A percussion instrument is any object which produces a sound when hit with an implement, shaken, rubbed, scraped, or by any other action which sets the object into vibration. The term usually applies to an object used in a rhythmic context or with musical intent.
The word "percussion" has evolved from Latin terms: "percussio" (which translates as "to beat, strike" in the musical sense, rather than the violent action), and "percussus" (which is a noun meaning "a beating"). As a noun in contemporary English it is described in Wiktionary as "the collision of two bodies to produce a sound". The usage of the term is not unique to music but has application in medicine and weaponry, as in percussion cap, but all known and common uses of the word, "percussion", appear to share a similar lineage beginning with the original Latin: "percussus". In a musical context then, the term "percussion instruments" may have been coined originally to describe a family of instruments including drums, rattles, metal plates, or wooden blocks which musicians would beat or strike (as in a collision) to produce sound.
History
of
human hands surrounded by red markings - early percussion instrument.]]
Anthropologists and historians often speculate that percussion instruments were the first musical devices ever created. The human voice was probably the first musical instrument, but percussion instruments such as hands and feet, then sticks, rocks, and logs were almost certainly the next steps in the evolution of music.
Many caves in France, near Caberets and Grotte du Pech Merle, are believed to have been inhabited by early human communities. In those caves, anthropologists have observed red dots which appear in most places where other carvings/paintings appear. It is believed that the dots/markings were formed by people who would tap or hammer those parts of the rock which have obvious acoustic significance; tapping those particular places causes tones which resonate throughout the cavern (like the echo of voices in a giant cathedral or drums in a large hall). This may be proof that humans were aware of the acoustic properties of percussion instruments and resonating chambers as early as 25,000 years ago; though much speculation suggests that humans likely used percussion instruments long before that.
As humans developed tools for hunting and eventually agriculture, their skill and technology enabled them to craft more complex instruments. For example, a simple log may have been carved to produce louder tones (a log drum) and instruments may have been combined to produce multiple tones (as in a 'set' of log drums).
Classifications
Percussion instruments are classified by various criteria sometimes depending on their construction, ethnic origin, function within musical theory and orchestration, or their relative prevalence in common knowledge.
Percussion instruments are sometimes classified as "pitched" or "unpitched." While valid, this classification is widely seen as inadequate. Rather, it may be more informative to describe percussion instruments in regards to one or more of the following four paradigms:
By methods of sound production
Many texts, including
Teaching Percussion by Gary Cook of the University of Arizona, begin by studying the physical characteristics of instruments and the methods by which they can produce sound. This is perhaps the most scientifically pleasing assignment of nomenclature whereas the other paradigms are more dependent on historical or social circumstances. Based on observation and experimentation, one can determine how an instrument produces sound and then assign the instrument to one of the following four categories:
Idiophone
"Idiophones produce sounds through the vibration of their entire body." Examples of idiophones:
* Bock-a-da-bock
Cabasa
Cajón
Celesta
Chimes
Cowbell
Crash cymbals
Crotales
Güiro
Handbells
Hi-hat
Marimba
Orchestra bells
Singing bowls
Slit drum
Suspended cymbal
Triangle
Vibraphone
Vibraslap
Wood block
Xylophone
Membranophone
Most objects commonly known as "
drums" are membranophones. "Membranophones produce sound when the membrane or head is struck."
Examples of membranophones:
Bass drum
Bongos
Conga
Darbuka
Djembe
Mridangam
Octoban
Snare drum
Tabla
Timpani
Tom-tom
*The lion's roar and the cuíca, which are not struck like other drums, produce sound by drawing a string or stick through an opening in the membrane. The lion's roar is sometimes classified as a chordophone, but this is inaccurate because the membrane produces the sound, not the string.
Wind machines: A wind machine in this context is not a wind tunnel and therefore not an aerophone. Instead, it is an apparatus (often used in theatre as a sound effect) in which a sheet of canvas (a membrane) is rubbed against a screen or resonator; this action produces a sound which resembles the blowing of wind.
Chordophone
Most instruments known as "chordophones" are defined as
string instruments, but some such as these examples are percussion instruments also.
Hammered dulcimer, Cimbalom
Onavillu
Aerophone
Most instruments known as "aerophones" are defined as
wind instruments such as a
saxophone whereby sound is produced by a person or thing blowing air through the object. Examples of aerophones played by percussionists:
Apito or samba whistle
Siren
Slide whistle
Whistle or police whistle
By musical function or orchestration
When classifying instruments by function it is useful to note if a percussion instrument makes a
definite pitch or
indefinite pitch.
For example, some percussion instruments (such as the marimba and timpani) produce an obvious fundamental pitch and can therefore play melody and serve harmonic functions in music. Other instruments (such as crash cymbals and snare drums) produce sounds with such complex overtones and a wide range of prominent frequencies that no pitch is discernible.
Definite pitch
Percussion instruments in this group are sometimes referred to as "pitched" or "tuned".
Examples of percussion instruments with definite pitch:
Anvil
Caisadrum
Chimes/Tubular bells
Crotales
Glass harmonica
Glass harp
Glockenspiel
Handbells
Hang
Marimba
Mridangam
Steelpan
Tabla
Timpani
Tuned Triangle
Vibraphone
Wind chimes
Xylophone
Xylo-marimba
Indefinite pitch
Instruments in this group are sometimes referred to as "non-pitched", "unpitched", or "untuned". This phenomenon occurs when the resultant sound of the instrument contains complex frequencies through which no discernible pitch can be heard.
Examples of percussion instruments with indefinite pitch:
Bass drum
Castanets
Cymbals
Rainstick
Slapstick or whip
Snare drum
Tamtam
Tom-tom
By prevalence in common knowledge
Although it is difficult to define what is "common knowledge", there are instruments in use by percussionists and composers in contemporary music which are certainly not considered by most to be
musical instruments of any kind. Therefore, it is worthwhile to
try to make distinction between instruments based on their acceptance or consideration by a general audience.
For example, it is safe to argue that most people would not consider an anvil, a brake drum (the circular hub which houses the brake on the wheel of a motor vehicle), or a fifty-five gallon oil barrel to be musical instruments, yet these objects are used regularly by composers and percussionists of modern music.
One might assign various percussion instruments to one of the following categories:
Conventional or popular
Drum kit
Gong
Tambourine
Unconventional
(Sometimes referred to as
"found" instruments)
Automobile Brake Drum
Beer kegs
Brooms
Clay pots
Five gallon buckets
Garbage cans
Metal pipes
Metal pots
Plastic bag
Rocks in a bucket
Shopping carts
Spokes on a bicycle wheel
John Cage,
Harry Partch,
Edgard Varèse, and
Peter Schickele, all noted composers, created entire pieces of music using unconventional instruments. Beginning in the early 20th century, perhaps with
Ionisation by
Edgard Varèse which used air-raid sirens (among other things), composers began to require percussionists to invent or "find" objects to produce the desired sounds and textures. Another example includes the use of a hammer and saw in
Penderecki's
De Natura Sonoris No. 2. By late 20th century, such instruments had become common in modern percussion ensemble music and popular productions, such as the off-Broadway show,
Stomp.
By cultural significance or tradition
It is not uncommon to discuss percussion instruments in relation to their cultural origin. This has led to a division between instruments which are considered "common" or "modern," and folk instruments which have a significant history or purpose within a geographic region or cultural group.
Folk percussion instruments
, c. 6th century BC.]]
*Berimbau
Bodhrán
Bombo legüero
Cajon
Dhaa
Dhime
Dhol
Dholak
Djembe
Gamelan
Kalimba (Thumb Piano)
Kheen
Kpanlogo
Lagerphone
Latin percussion
Madal
Marimba
Marimbula
Naykheen
Pogo cello
Skrabalai
Steelpan
Taiko
Tambourine
Thavil
Timbales
Tonbak
Urumee
Udukai
"Common" drums
This category includes instruments which are widely available and popular throughout the world:
* Drum kit, typically consisting of:
* Bass drum
* Crash cymbal
* Floor tom
* Hi-Hat cymbals
* Snare drum
* Tom-tom drums
Marching percussion instruments
Orchestral percussion instruments
Function
Percussion instruments play not only
rhythm, but also
melody and
harmony.
Percussion is commonly referred to as "the backbone" or "the heartbeat" of a musical ensemble, often working in close collaboration with bass instruments, when present. In jazz and other popular music ensembles, the bassist and the drummer are often referred to as the rhythm section. Most classical pieces written for full orchestra since the time of Haydn and Mozart are orchestrated to place emphasis on the strings, woodwinds, and brass. However, often at least one pair of timpani is included, though they rarely play continuously. Rather, they serve to provide additional accents when needed. In the eighteenth and nineteenth centuries, other percussion instruments (like the triangle or cymbals) have been used, again relatively sparingly in general. The use of percussion instruments became more frequent in the twentieth century classical music.
In almost every style of music, percussion plays a pivotal role. In military marching bands and pipes and drums, it is the beat of the bass drum that keeps the soldiers in step and at a regular speed, and it is the snare that provides that crisp, decisive air to the tune of a regiment. In classic jazz, one almost immediately thinks of the distinctive rhythm of the hi-hats or the ride cymbal when the word "swing" is spoken. In more recent popular music culture, it is almost impossible to name three or four rock, hip-hop, rap, funk or even soul charts or songs that do not have some sort of percussive beat keeping the tune in time.
Because of the diversity of percussive instruments, it is not uncommon to find large musical ensembles composed entirely of percussion. Rhythm, melody, and harmony are all represented in these ensembles.
Percussion notation
Music for pitched percussion instruments can be
notated on a
staff with the same
treble and
bass clefs used by many non-percussive instruments. Music for percussive instruments without a definite pitch can be notated with a specialist rhythm or percussion-
clef; More often a treble clef (or sometimes a bass clef) is substituted for rhythm clef.
Names for percussionists
The general term for a musician who plays percussion instruments is "percussionist" but the terms listed below are often used to describe a person's specialties:
*Balafonist: a balafon player
Bombisto: a bombo legüero player
Bongocerro: someone who plays bongos and usually cencerro (a cow bell)
Congalero, conguero: someone who plays congas
Cymbalist: someone who plays cymbals
Drummer: a term usually used to describe someone who plays the drumset, hand drums or a single drum such as Snare drum.
Glockenspielist: someone who plays the glockenspiel.
Güirero: someone who plays the güira, a Dominican scraper used in merengue music
Marimbist: a marimba player
Panman, pannist: a steelpan player
Timbalero, timbero: someone who plays timbales
Timpanist: a timpani player
Vibraphonist: a vibraphone player
Xylophonist: a xylophone player
See also
Beatboxing
Bock-a-da-bock
Drum
Drum beat (including a list of drum beats)
Drum Corps International
Drum Kit
Drumline
Electronic drum
Hand percussion
Klopotec
Latin percussion
List of percussion instruments
List of percussionists
Musical Stones of Skiddaw
Orchestral percussion
Percussion notation
Percussive Arts Society
Pipes and Drums Corps
Vocal percussion
Notes and references
Further reading
James Blades, Percussion Instruments and Their History, (1970).
Shen, Sinyan, Acoustics of Ancient Chinese Bells, Scientific American, 256, 94 (1987).
External links
Drummer Brasil — Website for drummers and percussionists
Video clips of percussion instruments demonstrated
Drum Museum, Information about antique hand drums from Africa, New Guinea and the Himalayas
Category:Percussion music
Category:Performing arts