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- Published: 13 Jul 2009
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Since 1969 AIR has operated its own professional audio recording facilities.
:"Recently refurbished control room now featuring 60 channels by SSL with automation and TR and 12 fully integrated channels by Rupert Neve of Focusrite, two 32track Mitsubishi X850 digital machines and 24track Studer A800. Digital mixing on two Mitsubishi X86. Very comprehensive ancillary equipment list."
Elton John recorded three albums at the Montserrat studio in the 1980s. Dire Straits recorded their successful Brothers in Arms album between 1984 and 1985. Other artists, such as Paul McCartney, Rush, The Police (Ghost in the Machine), Rolling Stones, Duran Duran, Little River Band, Sheena Easton, and Supertramp have also recorded albums there.
The Montserrat facility was mostly destroyed by Hurricane Hugo in 1989.
Category:Recording studios in London Category:George Martin Category:Companies established in 1965
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Name | Tina Arena |
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Background | solo_singer |
Birth name | Filippina Lydia Arena |
Born | November 01, 1967 |
Origin | Melbourne, Victoria, Australia |
Instrument | voice, piano |
Genre | Pop, classical, rock, dance |
Occupation | singer, songwriter, actress |
Years active | 1974–present |
Label | Columbia, EMI, Sony BMG |
Url | tinaarena.com |
Filippina Lydia "Tina" Arena (born 1 November 1967) is an Australian singer, songwriter and musical theatre actress. She has won several awards, most notably 6 ARIA Awards and in both 1996 and 2000 she received the World Music Award for the world's best selling Australian artist. She has sold approximately eight million records worldwide to date.
Arena's collaboration with Marc Anthony, "I Want to Spend My Lifetime Loving You", from The Mask of Zorro soundtrack, gave her a new kind of European success, tipping the scales of her success in France where both the song and the album became Top 3, which the album peaked at #3 and was certified 3× Platinum in France. Her first French single "Aller plus haut" has sold 617,000 copies in France and peaked at #2 on the French singles chart, her second French single "Les trois cloches" was released in 2000, which peaked at #4.
An attempt by Sony to "break" Arena into the American market prompted the release of "If I Was a River", penned by Diane Warren, prior to In Deep's release there. The single was not particularly successful despite numerous promotional appearances on television shows such as Donny & Marie, but in 1999 she met label-mate Donna Summer who asked her to join her in concert to sing "No More Tears (Enough is Enough)". The duet was well received and subsequently released on Summer's live album Live & More Encore.
Regardless of her recording achievements, musical theatre has always remained more than just a sideline for Arena. Her performance in the Australian production of Joseph and the Amazing Technicolor Dreamcoat, while still in her teens, was applauded by the show's producer, Andrew Lloyd Webber. She has since made acclaimed appearances in the UK production of Notre Dame de Paris, as Esmeralda, and as Sally Bowles in the Sam Mendes-directed Cabaret in 2002. Arena returned to the London stage in April 2007, starring as Roxie Hart in the hit West End production of Chicago.
In 2004, Arena released her first compilation album greatest hits album and release a new single Italian Love Song, peaked at #33 on the ARIA Charts, became her last single peaked in the top 50. After that she had a subsequent tour in late 2004-early 2005.
August 2008 saw Arena performing with Andrea Bocelli during his Australian tour. The two performed well received duets of "The Prayer", "Canto della Terra" and a cover of Elvis Presley's "Can't Help Falling in Love". Prior to the tour she had been in the UK recording her eighth studio album Songs of Love & Loss 2, which was released on 15 November 2008. For this album, her vocals were recorded live with the London Studio Orchestra, again conducted by Hale. at Sydney Mardi Gras 2009.]] Alongside fellow Australian singer and songwriter Darren Hayes, Arena appeared as a guest judge during the London auditions of Australian Idol's sixth season. The episode featuring Arena and Hayes aired on 27 August 2008. She again appeared as a guest judge on 16 November while she was in Australia to promote Songs of Love & Loss 2.
Arena has been awarded a Knighthood of the Order of National Merit, the second highest civil honour in France, by French President Nicolas Sarkozy in February 2009 for her contributions to French culture.
In March 2009, Arena toured Australia in support of her album Songs of Love & Loss 2 and also appeared as a surprise guest performer at the Sydney Gay & Lesbian Mardi Gras party singing a medley of "Aimer jusqu'à l'impossible" and "No More Tears (Enough Is Enough)" at 3 am accompanied by Alison Jiear on the latter.
2009 also saw the release of Arena's first French greatest hits album, The Best & le meilleur, and The Peel Me Sessions, an album of original material recorded in 2003 but rejected by her label at the time Sony.
Arena announced that she will release her seventh English studio album in 2011.
In 2000, Arena began dating French artist Vincent Mancini, sometimes credited as Vincent Hare. Together, they have a son Gabriel Joseph, born 17 November 2005. The family travel between France, Australia and the UK, but have been based in Paris since 2008.
;French studio albums
;Compilation albums
;Live albums
;DVDs
Category:1967 births Category:2000s singers Category:Living people Category:ARIA Award winners Category:Australian dance musicians Category:Australian expatriates in the United Kingdom Category:Australian female singers Category:Australian singer-songwriters Category:Australian people of Italian descent Category:Chevaliers of the Ordre national du Mérite Category:English-language singers Category:Expatriates in France Category:French-language singers Category:Australian singers of Italian descent Category:Singers from Melbourne
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Background | solo_singer |
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Born | June 24, 1944Wallington, England |
Instrument | Guitar, bass, talk box, vocals |
Genre | Blues-rock, jazz fusion, instrumental rock, hard rock, electronica, progressive rock |
Occupation | Musician, songwriter |
Years active | 1965–present |
Label | EMI, Epic |
Associated acts | The Yardbirds, The Jeff Beck Group, The Honeydrippers, Beck, Bogert & Appice, Stevie Ray Vaughan, Big Town Playboys, Upp, Eric Clapton |
Url | www.jeffbeck.com |
Notable instruments | Fender Jeff Beck Signature Model StratocasterJeff Beck 1954 Les Paul Oxblood |
Geoffrey Arnold "Jeff" Beck (born 24 June 1944) is an English rock guitarist. He is one of the three noted guitarists, along with Eric Clapton and Jimmy Page, to have played with The Yardbirds. Beck also formed The Jeff Beck Group, and Beck, Bogert & Appice, besides his successful solo career.
Jeff Beck was ranked 14th in Rolling Stone's list of the "100 Greatest Guitarists of All Time", Beck appears on albums by Mick Jagger, Kate Bush, Roger Waters, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May and ZZ Top. He also made a cameo appearance in the movie Twins (1988).
He has been inducted into the Rock and Roll Hall of Fame twice: as a member of The Yardbirds (1992) and as a solo artist (2009).
In February 1967 after recording the one-off song "Beck's Bolero" (with Jimmy Page, John Paul Jones, Nicky Hopkins, and Keith Moon) and having two solo vocals hit singles in the UK, ("Hi Ho Silver Lining" and "Tallyman") Beck formed a new band called The Jeff Beck Group, which featured him on lead guitar, Rod Stewart on vocals, Ronnie Wood on bass, Nicky Hopkins on piano, and a series of drummers, eventually settling on Micky Waller. During 1967 Pink Floyd wanted Beck to become their guitarist after the departure of Syd Barrett Still billed as Jeff Beck Group they were included on the bill for Rock at The Oval in September 1972, which marked the start of a tour schedule of UK, the Netherlands and Germany . A US tour began in October 1972, starting at the Hollywood Sportatorium Florida and concluded on 11 November 1972, at The Warehouse New Orleans.
Following an inconclusive audition to replace Mick Taylor as a lead guitarist for The Rolling Stones, Beck put together a live band for a US tour which was preceded by a small and unannounced gig in London. He toured through April and May 1975, mostly supporting the Mahavishnu Orchestra, retaining Max Middleton on keyboards but with the new rhythm section of Wilbur Bascomb (bass) and noted session drummer Bernard "Pretty" Purdie. During this tour he performed at Yuya Uchida's "World Rock Festival," playing a total of eight songs with Purdie. In addition, he performed a guitar and drum instrumental with Johnny Yoshinaga and, at the end of the festival, joined in a live jam with bassist Felix Pappalardi of Mountain and vocalist Akira "Joe" Yamanaka from the Flower Travellin' Band. Only his set with Purdie was recorded and released.
He returned to the studio and recorded Wired (1976), which paired the drummer and composer Narada Michael Walden and keyboardist Jan Hammer. The album used a jazz-rock fusion style which sounded similar to the work of his two collaborators. To promote the album, Beck joined forces with the Jan Hammer Group and they played a show supporting Alvin Lee at The Roundhouse in May 1976, before embarking on a seven-month long world tour. This resulted in the live album Jeff Beck with The Jan Hammer Group - Live (1977).
NME - September 1976The Shadows, Cliff Gallup, Ravi Shankar, Roy Buchanan, }} Beck stopped regular use of a pick (plectrum) in the 1980s. He produces a wide variety of sounds by using his fingers and the vibrato bar on his signature Fender Stratocaster, although he frequently uses a wah-wah pedal both live and in the studio. As Eric Clapton once said, "With Jeff, it’s all in his hands". }}
During the ARMS Charity Concerts in 1983 Beck used his battered Fender Esquire along with a 1954 Fender Stratocaster and a Jackson Soloist. On the Crazy Legs (1993) he played a Gretsch Duo Jet, his signature Fender Stratocaster and various other guitars. Recently Fender created a Custom Shop Tribute series version of his beat-up Fender Esquire as well as his Artist Signature series Stratocaster. The Seymour Duncan SH-4 JB guitar pick-up was designed for him.
Category:English blues guitarists Category:English songwriters Category:English rock guitarists Category:Lead guitarists Category:English vegetarians Category:Musicians from London Category:People from Wallington, London Category:Rock and Roll Hall of Fame inductees Category:The Yardbirds members Category:Grammy Award winners Category:Fingerstyle guitarists Category:1944 births Category:Living people Category:Blues-rock musicians
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Caption | James Wyatt: mezzotint after a portrait by his son Matthew Cotes Wyatt |
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Name | James Wyatt |
Birth name | James Wyatt |
Nationality | English |
Birth date | August 03, 1746 |
Birth place | Blackbrook Farm, Weeford |
Death date | September 04, 1813 |
Death place | 2 miles east of Marlborough in carriage accident |
Resting place | Westminster Abbey |
Significant buildings | Fonthill Abbey |
James Wyatt RA (August 3, 1746 – September 4, 1813), was an English architect, a rival of Robert Adam in the neoclassical style, who far outdid Adam in his work in the neo-Gothic style.
Back in England, his selection as architect of the proposed Pantheon or "Winter Ranelagh" in Oxford Street, London brought him almost unparalleled instant success. His brother Samuel was one of the principal promoters of the scheme, and it was doubtless due to him that the designs of a young and almost unknown architect were accepted by the Committee. When the Pantheon was opened in 1772, their choice was at once endorsed by the fashionable public: Horace Walpole pronounced it to be "the most beautiful edifice in England".
Externally it was unremarkable (illustration, right), but the classicising domed hall surrounded by galleried aisles and apsidal ends, was something new in assembly rooms, and brought its architect immediate celebrity. The design was exhibited at the Royal Academy, private commissions followed, and at the age of 26 Wyatt found himself a fashionable domestic architect and an Associate of the Royal Academy. His polished manners secured him friends as well as patrons among the great, and when it was rumoured that he was about to leave the country to become architect to Catherine II of Russia, a group of English noblemen is said to have offered him a retaining fee of £1,200 to remain in their service. His major neoclassical country houses include Heaton Hall near Manchester (1772), Heveningham Hall in Suffolk (circa 1788-99), and Castle Coole in Ireland, as well as Packington Hall in Staffordshire, the home of the Levett family for generations, and Dodington Park in Gloucestershire for the Codrington family.
Between 1805 and 1808 Wyatt remodelled West Dean House in West Dean, West Sussex. Wyatt’s work was remarkable because it is built entirely of flint, even to the door and window openings, which would normally be lined with stone.
In 1776, Wyatt succeeded Henry Keene as Surveyor to Westminster Abbey (in which year he was appointed Elizabeth, Countess of Home's architect on Home House, though he was sacked and replaced by Robert Adam a year later). In 1782 or 1783 he became, in addition, Surveyor of the Ordnance. The death of Sir William Chambers brought him the post of Surveyor General and Comptroller of the Works in 1796. , England. Designed by James Wyatt in the 1790s.]]
Wyatt was now the principal architect of the day, the recipient of more commissions than he could well fulfil. His widespread practice and the duties of his official posts left him little time to give proper attention to the individual needs of his clients. As early as 1790, when he was invited to submit designs for rebuilding St Chad's Church at Shrewsbury, he broke his engagements with such frequency that the committee "became at length offended, and addressed themselves to Mr. George Stewart". In 1804, Jeffry Wyatt told Farington that his uncle had lost "many great commissions" by such neglect. When approached by a new client, he would at first take the keenest interest in the commission, but when the work was about to begin he would lose interest in it and "employ himself upon trifling professional matters which others could do". His conduct of official business was no better than his treatment of his private clients, and there can be no doubt that it was Wyatt's irresponsible habits which led to the reorganization of the Board of Works after his death, as a result of which the Surveyor's office was placed in the hands of a political chief assisted by three "attached architects".
. Designed by James Wyatt in the 1780s.]] Wyatt was a brilliant but facile designer, whose work is not characterized by any markedly individual style. At the time he began practice the fashionable architects were the brothers Adam, whose style of interior decoration he proceeded to imitate with such success that they complained of plagiarism in the introduction to their Works in Architecture, which appeared in 1773. Many years later Wyatt himself told George III that "there had been no regular architecture since Sir William Chambers – that when he came from Italy he found the public taste corrupted by the Adams, and he was obliged to comply with it". Much of Wyatt's classical work is, in fact, in a chastened Adam manner with ornaments in Coade stone and "Etruscan" medallions executed in many cases by the painter Biagio Rebecca, who was also employed by his rivals. It was not until towards the end of his life that he and his brother Samuel (with whom must be associated their nephew Lewis) developed the severe and fastidious style of domestic architecture which is characteristic of the Wyatt manner at its best. (1) But among Wyatt's earlier works there are several (e.g., the Christ Church gateway and the mausoleum at Cobham) which show a familiarity with Chambers Treatise on the Decorative Part of Civil Architecture, and so permit the belief that if his artistic integrity had been greater Wyatt might have continued the Chambers tradition instead of falling in with the "corrupt taste" of the brothers Adam. Had he been given the opportunity of designing some great public building, it is possible that he would have shown himself a true disciple of Chambers; (2) but his career as a government architect coincided with the Napoleonic wars, and his premature death deprived him of participation in the metropolitan improvements of the reign of George IV.
Wyatt was elected to the Royal Academy in 1785, and took an active part in the politics of the Academy. In 1803 he was one of the members of the Council which attempted to assert its independence of the General Assembly of Academicians, and when the resultant dissensions led West to resign the Presidency in the following year, it was Wyatt who was elected to take his place. But his election was never formally approved by the King, and in the following year he appears to have acquiesced in West's resumption of office. Wyatt was one of the founders of the Architects' Club in 1791, and sometimes presided at its meetings at the Thatched House Tavern.
In 1802 Wyatt built a new house for the 7th Earl of Bridgewater on the Ashridge estate in Hertfordshire which is now a Grade 1 listed building. In 1803 Thomas Johnes hired Wyatt to design Saint Michel's Hafod Church, Eglwys Newydd, in Ceredigion, Wales.
Wyatt's principal draughtsman was Joseph Dixon, who, according to Farington, had been with him from the time of the building of the Pantheon.
He had many pupils, of whom the following is an incomplete list: William Atkinson; W. Blogg; H. Brown; Joseph Dixon (perhaps a son of the draughtsman); John Foster, junior of Liverpool; J. M. Gandy; C. Humfrey; H. Kitchen; W. Sanderson; R. Smith; Thomas and John Westmacott; M. Wynn; and his sons Benjamin and Philip Wyatt. Michael Gandy and P. J. Gandy-Deering were also in his office for a time.
[A.P.S.D.; D.N.B.; B.M., Egerton MS. 3515 (Wyatt family letters); A. Dale, James Wyatt, 1936; The Farington Diary, ed. J. Greig, passim; T. F. Hunt, Architettura campestre, 1827; Hist. MSS. Comm. XVth Report, Appendix VII, pp. 255, 281, 301; Fortescue, viii, 79, 87, 143, 178–9, 181, 204; Gent's Mag., 1813 ( ii), pp. 296–7; R. Turnor, James Wyatt, 1950, and review by John Summerson in New Statesman and nation, July 29, 1950.]
Category:English architects Category:Neoclassical architects Category:Deaths by horse-riding accident Category:1746 births Category:1813 deaths Category:Royal Academicians Category:Road accident deaths in England
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Name | Chris Botti |
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Background | non_vocal_instrumentalist |
Born | October 12, 1962 Portland, Oregon, U.S. |
Instrument | Trumpet |
Label | Columbia Records |
Genre | JazzSmooth Jazz |
Occupation | TrumpeterRadio presenter |
Url | chrisbotti.com |
Coming to prominence with the 2001 recording of his "Night Sessions" CD, Botti established a reputation as a versatile musician in both jazz and pop music for his ability to fuse both styles together.
He started playing the trumpet at 9-years-old and committed to the instrument at age 12, when he heard Miles Davis play "My Funny Valentine."
In 1983, he was selected as a member of McDonalds’ All American High School Jazz band which marked his first Carnegie Hall performance.
At the age of 17, he ended up at Mount Hood Community College in Gresham, Oregon by convincing his high school to allow him to fulfill his remaining senior year credits there. Botti constructed the scenario so that he could also play at Portland clubs in the evening. Mount Hood's program was headed by Larry McVey, whose band had come to be a proving ground and regular stop for Stan Kenton and Mel Tormé when they were looking for new players. It was here Botti played alongside his friend, trombonist and future Academy Award nominated filmmaker, Todd Field. After graduating from high school, Botti studied under jazz educator David Baker and trumpet professor Bill Adam at Indiana University. Botti was also the recipient of two grants from the National Endowment for the Arts which allowed him to study with trumpeter Woody Shaw and saxophonist George Coleman during two consecutive summer breaks.
In 1990, he began a decade long touring and recording relationship with Paul Simon which broadened his exposure to other singers. During that period, he also performed/recorded with Aretha Franklin, Natalie Cole, Bette Midler, Joni Mitchell, Natalie Merchant, Scritti Politti, Roger Daltrey and others.
On August 15, 1991, Botti performed with Paul Simon in New York’s Central Park as part of the The Rhythm of the Saints tour. The performance was commercially released as the Concert in the Park CD. While on tour with Simon, he met saxophonist Michael Brecker, which led to Botti producing the Brecker Brothers’ Out of the Loop. The album won a 1995 Grammy for Best Contemporary Jazz Performance.
Botti was also a member of Bruford Levin Upper Extremities, a more experimental, jazz fusion-oriented group. He composed the score and recorded a soundtrack for the 1996 film Caught.
In 1999, he was invited to tour with Sting as a featured soloist in the Brand New Day tour. The two-year run culminated in All This Time, a CD/DVD-taping and webcast performance from Sting’s estate in Tuscany on September 11, 2001. Botti attributes his relationship with Sting as having changed the course of his career.
A Thousand Kisses Deep, was released in 2003 and contained a group of originals and covers that accent Botti’s crossover appeal as both a jazz and pop musician.
When I Fall In Love followed in 2004, which featured a more traditional sound than its predecessor.
To Love Again: The Duets, released in 2005, continued where the previous album left off with more lush orchestral jazz via the London Session Orchestra, this time showcasing guest vocalists—as well as a handful of instrumental tracks.
In May '05, Botti was invited to perform at Oprah Winfrey’s Legends Ball weekend honoring her African American heroines. In November, he performed in the opening of the Victoria's Secret Fashion Show.
In 2006, Billy Childs, Gil Goldstein & Heitor Pereira won the Grammy for Best Instrumental Arrangement Accompanying Vocalist(s): "What Are You Doing the Rest of Your Life?" (Chris Botti & Sting) from Botti's album To Love Again - The Duets. 2006 also marked his first PBS collaboration, Chris Botti Live: With Orchestra and Special Guests, released in early 2006. The CD and platinum-certified DVD included duets with Sting, Burt Bacharach, Gladys Knight, Jill Scott and Renee Olstead.
On September 25, 2007, Botti released an album entitled Italia. The album places focus on Botti's Italian roots through such songs as "Ave Maria", "Venice", "Estatè", and the title track "Italia", where he partnered with Andrea Bocelli, In December 2007, it was nominated for the Grammy Award for Best Pop Instrumental Album. Botti also performed the song with Bocelli during the 2007 edition of the Teatro del Silenzio, which was released on DVD titled Vivere Live in Tuscany, in 2008.
Early in 2009, Botti released his second CD/DVD PBS project, Chris Botti in Boston. Performing with the Boston Pops Orchestra, Botti shared the stage with Yo Yo Ma, Steven Tyler, Josh Groban, Katharine McPhee, John Mayer, Sting and others.
As of June 2009, Botti has released twelve solo albums. His first few releases are often classified as smooth jazz, though critic Alex Henderson argues that Botti's music was a cut above much of the genre; reviewing his 1999 album, Slowing Down the World, Henderson writes "it would be a major mistake to lump it in with the outright elevator muzak that Kenny G, Dave Koz, Najee, and Richard Elliot were known for ... Botti is capable of a lot more."
He was named one of People Magazine's 50 Most Beautiful People of 2004.
For several years, Botti also hosted a radio show called Chill with Chris Botti, that focused mainly on "chill" music, which is described as "smooth jazz with a touch of cool jazz." In 2007, saxophonist Mindi Abair took over the hosting duties, and the show, using the same format as before, is now called Chill with Mindi Abair.
With the success of To Love Again, Botti hosted a special concert at the Wilshire Theatre in Los Angeles in December 2005 with many of the guest artists from the CD. It was recorded for airing on PBS in Spring 2006 as Chris Botti: Live with Orchestra and Special Guests, which also was released as a DVD.
Category:American radio personalities Category:American jazz trumpeters Category:Smooth jazz musicians Category:American people of Italian descent Category:American jazz musicians of Italian descent Category:People from Corvallis, Oregon Category:Indiana University alumni Category:1962 births Category:Living people
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