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The Vishnu Sahasranama declares Vishnu as Paramatma (supreme soul) and Parameshwara (supreme God). It describes Vishnu as the All-Pervading essence of all beings, the master of—and beyond—the past, present and future, the creator and destroyer of all existences, one who supports, sustains and governs the Universe and originates and develops all elements within.
In the Puranas, Vishnu is described as having the divine colour of water filled clouds, four-armed, holding a lotus, mace, conch (shankha) and chakra (wheel). Vishnu is also described in the Bhagavad Gita as having a 'Universal Form' (Vishvarupa) which is beyond the ordinary limits of human perception.
The Purana also describe each of the Dasavatara of Vishnu. Among these ten principal avatara described, nine have occurred in the past and one will take place in the future, at the end of Kali Yuga. In the commentary of creator Brahma in Vishnu Sahasranamam, he refers to Vishnu as "Sahasrakoti Yuga Dharine", which means that these incarnations take place in all Yugas in cosmic scales. The Bhagavad Gita mentions their purpose as being to rejuvenate Dharma and vanquish negative forces as also to display His divine pastimes in front of the conditioned/fallen souls. In almost all Hindu denominations, Vishnu is either worshiped directly or in the form of his ten avatara, such as Rama and Krishna.
The Trimurti (; Sanskrit: ) is a concept in Hinduism "in which the cosmic functions of creation, maintenance, and destruction are personified by the forms of Brahma the creator, Vishnu the maintainer or preserver, and Shiva the destroyer or transformer." These three deities have been called "the Hindu triad" or the "Great Trinity". Of the three members of the Trimurti, the Bhagavata Purana, which espouses the Vaishnavite viewpoint, explains that the greatest benefit can be had from Vishnu.
The traditional explanation of the name involves the root , meaning "to settle" (cognate with Latin vicus, English -wich "village"), or also (in the Rigveda) "to enter into, to pervade", glossing the name as "the All-Pervading One". An early commentator on the Vedas, Yaska, in his Nirukta, defines Vishnu as vishnu vishateh "one who enters everywhere", and yad vishito bhavati tad vishnurbhavati "that which is free from fetters and bondages is Vishnu."
Vishnu itself is the second name in the Vishnu Sahasranama, the thousand names of Vishnu. Adi Sankara in his commentary on the sahasranama states derivation from , with a meaning "presence everywhere" ("As he pervades everything, vevesti, he is called Visnu",). Adi Sankara states (regarding Vishnu Purana, 3.1.45): "The Power of the Supreme Being has entered within the universe. The root means 'enter into.'" Swami Chinmayananda, in his translation of Vishnu sahasranama further elaborates on that verse: "The root Vis means to enter. The entire world of things and beings is pervaded by Him and the Upanishad emphatically insists in its mantra 'whatever that is there is the world of change.' Hence, it means that He is not limited by space, time or substance. Chinmayananda states that which pervades everything is Vishnu."
Two Rigvedic hymns in Mandala 7 are dedicated to Vishnu. In 7.99, Vishnu is addressed as the god who separates heaven and earth. This characteristic he shares with Indra, reflecting an earlier Indo-European myth where a heroic creator god first "cuts" or slays the primeval dragon, and then separates the two halves, thus creating the inhabitable world between heaven and earth. In Greek mythology, these functions became attached to separate deities, especially Cronus and Dionysus. In Vedic mythology, the feat of slaying the dragon becomes the main characteristic of Indra, while the separation of heaven and earth becomes associated with Vishnu.
Hymn 7.100 refers to the celebrated 'three steps' of Vishnu by which he strode over the universe and in three places planted his step. The 'Vishnu Sukta' (RV 1.154) says that the first and second of Vishnu's strides (those encompassing the earth and air) are visible to men and the third is in the heights of heaven (sky). This last place is described as Vishnu's supreme abode in RV 1.22.20: :The princes evermore behold / that loftiest place where Visnu is / Laid as it were an eye in heaven. (trans. Griffith) Griffith's "princes" are the sūri, either "inciters" or lords of a sacrifice, or priests charged with pressing the Soma. The verse is quoted as expressing Vishnu's supremacy by Vaishnavites.
Though such solar aspects have been associated with Vishnu by tradition as well as modern-scholarship, he was not just the representation of the sun, as he traverses in his strides both vertically and horizontally.
In hymns 1.22.17, 1.154.3, 1.154.4 he strides across the earth with three steps, in 6.49.13 , 7.100.3 strides across the earth three times and in 1.154.1, 1.155.5,7.29.7 he strides vertically, with the final step in the heavens. The same Veda also says he strode wide and created space in the cosmos for Indra to fight Vritra. By his stride he said to have made dwelling for men possible, the three being a symbolic representation of its all-encompassing nature. This all-enveloping nature and benevolence to men were to remain the enduring attributes of Vishnu. As the triple-strider he is known as Tri-vikrama and as Uru-krama for the strides were wide.
The general view is that Vedas place Indra in considerably superior position to Vishnu. As per the English translations of the Rigveda, Vishnu always extols and lauds the Majesty of Indra. He sings the praise of Indra. The eighth mandala of Rigveda clearly says that Vishnu derived his energy from Indra. The three steps of Vishnu was possible only because he derived his energy from Indra. "Visnu, Varuna, Mitra sing thy (indra's) praise: In thee the Maruts' company have great delight".(Rigveda 8:15:9) "This majesty of his, Visnu extols and lauds, making the stalk that gives the meath flow forth with might" (Rigveda 10:113:2) "Step forth with wider stride, my comrade Visnu; make room, Dyaus, for the leaping of the lightning.Let us slay Vrtra, let us free the rivers let them flow loosed at the command of Indra" (Rigveda 8:89:12 Several hymns in Vedas explicitly subordinates Vishnu.
However, Jan Gonda, the late Indologist, states that Vishnu, although remaining in the background of Indra's exploits, contributes by his presence, or is key to Indra's success. Vishnu is more than a mere companion, equal in rank or power to Indra, or sometime the one who made Indra's success possible. Vishnu is not a mere sacrificial deity; he is a God who lives in the highest celestial region, compared with those who live in the atmospheric or terrestrial regions; Moreover, Vishnu is a god who is content with mere prayer, unlike almost all of the other gods who receive sacrificial offerings such as havis or soma.
In the Puranas, Indra is described as having the status of the Lord or ruler/administrator of God's abodes i.e. Kailasha, Vaikuntha, Swarga and Naraka where the celestial beings resided with humans inhabiting Bhoomi or Earth. This is indicative of his position being higher or having overlordship over other celestial beings including the Sun God Suryanarayana (Surya), who also bears the name Vishnu, who hence, is a completely different entity who is not to be mixed or confused . However, despite having that status, Indra frequently becomes proud and haughty. This act of his incurs the displeasure of his creators namely Brahma, who along with Siva the Destroyer God start by giving boons to demons or Asuras like Hiranyaksha, Hiranyakashyapu, Ravana, who are able to defeat Indra in wars between the Devas and Asuras. Indra in turn has no option but to take advice of the sages who say that no one can save him but the Protector God Sreeman Narayana or Vishnu the Supreme Lord. Indra goes and prays before Vishnu for protection and the Supreme Lord obliges him by taking avatara or birth or generating himself on Earth in various forms i.e. first as amphibean, water-born being namely the Matsya or fish, then as a creature capable of living on land as well as water, i.e. the Koorma avatara (Tortoise), then half-man, half-animal namely Varaha (the Pig-faced/human-bodied Lord) and Narasimha (Lord with Lion face and claws and human body). Later the same Narayana or Vishnu appears as full-fledged human being in the form of Vamana (the short-heighted person), Ram, Krishna, Balarama or Buddha and finally as Kalki avataram for performing his task of protecting his devotees from the Asuras or anti-God, anti-religious entities.
The Vaishnava canon claims absolute clarity in identification of the Supreme Lord Vishnu (Sreeman Narayana or Narayana) from the Vishnu of the Rig Veda who they claim is none other than the Sun God Suryanarayana, who incidentally is also bears a secondary name Vishnu. In the Vaishnava canon, Lord Vishnu or Sreeman Narayana who is their Supreme God. They believe the Vishnu of the Rig Vedas to be the Sun God Surya or Suryanarayana, who was also called and worshipped as Vishnu during the Rig Vedic period. This is borne out by the fact that neither are there no temples of the Vedic God Indra, nor is there any pronounced importance followed by worship of Indra in the Hindu religion, which practice was discontinued after Indra's defeat at the hands of the demons and Asuras and his forced abdication from the throne. Following this Vishnu takes his avatarams on earth and saves mankind, this according to the Vaishnavite canon led to Vishnu taking the place of the Supreme God with him not being worshipped and eulogized by Vaishnavites but also getting recognized by Shaivites and the Smarthas. A direct consequence of this was the almost complete absence of Indra from Hindu temples from the deities being considered fit for worshipping. A glaring example being quoted in support of non-worship of deities like Indra or non-prominence of other major Gods like Shiva, Brahma (who is in any case not having more than a temple or two on earth) by Vaishnavites is the fact of their Supreme Lord Vishnu or Narayana taking avatarams to defeat and kill either the demons or Asuras like Hiranyaksha, Hiranyakashyipu or Ravana who have vanquished Indra himself and/or demons who have empowered themselves by pleasing and getting boons from other powerful Gods like Brahma and Shiva. These demons received boons making them virtually indestructible by any person. But Narayana or Vishnu outwits them by appearing as half-human half-animal before demons like Hiranyakashyipu (who had taken a boon that he will not be killed at any specific time of the day or by any human or animal) or Ravana (who becomes invincible by taking a boon from God Shiva that he will not be killed by any Deva - a celestial being with godly powers) who is considered the greatest among devotees of Shiva gets slayed by Vishnu, who appears before him as a mere human being i.e. Lord Rama, the son of Dasharatha.
The Vaishnava canon thus claims supremacy of Vishnu even among the Gods by quoting his victories over or killing of those very powerful entities who are themselves devotees of other Gods like the creator Brahma or the destroyer Shiva. The Vaishnava canon finally distinguishes Narayana or the Supreme Lord Vishnu from other deities like Shiva the Destroyer or Brahma the creator, first by pointing out the accepted iconography or sculptures of Vishnu in reclining position as having the creator Brahma sprouting or emerging from Vishnu's navel i.e. showing Brahma himself as having been created by Vishnu out of his own person. This is interpreted as the creator being created by his own creator i.e. Brahma himself being created by Vishnu and going on to create the Universe on the instructions of Vishnu. Secondly, there is the act of the creator Brahma and the destroyer God Shiva go on to give boons to demons or Asuras and as a consequence of granting boons to evil beings, they divest themselves of their powers to eliminate them, which are now vested with the Supreme Lord among the Gods i.e. Vishnu or Narayana) also called Sreeman Narayana, who takes various avatars or forms to come to earth to slay or defeat those demons. This is again interpreted as the triumph of Lord Vishnu or [[Narayana because it would mean that Shiva and Brahma can only grant boons to good beings and since they cannot distinguish between the two types of beings, they have to entrust this responsibility to the God who protects all good beingsthey have no option but to leave all devotees under the care of the Protector Lord, i.e. the Supreme Lord of the Vaishnava canon, i.e. Lord Narayana or Vishnu. Third and lastly, the Vaishnava canon makes the final distinction in addition to the above two qualities of Lord Vishnu or Narayanato reinforce his pre-eminence and supremacy among all the Gods because Sreeman Narayana or Vishnu in his myriad forms never ever grants a wish to evil beings, as is done according to the Puranas by both the creator God Brahma or the destroyer God Shiva. So they regard Sreeman Narayana or Vishnu as a protector God who makes a clear distinction between bad and good beings and never favours or grants boons or wishes to evil entities as would be done by both Shiva and Brahma and is thus regarded by them as the only God worthy of worship as the preferred deity.
The above actions of Vishnu automatically led to the lowering of status of Indra among Hindu deities and leads directly to the ascendancy of Vishnu or Narayana, as per the Vaishnava canon.
Sayana writes that Aitareya Brahmana 1-1-1 ("Agnir vai devānām avamo Viṣṇuḥ paramas,tadantareṇa sarvā anyā devatā") doesn't indicate any hierarchy among gods. Even in Rigveda Samhita, where avama and parama are not applied to denote rank and dignity, but only to mark place and locality. In Rigveda 1:108:9,: yadindrāghnī avamasyāṃ pṛthivyāṃ madhyamasyāṃ paramasyāmuta sthaḥ |, i.e., in the lowest place, the middle (place), and the highest (place). Agni, the fire, has, among the gods, the lowest place; for he resides with man on the earth ; while the other gods are either in the air, or in the sky. Vishnu occupies the highest place ; for he represents (in the Rigveda) the sun in its daily and yearly course. The words 'avama' and 'parama' is to be understood as 'First' and 'Last' respectively. To prove this meaning to be the true one, Sayana adduces the mantra (1,4. As'val. Sr. S. 4, 2), agnir mukham prathamo devatanam samgathanam uttamo Vishnur asit, i.e., Agni was the first of the deities assembled, (and) Vishnu the last. In the Kausitaki-Brahmana (7, 1) Agni is called avarardhya (instead of avama), and Visnu parardhya(instead of parama),i.e., belonging to the lower and higher halves (or forming the lower and higher halves). The Vishnu Purana gives tremendous importance to the worship of Vishnu, but mentions that sacrifices to Sreeman Narayana are to begin only with both the lighting of fire or 'Agni', pouring of sacrificial offerings to Narayana or Vishnu in 'Agni' so that those offerings reach the Supreme God Vishnu and are accepted by him. Worship of Lord Vishnu through Yagnyas (or Homams) and other rituals, will not bear fruit or the desired result in case 'Agni' is not given any role in the process.
Prof.Muller says "Although the gods are sometimes distinctly invoked as the great and the small, the young and the old (Rv. i. 27. 13), this is only an attempt to find the most comprehensive expression for the divine powers, and nowhere is any of the gods represented as the slave of others. It would be easy to find, in the numerous hymns of the Veda, passages in which almost every single god is represented as supreme and absolute" .
He who has no understanding, who is unmindful and always impure, never reaches that place, but enters into the round of births. But he who has understanding, who is mindful and always pure, reaches indeed that place, from whence he is not born again. But he who has understanding for his charioteer (intellect), and who holds the reins of the mind, he reaches the end of his journey, and that is the highest place of Vishnu.
* "I am the goal, the sustainer, the master, the witness, the abode, the refuge, and the most dear friend. I am the creation and the annihilation, the basis of everything, the resting place and the eternal seed." "But what need is there, Arjuna, for all this detailed knowledge? With a single fragment of Myself I pervade and support this entire universe." "If hundreds of thousands of suns were to rise at once into the sky, their radiance might resemble the effulgence of the Supreme Person in that universal form." "Abandon all varieties of religion and just surrender unto Me. I shall deliver you from all sinful reactions. Do not despair."
Vishnu is the only Bhagavan (which in Sanskrit means "possessing Divine Glory"), as declared in the Bhagavata 1.2.11 in the verse: "vadanti tat tattva-vidas tattvam yaj jnanam advayam brahmeti paramatmeti bhagavan iti sabdyate". The meaning of the verse is as follows: "Learned transcendentalists who know the Absolute Truth call this nondual substance Brahman, Paramatma and Bhagavan.
In the Vishnu Purana (6.5.79) the personality named Parashara Rishi defines six bhagas as follows:
: :
Jiva Gosvami explains the verse in his Gopala Champu (Pūrva 15.73) and Bhagavata Sandarbha 46.10:
: :
:"The substantives of the word bhagavat () are unlimited () knowledge (jñāna), energies (śakti), strength (bala), opulence (aiśvarya), heroism (vīrya), splendor (tejas), without (vinā) objectionable (heyair) qualities ()."
Vishnu possesses six such divine glories, namely, Omniscient; defined as the power to know about all beings simultaneously;
However, the actual number of auspicious qualities of Vishnu is countless, with the above-mentioned six qualities being the most important. Other important qualities attributed to Vishnu are Gambhirya (inestimatable grandeur), Audarya (generosity), and Karunya (compassion). Natya Shastra lists Vishnu as the presiding deity of the Sringara rasa.
The Rigveda says: Vishnu can travel in three strides. The first stride is the Earth. The second stride is the visible sky. The third stride cannot be seen by men and is the heaven where the gods and the righteous dead live. (This feature of three strides also appears in the story of his avatar Vamana called Trivikrama.) The Sanskrit for "to stride" is the root kram; its reduplicated perfect is chakram ( grade) or chakra (zero-grade), and in the Rigveda he is called by epithets such as = "he who has made 3 strides". The Sanskrit word chakra also means "wheel". That may have suggested the idea of Vishnu carrying a chakra.
See also Pañcaratra
During the Vedic period, both Vishnu and Shiva (as identified with Rudra) played relatively minor roles, but by the time of the Brahmanas (c. 1000-700 BCE), both were gaining ascendance. By the Puranic period, both deities had major sects that competed with one another for devotees. Many stories developed showing different types of relationships between these two important deities.
Sectarian groups each presented their own preferred deity as supreme. Vishnu in his myths "becomes" Shiva. The Vishnu Purana (4th c. CE) shows Vishnu awakening and becoming both to create the world and Shiva to destroy it. Shiva also is viewed as a manifestation of Vishnu in the Bhagavata Purana. In Shaivite myths, on the other hand, Shiva comes to the fore and acts independently and alone to create, preserve, and destroy the world. In one Shaivite myth of the origin of the lingam, both Vishnu and are revealed as emanations from Shiva's manifestation as a towering pillar of flame. The Śatarudrīya, a Shaivite hymn, says that Shiva is "of the form of Vishnu". Differences in viewpoints between the two sects are apparent in the story of (also spelled "Sharabha"), the name of Shiva's incarnation in the composite form of man, bird, and beast. Shiva assumed that unusual form to chastise Vishnu in his hybrid form as Narasimha, the man-lion, who killed Hiranyakashipu, an ardent devotee of Shiva. However, Vaishnava followers including Dvaita scholars, such as Vijayindra Tirtha (1539–95) dispute this view of Narasimha based on their reading of Sattvika Puranas and Śruti texts.
Syncretic forces produced stories in which the two deities were shown in cooperative relationships and combined forms. Harihara is the name of a combined deity form of both Vishnu (Hari) and Shiva (Hara). This dual form, which is also called Harirudra, is mentioned in the Mahabharata. An example of a collaboration story is one given to explain Shiva's epithet , "lord of great strength" (Maha = "great", Bala = "strength", = "lord"). This name refers to a story in which was given a linga as a boon by Shiva on the condition that he carry it always. During his travels, he stopped near the present Deoghar in Jharkhand to purify himself and asked Narada, a devotee of Vishnu in the guise of a Brahmin, to hold the linga for him, but after some time, Narada put it down on the ground and vanished. When Ravana returned, he could not move the linga, and it is said to remain there ever since. The story of Gokarna in Karnataka is also similar in that Ravana, on the way to Lanka from Kailasa, gave the lingam to Ganesha to keep until he bathes, but Ganesha fits it in the earth, so the lingam is called Mahabaleshwara.As one story goes, Shiva is enticed by the beauty and charm of Mohini, Vishnu's female avatar, and procreates with her. As a result of this union, Ayyappa or Shasta identified with Ayyanar is born.
Vishnu is also associated with Bhudevi or Prithvi, the earth goddess; Tulsi; Ganga, goddess of river Ganges and also Saraswati, goddess of learning. In the Brahma Vaivarta Purana, verses 2.6.13-95 it is described that Vishnu has three wives, who constantly quarrel with each other, so that eventually, he keeps only Lakshmi, giving Ganga to Shiva and Saraswati to Brahma.
Vishnu's vehicle is Garuda, the eagle, and he is commonly depicted as riding on his shoulders. Another name of him is "Veda-Atma" or The Soul of the Vedas and Vedic truth.
As Guru Kshethram, the guru of the devas, he is the arch-enemy of Shukra, the guru of the Asuras.
*He is to be depicted as a four-armed male-form: The four arms indicate his all-powerful and all-pervasive nature. The physical existence of Vishnu is represented by the two arms in the front while the two arms at the back represent his presence in the spiritual world. The Upanishad titled Gopal Uttartapani describes the four arms of Vishnu.
Naga with his consort Lakshmi pressing his feet.]] Vishnu is always to be depicted holding the four attributes associated with him, being: # A conch shell or Shankha, named "Panchajanya", held by the upper left hand, which represents Vishnu's power to create and maintain the universe. The Panchajanya represents the five elements or Panchabhoota - water, fire, air, earth and sky or space. It also represents the five airs or Pranas that are within the body and mind. The conch symbolizes that Vishnu is the primeval Divine sound of creation and universal maintenance. it also represented as Om. In the Bhagavad Gita, Krishna avatara states that of sound vibrations, 'He is Om'. # The chakra, a sharp-spinning discus-like weapon, named "Sudarshana", held by the upper right hand, which symbolizes the purified spiritualized mind. The name Sudarshana is derived from two words - Su, which means good, superior, and Darshan, which means vision or Sight; together, it is "Superior Vision". The chakra represents destruction of one's ego in the awakening and realization of the souls original nature and god, burning away of spiritual ignorance and illusion, and developing the higher spiritual vision and insight to realize god. # A mace or Gada, named "Kaumodaki", held by the lower left hand, symbolizes Vishnu's divine power is the source all spiritual, mental and physical strength. It also signifies Vishnu's power to destroy materialistic or demoniac tendencies called anarthas; within the person's consciousness that hinders them from reaching god. Vishnu's mace is the power of the Divine within us to spiritually purify and uplift us from our materialistic bonds. # A lotus flower or Padma, held by the lower right hand, represents spiritual liberation, Divine perfection, purity and the unfolding of Spiritual consciousness within the individual. The lotus opening its petals in the light of the Sun is indicative of the expansion and awakening of our long dormant, original spiritual consciousness in the light of god. The lotus in Vishnu's hand symbolizes that god is the power and source from which the universe and the individual soul emerges. It also represents Divine Truth or Satya, the originator of the rules of conduct or Dharma, and Divine Vedic knowledge or jnana. The lotus also symbolizes that Vishnu is the embodiment of spiritual perfection and purity. Also that He is the wellspring of these qualities and that the individual soul must seek to awaken these intrinsic Divine qualities from Vishnu by surrendering to and linking with Him. , Thailand depicting Vishnu mounted on his vahana Garuda]]
To this may be added, conventionally, the vanamaala flower garland and Vishnu's bow, the Shaarnga, and his sword Nandaka. A verse of the Vishnu Sahasranama stotram states;"vanamālī gadhī shārngī shanki chakri cha nandaki / shrīmān nārāyaņo vişņo vāsudevo abhirakşatu//"; translation: Protect us Oh Lord Narayana who wears the forest garland,who has the mace, conch , sword and the wheel. And who is called Vishnu and the Vasudeva.
In general, Vishnu is depicted in one of the following three ways: #Standing upright on a lotus flower, often with Lakshmi, his consort, beside him on a similar pedestal; #Reclining on the coiled-up thousand-hooded Shesha Naga, with his consort Lakshmi, seated at his feet; the assemblage rests on the "Kshira Sagar" (ocean of Milk). In this representation, Brahma is depicted as sitting on a lotus that grows out of Vishnu's navel. #Riding on the back of his eagle mount, known as Garuda. Another name for Garuda is "Veda atma"; Soul of the Vedas. The flapping of his wings symbolizes the power of the Divine Truth of Vedic wisdom. Also the eagle represents the soul. Garuda carrying Vishnu symbolizes the soul or jiva atma carrying the Super soul or Param atma within it.
Reviewers linked the imagery of the blue-skinned Na'vi in James Cameron's Avatar film to Vishnu as one of their possible conceptual prototypes, and called his traditional depiction on Garuda "'Avatar' prequel".
The character of Doctor Manhattan in Alan Moore's Watchmen is very much like an incarnation of Vishnu, or perhaps a Vishnu/Kali amalgam. He can take a gigantic, huge form, literally striding across mountains. He perceives time differently than humans. He can destroy, shape, and many other seemingly supernatural powers. He is even depicted using four arms in one scene. He can be in many places at once. The hydrogen symbol he inscribes on his forehead further extends the metaphor - it can represent a wheel, or an eye (furthering the suggestion of Kali).
shows Vishnu in the centre, his turtle avatar Kurma below, asuras and devas to left and right, and apsaras and Indra above, from Ankor Wat]] There are ten avatars of Vishnu (dashavatara) commonly considered as the most prominent:
# Vishnu. # Narasimha, the one (Lion) who defeats the riot (Nhara = to assure the trouble, simha = takes control about). # Parashurama, A Sage, Rama with the axe, who appeared in the Treta Yuga. # Rama, Sri Ramachandra, the prince and king of Ayodhya. # Kurma, the boar. # Krishna (meaning 'dark coloured' or 'all attractive' or the Existence of Bliss,), appeared in the Dwapara Yuga along with his brother Balarama. Balarama is included as the eighth Dasavatara which list Krishna as the source of all avatars, svayam bhagavan (this viewpoint is specific to Bhagavata, Gaudiya, Vallabhacarya and Nimbarka sampradayas) . # Buddha, the thinker. When Buddha is included there is any way to choose how to believe which god or stop it or how to believe without god too (See Gautama Buddha in Hinduism) # Kalki ("Eternity", or "timeless",destroyer of time or "The Destroyer of foulness"), who is expected to appear at the end of Kali Yuga, the time period in which we currently exist.
Though Buddha is not widely accepted as an avatar(incarnation) of Vishnu, one point is to be noted that the belief in the concept of Dasavatar predates the birth of Buddha. Ancient temples carvings reveals the presence of another avatar(incarnation) in between Rama and Krishna, named Balaram, who, is the elder brother of Krishna. The role of Balarama is still uncertain. Some Buddhist Dalits maintain that the Buddha is not an incarnation of Vishnu, in order that they may purchase some level of existence outside the Hindu caste system.
Some versions of the above list include Hayagriva amongst the Dasavataras. Apart from the above mentioned ten principal avatars, another 22 avatars are also given in Chapter 3, Canto 1 of the Bhagavata Purana. Following this list the Bhagavatam states that as well as these avatars "the incarnations of the Lord are innumerable, like rivulets flowing from inexhaustible sources of water".
manuscript, ca. 1690.]]
Vishnu has a large number of names and followers that are collected in the Vishnu sahasranama ("Vishnu's thousand names") from within the larger work Mahabharata. The character Bhishma recites the names before Krishna on the battlefield of Kurukshetra, praising him (Vishnu) as the supreme god. These Sahasranama are regarded as the essence of all Vedas by followers of Vaishnavism, who believe sincere chanting of Vishnu Sahasranama results in spiritual well-being and a greater awareness of God.
The names are generally derived from the anantakalyanagunas (meaning: infinite auspicious attributes). Some names are:
*Achintya (Incomprehensible, beyond understanding)
According to the Siddhartha-samhita there are twenty-four forms of Lord Vishnu. The twenty-four forms are {| | #Vasudeva #Sankarshana #Pradyumna #Aniruddha #Kesava #Narayana |
Category:Characters in the Bhagavata Purana * Category:Hindu gods Category:Rigvedic deities Category:Sanskrit words and phrases Category:Solar gods Category:Triple deities Category:Vaishnavism Category:Names of God Category:Savior gods
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