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- Duration: 10:23
- Published: 30 Jun 2007
- Uploaded: 24 Feb 2011
- Author: kishoriray
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Playername | Arshad Ali |
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Country | UAE |
Batting | Right-handed batsman |
Bowling | Right-arm medium |
Deliveries | overs |
Columns | 2 |
Column1 | Tests |
Matches1 | - |
Runs1 | - |
Bat avg1 | - |
100s/50s1 | - |
Top score1 | - |
Deliveries1 | - |
Wickets1 | - |
Bowl avg1 | - |
Fivefor1 | - |
Tenfor1 | - |
Best bowling1 | - |
Catches/stumpings1 | - |
Column2 | ODIs |
Matches2 | 2 |
Runs2 | 7 |
Bat avg2 | 3.50 |
100s/50s2 | 0/0 |
Top score2 | 7 |
Deliveries2 | 1 |
Wickets2 | 1 |
Bowl avg2 | 5.00 |
Fivefor2 | 0 |
Tenfor2 | n/a |
Best bowling2 | 1/5 |
Catches/stumpings2 | 0/0 |
Date | 17 July |
Year | 2004 |
Source | http://content-www.cricinfo.com/other/content/player/25591.html |
Category:1976 births Category:Living people Category:United Arab Emirati cricketers Category:United Arab Emirates One Day International cricketers Category:Pakistani expatriates in the United Arab Emirates Category:People from Punjab (Pakistan)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Ustad Rashid Khan |
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Background | solo_singer |
Born | July 01, 1966 |
Origin | Badayun, UP, India |
Genre | Hindustani classical music, Rampur-Sahaswan gharana |
Occupation | Classical Vocalist |
Years active | 1977 - present |
In a story told in several versions, it appears that Pandit Bhimsen Joshi said at one point, that Rashid Khan was the "assurance for the future of Indian vocal music". He was awarded the Padma Shri, as well as the Sangeet Natak Akademi Award in 2006.
As a child he had little interest in music. His uncle Ghulam Mustafa Khan was among the first to note his musical talents, and for some time trained him in Mumbai. However, he received his main training from Nissar Hussain Khan, initially at his house in Badayun. A strict disciplinarian, Nissar Hussain Khan would insist on voice training (sur sAdhanA) from four in the morning, and make Rashid practice one note of the scale for hours on end. A whole day would be spent on practising just a single note. Although Rashid detested these lessons as a child, but the disciplined training shows in his easy mastery of taan (glissandos) and layakaari today. It was not until he was 18 that Rashid began to truly enjoy his musical training.
He is also a master of the tarana like his guru but sings them in his own manner, preferring the khayal style rather than the instrumental stroke-based style for which Nissar Hussain was famous. There is no imitation of instrumental tone. His mastery of all aspects tonal variations, dynamics and timbre adjustment leave very little to be desired in the realm of voice culture.
His renderings stand out for the emotional overtones in his melodic elaboration. He says: "The emotional content may be in the alaap, sometimes while singing the bandish, or while giving expression to the meaning of the lyrics." This brings a touch of modernity to his style, as compared to the older maestros, who placed greater emphasis on impressive technique and skillful execution of difficult passages.
Rashid Khan has also experimented with fusing pure Hindustani music with lighter musical genres, e.g. in the Sufi fusion recording Naina Piya Se (songs of Amir Khusro), or in experimental concerts with western instrumentalist Louis Banks. He also performs jugalbandis, along with sitarist Shahid Parvez and others.
Category:1966 births Category:Living people Category:Hindustani singers Category:People from Badaun Category:Recipients of the Padma Shri Category:Recipients of the Sangeet Natak Akademi Award
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Bhimsen Joshi |
---|---|
Background | solo_singer |
Birth name | Bhimsen Gururaj Joshi |
Alias | Pandit (Pt.) Bhimsen joshi, Panditji, Bharat Ratna Pandit Bhimsen Joshi, Bhim-Anna, Anna, etc. |
Born | February 04, 1922 |
Origin | Gadag, Karnataka |
Genre | Hindustani Classical, Khayal, Thumri, Bhajan, Abhang, etc. |
Occupation | Hindustani Classical vocalist |
Years active | 1941–2008 |
Pandit Bhimsen Gururaj Joshi (, born February 4, 1922) is an Indian vocalist in the Hindustani classical tradition. A member of the Kirana Gharana (school), he is renowned for the khayal form of singing, as well as for his popular renditions of devotional music (bhajans and abhangs). He is the most recent recipient of the Bharat Ratna, India's highest civilian honour, awarded in 2008.
Category:1922 births Category:Recipients of the Bharat Ratna Category:Hindustani singers Category:Indian musicians Category:Kannada people Category:Recipients of the Karnataka Ratna Award Category:Living people Category:Recipients of the Padma Bhushan Category:Recipients of the Padma Shri Category:Recipients of the Padma Vibhushan Category:Recipients of the Sangeet Natak Akademi Award Category:Recipients of the Sangeet Natak Akademi Fellowship Category:People from Gadag Category:Recipients of the Maharashtra Bhushan Award Category:Marathi-language singers Category:Marathi playback singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Hirabai Barodekar |
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Background | solo_singer |
Birth name | Champakali |
Born | 1905 |
Died | November 20, 1989 |
Origin | Baroda, India |
Gharana | Kirana Gharana |
|genre | Khyal, Thumris, Ghazals, and Bhajans |
Occupation | Vocal Hindustani Classical Music |
Years active | 1920–1989 |
Hirābai Barodekar She also sang along with her younger sister, Saraswati Rane, whom she also trained, in jugalbandi style.
She had her initial training from her brother Sureshbabu Mane and later training from the doyen of Kirana Gharana, Ustād Abdul Wahid Khān, who was a cousin of her father, Abdul Karim Khan. (In 1922, Hirabai's parents had parted company; thus Hirabai received only limited musical lessons from her father.)
Her sweet and delicate voice, emotive factor, clarity and peace full rendition were admired by class as well as mass. Her amazing rendition of 'Taar Sa' was very popular and became her hallmark. She made Kirana gharana more popular and rich.
Hirabai acted in several movies, including "Suvarna Mandir", "Pratibhā", "Janābāi", and "Municipality". She also started a music school, "Nutan Sangeet Vidyālaya", to teach music to girls. The school staged several plays.
Hirabai became a recording artist very early in her career. (Her 78 rpm recordings have been re-released on cassettes by RPG in their Classical Gold series). She was titled as "Gaanhira" (a singing dimond). Her nature was so down to earth and peaceful which was truly ideal.
Category:1905 births Category:1989 deaths Category:Hindustani singers Category:Recipients of the Padma Bhushan Category:Recipients of the Padma Shri Category:Recipients of the Sangeet Natak Akademi Award Category:Date of birth missing Category:Place of death missing Category:People from Vadodara
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.