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Amber (or, technically, resinite) is fossilized tree resin (not sap), which has been appreciated for its color and natural organic beauty since Neolithic times. The two substances were confused because they both were found washed up on beaches. Ambergris is lighter than water and floats; whereas amber is lighter than stone, but not light enough to float. The word "ambar" was brought to Europe by the Crusaders. In French "ambre gris" was then distinguished from "ambre jaune": ambre gris (gray amber) was ambergris; ambre jaune (yellow amber) was the fossil resin we now call amber.
Amber is discussed by Theophrastus, possibly the first historical mention of the material, in the 4th century BC. The Greek name for amber was ηλεκτρον (electron) and was connected to the Sun God, one of whose titles was Elector or the Awakener. The modern terms "electricity" and "electron" derive from the Greek word for amber and come from William Gilbert's research showing that amber could attract other substances. The word "electron" was coined in 1891 by the Irish physicist George Stoney whilst analyzing elementary charges for the first time.
The presence of insects in amber was noticed by Pliny the Elder in his Naturalis Historia, and led him to theorise correctly that, at some point, amber had to be in a liquid state to cover the bodies of insects. Hence he gave it the expressive name of succinum or gum-stone, a name that is still in use today to describe succinic acid as well as succinite, a term given to a particular type of amber by James Dwight Dana (see below under Baltic Amber).
Heating amber will soften it and eventually it will burn, which is why in Germanic languages the word for amber is a literal translation of burn-Stone (In German it is Bernstein, in Dutch it is barnsteen etc.). Heated above 200°C, amber suffers decomposition, yielding an "oil of amber", and leaving a black residue which is known as "amber colophony", or "amber pitch"; when dissolved in oil of turpentine or in linseed oil this forms "amber varnish" or "amber lac".
Amber from the Baltic Sea has been extensively traded since antiquity and in the main land, from where amber was traded 2000 years ago, the natives called it glaes (referring to its see-through similarity to glass).
The Baltic Lithuanian term for amber is Gintaras and Latvian Dzintars. They and the Slavic jantar are thought to originate from Phoenician jainitar (sea-resin). However, while most Slavic languages, such as Russian and Czech, retain the old Slavic word, in the Polish language, despite still being correct, jantar is used very rarely (even considered archaic) and was replaced by the word bursztyn deriving from the German analogue.
The average composition of amber leads to the general formula C10H16O.
In darkly clouded and even opaque amber, inclusions can be imaged using high-energy, high-contrast, high-resolution x-rays.
Dominican amber, especially Dominican blue amber, is mined through bell pitting, which is dangerous due to the risk of the tunnel collapse.
When gradually heated in an oil-bath, amber becomes soft and flexible. Two pieces of amber may be united by smearing the surfaces with linseed oil, heating them, and then pressing them together while hot. Cloudy amber may be clarified in an oil-bath, as the oil fills the numerous pores to which the turbidity is due. Small fragments, formerly thrown away or used only for varnish, are now used on a large scale in the formation of "amberoid" or "pressed amber". The pieces are carefully heated with exclusion of air and then compressed into a uniform mass by intense hydraulic pressure; the softened amber being forced through holes in a metal plate. The product is extensively used for the production of cheap jewelry and articles for smoking. This pressed amber yields brilliant interference colors in polarized light. Amber has often been imitated by other resins like copal and kauri, as well as by celluloid and even glass. Baltic amber is sometimes colored artificially, but also called "true amber".
Much of the most highly-prized amber is transparent, in contrast to the very common cloudy amber and opaque amber. Opaque amber contains numerous minute bubbles. This kind of amber is known as "bony amber".
Although all Dominican amber is fluorescent, the rarest Dominican amber is blue amber. It turns blue in natural sunlight and any other partially or wholly ultraviolet light source. In long-wave UV light it has a very strong reflection, almost white. Only about 100 kg is found per year, which makes it valuable and expensive.
Sometimes amber retains the form of drops and stalactites, just as it exuded from the ducts and receptacles of the injured trees. It is thought that, in addition to exuding onto the surface of the tree, amber resin also originally flowed into hollow cavities or cracks within trees, thereby leading to the development of large lumps of amber of irregular form.
Ia:
Includes Succinite (= 'normal' Baltic amber) and Glessite.
Ib:
Like class Ia ambers, these are based on communic acid; however, they lack succinic acid. Resin from the extinct species Hymenaea protera is the source of Dominican amber and probably of most amber found in the tropics. It is not "succinite" but "retinite".
Class II:
These ambers are formed from resins with a sesquiterpenoid base, such as cadinene.
Modified Baltic amber – gemstone subjected only to thermal or high-pressure treatment, which changed its physical properties, including the degree of transparency and color, or shaped under similar conditions out of one nugget, previously cut to the required size.
Reconstructed (pressed) Baltic amber – gemstone made of Baltic amber pieces pressed in high temperature and under high pressure without additional components.
Bonded Baltic amber – gemstone consisting of two or more parts of natural, modified or reconstructed Baltic amber bonded together with the use of the smallest possible amount of a colorless binding agent necessary to join the pieces.
The chemical composition of the resin is, unfortunately, of limited utility in reconstructing the phylogenetic affinity of the resin producer. crustaceans, bacteria and amoebae, marine microfossils, wood, flowers and fruit, hair, feathers and other small organisms have been recovered in ambers dating to . Amber's place in culture and tradition lends it a tourism value; Palanga Amber Museum is dedicated to the mineral.
"Amber" perfumes may be created using combinations of labdanum, benzoin resin, copal (itself a type of tree resin used in incense manufacture), vanilla, Dammara resin and/or synthetic materials.
Azar, D. (2000). Les ambres Mésozoïques du Liban. Doctoral thesis. Universite Paris XI Orsay, France, 202 pp. Kaddumi, H. F. 2007: Amber of Jordan, the Oldest Prehistoric Insects in Fossilized Resin, Third edition. Publications of the Eternal River Museum of Natural History, Amman. 298 pp.
Category:Arabic words and phrases Category:Fossil resins Category:Gemstones Category:Amorphous solids
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