| Name | Slate |
|---|---|
| Type | Metamorphic |
| Type link | Metamorphic rock |
| Composition | quartz, muscovite/illite |
| Composition secondary | biotite, chlorite, hematite, pyrite |
The word "slate" is also used for some objects made from slate. It may mean a single roofing slate, or a writing slate, traditionally a small piece of slate, often framed in wood, used with chalk as a notepad or noticeboard etc., and especially for recording charges in pubs and inns. The phrase "clean slate" or "blank slate" comes from this use.
Slate is particularly suitable as a roofing material as it has an extremely low water absorption index of less than 0.4%. Its low tendency to absorb water also makes it very resistant to frost damage and breakage due to freezing.
Slate roof tiles are usually fixed using either nail fixing, or the hook fixing method as is common with Spanish slate. In the UK, nailing is typically done with double nails onto timber battens (England and Wales) or nailed directly onto timber sarking boards (Scotland and Northern Ireland). Nails will traditionally be copper, although modern alloy and stainless steel alternatives are known. Both these methods, if used properly, will provide a long-lasting weathertight roof with a typical lifespan of around 80–100 years.
Some mainland European slate suppliers suggest that using hook fixing means that :-
The metal hooks are, however, visible and may be unsuitable for historic properties.
Slate tiles are often used for interior and exterior flooring, stairs, walkways and wall cladding. Tiles are installed and set on mortar and grouted along the edges. Chemical sealants are often used on tiles to improve durability and appearance, increase stain resistance, reduce efflorescence, and increase or reduce surface smoothness. Tiles are often sold gauged, meaning that the back surface is ground for ease of installation. Slate flooring can be slippery when used in external locations subject to rain. Slate tiles were used in 19th century UK building construction (apart from roofs) and in slate quarrying areas such as Bethesda, Wales there are still many buildings wholly constructed of slate. Slates can also be set into walls to provide a rudimentary damp-proof membrane. Small offcuts are used as shims to level floor joists. In areas where slate is plentiful it is also used in pieces of various sizes for building walls and hedges, sometimes combined with other kinds of stone.
Due to its thermal stability and chemical inertness, slate has been used for laboratory bench tops and for billiard table tops. In 18th- and 19th-century schools, slate was extensively used for blackboards and individual writing slates for which slate or chalk pencils were used.
In areas where it is available, high-quality slate is used for tombstones, commemorative tablets and by artists in various genres.
Other areas known for slate production are the east coast of Newfoundland, the Slate Belt of Eastern Pennsylvania, Buckingham County Virginia (Buckingham Slate), and the Slate Valley of Vermont and New York, where colored slate is mined in the Granville, New York area.
A major slating operation existed in Monson, Maine, during the late 19th- and early-20th centuries. The slate found in Monson is usually a dark purple to blackish color, and many local structures are still roofed with slate tiles. The roof of St. Patrick's Cathedral was made of roofing slate from Monson, as was the headstone of John F. Kennedy.
Slate is also found in the Arctic and was used by the Inuit to make the blades for ulus.
Category:Metamorphic rocks Category:Building stone Category:Building materials Category:Natural materials Category:Dielectrics Category:Pavements Category:Stone
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Steven Arthur Pinker (born September 18, 1954) is a Canadian-American experimental psychologist, cognitive scientist, linguist and author of popular science writings. He is a Harvard College Professor and Johnstone Family Professor in the Department of Psychology at Harvard University and is known for his advocacy of evolutionary psychology and the computational theory of mind.
Pinker’s academic specializations are visual cognition and psycholinguistics. His academic pursuits include experiments on mental imagery, shape recognition, visual attention, children's language development, regular and irregular phenomena in language, the neural bases of words and grammar, and the psychology of innuendo and euphemism. He published two technical books which proposed a general theory of language acquisition and applied it to children's learning of verbs. In his less academic books, he argued that language is an "instinct" or biological adaptation shaped by natural selection. On this point, he opposes Noam Chomsky and others who regard the human capacity for language to be the by-product of other adaptations. He is the author of five books for a general audience, which include The Language Instinct (1994), How the Mind Works (1997), Words and Rules (2000), The Blank Slate (2002), and The Stuff of Thought (2007).
Pinker was named one of Time Magazine's 100 most influential scientists and thinkers in the world in 2004 and one of Prospect and Foreign Policy's 100 top public intellectuals in 2005. His research in cognitive psychology has won the Early Career Award (1984) and Boyd McCandless Award (1986) from the American Psychological Association, the Troland Award (1993) from the National Academy of Sciences, the Henry Dale Prize (2004) from the Royal Institution of Great Britain, and the George Miller Prize (2010) from the Cognitive Neuroscience Society. He has also received honorary doctorates from the universities of Newcastle, Surrey, Tel Aviv, McGill, and the University of Tromsø, Norway. He was twice a finalist for the Pulitzer Prize, in 1998 and in 2003. In 2010, he was named by Foreign Policy magazine to its list of top global thinkers.
In January 2005, Pinker defended Lawrence Summers, President of Harvard University, whose comments about the gender gap in mathematics and science angered much of the faculty.
On May 13, 2006, Pinker received the American Humanist Association's Humanist of the Year award for his contributions to public understanding of human evolution.
In 2007, he was invited on The Colbert Report and asked under pressure to sum up how the brain works in five words – Pinker answered Brain cells fire in patterns.
He has said, I was never religious in the theological sense... I never outgrew my conversion to atheism at 13, but at various times was a serious cultural Jew. As a teenager, he says he considered himself an anarchist until he witnessed civil unrest following a police strike in 1969. He has reported the result of a test of his political orientation that characterized him as neither leftist nor rightist, more libertarian than authoritarian.
;Vitae
;Reviews
Category:1954 births Category:Living people Category:American atheists Category:American Jews Category:American linguists Category:American psychologists Category:American science writers Category:Canadian atheists Category:Canadian expatriate academics in the United States Category:Canadian Jews Category:McGill University alumni Category:American people of Canadian-Jewish descent Category:Cognitive scientists Category:Harvard University alumni Category:Evolutionary psychologists Category:Harvard University faculty Category:Stanford University faculty Category:Jewish American scientists Category:Jewish atheists Category:Jewish scientists Category:People from Montreal Category:Anglophone Quebec people Category:American humanists Category:Dawson College alumni
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Rosenbaum spent more than ten years doing research on Adolf Hitler including travels to Vienna, Munich, London, Paris, and Jerusalem, interviewing leading historians, philosophers, biographers, theologians and psychologists. Some of those interviewed by Rosenbaum included Daniel Goldhagen, David Irving, Rudolph Binion, Claude Lanzmann, Hugh Trevor-Roper, Alan Bullock, Christopher Browning, George Steiner, and Yehuda Bauer. The result was his 1998 book, (Harper Collins. ISBN 0-679-43151-9).
In Explaining Hitler, Ron Rosenbaum also recounted in detail the previously little-reported story of the efforts of anti-Hitler journalists at the Munich Post who from 1920 to 1933, published repeated exposés on the criminal activities of the National Socialist German Workers Party (i.e. the Nazis). Matthew Ricketson, coordinator of the Journalism program at RMIT University's School of Applied Communication in Melbourne, Australia, called this book "a brilliant piece of research".
In 1987 he began writing a weekly column for the New York Observer called "The Edgy Enthusiast". He currently writes a column for Slate called The Spectator.
His most recent book is The Shakespeare Wars, which discussed recent controversies among literary historians, actors, and directors over how the works of William Shakespeare should be read, understood, and produced.
The article was widely criticised in the comments section of the same article. A strong source of criticism was his confusion of gnosticism and agnosticism (knowledge) with theism and atheism (religious faith) implying these terms are mutually exclusive when they are not. There was also criticism of his Straw Man portrayal of atheists.
Criticism also came from Matt Dillahunty and Jen Peeples during Episode 669 of The Atheist Experience and YouTube user ZJemptv amongst others.
Category:1946 births Category:American columnists Category:American Jews Category:American journalists Category:American writers Category:Jewish American writers Category:Living people Category:Nazi era scholars and writers Category:People from Long Island Category:Yale University alumni
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| Caption | Cameron speaking at TED in 2010. |
|---|---|
| Birth date | August 16, 1954 |
| Birth place | Kapuskasing, Ontario, Canada |
| Birth name | James Francis Cameron |
| Years active | 1978–present |
| Spouse | Sharon Williams (1978–1984) Gale Anne Hurd (1985–1989) Kathryn Bigelow (1989–1991) Linda Hamilton (1997–1999) Suzy Amis (2000–present) |
| Occupation | Film director, film producer, film editor, screenwriter, inventor |
James Francis Cameron (born August 16, 1954) is a Canadian film director, film producer, screenwriter, editor, and inventor. His writing and directing work includes (1981), The Terminator (1984), Aliens (1986), The Abyss (1989), (1991), True Lies (1994), Titanic (1997), and Avatar (2009). In the time between making Titanic and his return to feature films with Avatar, Cameron spent several years creating many documentary films (specifically underwater documentaries), and also co-developed the digital 3-D Fusion Camera System. Described by a biographer as part-scientist and part-artist, Cameron has also contributed to underwater filming and remote vehicle technologies.
In total, Cameron's directorial efforts have grossed approximately US$2 billion in North America and US$6 billion worldwide. Without adjusting for inflation, Cameron's Titanic and Avatar are the two highest-grossing films of all time at $1.8 billion and $2.7 billion respectively. In terms of worldwide gross, he is the second-highest grossing director of all time, behind Steven Spielberg.
After dropping out, he worked several jobs such as truck driving and wrote when he had time. During this period he taught himself about special effects: "I'd go down to the USC library and pull any thesis that graduate students had written about optical printing, or front screen projection, or dye transfers, anything that related to film technology. That way I could sit down and read it, and if they'd let me photocopy it, I would. If not, I'd make notes."
After seeing the original film in 1977, Cameron quit his job as a truck driver to enter the film industry. When Cameron read Syd Field's book Screenplay, it occurred to him that integrating science and art was possible, and he wrote a ten minute science fiction script with two friends, entitled Xenogenesis. They raised money and rented camera, lenses, film stocks, and studio, and shot it in 35mm. To understand how to operate the camera, they dismantled it and spent the first half-day of the shoot trying to figure out how to get it running.
Cameron's next project stemmed from an idea that had come up during a high school biology class. The story of oil-rig workers who discover otherworldly underwater creatures became the basis of Cameron's screenplay for The Abyss, which cast Ed Harris, Mary Elizabeth Mastrantonio and Michael Biehn. Initially budgeted at $41 million U.S. (though the production ran considerably over budget), it was considered to be one of the most expensive films of its time, and required cutting-edge effects technology. Because much of the film takes place underwater and the technology wasn't advanced enough to digitally create an underwater environment, Cameron chose to shoot much of the movie "reel-for-real", at depths of up to . For creation of the sets, the containment building of an unfinished nuclear power plant was converted, and two huge tanks were used. The main tank was filled with of water, and the second with . The cast and crew resided there for much of the shooting.
After the success of The Terminator, there had always been talks about a sequel to continue the story of Sarah Connor and her struggle against machines from the future. Although Cameron had come up with a core idea for the sequel, and Schwarzenegger expressed interest in continuing the story, there were still problems regarding who had the rights to the story, as well as the logistics of the special effects needed to make the sequel. Finally, in late-1980s, Mario Kassar of Carolco Pictures secured the rights to the sequel, allowing Cameron to greenlight production of the film, now called .
For the film, Linda Hamilton reprised her iconic role of Sarah Connor. In addition, Schwarzenegger also returned in his role as The Terminator, but this time as a protector. Unlike the T-800, who is made of a metal endoskeleton, the new villain of the sequel, called the T-1000, was a more advanced Terminator made of liquid metal, and with polymorphic abilities. The T-1000 would also be much less bulky than the T-800. For the role, Cameron cast Robert Patrick, a sharp contrast to Schwarzenegger. Cameron explained, "I wanted someone who was extremely fast and agile. If the T-800 is a human Panzer tank, then the T-1000 is a Porsche."
Cameron had originally wanted to incorporate this advanced-model Terminator into the first film, but the special effects at the time were not advanced enough. The ground-breaking effects used in The Abyss to digitally depict the water tentacle convinced Cameron that his liquid metal villain was now possible.
TriStar Pictures agreed to distribute the film, but under a locked release date only about one year after the start of shooting. The movie, co-written by Cameron and his longtime friend, William Wisher, Jr., had to go from screenplay to finished film in just that amount of time. Like Cameron's previous film, it was one of the most expensive films of its era, with a budget of about $100 million. The biggest challenge of the movie was the special effects used in creating the T-1000. Nevertheless, the film was finished on time, and released to theaters on July 3, 1991.
Terminator 2, or T2, as it was abbreviated, broke box-office records (including the opening weekend record for an R-rated film), earning over $200 million in the United States and Canada, and over $300 million in other territories, and became the highest-grossing film of that year. It won four Academy Awards: Best Makeup, Best Sound, Best Sound Effects Editing, and Best Visual Effects. It was also nominated for Best Cinematography and Best Film Editing, but lost both Awards to JFK.
James Cameron announced a third Terminator film many times during the 1990s, but without coming out with any finished scripts. Kassar and Vajna purchased the rights to the Terminator franchise from a bankruptcy sale of Carolco's assets. was eventually made and released in July 2003 without Cameron's involvement. Jonathan Mostow directed the film and Schwarzenegger returned as the Terminator.
Cameron reunited with the main cast of Terminator 2 to film , an attraction at Universal Studios Florida, Universal Studios Hollywood and Universal Studios Japan. It was released in 1996 and was a mini-sequel to Terminator 2: Judgment Day. The show is in two parts: a prequel segment in which a spokesperson talks about Cyberdyne, and a main feature, in which the performers interact with a 3-D movie.
Before the release of T2, Schwarzenegger came to Cameron with the idea of making a remake of the French comedy La Totale! Titled True Lies, with filming beginning after T2's release, the story revolves around a secret-agent spy who leads a double life as a married man, whose wife believes he is a computer salesman. Schwarzenegger was cast as Harry Tasker, a spy charged with stopping a plan by a terrorist to use nuclear weapons against the United States. Jamie Lee Curtis and Eliza Dushku played the character's family, and Tom Arnold the sidekick.
Cameron's Lightstorm Entertainment signed on with Twentieth Century Fox for production of True Lies. Made on a budget of $115 million and released in 1994, the film earned $146 million in North America, and $232 million abroad. The film received an Academy Award nomination for Best Visual Effects.
Cameron expressed interest in the famous sinking of the ship . He decided to script and film his next project based on this event. The picture revolved around a fictional romance story between two young lovers from different social classes who meet onboard the ship's maiden voyage. Before production began, he took dives to the bottom of the Atlantic and shot actual footage of the ship underwater, which he inserted into the final film.
For the film Titanic, Cameron cast Leonardo DiCaprio, Kate Winslet, and Billy Zane. Cameron's budget for the film reached about $200 million, making it the most expensive movie ever made at the time. Before its release, the film was widely ridiculed for its expense and protracted production schedule.
Released to theaters on December 19, 1997, Titanic grossed less in its first weekend ($28.6 million) than in its second, ($35.4 million), an increase of 23.8%. This is unheard of for a widely released film, which is a testament to the movie's appeal. This was especially noteworthy, considering that the film's running time of more than three hours limited the number of showings each theater could schedule. It held the No. 1 spot on the box-office charts for months, eventually grossing a total of over $600 million in the United States and Canada and more than $1.8 billion worldwide. Titanic became the highest-grossing film ever made, until Cameron's 2009 film Avatar. The CG visuals surrounding the sinking and destruction of the ship were considered spectacular. Despite criticism during production of the film, it received a record-tying 14 Oscar nominations (tied with All About Eve) at the 1998 Academy Awards. It won 11 Oscars (also record-tying with Ben-Hur and later ), including Best Picture, Editing, Sound, Special Effects, Music and Score, and the Best Director award for Cameron. Upon receiving the award, Cameron exclaimed, "I'm king of the world!", in reference to one of the main characters' lines from the film. In March 2010, Cameron revealed that Titanic will be re-released in 3D in April 2012, in order to coincide with the 100th anniversary of the sinking of the actual ship.
Cameron had initially next planned to do a film of the comic book character Spider-Man, a project developed by Menahem Golan of Cannon Films. Columbia hired David Koepp to adapt Cameron's treatment into a screenplay, and Koepp's first draft is taken often word-for-word from Cameron's story, though later drafts were heavily rewritten by Koepp himself, Scott Rosenberg, and Alvin Sargent. Columbia preferred to credit David Koepp solely, and none of the scripts before or after his were ever examined by the Writers Guild of America, East to determine proper credit attribution. Cameron and other writers objected, but Columbia and the WGA prevailed. In its release in 2002, Spider-Man had its screenplay credited solely to Koepp.
Unable to make Spider-Man, Cameron moved to television and created Dark Angel, a superheroine-centered series influenced by cyberpunk, biopunk, contemporary superhero franchises, and third-wave feminism. Co-produced with Charles H. Eglee, Dark Angel starred Jessica Alba as Max Guevara, a genetically enhanced transgenic super-soldier created by a secretive organization. Cameron's work was said to "bring empowered female warriors back to television screens[...] by mixing the sober feminism of his The Terminator and Aliens characters with the sexed-up Girl Power of a Britney Spears concert." While a success in its first season, low ratings in the second led to its cancellation. Cameron himself directed the series finale, a two-hour episode wrapping up many of the series' loose ends.
Cameron is a leading advocate for stereoscopic digital 3-D films. In a 2003 interview about his IMAX 3D documentary Ghosts of the Abyss, he mentioned that he is "going to do everything in 3D now". He has made similar statements in other interviews. Ghosts of the Abyss and Aliens of the Deep (also an IMAX documentary) were both shot in 3-D and released by Walt Disney Pictures and Walden Media, and Cameron did the same for his new project, Avatar for 20th Century Fox & Sony Pictures' Columbia Pictures. He intends to use the same technology for The Dive, Sanctum and an adaptation of the manga series Battle Angel Alita.
Cameron was a co-founder and former CEO of Digital Domain, a visual effects production and technology company.
In addition, he plans to create a 3-D project about the first trip to Mars. ("I've been very interested in the Humans to Mars movement—the 'Mars Underground'—and I've done a tremendous amount of personal research for a novel, a miniseries, and a 3-D film.") He is on the science team for the 2011 Mars Science Laboratory.
Cameron announced on February 26, 2007, that he, along with his director, Simcha Jacobovici, have documented the unearthing of the Talpiot Tomb, which is alleged to be the tomb of Jesus. Unearthed in 1980 by Israeli construction workers, the names on the tomb are claimed, by Cameron, to correlate with the names of Jesus and several individuals closely associated with him. Cameron further claims to have DNA tests, archaeological evidence, and Biblical studies to back up his claim. The documentary, named The Lost Tomb of Jesus, was broadcast on the Discovery Channel on March 4, 2007.
Avatar had an estimated budget of over $300 million and was released on December 18, 2009. This marked his first feature film since 1997's Titanic . It is composed almost entirely of computer-generated animation, using a more advanced version of the "performance capture" technique used by director Robert Zemeckis in The Polar Express. James Cameron wrote an 80 page scriptment for Avatar in 1995 and announced in 1996 that he would make the film after completing Titanic. In December 2006, Cameron explained that the delay in producing the film since the 1990s had been to wait until the technology necessary to create his project was advanced enough. The film was originally scheduled to be released in May 2009 but was pushed back to December 2009 to allow more time for post production on the complex CGI and to give more time for theatres worldwide to install 3D projectors. Cameron originally intended Avatar to be 3D-only. The film went on to break the record for highest-grossing film ever, beating Cameron's previous film Titanic. Avatar also became the first movie to ever earn more than $2 billion worldwide. It was nominated for nine Academy Awards, including Best Picture and Best Director, and won three for Best Cinematography, Best Visual Effects and Best Art Direction. Cameron lost the award for Best Director to his ex-wife, Kathryn Bigelow, who also took Best Picture with her film The Hurt Locker.
Cameron received the Bradbury Award from the Science Fiction and Fantasy Writers of America in 1991—but, being primarily thought of as a genre filmmaker, he did not receive any major mainstream filmmaking awards prior to Titanic. With Titanic, Cameron received Academy Awards for Best Film Editing (shared with Conrad Buff and Richard A. Harris), Best Picture (shared with Jon Landau), and Best Director. He also won a Golden Globe Award for best director for the film.
In recognition of "a distinguished career as a Canadian filmmaker", Carleton University, Ottawa, awarded Cameron the honorary degree of Doctor of Fine Arts on June 13, 1998. Cameron accepted the degree in person and gave the Convocation Address.
He also received an honorary doctorate in October 1998 from Brock University in St. Catharines, Ontario, for his accomplishments in the international film industry.
In 1998, Cameron attended convocation to receive an honorary doctorate of Laws from Ryerson University, Toronto. The university awards its highest honor to those who have made extraordinary contributions in Canada, or internationally.
In 1999, Cameron received the honorary Doctor of Fine Arts degree from California State University, Fullerton, where he had been a student in the 1970s. He received the degree at the university's annual Commencement exercises that year, where he gave the keynote speech.
In recognition of his contributions to underwater filming and remote vehicle technology, the University of Southampton awarded Cameron the honorary degree of Doctor of the University. Cameron received his degree in person at the graduation ceremony in July 2004.
On June 3, 2008, it was announced that he would be inducted into Canada's Walk of Fame. On December 18, 2009, the same day Avatar was released worldwide, Cameron received the 2,396th star on the Hollywood Walk of Fame.
On February 28, 2010 James Cameron was honored with a Visual Effects Society (VES) Lifetime Achievement Award.
With Avatar, Cameron has been nominated for three Academy Awards for Best Picture (shared with Jon Landau), Best Director and Best Film Editing (shared with John Refoua and Stephen E. Rivkin) and received the Golden Globe for Best Picture and Best Director. Cameron and Avatar lost the Academy Awards for Best Director and Best Picture to Cameron's former wife Kathryn Bigelow for her film, The Hurt Locker.
On September 24, 2010 James Cameron was named Number 1 in The 2010 Guardian Film Power 100 list. In a list compiled by the British magazine New Statesman in September 2010, he was listed 30th in the list of "The World's 50 Most Influential Figures 2010".
While The Abyss dealt with deep sea exploration (shot on a studio set), Cameron himself became an expert in the field of deep sea wreckage exploration exploring the wreckage of Titanic and Bismarck. Cameron will return to this theme with The Dive (see Projects), shooting from a minisub.
So important is technology in Cameron's films that he waited years for the technical tools of the craft to advance sufficiently to realize his vision for Avatar, for which he had special 3-D cameras developed.
Cameron's first film was the 1978 science fiction short film Xenogenesis, which he directed, wrote and produced. Cameron's films have grossed a total of over $7 billion worldwide.
In addition to works of fiction, Cameron has directed and appeared in several documentaries including Ghosts of the Abyss and Aliens of the Deep. He also contributed to a number of television series including Dark Angel and Entourage.
Cameron is a member of the NASA Advisory Council and is working on the project to put cameras on an upcoming manned Mars mission. He is also a member of the Mars Society, a non-profit advocacy organization lobbying for the human colonization of Mars.
In June 2010, Cameron met in Washington with the EPA to discuss possible solutions to the 2010 BP oil spill. Later that week at the All Things Digital Conference, he attracted some notoriety when he stated, "Over the last few weeks I've watched...and [been] thinking, 'Those morons don't know what they're doing'." Reportedly, Cameron had offered BP help to plug the oil well, but they declined. The oil spill was eventually stopped using techniques similar to what Cameron recommended.
Although Cameron has lived his entire adult life in the United States, he remains a Canadian citizen. Cameron applied for American citizenship but withdrew his application after George W. Bush won the presidential election in 2004.
Cameron is an atheist, and once as a child he described the Lord's Prayer as being a 'tribal chant'.
Cameron lives in Malibu, California with his wife.
After working with Cameron on the set of Titanic, Kate Winslet decided she would not work with Cameron again unless she earned "a lot of money." She admitted Cameron was a nice man, but felt he had too much of a temper. In an editorial, the British newspaper The Independent said that Cameron "is a nightmare to work with. Studios have come to fear his habit of straying way over schedule and over budget. He is notorious on set for his uncompromising and dictatorial manner, as well as his flaming temper.".
Sam Worthington, the latest lead actor to work with Cameron, stated on the Jay Leno Show that Cameron had very high expectations from everyone, and would often use a nail gun to nail the film crew's cell phones to a wall above an exit door in retaliation to unwanted ringing during production. During the promotion for Avatar, Cameron stated on Jimmy Kimmel Live! that although he doubts anyone would describe him as a mellow person, he is at least mellower than he was before.
Other actors, such as Bill Paxton and Sigourney Weaver, have praised Cameron's perfectionist work ethic. Weaver said of Cameron: "He really does want us to risk our lives and limbs for the shot, but he doesn't mind risking his own."
Category:1954 births Category:American Cinema Editors Category:Best Director Academy Award winners Category:Best Director Golden Globe winners Category:Best Film Editing Academy Award winners Category:Canadian atheists Category:Canadian expatriate film directors in the United States Category:Canadian film directors Category:Canadian immigrants to the United States Category:Canadian people of Scottish descent Category:Canadian screenwriters Category:English-language film directors Category:Living people Category:People from Kapuskasing Category:People from Niagara Falls, Ontario Category:People from Orange County, California Category:Producers who won the Best Picture Academy Award Category:Saturn Award winners Category:Special effects people
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![Dduallt station (pronounced [ðɨæɬt] Thee-ahlt) is a passenger station on the narrow gauge Ffestiniog Railway in northwest Wales, which was built in 1836 to carry dressed slate from Blaenau Ffestiniog to Porthmadog for export by sea. Dduallt is at a height of 540 ft (165 m) and a distance of 9 miles 44 chains (15.37 km) from Porthmadog.](http://web.archive.org./web/20110316051836im_/http://cdn.wn.com/pd/d1/92/3bf8d5a8c1c84bf499c60d20ece0_grande.jpg "Dduallt station (pronounced [ðɨæɬt] Thee-ahlt) is a passenger station on the narrow gauge Ffestiniog Railway in northwest Wales, which was built in 1836 to carry dressed slate from Blaenau Ffestiniog to Porthmadog for export by sea. Dduallt is at a height of 540 ft (165 m) and a distance of 9 miles 44 chains (15.37 km) from Porthmadog.")
![Dduallt station (pronounced [ðɨæɬt] Thee-ahlt) is a passenger station on the narrow gauge Ffestiniog Railway in northwest Wales, which was built in 1836 to carry dressed slate from Blaenau Ffestiniog to Porthmadog for export by sea. Dduallt is at a height of 540 ft (165 m) and a distance of 9 miles 44 chains (15.37 km) from Porthmadog.](http://web.archive.org./web/20110316051836im_/http://cdn.wn.com/pd/d1/92/3bf8d5a8c1c84bf499c60d20ece0_thumb.jpg "Dduallt station (pronounced [ðɨæɬt] Thee-ahlt) is a passenger station on the narrow gauge Ffestiniog Railway in northwest Wales, which was built in 1836 to carry dressed slate from Blaenau Ffestiniog to Porthmadog for export by sea. Dduallt is at a height of 540 ft (165 m) and a distance of 9 miles 44 chains (15.37 km) from Porthmadog.")
