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Reality is the state of things as they actually exist, rather than as they may appear or may be thought to be. In its widest definition, reality includes everything that is and has being, whether or not it is observable or comprehensible.
Historically, philosophers have sometimes considered reality to include nonexistent things such as "gold mountains" in a sense referred to as a subsistence, as well. By contrast existence is often restricted solely to being (compare with nature).
Phenomenology is a philosophical method developed in the early years of the twentieth century by Edmund Husserl and a circle of followers at the universities of Göttingen and Munich in Germany. Subsequently, phenomenological themes were taken up by philosophers in France, the United States, and elsewhere, often in contexts far removed from Husserl's work.
The word phenomenology comes from the Greek phainómenon, meaning "that which appears", and lógos, meaning "study". In Husserl's conception, phenomenology is primarily concerned with making the structures of consciousness, and the phenomena which appear in acts of consciousness, objects of systematic reflection and analysis. Such reflection was to take place from a highly modified "first person" viewpoint, studying phenomena not as they appear to "my" consciousness, but to any consciousness whatsoever. Husserl believed that phenomenology could thus provide a firm basis for all human knowledge, including scientific knowledge, and could establish philosophy as a "rigorous science".
Husserl's conception of phenomenology has been criticised and developed not only by himself, but also by his student and assistant Martin Heidegger, by existentialists, such as Maurice Merleau-Ponty, Jean-Paul Sartre, and by other philosophers, such as Paul Ricoeur, Emmanuel Levinas, and Dietrich von Hildebrand.
For realists, the world is a set of definite facts, which exist independently of human perceptions ("The world is all that is the case" — Tractatus Logico-Philosophicus), and these facts are the final arbiter of truth. Michael Dummett expresses this in terms of the principle of bivalence: Lady Macbeth had three children or she did not; a tree falls or it does not. A statement will be true if it corresponds to these facts — even if the correspondence cannot be established. Thus the dispute between the realist and anti-realist conception of truth hinges on reactions to the epistemic accessibility (knowability, graspability) of facts.
A "fact" or factual entity, on the other hand, is a phenomenon that is perceived as an elemental principle. It is rarely one that could be subject to personal interpretation. Instead, it is most often an observed phenomenon of the natural world. The proposition that "viewed from most places on Earth, the Sun rises in the east" is a fact. It is a fact for people belonging to any group or nationality, regardless of which language they speak or which part of the hemisphere they come from. The Galilean proposition in support of the Copernican theory, that the sun is the center of the solar system, is one that states the fact of the natural world. However, during his lifetime Galileo was ridiculed for that factual proposition, because far too few people had a consensus about it in order to accept it as a truth, and at the time the Ptolemaic model was just as accurate a predictor. Fewer propositions are factual in content in the world, as compared to the many truths shared by various communities, which are also fewer than the innumerable individual world views. Much of scientific exploration, experimentation, interpretation and analysis is done on this level.
This view of reality is expressed in Philip K. Dick's statement that "Reality is that which, when you stop believing in it, doesn't go away."
A common colloquial usage would have reality mean "perceptions, beliefs, and attitudes toward reality," as in "My reality is not your reality." This is often used just as a colloquialism indicating that the parties to a conversation agree, or should agree, not to quibble over deeply different conceptions of what is real. For example, in a religious discussion between friends, one might say (attempting humor), "You might disagree, but in my reality, everyone goes to heaven."
Reality can be defined in a way that links it to world views or parts of them (conceptual frameworks): Reality is the totality of all things, structures (actual and conceptual), events (past and present) and phenomena, whether observable or not. It is what a world view (whether it be based on individual or shared human experience) ultimately attempts to describe or map.
Certain ideas from physics, philosophy, sociology, literary criticism, and other fields shape various theories of reality. One such belief is that there simply and literally is no reality beyond the perceptions or beliefs we each have about reality. Such attitudes are summarized in the popular statement, "Perception is reality" or "Life is how you perceive reality" or "reality is what you can get away with" (Robert Anton Wilson), and they indicate anti-realism — that is, the view that there is no objective reality, whether acknowledged explicitly or not.
Many of the concepts of science and philosophy are often defined culturally and socially. This idea was elaborated by Thomas Kuhn in his book The Structure of Scientific Revolutions (1962). The Social Construction of Reality a book about the sociology of knowledge written by Peter L. Berger and Thomas Luckmann was published in 1966.
On the one hand, ontology is the study of being, and the central topic of the field is couched, variously, in terms of being, existence, "what is", and reality. The task in ontology is to describe the most general categories of reality and how they are interrelated. If — what is rarely done — a philosopher wanted to proffer a positive definition of the concept "reality", it would be done under this heading. As explained above, some philosophers draw a distinction between reality and existence. In fact, many analytic philosophers today tend to avoid the term "real" and "reality" in discussing ontological issues. But for those who would treat "is real" the same way they treat "exists", one of the leading questions of analytic philosophy has been whether existence (or reality) is a property of objects. It has been widely held by analytic philosophers that it is not a property at all, though this view has lost some ground in recent decades.
On the other hand, particularly in discussions of objectivity that have feet in both metaphysics and epistemology, philosophical discussions of "reality" often concern the ways in which reality is, or is not, in some way dependent upon (or, to use fashionable jargon, "constructed" out of) mental and cultural factors such as perceptions, beliefs, and other mental states, as well as cultural artifacts, such as religions and political movements, on up to the vague notion of a common cultural world view, or Weltanschauung.
The view that there is a reality independent of any beliefs, perceptions, etc., is called realism. More specifically, philosophers are given to speaking about "realism about" this and that, such as realism about universals or realism about the external world. Generally, where one can identify any class of object, the existence or essential characteristics of which is said not to depend on perceptions, beliefs, language, or any other human artifact, one can speak of "realism about" that object.
One can also speak of anti-realism about the same objects. Anti-realism is the latest in a long series of terms for views opposed to realism. Perhaps the first was idealism, so called because reality was said to be in the mind, or a product of our ideas. Berkeleyan idealism is the view, propounded by the Irish empiricist George Berkeley, that the objects of perception are actually ideas in the mind. On this view, one might be tempted to say that reality is a "mental construct"; this is not quite accurate, however, since on Berkeley's view perceptual ideas are created and coordinated by God. By the 20th century, views similar to Berkeley's were called phenomenalism. Phenomenalism differs from Berkeleyan idealism primarily in that Berkeley believed that minds, or souls, are not merely ideas nor made up of ideas, whereas varieties of phenomenalism, such as that advocated by Russell, tended to go farther to say that the mind itself is merely a collection of perceptions, memories, etc., and that there is no mind or soul over and above such mental events. Finally, anti-realism became a fashionable term for any view which held that the existence of some object depends upon the mind or cultural artifacts. The view that the so-called external world is really merely a social, or cultural, artifact, called social constructionism, is one variety of anti-realism. Cultural relativism is the view that social issues such as morality are not absolute, but at least partially cultural artifact.
A Correspondence theory of knowledge about what exists claims that "true" knowledge of reality represents accurate correspondence of statements about and images of reality with the actual reality that the statements or images are attempting to represent. For example, the scientific method can verify that a statement is true based on the observable evidence that a thing exists. Many humans can point to the Rocky Mountains and say that this mountain range exists, and continues to exist even if no one is observing it or making statements about it. However, there is nothing that we can observe and name, and then say that it will exist forever. Eternal beings, if they exist, would need to be described by some method other than scientific.
Most modern Platonists avoid the possible ambiguity by not attributing material existence to universals, but merely claiming that they are.
Category:Philosophical terminology Category:Core issues in ethics Category:Ontology
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 33°0′0″N70°10′0″N |
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Name | Richard Sanderson |
Birth date | March 05, 1953 |
Birth place | Taplow, England |
Death date | |
Background | solo_singer |
Genre | Soft rock |
Occupation | singer |
Years active | 1968 - present |
Label | Disques Vogue, Warner Bros. |
Richard Sanderson (born 5 March 1953, Taplow) is a British singer.
Sanderson began playing piano from age five and picked up guitar at age 15. He is best known for his song "Reality", which was the title theme to the soundtrack to the 1980 film La Boum. The song became a hit in Europe in 1982, reaching #1 in 15 countries, including Germany, Austria, Italy and Switzerland and selling more than eight million copies worldwide. "Reality" is well known in Germany as it is been covered multiple times on DSDS, the German version of American Idol.
Despite his success in continental Europe, Sanderson is virtually unknown in the United Kingdom. He scored four films Resonnances, Acharnés, Adam et Ève, C'est facile et ça peut rapporter... 20 ans and the TV mini-series Unknown Images: The Vietnam War.
Category:Scottish male singers Category:Living people Category:1953 births
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 33°0′0″N70°10′0″N |
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Name | Charlie Brooker |
Birth name | Charlton Brooker |
Birth date | March 03, 1971 |
Birth place | Reading, Berkshire, England |
Nationality | British |
Television | Screen Burn TVGoHome Nathan Barley Charlie Brooker's Screenwipe Dead Set Newswipe with Charlie Brooker You Have Been Watching Charlie Brooker's Gameswipe |
Occupation | Broadcaster, writer, columnist, comedian |
Spouse | Konnie Huq (2010–present) |
Years active | (1998–present) |
Brooker attended the Polytechnic of Central London (now the University of Westminster) — studying for a BA in Media Studies — he did not graduate. he noted how increasingly difficult he found it to reconcile his role in mainstream media and TV production with his writing as a scabrous critic or to objectively criticise those he increasingly works and socialises with. Long time covering contributor Grace Dent took over the column from him permanently.
From the autumn of 2005, he wrote a regular series of columns in The Guardian supplement "G2" on Fridays called "Supposing", in which he free-associated on a set of vague what-if themes. Since late October 2006 this column has been expanded into a full-page section on Mondays, including samples from TVGoHome and Ignopedia, an occasional series of pseudo-articles on topics mostly suggested by readers. The key theme behind Ignopedia was that, while Wikipedia is written and edited by thousands of users, Ignopedia would be written by a single sub-par person with little or no awareness of the facts.
On 24 October 2004, he wrote a column on George W. Bush and the forthcoming 2004 US Presidential Election which concluded:
The Guardian withdrew the article from its website and published and endorsed an apology by Brooker. He has since commented about the remark in the column stating: }}
Brooker left the "Screen Burn" column in 2010 but continues to contribute other articles to The Guardian on a regular basis.
In 2000, Brooker was one of the writers of the Channel 4 show The Eleven O'Clock Show and a co-host (with Gia Milinovich) on BBC Knowledge's The Kit, a low-budget programme dedicated to gadgets and technology (1999–2000). In 2001, he was one of several writers on Channel 4's controversial Brass Eye special on the subject of paedophilia.
Together with Brass Eye's Chris Morris, Brooker co-wrote the sitcom Nathan Barley, based on a character from one of TVGoHome's fictional programmes. The show was broadcast in 2005 and focused on the lives of a group of London media 'trendies'. The same year, he was also on the writing team of the Channel 4 sketch show Spoons, produced by Zeppotron.
In 2006, Brooker began writing and presenting his signature television series Charlie Brooker's Screenwipe on BBC Four, a TV review programme in a similar style to his Screen Burn columns in The Guardian. After an initial pilot series of three editions in April of that year, the programme returned in the autumn for a second run of four episodes plus Christmas and Review of the Year specials in December 2006. A third series followed in February 2007 with a fourth broadcast in September 2007, followed by a Review of the Year in December 2007. The fifth series started in November 2008 and was followed by another Review of the Year special. This series was also the first to be given a primetime repeat on terrestrial television (BBC 2), in January 2009.
Screenwipe's format mostly consists of two elements. The first is the playing of clips from other television shows – both mainstream and obscure – interspersed with shots of Brooker, sitting in his living room, delivering witty critiques on them. The second is where Brooker explains, again with a slice of barbed humour, the way in which a particular area of the television industry operates. Also occasionally present are animations by David Firth and guest contributions, which have included the poetry of Tim Key, and segments in which a guest explains their fascination with a certain television show or genre.
Brooker has regularly experimented with Screenwipe, with some editions focusing on a specific theme. These themes have included American television, TV news, advertising and children's programmes. (The last of these involved a segment where Brooker joined the cast of Toonattik for one week, playing the character of "Angry News Guy".) Probably the most radical departure from the norm came with an episode focused on scriptwriting, which saw several of British television's most prominent writers interviewed by Brooker.
As per the development of his career with The Guardian, a similar show called Newswipe, focusing on current affairs reportage by the international news media, began on BBC4 on 25 March 2009. A second series began on 19 January 2010. He has also written and presented the one off special Gameswipe which focused on video games and aired on BBC4 on 29 September 2009.
Brooker has appeared on three episodes and one webisode of the popular BBC current affairs news quiz Have I Got News for You. He appeared on an episode of the Channel 4 panel show 8 Out of 10 Cats, The Big Fat Quiz of the Year 2009, Never Mind the Buzzcocks, and in December 2006 reviewed two games written by the presenters of VideoGaiden, on their show. He also made a brief appearance in the third and final instalment of the documentary series Games Britannia, discussing the rise and popularity of computer games.
Brooker wrote for the BBC Three sketch show Rush Hour.
In 2009, Brooker began hosting You Have Been Watching, a panel comedy tv quiz on Channel 4 which discusses television. It is in its second series.
On 6 May 2010, Brooker was a co-host of the Channel 4 alternative election night, along with David Mitchell, Jimmy Carr and Lauren Laverne. The telethon was interspersed with contributions from Brooker, some live in the studio but mostly pre-recorded. Notably, an "Election Special" of You Have Been Watching and two smaller segments in an almost identical style to Screenwipe (the only noticeable difference being that Brooker was sat in a different room). Brooker described the experience of live television as being so nerve-wracking he "did a piss" during the broadcast. A spin-off series, 10 O'Clock Live, is due to start in January 2011 with the same four hosts.
Brooker's "2010 Wipe", a review of 2010 in the style of Screenwipe/Newswipe/Gameswipe, was broadcast on BBC2 on 27 December 2010.
Brooker wrote Dead Set, a five part zombie horror thriller for E4 set in the Big Brother house. The show was broadcast in October 2008 to coincide with Halloween and was repeated on Channel 4 in January 2009 to coincide with Celebrity Big Brother, and again for Halloween later that year. It was produced by Zeppotron, which also produced Screenwipe.
Brooker told MediaGuardian.co.uk it comprised a "mixture of known and less well known faces" and "Dead Set is very different to anything I've done before, and I hope the end result will surprise, entertain and appall people in equal measure." He added that he has long been a fan of horror films and that his new series "could not be described as a comedy". "I couldn't really describe what it is but it will probably surprise people," Brooker said, adding that he plans to "continue as normal" with his print journalism.
Jaime Winstone starred as a runner on the TV programme, and Big Brother presenter Davina McCall guest starred as herself. Dead Set received a BAFTA nomination for Best Drama Serial.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 33°0′0″N70°10′0″N |
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Name | Antoine Dufour |
Landscape | yes |
Background | solo_singer |
Born | 1979 L'Épiphanie, Quebec, Canada |
Instrument | Guitar |
Genre | Folk, fingerstyle acoustic, instrumental |
Occupation | Guitarist |
Years active | 2003–present |
Label | CandyRat Records |
Url | http://www.antoinedufourmusic.com/ |
Antoine Dufour (born in L'Épiphanie, Quebec) is a French-Canadian acoustic guitarist currently signed to CandyRat Records.
Dufour has released four solo albums to date: Naissance, Development, Existence, and Convergences. He has garnered a sizeable fanbase through YouTube with live performances of his songs cut in the same studio as fellow guitarist Andy McKee, amongst other CandyRat performers. His most popular video is a cover of "Jerry's Breakdown" performed with Tommy Gauthier, who is himself an expert fiddler, using a single guitar between the two. Dufour has also released a fourth album (Still Strings) with Tommy Gauthier.
Dufour works on the side as a guitar instructor, offering lessons through Skype as well.
Many pay special attention to the red bandana/scarf tied around the end of his guitar's neck above the nut, seen in most of Dufour's YouTube videos - he has stated in interviews that this is used to mute the strings ringing above the nut as they would resonate after a hard strum.
Currently, his primary instrument is a guitar by Mario Beauregard. He endorses Stonebridge guitars, and uses his own signature Stonebridge CR23 model.
Category:1979 births Category:Canadian guitarists Category:Fingerstyle guitarists Category:Living people Category:People from Lanaudière
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.