008, The Times ranked her fifth on a list of "The 50 greatest British writers since 1945".
She declined a damehood, but accepted appointment as a Companion of Honour at the end of 1999 for "conspicuous national service". She has also been made a Companion of Literature by the Royal Society of Literature.
In 2007, Lessing was awarded the Nobel Prize for Literature. She was 87, making her the oldest winner of the literature prize at the time of the award and the third oldest Nobel Laureate in any category. She also stands as only the eleventh woman to be awarded the Nobel Prize for Literature by the Swedish Academy in its 106-year history. Lessing was out shopping for groceries when the announcement came, arriving home to tell reporters who had gathered there, "Oh Christ...I couldn't care less”. She sarcastically told reporters outside her home "I've won all the prizes in Europe, every bloody one, so I'm delighted to win them all. It's a royal flush." She titled her Nobel Lecture On Not Winning the Nobel Prize and used it to draw attention to global inequality of opportunity, and to explore changing attitudes to storytelling and literature. The lecture was later published in a limited edition to raise money for children made vulnerable by HIV/AIDS. In a 2008 interview for the BBC's Front Row, she stated that increased media interest following the award had left her without time for writing.
Lessing's Canopus sequence was not popular with many mainstream literary critics. For example, in the New York Times in 1982 John Leonard wrote in reference to The Making of the Representative for Planet 8 that "[o]ne of the many sins for which the 20th century will be held accountable is that it has discouraged Mrs. Lessing... She now propagandizes on behalf of our insignificance in the cosmic razzmatazz." To which Lessing replied: "What they didn't realize was that in science fiction is some of the best social fiction of our time. I also admire the classic sort of science fiction, like Blood Music, by Greg Bear. He's a great writer." Unlike some authors primarily known for their mainstream work, she has never hesitated to admit that she wrote science fiction and attended the 1987 World Science Fiction Convention as its Writer Guest of Honor. Here she made a well-received speech in which she described her dystopian novel Memoirs of a Survivor as "an attempt at an autobiography."
When asked about which of her books she considers most important, Lessing chose the Canopus in Argos sequence. These novels present an advanced interstellar society's efforts to accelerate the evolution of other worlds, including Earth. (Similar concepts occur in science fiction by other authors, e.g. the Progressor and Uplift sequences.) Using Sufi concepts, to which Lessing had been introduced in the mid-1960s by her "good friend and teacher" Idries Shah,
Lessing does not like the idea of being pigeonholed as a feminist author. When asked why, she explained:
Category:1919 births Category:Living people Category:People from Kermanshah Category:English novelists Category:English science fiction writers Category:English autobiographers Category:English women writers Category:English essayists Category:Massey Lecturers Category:Members of the Order of the Companions of Honour Category:Officers of the Order of the British Empire Category:Worldcon Guests of Honor Category:David Cohen Prize recipients Category:Nobel laureates in Literature Category:British Nobel laureates Category:Fellows of the Royal Society of Literature Category:English communists Category:English poets Category:English dramatists and playwrights Category:English Sufis Category:Anglo-African people Category:Rhodesian people Category:Zimbabwean novelists Category:Zimbabwean writers Category:Zimbabwean women writers Category:Women Nobel Laureates Category:Prix Médicis étranger winners Category:Austrian State Prize for European Literature winners
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