with its wings extended in the gull wing profile]] wing planform shapes: a swept wing KC-10 Extender (top) refuels a trapezoidal-wing F-22 Raptor fighter plane]]

A wing is a surface used to produce lift for flight through the atmosphere - or occasionally through another gaseous or fluid substance. Another word for an artificial wing is an airfoil, and airfoils always have a distinctive cross-sectional shape.

The word "wing" for many centuries (reportedly) referred only to the foremost limbs of birds, but the meaning of "wing" has been extended in recent centuries to include the wings of insects, bats, pterosaurs, and aircraft. The term "wing" has also been applied to an inverted airfoil that is used to generate a downward force on a race car to increase its traction in automobile racing.

The various species of penguins and their close relatives (such as auks) of flightless birds are avid swimmers, and they use use their (rather small) wings to swim through seawater.

A wing's aerodynamic quality is expressed as its lift-to-drag ratio. The lift generated by a wing at a given speed and angle of attack can be one to two orders of magnitude greater than the total drag on the wing. A high lift-to-drag ratio means that a significantly smaller thrust can be applied to the aircraft to propel its wings through the air and obtain the desired lift.

Design features

Aircraft wings may feature some of the following:

A rounded leading edge cross-section

A sharp trailing edge cross-section

Leading-edge devices such as slats, slots, or extensions

Trailing-edge devices such as flaps or flaperons (combination of flaps and ailerons)

Ailerons (usually near the wingtips) to roll the aircraft clockwise or counterclockwise about its long axis

Spoilers on the upper surface to disrupt the lift and to provide additional traction to an aircraft that has just landed but is still moving.

Vortex generators to help prevent flow separation in transonic flow

Wing fences to keep flow attached to the wing by stopping boundary layer separation from spreading

Winglets to keep wingtip vortices from increasing drag and decreasing lift

Dihedral, or a positive wing angle to the horizontal. This gives inherent stability in the roll direction. Anhedral, or a negative wing angle to the horizontal, has a destabilizing effect

Folding wings allow more aircraft to be carried in the confined space of the hangar deck of an aircraft carrier.

Variable-sweep wing or "swing wings" (in the jargon) to allow outstretched wings during low-speed flight (i.e. take-off and landing) and swept back wings for high-speed flight (including supersonic flight), such as in the F-111 Aardvark, the F-14 Tomcat, the Panavia Tornado, the MiG-23 the MiG-27, and the B-1B Lancer warplanes.

The aerodynamics of wings

Airbus A319-100. The slats at its leading edge and the flaps at its trailing edge are extended.]] The design and analysis of the wings of aircraft (and of certain spaceplanes, such as the NASA Space Shuttle) is one of the principal applications of the science of aerodynamics. Aerodynamics is a branch of fluid mechanics, and the properties of the airflow around any moving object can - in principle - be found by solving the Navier-Stokes equations of fluid dynamics. However, these equations are notoriously difficult to solve, except for simple geometries. Hence approximations must often be used.

For a wing to produce "lift", its "leading edge" must be pointed at a correct angle (within a certain range) into the relative flow of air past the aircraft. In this case, a region of lower-than-normal air pressure is generated over the top surface of the wing, with a higher pressure existing on the bottom of the wing. (See: airfoil) This higher pressure on the bottom of the wing is generally the normal atmospheric pressure, plus or minus a small percentage. Using instrumentation, these air pressure differences can be measured. Otherwise, they can be calculated approximately using basic physical principles, including Bernoulli's Principle. A simple diagram shows how Bernoulli's Principle is applicable.

The lower air pressure on the top of the wing generates a smaller downward force on the top of the wing than the upward force generated by the near-normal air pressure on the bottom of the wing. Hence, a net upward force acts on the wing. This force is called the "lift" generated by the wing.

The different velocities of the air passing by the wing, the air pressure differences, and the lift on the wing are intrinsically one phenomenon. It is therefore possible to calculate the values of any two of these from knowledge of the other one. For example the lift can be calculated from the pressure differences, or from different velocities of the air above and below the wing. There are doubtless other approaches in fluid dynamics to solving these problems. All of these approaches will result in the same answers if done correctly. Given a particular wing and its velocity through the air, debates over which mathematical approach is the most convenient to use can be misperceived by novices as differences of opinion about the basic principles of flight.

For a more detailed coverage see lift (force). alloy, or titanium, aircraft-like) which is prevented from buckling by span-wise "stringers".]]

(green) are used in various configurations to increase the wing area and to increase the lift. In conjunction with spoilers (red), flaps maximize drag and minimize lift during the landing roll.]]

A common misconception is that it is the shape of the wing that is essential to generate lift by having a longer path on the topside compared with the underside. Wings with this shape are normally used in subsonic flight and in sailing. However, for aerobatics symmetrically-shaped wings (above and below) generate lift using a positive angle of attack to deflect air downward; for supersonic flight aerofoils with complex asymmetrical shapes are used to minimise untoward differences between high- and low-speed flight. Symmetrical aerofoils are generally less efficient and lack the lift provided by cambered wings at the zero angle of attack but are used in aerobatics as they provide practical performance both upright and inverted. The fact that fighter planes can fly upside down demonstrates that wing shape cannot be the sole cause of lift.

The source of the above type of lift is a point of contention (see the talk pages of this article), with various people ascribing its source to the Venturi effect (one very similar to the Bernoulli effect), some to the Coanda effect, and some even asserting that neither one of these is relevant.

The common shapes of aircraft wings also depend on a large number of factors that are not at all related to their aerodynamics. For example, most aircraft wings need great strength, and hence they need to be thick enough to contain strong structural units such as trusses, spars, beams, tubes, and rods. Many wings also need space to contain fuel (for the so-called "wet wing", but not all aircraft have these), flight control units, and retractable landing gear.

The primary aerodynamic requirement on the cross-sectional shape of the wing is to keep air flowing smoothly over the entire surface of the wing. This is to generate the required lift and to minimize turbulence (which creates parasitic drag and other problems). For instance, the gradient of the low-pressure air over the rear half of the wing must be prevented from becoming too large. This would in effect “suck” the flowing air off of the surface of the wing. If that happened, the wing surface from there rearwards would become practically useless.

The shape chosen by the wing designers is always a compromise that depends upon
A. The intended operational ranges of airspeed, angle of attack, aerial maneuvers, and altitude.
B. The load (mass or weight) carried by the wing.
C. The strength required by the wings - including the strength needed for carrying engines, weapons if any, and flying in stormy weather, if necessary.
D. Whether the wing must contain fuel tanks, retractable landing gear, and other things secondary to its function of providing lift.

An example of the considerations that faced the designers of a well-known, large, heavy, warplane that has been in service for many decades is the Boeing B-52 Stratofortress.

A. The B-52's maximum airspeed is high subsonic, and it was designed to fly at high altitudes. It has low requirements on its range of angle attack and aerial maneuvers.
B. The B-52 is a large and extremely heavy warplane, designed to carry a huge load of jet fuel for long range, and extremely heavy weapons, including (formerly) nuclear weapons weighing 40,000 pounds, or a huge load of conventional aerial bombs.
C. The wings of the B-52 needed to be extremely strong just to carry its huge mass, and the large amount of jet fuel carried in its "wet wings". Also, it has eight powerful turbofan engines, all mounted in pods beneath its wings, and none in its fuselage. It was also designed to carry one quite-large Hound Dog cruise missile under each wing (long since retired from service, but replaced by other heavy weapons for it to carry). The wings had to have extra stength for flying in stormy weather, because it is a warplane that flies in fair weather or foul.
D. As already mention, the wings of the B-52 are "wet wings" that carry a large amount of jet fuel. On the other hand, the main, heavy landing gear of the B-52 is not in its wings, but rather they are mounted directly onto its fuselage, and they retract into its fuselage. The B-52 just has one light landing gear assembly in each wingtip, but they are there to keep the wingtips from dragging on the ground while taking off or landing.

Usually aircraft wings have various devices, such as flaps and/or slats. which allow the pilot(s) to modify shape and surface area of the wing to be able to change its operating characteristics in flight.

In 1948 Francis Rogallo invented the fully limp flexible wing which ushered new possibilities for aircraft. Near in time Domina Jalbert invented flexible un-sparred ram-air airfoiled thick wings. These two new branches of wings have been since extensively studied and applied in new branches of aircraft, especially altering the personal recreational aviation landscape.

spreads its wings.]]

The science of wings applies in other areas beyond conventional fixed-wing aircraft, including:

Hang gliders which use wings from fully-flexible (paragliders, gliding parachutes) wings, flexible wings (framed sail wings), to rigid wings.

Kites which use a vast variety of wings.

Flying model aiplanes

Helicopters which use a rotating wing with a variable pitch or angle to provide directional forces

The NASA Space Shuttle which uses its wings only for the lift needed during its descent to a runway. These types of aircraft are called spaceplanes

Some racing cars, especially Formula One cars, which use upside-down wings, (or airfoils) to give the cars greater traction at high speeds over 100 mph.

Sailboats which use sails as vertical wings with variable fullness and direction to move across water.

Structures with the same purpose as wings, but designed for use in liquid media, are generally called fins or hydroplanes, with hydrodynamics as the governing science, rather than aerodynamics. Applications of these arise in craft such as hydrofoils and submarines. Sailboats and sailing ships use both fins and wings.

See also

Bird flight

Flight feather

Flying and gliding animals

Insect flight

Kite types

Otto Lilienthal

List of soaring birds

Flight

Planform

Wing configuration

Wing suit

References

External links

How Wings Work - Holger Babinsky Physics Education 2003

"Physics of flight - revisited" Weltner and Ingelman-Sundberg

How Airplanes Fly: A Physical Description of Lift

Demystifying the Science of Flight - Audio segment on NPR's Talk of the Nation Science Friday

NASA's explanations and simulations

Flight of the StyroHawk wing

See How It Flies

Category:Aerodynamics Category:Aerospace engineering Category:Aircraft components Category:Bird anatomy Category:Bird flight Category:Wing design

Name	Sir Paul McCartney
Birth name	James Paul McCartney
Background	solo_singer
Img alt	A man in his early sixties, wearing a white shirt and black suspenders during a concert, playing a bass guitar.
Birth name	James Paul McCartney
Born	June 18, 1942 Liverpool, England, UK
Instrument	Vocals, bass, guitar, piano, keyboards, drums, ukulele, mandolin
Genre	Rock, psychedelic rock, experimental rock, rock and roll, pop, hard rock, classical music
Occupation	Musician, singer-songwriter, artist, composer, activist, record producer, film producer, businessman
Years active	1957–present
Label	Hear Music, Apple, Parlophone, Capitol, Columbia, Concord Music Group, EMI, One Little Indian, Vee-Jay
Associated acts	The Beatles, The Fireman, The Quarrymen, Wings, Linda McCartney, Denny Laine
Url
Notable instruments	Höfner 500/1 Rickenbacker 4001S Gibson Les Paul Epiphone Texan Epiphone Casino Fender Esquire Fender Jazz Bass Yamaha BB1200 Bass Wal 5-String Bass Martin D-28

Sir James Paul McCartney, MBE (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of The Beatles (1960–1970) and Wings (1971–1981), McCartney is the most commercially successful songwriter in the history of popular music, according to Guinness World Records.

McCartney gained worldwide fame as a member of The Beatles, alongside John Lennon, George Harrison, and Ringo Starr. McCartney and Lennon formed one of the most influential and successful songwriting partnerships and wrote some of the most popular songs in the history of rock music. After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine. McCartney is listed in Guinness World Records as the "most successful musician and composer in popular music history", with 60 gold discs and sales of 100 million singles in the UK.

BBC News Online readers named McCartney the "greatest composer of the millennium", and BBC News cites his Beatles song "Yesterday" as the most covered song in the history of recorded music—by over 2,200 artists—and since its 1965 release, has been played more than 7,000,000 times on American television and radio according to the BBC. Based on the 93 weeks his compositions have spent at the top spot of the UK chart, and 24 number one singles to his credit, McCartney is the most successful songwriter in UK singles chart history. As a performer or songwriter, McCartney was responsible for 32 number one singles on the US Billboard Hot 100 chart, and has sold 15.5 million RIAA certified albums in the US alone.

McCartney has composed film scores, classical and electronic music, released a large catalogue of songs as a solo artist, and has taken part in projects to help international charities. He is an advocate for animal rights, for vegetarianism, and for music education; he is active in campaigns against landmines, seal hunting, and Third World debt. He is a keen football fan, supporting both Everton and Liverpool football clubs. His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. McCartney is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010.

Childhood

McCartney was born in Walton Hospital in Liverpool, England, where his mother, Mary (born Mohan), had worked as a nurse in the maternity ward. He has one brother, Michael, born 7 January 1944. McCartney was baptised Roman Catholic but was raised non-denominationally: his mother was Roman Catholic and his father James, or "Jim" McCartney, was a Protestant turned agnostic.

In 1947, he began attending Stockton Wood Road Primary School. He then attended the Joseph Williams Junior School and passed the 11-plus exam in 1953 with three others out of the 90 examinees, thus gaining admission to the Liverpool Institute. In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison, who lived nearby. Passing the exam meant that McCartney and Harrison could go to a Grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work, but as Grammar school pupils, they had to find new friends.

now attracts large numbers of tourists.|alt=Exterior of a two-story brick building, with a hedge in front of it. Six windows are visible, three on each level, as are two doorways on the lower level.]] In 1955, the McCartney family moved to 20 Forthlin Road in Allerton. Mary McCartney rode a bicycle to houses where she was needed as a midwife, and an early McCartney memory is of her leaving when it was snowing heavily. On 31 October 1956, Mary McCartney, a heavy smoker, died of an embolism after a mastectomy operation to stop the spread of her breast cancer. The early loss of his mother later connected McCartney with John Lennon, whose mother Julia died after being struck by a car when Lennon was 17.

McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his two sons to be musical. Jim had an upright piano in the front room that he had bought from Brian Epstein's store. McCartney's grandfather, Joe McCartney, played an E-flat tuba. Jim McCartney used to point out the different instruments in songs on the radio, and often took McCartney to local brass band concerts. McCartney's father gave him a nickel-plated trumpet, but when skiffle music became popular, McCartney swapped the trumpet for a £15 Framus Zenith (model 17) acoustic guitar. As he was left-handed, McCartney found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his guitar strung the opposite way to a right-handed player. McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and also played his father's Framus Spanish guitar when writing early songs with Lennon. He later learned to play the piano and wrote his second song, "When I'm Sixty-Four". On his father's advice, he took music lessons, but since he preferred to learn 'by ear' he never paid much attention to them.

McCartney was heavily influenced by American Rhythm and Blues music. He has stated that Little Richard was his idol when he was in school and that the first song he ever sang in public was "Long Tall Sally", at a Butlins holiday camp talent competition.

Musical career

1957–1960

At the age of 15, McCartney met John Lennon and The Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957. He formed a close working relationship with Lennon and they collaborated writing many songs. Harrison joined the group in early 1958 as lead guitarist, followed in early 1960 by Lennon's art school friend, Stuart Sutcliffe on bass. By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "The Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They finally changed the name of the group to "The Beatles" in mid-August 1960 and recruited Pete Best at short-notice to become their drummer for an imminent engagement in Hamburg.

1960–1970: The Beatles

and John Lennon]] From May 1960, The Beatles were booked by Allan Williams, to perform at a club in Hamburg. For the next two years, The Beatles remained in Hamburg for much of the time, performing as a resident group in a number of Hamburg clubs. During their two-year Hamburg residency they returned to Liverpool from time to time, performing at the Cavern club. Prior to the end of the residency, Sutcliffe left the band, so McCartney, reluctantly, became The Beatles' bass player. The Beatles recorded their first published musical material in Hamburg, performing as the backing group for Tony Sheridan on the single "My Bonnie". This recording later brought the Beatles to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their next manager. Epstein eventually negotiated a record contract for the group with Parlophone in May 1962. After replacing Best with Ringo Starr on drums, The Beatles became popular in the UK in 1963 and in the US in 1964. In 1965, they were each appointed Members of the Order of the British Empire (MBE). After performing concerts, plays, and tours almost non-stop for a period of nearly four years, and giving more than one thousand four hundred live performances internationally, The Beatles gave their last commercial concert at the end of their 1966 US tour. They continued to work in the recording studio from 1966 until their break-up in 1970. In the eight years from 1962 to 1970, the group had released twenty-four UK singles and twelve studio albums, often released in different configurations in the USA and other countries (see discography).

Since 1970

concert, 1976]] After the break-up of The Beatles, McCartney continued his musical career, in solo work as well as in collaborations with other musicians. After releasing his solo album McCartney in 1970, he worked with Linda McCartney to record the album Ram in 1971. Later the same year, the pair were joined by guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, which was active between 1971 and 1981 and released numerous successful singles and albums (see discography). McCartney also collaborated with a number of other popular artists including Stevie Wonder, Michael Jackson, Eric Stewart, and Elvis Costello. In 1985, McCartney played "Let It Be" at the Live Aid concert in London, backed by Bob Geldof, Pete Townshend, David Bowie, and Alison Moyet. The 1990s saw McCartney venture into orchestral music, and in 1991 the Royal Liverpool Philharmonic Society commissioned a musical piece by McCartney to celebrate its sesquicentennial. He collaborated with Carl Davis to release Liverpool Oratorio; involving the opera singers Dame Kiri Te Kanawa, Sally Burgess, Jerry Hadley and Willard White, with the Royal Liverpool Philharmonic Orchestra and the choir of Liverpool Cathedral. The Prince of Wales later honoured McCartney as a Fellow of The Royal College of Music and Honorary Member of the Royal Academy of Music (2008). Other forays into classical music included Standing Stone (1997), Working Classical (1999), and Ecce Cor Meum (2006). It was announced in the 1997 New Year Honours that McCartney was to be knighted for services to music, becoming Sir Paul McCartney. In 1999, McCartney was inducted into the Rock and Roll Hall of Fame as a solo artist and in May 2000, he was awarded a Fellowship by the British Academy of Composers and Songwriters. The 1990s also saw McCartney, Harrison, and Starr working together on Apple's The Beatles Anthology documentary series.

Having witnessed the 11 September 2001 terrorist attacks from the JFK airport tarmac, McCartney took a lead role in organising The Concert for New York City. In November 2002, on the first anniversary of George Harrison's death, McCartney performed at the Concert for George. He has also participated in the National Football League's Super Bowl, performing in the pre-game show for Super Bowl XXXVI and headlining the halftime show at Super Bowl XXXIX.

in 2009.]] McCartney has continued to work in the realms of popular and classical music, touring the world and performing at a large number of concerts and events; on more than one occasion he has performed again with Ringo Starr. In 2008, he received a BRIT award for Outstanding Contribution to Music and an honorary degree, Doctor of Music, from Yale University. The same year, he performed at a concert in Liverpool to celebrate the city's year as European Capital of Culture. In 2009, he received two nominations for the 51st annual Grammy awards, while in October of the same year he was named songwriter of the year at the American Society of Composers, Authors and Publishers (ASCAP) Awards. On 15 July 2009, more than 45 years after The Beatles first appeared on American television on The Ed Sullivan Show, McCartney returned to the Ed Sullivan Theater and performed atop the marquee of Late Show with David Letterman. McCartney was portrayed in the 2009 film Nowhere Boy, about Lennon's teenage years, by Thomas Sangster.

On 2 June 2010, McCartney was honoured by Barack Obama with the Gershwin Prize for his contributions to popular music in a live show for the White House with performances by Stevie Wonder, Lang Lang and many others.

McCartney's enduring popularity has helped him schedule performances in new venues. He played three sold out concerts at newly-built Citi Field in Queens, New York (built to replace the Shea Stadium) in July 2009. On 18 August 2010, McCartney opened the Consol Energy Center in Pittsburgh, Pennsylvania.

McCartney has been touring for the past ten years with guitarists Rusty Anderson and Brian Ray, Paul "Wix" Wickens on keyboards and drummer Abe Laboriel, Jr. They performed together on 13 July 2010 in Salt Lake City as part of the Up and Coming Tour.

There are plans for an upcoming Paul McCartney tribute album to be released in 2010 with recordings of McCartney songs by Kiss, Garth Brooks, Billy Joel, B.B. King and others.

Creative outlets

During the 1960s, McCartney was often seen at major cultural events, such as the launch party for the International Times and at The Roundhouse (28 January and 4 February 1967 respectively). He also delved into the visual arts, becoming a close friend of leading art dealers and gallery owners, explored experimental film, and regularly attended movie, theatrical and classical music performances. His first contact with the London avant-garde scene was through John Dunbar, who introduced him to the art dealer Robert Fraser, who in turn introduced McCartney to an array of writers and artists. McCartney later became involved in the renovation and publicising of the Indica Gallery in Mason's Yard, London—John Lennon first met Yoko Ono at the Indica. The Indica Gallery brought McCartney into contact with Barry Miles, whose underground newspaper, the International Times, McCartney helped to start. Miles would become de facto manager of the Apple's short-lived Zapple Records label, and wrote McCartney's official biography, Many Years From Now (1997).

While living at the Asher house, McCartney took piano lessons at the Guildhall School of Music and Drama, which The Beatles' producer Martin had previously attended. McCartney studied composers such as Karlheinz Stockhausen, and Luciano Berio. McCartney later wrote and released several pieces of modern classical music and ambient electronica, besides writing poetry and painting. McCartney is lead patron of the Liverpool Institute for Performing Arts, an arts school in the building formerly occupied by the Liverpool Institute for Boys. The 1837 building, which McCartney attended during his schooldays, had become derelict by the mid-1980s. for the American network Westwood One, which he described as being "wide-screen radio". During the 1990s, McCartney collaborated with Youth of Killing Joke under the name The Fireman, and released two ambient electronic albums: Strawberries Oceans Ships Forest (1993) and Rushes (1998). In 2000, he released an album titled Liverpool Sound Collage with Super Furry Animals and Youth, utilising the sound collage and musique concrète techniques that fascinated him in the mid-1960s. In 2005, he worked on a project with bootleg producer and remixer Freelance Hellraiser, consisting of remixed versions of songs from throughout his solo career which were released under the title Twin Freaks. The Fireman's third album Electric Arguments was released on 25 November 2008. McCartney told L.A. Weekly in a January 2009, "Fireman is improvisational theatre ... I formalise it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I’m about to do. I usually have a song, and I know the melody and lyrics, and my performance is the only unknown."

Film

McCartney was interested in animated films as a child, and later had the financial resources to ask Geoff Dunbar to direct a short animated film called Rupert and the Frog Song, in 1981. McCartney was the producer, he wrote the music and the script, and also added some of the character voices. McCartney wrote and starred in the 1984 film Give My Regards to Broad Street. The film and soundtrack featured the popular hit "No More Lonely Nights", and the album reached #1 in the UK, but the film did not do well commercially or critically. Roger Ebert awarded the film a single star and wrote, "You can safely skip the movie and proceed directly to the sound track." Dunbar worked again with McCartney on an animated film about the work of French artist Honoré Daumier, in 1992, which won both of them a Bafta award. They also worked on Tropic Island Hum, in 1997. In 1995, McCartney directed a short documentary about The Grateful Dead.

In May 2000, McCartney released , a retrospective documentary that features behind-the-scenes films and photographs that Paul and Linda McCartney (who had died in 1998) took of their family and bands. Interspersed throughout the 88 minute film is an interview by Mary McCartney with her father. Mary was the baby photographed inside McCartney's jacket on the back cover of his first solo album, McCartney, and was one of the producers of the documentary.

Painting

In 1966, McCartney met art gallery-owner Robert Fraser, whose flat was visited by many well-known artists. McCartney met Andy Warhol, Claes Oldenburg, Peter Blake, and Richard Hamilton there, and learned about art appreciation. McCartney later started buying paintings by Magritte, and used Magritte's painting of an apple for the Apple Records logo. He now owns Magritte's easel and spectacles.

McCartney's love of painting surfaced after watching artist Willem de Kooning paint, in Kooning's Long Island studio. McCartney took up painting in 1983. In 1999, he exhibited his paintings (featuring McCartney's portraits of John Lennon, Andy Warhol, and David Bowie) for the first time in Siegen, Germany, and included photographs by Linda. He chose the gallery because Wolfgang Suttner (local events organiser) was genuinely interested in his art, and the positive reaction led to McCartney showing his work in UK galleries. The first UK exhibition of McCartney's work was opened in Bristol, England with more than 500 paintings on display. McCartney had previously believed that "only people that had been to art school were allowed to paint"—as Lennon had.

As an artist, Paul McCartney designed a series of six postage stamps issued by the Isle of Man Post on 1 July 2002. According to BBC News, McCartney seems to be the first major rock star in the world who is also known as a stamp designer.

Writing and poetry

When McCartney was young, his mother read him poems and encouraged him to read books. McCartney's father was interested in crosswords and invited the two young McCartneys (Paul and his brother Michael) to solve them with him, so as to increase their "word power". McCartney was later inspired—in his school years—by Alan Durband, who was McCartney's English literature teacher at the Liverpool Institute. Durband was a co-founder and fund-raiser at the Everyman Theatre in Liverpool, where Willy Russell also worked, and introduced McCartney to Geoffrey Chaucer's works. McCartney later took his A-level exams, but passed only one subject—Art.

In 2001 McCartney published 'Blackbird Singing', a volume of poems, some of which were lyrics to his songs, and gave readings in Liverpool and New York City. Some of them were serious: "Here Today" (about Lennon) and some humorous ("Maxwell's Silver Hammer"). In the foreword of the book, McCartney explained that when he was a teenager, he had "an overwhelming desire" to have a poem of his published in the school magazine. He wrote something "deep and meaningful", but it was rejected, and he feels that he has been trying to get some kind of revenge ever since. His first "real poem" was about the death of his childhood friend, Ivan Vaughan. McCartney collaborated with author Philip Ardagh and animator Geoff Dunbar to write the book.

Contact with fellow ex-Beatles

John Lennon

Although McCartney's post-Beatles relationship with John Lennon was troubled, they became close again briefly in 1974 and even played together for the only time since The Beatles split (see A Toot and a Snore in '74). In later years, the two grew apart again. McCartney would often call Lennon, but was never sure of what sort of reception he would get, such as when McCartney once called Lennon and was told, "You're all pizza and fairytales!" McCartney understood that he could not just phone Lennon and only talk about business, so they often talked about cats, baking bread, or babies. According to May Pang, during Lennon's "Lost Weekend" with her they planned to visit McCartney in New Orleans, where McCartney was recording the Venus and Mars album, but Lennon went back to Ono the day before the planned visit after Ono said she had a new cure for Lennon's smoking habit.

In a 1980 interview, Lennon said that the last time he had seen McCartney was when they had watched the episode of Saturday Night Live (May 1976) in which Lorne Michaels had made his $3,000 cash offer to get Lennon, McCartney, Harrison, and Starr to reunite on the show. McCartney and Lennon had seriously considered going to the studio, but were too tired. This event was fictionalised in the 2000 television film Two of Us. His last telephone call to Lennon, which was just before Lennon and Ono released Double Fantasy, was friendly. During the call, Lennon said (laughing) to McCartney, "This housewife wants a career!" which referred to Lennon's househusband years, while looking after Sean Lennon. In 1984, McCartney said this about the phone call: "Yes. That is a nice thing, a consoling factor for me, because I do feel it was sad that we never actually sat down and straightened our differences out. But fortunately for me, the last phone conversation I ever had with him was really great, and we didn't have any kind of blow-up." Linda McCartney, speaking in the same 1984 interview stated: "I know that Paul was desperate to write with John again. And I know John was desperate to write. Desperate. People thought, well, he's taking care of Sean, he's a househusband and all that, but he wasn't happy. He couldn't write and it drove him crazy. And Paul could have helped him... easily." Lennon's death created a media frenzy around the surviving members of The Beatles. On the evening of 9 December, as McCartney was leaving an Oxford Street recording studio, he was surrounded by reporters and asked for his reaction to Lennon's death. He was later criticised for what appeared, when published, to be an utterly superficial response: "It's a drag". McCartney explained, "When John was killed somebody stuck a microphone at me and said: 'What do you think about it?' I said, 'It's a dra-a-ag' and meant it with every inch of melancholy I could muster. When you put that in print it says, 'McCartney in London today when asked for a comment on his dead friend said, "It's a drag."' It seemed a very flippant comment to make." McCartney was also to recall: }} In 1983, McCartney said: }} In a Playboy interview in 1984, McCartney said that he went home that night and watched the news on television—while sitting with all his children—and cried all evening.

McCartney carried on recording after the death of Lennon but did not play any live concerts for some time. He explained that this was because he was nervous that he would be "the next" to be murdered. This led to a disagreement with Denny Laine, who wanted to continue touring and subsequently left Wings, which McCartney disbanded in 1981. Also in June 1981, six months after Lennon's death, McCartney sang backup on George Harrison's tribute to Lennon, "All Those Years Ago", which also featured Ringo Starr on drums. McCartney would go on to record "Here Today", a tribute song to Lennon.

George Harrison

In 1977, Harrison had this to say about working with McCartney: "There were a lot of tracks though where I played bass...because what Paul would do, if he's written a song, he'd learn all the parts for Paul and then come in the studio and say, 'Do this.' He'd never give you the opportunity to come out with something. Paul would always help along when you'd done his ten songs—then when he got 'round to doing one of my songs, he would help. It was silly. It was very selfish, actually." While being interviewed circa 1988, Harrison said McCartney had recently mentioned the possibility of he and Harrison writing together, to which Harrison laughed, "I've only been there about 30 years in Paul's life and it's like now he wants to write with me."

In September 1980, Lennon said of Harrison and McCartney's working relationship: "I remember the day [Harrison] called to ask for help on "Taxman", one of his bigger songs. I threw in a few one-liners to help the song along, because that's what he asked for. He came to me because he couldn't go to Paul, because Paul wouldn't have helped him at that period.

In late 2001, McCartney learned that Harrison was losing his battle with cancer. Upon Harrison's death on 29 November 2001, McCartney told Entertainment Tonight, Access Hollywood, Extra, Good Morning America, The Early Show, MTV, VH1 and Today that George was like his "baby brother". Harrison spent his last days in a Hollywood Hills mansion that was once leased by McCartney. On the day Harrison died, McCartney said, "George was a fantastic guy...still laughing and joking...a very brave man...and I love him like...he's my brother." While guesting on Larry King Live alongside Ringo Starr, McCartney said of the last time he saw Harrison, "We just sat there stroking hands. And this is a guy, and, you know, you don't stroke hands with guys, like that, you know it was just beautiful. We just spent a couple of hours and it was really lovely it was like...a favourite memory of mine." On the first anniversary of Harrison's death, McCartney played Harrison's "Something" on a ukulele at the Concert for George.

Linda McCartney

In 1969, McCartney married American photographer Linda Eastman, whom he described as the woman who gave him "the strength and courage to work again" after the break-up of The Beatles. The pair had met previously at a 1967 Georgie Fame concert at The Bag O'Nails club, during her UK assignment to take photographs of "Swinging Sixties" musicians in London. Paul and Linda were both vegetarian and supported the animal rights organisation People for the Ethical Treatment of Animals. They had four children—Linda's daughter Heather (who was adopted by Paul), Mary, Stella and James—and remained married until Linda's death from breast cancer in 1998.

Heather Mills

In 2002, McCartney married Heather Mills, a former model and anti-landmines campaigner. The couple had a child, Beatrice, in 2003. They separated in May 2006 and were divorced in May 2008.

Nancy Shevell

McCartney has been dating New Yorker Nancy Shevell since November 2007. She is a member of the board of the New York Metropolitan Transportation Authority as well as vice president of a family-owned transportation conglomerate which owns New England Motor Freight.

Lifestyle

Drugs

McCartney's introduction to drugs started in Hamburg, Germany. The Beatles had to play for hours, and they were often given "Prellies" (Preludin) by German customers or by Astrid Kirchherr (whose mother bought them). McCartney would usually take one, but Lennon would often take four or five.

McCartney remembered getting "very high" and giggling when The Beatles were introduced to cannabis by Bob Dylan in New York, in 1964. McCartney's use of cannabis became regular, and he was quoted as saying that any future Beatles' lyrics containing the words "high", or "grass" were written specifically as a reference to cannabis, as was the phrase "another kind of mind" in "Got to Get You into My Life". John Dunbar's flat at 29 Lennox Gardens, in London, became a regular hang-out for McCartney, where he talked to musicians, writers and artists, and smoked cannabis. In 1965, Miles introduced McCartney to hash brownies by using a recipe for hash fudge he found in the Alice B. Toklas Cookbook. During the filming of Help!, he occasionally smoked a spliff in the car on the way to the studio during filming, which often made him forget his lines. Help! director Dick Lester said that he overheard "two beautiful women" trying to cajole McCartney into taking heroin, but he refused.

McCartney's attitude about cannabis was made public in the 1960s, when he added his name to an advertisement in The Times, on 24 July 1967, which asked for the legalisation of cannabis, the release of all prisoners imprisoned because of possession, and research into marijuana's medical uses. The advertisement was sponsored by a group called Soma and was signed by 65 people, including The Beatles, Epstein, RD Laing, 15 doctors, and two MPs.

McCartney was introduced to cocaine by Robert Fraser, and it was available during the recording of Sgt. Pepper's Lonely Hearts Club Band. He admitted that he used the drug multiple times for about a year but stopped because of the unpleasant comedown.

In 1967, on a sailing trip to Greece (with the idea of buying an island for the whole group) McCartney said everybody sat around and took LSD, although McCartney had first taken it with Tara Browne, in 1966. He took his second "acid trip" with Lennon on 21 March 1967 after a studio session. McCartney was the first British pop star to openly admit using LSD, in an interview in the now-defunct "Queen" magazine. His admission was followed by a TV interview in the UK on ITN on 19 June 1967, and when McCartney was asked about his admission of LSD use, he said:

McCartney was not arrested by Norman Pilcher's Drug Squad, as had been Donovan, and several members of the Rolling Stones.

Meditation

On 24 August 1967, McCartney met the Maharishi Mahesh Yogi at the London Hilton, and later went to Bangor, in North Wales, to attend a weekend 'initiation' conference, at which time he and the other Beatles learned Transcendental Meditation (TM). "The whole meditation experience was very good and I still use the mantra. . . I find it soothing and I can imagine that the more you were to get into it, the more interesting it would get." The time McCartney later spent in India at the Maharishi's ashram was highly productive, as practically all of the songs that would later be recorded for The White Album and Abbey Road were composed there by McCartney, Lennon, or both together. Although McCartney was told that he was never to repeat the mantra to anyone else, he did tell Linda McCartney, and said he meditated a lot while he was in jail in Japan. In 2009, McCartney, along with Ringo Starr, headlined a benefit concert at Radio City Music Hall, raising three million dollars for the David Lynch Foundation to fund instruction in Transcendental Meditation for at-risk youth.

Activism

Paul and Linda McCartney became outspoken vegetarians and animal-rights activists. They said that their vegetarianism was realised when they happened to see lambs in a field as they ate a meal of lamb. McCartney has also credited the 1942 Disney film Bambi—in which the young deer's mother is shot by a hunter—as the original inspiration for him to take an interest in animal rights. In his first interview after Linda's death, he promised to continue working for animal rights. In 1999, McCartney spent £3,000,000 to make sure Linda McCartney's food range remained free of GM ingredients. In 2002, McCartney gave his support to a campaign against a proposed ban on the sale of certain vitamins, herbs, and mineral products in the European Union. Following his marriage to Heather Mills, McCartney joined with her to campaign against landmines; He also wore an anti-landmines t-shirt on the Back in the World tour.

In 2006, the McCartneys travelled to Prince Edward Island to bring international attention to the seal hunt (their final public appearance together). Their arrival sparked attention in Newfoundland and Labrador where the hunt is of economic significance. The couple also debated with Newfoundland's Premier Danny Williams on the CNN show Larry King Live. They further stated that the fishermen should quit hunting seals and begin a seal watching business. McCartney has also criticised China's fur trade and supports the Make Poverty History campaign.

McCartney has been involved with a number of charity recordings and performances. In 2004, he donated a song to an album to aid the "US Campaign for Burma", in support of Burmese Nobel Prize winner Aung San Suu Kyi, and he had previously been involved in the Concerts for the People of Kampuchea, Ferry Aid, Band Aid, Live Aid, and the recording of "Ferry Cross the Mersey" (released 8 May 1989) following the Hillsborough disaster.

In a December 2008 interview with Prospect Magazine, McCartney mentioned that he tried to convince the Dalai Lama to become a vegetarian. In a letter to the Dalai Lama, McCartney took issue with Buddhism and meat-eating being considered compatible, saying, "Forgive me for pointing this out, but if you eat animals then there is some suffering somewhere along the line." The Dalai Lama replied to McCartney by saying his doctors advised him to eat meat for health reasons. In the interview McCartney said, "I wrote back saying they were wrong."

Paul McCartney has recently been in a battle against McDonald's for hanging photos of The Beatles in their restaurant. Paul was outraged that they were using his band as an endorsement for selling their burgers. Exclaim! magazine writes that Paul encouraged his fans to boycott McDonald's. A spokeswoman then told The Daily Telegraph that they had put up the photos to "acknowledge the outstanding contribution The Beatles made to both local and global culture." PETA then rebutted, saying that Paul would "never authorise his photo to endorse meat products." The photos have since been taken down.

Football

The Beatles were advised by Epstein to make no comments about the football clubs they supported because it could alienate some fans, though it was well known that McCartney was a supporter of Everton Football Club, and that his father and relatives used to take him to matches. His allegiance later shifted to Liverpool F.C., as on 28 July 1968, The Beatles were photographed in a photographer's studio at 192-212 Gray's Inn Road, with McCartney wearing a Liverpool F.C. rosette.

Linda McCartney later said: "We spent last night listening to Liverpool football team on the radio, wanting them to win so badly. Paul supports Liverpool. He was for Everton for a while because of his family — but it's all Liverpool now."

Lennon and McCartney were present to watch the 1966 FA Cup Final at Wembley, between Everton and Sheffield Wednesday, and McCartney attended the 1968 FA Cup Final (18 May 1968) which was played by West Bromwich Albion against Everton. After the end of the match, McCartney shared cigarettes and whisky with other football fans.

At the end of the live version of Coming Up recorded in Glasgow in 1979 (later to become a US number one single) the crowd begins to sing "Paul McCartney!" until McCartney takes over and changes the chant to "Kenny Dalglish!", referring to the current Liverpool and Scotland striker. At the same concert, Gordon Smith, former football player who played for Rangers and Brighton & Hove Albion, met the McCartneys, and later accepted an invitation to visit their home in East Sussex in 1980. Smith later said that McCartney was "thrilled I knew Kenny Dalglish", to which Linda added: "I like Gordon McQueen of Man United", and Smith replied, "I know him too."

McCartney attended the 1986 FA Cup Final between Liverpool and Everton, McCartney performed at the Liverpool F.C. Anfield stadium on 1 June 2008, as a part of Liverpool's European Capital of Culture year. Dave Grohl from the Foo Fighters sang with McCartney on Band on the Run, and played drums on "Back in the U.S.S.R.". Ono and Olivia Harrison attended the concert, along with Ken Dodd, and the former Liverpool F.C. football manager Rafael Benítez.

In an interview in 2008, McCartney ended speculation about his allegiance when he said:

"Here's the deal: my father was born in Everton, my family are officially Evertonians, so if it comes down to a derby match or an FA Cup final between the two, I would have to support Everton. But after a concert at Wembley Arena I got a bit of a friendship with Kenny Dalglish, who had been to the gig and I thought 'You know what? I am just going to support them both because it's all Liverpool and I don't have that Catholic-Protestant thing.' So I did have to get special dispensation from the Pope to do this but that's it, too bad. I support them both. They are both great teams, but if it comes to the crunch, I'm Evertonian."

In 2010 there was heavy speculation surrounding McCartney that he was to head up a consortium launching a take-over bid for struggling Charlton Athletic. Links between the club and the famous musician go a long way back with Charlton's famous supporters anthem - Valley, Floyd Road - using the tune and a number of lyrics from the Wings song Mull of Kintyre.

Business

McCartney is one of Britain's wealthiest musicians, with an estimated fortune of £750 million ($1.2 billion) in 2009, although Justice Bennett, in his judgement on McCartney's divorce case found no evidence that McCartney was worth more than £400 million. In December 1998, he was approached to purchase a stake in Everton Football Club by former school friend Bill Kenwright who wished to put a consortium together but McCartney chose to decline the offer. In addition to his interest in Apple Corps, McCartney's MPL Communications owns a significant music publishing catalogue, with access to over 25,000 copyrights. McCartney earned £40 million in 2003, making him Britain's highest media earner. This rose to £48.5 million by 2005. In the same year he joined the top American talent agency Grabow Associates, who arrange private performances for their richest clients. Northern Songs was established in 1963, by Dick James, to publish the songs of Lennon/McCartney.

The Beatles' partnership was replaced in 1968 by a jointly held company, Apple Corps, which continues to control Apple's commercial interests. Northern Songs was purchased by Associated TeleVision (ATV) in 1969, and was sold in 1985 to Michael Jackson. For many years McCartney was unhappy about Jackson's purchase and handling of Northern Songs.

MPL Communications is an umbrella company for McCartney's business interests, which owns a wide range of copyrights, as well as the publishing rights to musicals. In 2006, the Trademarks Registry reported that MPL had started a process to secure the protections associated with registering the name "Paul McCartney" as a trademark. The 2005 films, Brokeback Mountain and Good Night and Good Luck, feature MPL copyrights.

In April 2009, it was revealed that McCartney, in common with other wealthy musicians, had seen a significant decline in his net worth over the preceding year. It was estimated that his fortune had fallen by some £60m, from £238m to £175m. The losses were attributed to the ongoing global recession, and the resultant decline in value of property and stock market holdings.

In the US, McCartney has achieved thirty-two number-one singles on the Billboard Hot 100, including twenty-one with The Beatles, McCartney is the only artist to reach the UK number one as a soloist ("Pipes of Peace"), duo ("Ebony and Ivory" with Stevie Wonder), trio ("Mull of Kintyre", Wings), quartet ("She Loves You", The Beatles), quintet ("Get Back", The Beatles with Billy Preston), and as part of a musical ensemble for charity (Ferry Aid).

McCartney was voted the "Greatest Composer of the Millennium" by BBC News Online readers and McCartney's song "Yesterday" is thought to be the most covered song in history with more than 2,200 recorded versions After its 1977 release, the Wings single "Mull of Kintyre" became the highest-selling record in British chart history, and remained so until 1984. (Three charity singles have since surpassed it in sales; the first to do so, in 1984, was Band Aid's "Do They Know It's Christmas?" in which McCartney was a participant.)

On 2 July 2005, he was involved with the fastest-released single in history. His performance of "Sgt. Pepper's Lonely Hearts Club Band" with U2 at Live 8 was released only 45 minutes after it was performed, before the end of the concert. The single reached number six on the Billboard charts, just hours after the single's release, and hit number one on numerous online download charts across the world. McCartney played for the largest stadium audience in history when 184,000 people paid to see him perform at Maracanã Stadium in Rio de Janeiro, Brazil on 21 April 1990.

McCartney's scheduled concert in St Petersburg, Russia was his 3,000th concert and took place in front of 60,000 fans in Russia, on 20 June 2004. Over his career, McCartney has played 2,523 gigs with The Beatles, 140 with Wings, and 325 as a solo artist. Only his second concert in Russia, with the first just the year before on Moscow's Red Square as the former Communist U.S.S.R. had previously banned music from The Beatles as a "corrupting influence", McCartney hired 3 jets, at a reported cost of $36,000 (€29,800) (£28,000), to spray dry ice in the clouds above Saint Petersburg's Winter Palace Square in a successful attempt to prevent rain.

The day McCartney flew into the former Soviet country, he celebrated his 62nd birthday, and after the concert, according to RIA Novosti news agency, he received a phone call from a fan; then-President Vladimir Putin, who telephoned him after the concert to wish him a happy birthday. from President Barack Obama in the White House, June 2010.]] In the concert programme for his 1989 world tour, McCartney wrote that Lennon received all the credit for being the avant-garde Beatle, and McCartney was known as "baby-faced", which he disagreed with. People also assumed that Lennon was the "hard-edged one", and McCartney was the "soft-edged" Beatle, although McCartney admitted to "bossing Lennon around." Linda McCartney said that McCartney had a "hard-edge"—and not just on the surface—which she knew about after all the years she had spent living with him. McCartney seemed to confirm this edge when he commented that he sometimes meditates, which he said is better than "sleeping, eating, or shouting at someone".

The minor planet 4148, discovered in 1983, was named "McCartney" in his honour.

On 18 June 2006, McCartney celebrated his 64th birthday, a milestone that was the subject of one of the first songs he ever wrote, at the age of sixteen, The Beatles' song "When I'm Sixty-Four". Paul Vallely noted in The Independent: }}

Discography

Tours

Arms

Notes	Sir Paul McCartney's agent was Hubert Chesshyre, LVO, Clarenceux King of Arms
Crest	On a Wreath of the Colours A Liver Bird calling Sable supporting with the dexter claws a Guitar Or stringed Sable.
Escutcheon	Or between two Flaunches fracted fesswise two Roundels Sable over all six Guitar Strings palewise throughout counterchanged.
Motto	ECCE COR MEUM (Behold my heart)

References

;Footnotes

;Bibliography

External links

Paul McCartney's Official Website

Paul McCartney's Animation Website

Paul McCartney Ecce Cor Meum audio Podcast

Liverpool celebrates Irish ancestry

Paul McCartney: Financial Accounts

Satellite View of Childhood Home of Paul McCartney

Category:1942 births Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:English-language singers Category:English male singers Category:English multi-instrumentalists Category:English pop singers Category:English rock bass guitarists Category:English rock guitarists Category:English rock pianists Category:English rock singers Category:English singer-songwriters Category:English people of Irish descent Category:English vegetarians Category:Backing vocalists Category:20th-century classical composers Category:Apple Records artists Category:Best Original Music Score Academy Award winners Category:BRIT Award winners Category:Capitol Records artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:Knights Bachelor Category:Members of the Order of the British Empire Category:Music from Liverpool Category:Parlophone artists Category:Mercury Records artists Category:People convicted of drug offenses Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:The Beatles members Category:The Quarrymen members Category:Wings members Category:World record holders Category:Musicians from Liverpool Category:Living people Category:Honorary Members of the Royal Academy of Music Category:Transcendental Meditation practitioners Category:Liverpool Institute alumni Category:British billionaires Category:Silver Clef Awards winners Category:Animal rights advocates

Name	Owl City
Landscape	Yes
Background	group_or_band
Genre	Synthpop Alternative
Origin	Owatonna, Minnesota, United States
Years active	2007–present
Label	Universal Republic
Associated acts	Sky Sailing, Swimming With Dolphins, Breanne Duren, Relient K, Port Blue, Armin van Buuren
Url
Current members	Adam Young

Owl City is an American synthpop musical project by Adam Young. Owl City was born from Young's musical experiments in his parents' basement in Owatonna, Minnesota. As Owl City, Young developed a following through MySpace before signing with Universal Republic.

Young claims that his influences are disco and European electronic music. His music has also been compared to The Postal Service. After two independent albums, Owl City gained mainstream popularity with the 2009 major label debut album Ocean Eyes, which spawned the hit single "Fireflies".

History

Early years (2007–08)

Suffering from insomnia while working in a Coca-Cola Factory in his hometown, Owatanna, Young turned to composing music. He began receiving attention for songs he had uploaded to MySpace, the "viral popularity" of which would later result in his signing to a major label. In 2007, Owl City released an EP titled Of June, followed by the 2008 release of the album Maybe I'm Dreaming. Of June reached #20 on the Billboard Electronic Albums chart, and Maybe I'm Dreaming peaked on the same chart at #16.

Ocean Eyes (2009-2010)

Owl City's third album, Ocean Eyes, was released on iTunes on July 14, 2009, with the physical release following on July 28, 2009. The album debuted at #27 on the Billboard 200. Owl City has released three official singles: "Umbrella Beach", "Vanilla Twilight",and "Fireflies". "Fireflies" topped the US and Canadian charts and became the most-downloaded song on iTunes in the US. Ocean Eyes reached the top ten on the US album charts and topped the US electronic charts and also reached Amazon MP3's top 10 most downloaded album list. By December 2009, it was certified Gold in the United States. On January 24, 2010, Owl City reached the number 1 spot in the UK Top 40 Singles chart with "Fireflies". The song "Tidal Wave" also received significant airplay on Christian music radio stations.

Young is joined by Breanne Düren on several tracks; the most noted being "The Saltwater Room". Owl City's live band consists of Breanne Duren (background vocals/keyboards), Matthew Decker (drums), Laura Musten (violin), and Hannah Schroeder (cello).

Relient K vocalist Matt Thiessen has toured and collaborated with Owl City on several tracks, including "Fireflies", where Matt can be heard providing the backup vocals. Young also produced Relient K's song "Terminals". Thiessen stated that it is very likely that he and Young will produce a side project called "Goodbye Dubai" in the future.

"Fireflies" was released as a free download on the iPod/iPhone game Tap Tap Revenge 3 by Tapulous. Prior to the July 14, 2009 internet release of Ocean Eyes, and the "Fireflies" single, Steve Hoover was hired as a director for a music video for "Fireflies". The video was to have had an exclusive premiere on MySpace, but had been leaked onto YouTube and Dailymotion hours earlier. "Fireflies" became a big sleeper hit, topping the Billboard Hot 100 in the United States for the week ending November 7, 2009.

Owl City is featured on Soundtrack 90210 with a song titled "Sunburn", which was released on October 13, 2009. Owl City has toured with The Scene Aesthetic and Brooke Waggoner. He was also guest featured in the soundtrack to Tim Burton's Alice in Wonderland with a song that had already been featured in his debut album, "The Technicolor Phase".

All Things Bright & Beautiful (2010–present)

Young has revealed a new musical project known as Sky Sailing, moving away from his usual electronica genre of music and introducing acoustic guitar and piano accompaniments into his work. The unrefined tracks were recorded in the summer of 2007 before he began making music as Owl City. His first album under this new project is entitled An Airplane Carried Me to Bed, and was released July 13, 2010 via iTunes.

He also recently announced via Twitter that more music will soon be released under his main project, Owl City.

In May, 2010, Adam Young collaborated with high-profile British electronic composer, producer, musician, and songwriter Nick Bracegirdle. Under his Chicane alias, Bracegirdle released the single "Middledistancerunner" on 1 August 2010 featuring Adam Young on vocals. This will be the first single from the upcoming fourth Chicane album Giants.

He also worked with famed Dutch producer Armin van Buuren, appearing on a track called 'Youtopia' from the forthcoming van Buuren album Mirage on September 10, 2010.

On August 2, 2010, it was announced that Owl City would not open for Maroon 5 on the first three concerts of the American Leg of their tour due to a kidney stone.

He also stated on his Twitter, that he will release a song for the upcoming film, Legend of the Guardians, titled "To the Sky" which hit the Internet on September 1.

On September 1, 2010, Adam Young opened Owl City University as an interactive fan site with projects and homework including the integration with Facebook and Twitter. It is an area where other fans can join groups and communicate. It contains "projects" to complete to get credits. It includes messages directly from Adam Young as video blogs.

On September 21, 2010 "To the Sky" was officially released via iTunes on the soundtrack for Legend of the Guardians: The Owls of Ga'hoole.

Young released a cover version of the praise and worship song "In Christ Alone" as a streaming mp3 on his website, , on October 25, 2010.

Concertgoers at Adam's halloween homecoming show were treated to a new song "Halloween in Owatonna", played by Matt Thiessen. Matt also announced that he is working with Adam on a song titled "Plant Life" for Owl City's upcoming album, confirmed by Adam Young and the Owatonna People's Press to be on track for a Spring 2011 release.

On November 13, 2010, a new album was also released for one of his other musical projects, "Windsor Airlift", called "Flight" on iTunes.

In the November 15, 2010 issue of Rolling Stone, Owl City announced the title of his third studio album, "All Things Bright & Beautiful". He also stated to "expect more guitar," and revealed the names of 3 tracks, "Deer in the Headlights," "The Honey and the Bee," and "Astronauts." The song "Deer in the Headlights" is expected to have "power chord blasts." The album is due to be released in Spring 2011.

On November 23, 2010, a new Christmas single called "Peppermint Winter" was released. A preview had been released the previous week on Facebook.

Musical styles and influences

Owl City has been stated to play within the musical genres of indietronica and alternative. Young has stated that he is inspired by disco and European electronic music.

Owl City also has been compared to The Postal Service, with a number of publications going as far as accusing Owl City of "ripping off" The Postal Service.

Ben Gibbard, lead singer/writer of both The Postal Service and Death Cab For Cutie has not stated anything about the musical resemblance in public. However, Chris Walla, the guitarist from Death Cab For Cutie, has stated that "Owl City should really consider buying Ben a pony."

Adam Young suggested in a 2009 interview with The New York Times that Owl City is perhaps the "next chapter" after The Postal Service: }}

Other projects

Young also produces music under a wide variety of other projects, some of which contain only a single song. These projects include Port Blue, Windsor Airlift, Dolphin Park, Insect Airport, Keehar, Seagull Orchestra, Sky Sailing and Swimming With Dolphins, among others.

Most of these projects were started before Owl City propelled Young to fame. Some are current side projects Adam is involved in. Some were formed alongside Adam's college friends as musical projects for a music course Young was studying at the time.

Concert tours

Discography

;Studio albums

Maybe I'm Dreaming (2008)

Ocean Eyes (2009)

All Things Bright & Beautiful (2011)

References

External links

Category:Musical groups from Minnesota Category:2000s music groups Category:2010s music groups Category:2000s singers Category:2010s singers Category:American indie rock groups Category:Living people Category:American electronic music groups Category:American New Wave musical groups Category:American Christians

Name	Sheryl Crow
Background	solo_singer
Birth name	Sheryl Suzanne Crow
Parents	Bernice and Wendell Crow
Born	February 11, 1962 Kennett, Missouri, United States
Children	Wyatt (adopted)
Voice type	Mezzo-soprano
Instrument	Vocals, guitar, bass guitar, piano, keyboards, organ, accordion, harmonica, autoharp, hammond b3, wurlitzer, Moog bass, mandolin, mandola
Genre	Pop rock, alternative rock, roots rock, folk rock, country rock|
Occupation	Musician, singer-songwriter, activist
Years active	1986–present
Label	A&M; Records
Education	University of Missouri
Associated acts	Stevie Nicks, Michael Jackson, Eric Clapton, Dixie Chicks, Kevin Gilbert, Bill Bottrell, Kid Rock, Sting, Miley Cyrus
Url	Official Website

Sheryl Suzanne Crow (born February 11, 1962) is an American singer-songwriter, guitarist, bassist, musician, and actress. Her music incorporates elements of rock, folk, hip hop, country and pop. She has won nine Grammy Awards from the National Academy of Recording Arts and Sciences.

She has performed with The Rolling Stones and has sung duets with Mick Jagger, Michael Jackson, Eric Clapton, Luciano Pavarotti, John Mellencamp, Kid Rock, Michelle Branch, and Sting among others. She has performed backing vocals for Tina Turner and Don Henley. Crow has released seven studio albums, two compilations, and a live album, and has contributed to film soundtracks. She has sold 16 million albums in the United States and 35 million albums worldwide and her newest album, 100 Miles from Memphis, was released on July 20, 2010. Recently she appeared on NBC's 30 Rock, ABC's Cougar Town, Disney Channel's Hannah Montana Forever and Rally to Restore Sanity and/or Fear.

Early life

Sheryl Suzanne Crow was born in Kennett, Missouri on February 11, 1962. Her father Wendell Crow is a lawyer and trumpet player, and her mother Bernice, a piano teacher. She has older sisters Kathy and Karen, and a younger brother Steven.

While studying at Kennett High School, Crow was a majorette and an All-State track athlete, winning medals in the 75-meter low hurdles. She also joined the Pep Club, the National Honor Society, National FFA Organization, Freshman Maid, Senior Maid, and Paperdoll Queen. She then enrolled at the University of Missouri, in Columbia, and received a Bachelor of Arts degree in Music Composition, Performance, and Education. While in college, Crow sang in a local band, Cashmere. She was a member of the Kappa Alpha Theta social sorority, Sigma Alpha Iota International Music Fraternity for Women, and the Omicron Delta Kappa Society. Later, Crow was awarded an honorary doctorate from the Southeast Missouri State University, in Cape Girardeau, Missouri.

Crow has stated that her musical inspirations are not restricted to one genre, as she likes absolutely anything with a drum beat. In 2008, she told Ellen DeGeneres that "If it didn't have a drum beat, you can just forget about it!"

Early career

After graduating from college, Crow worked as a music teacher at the Kellison elementary school, in Fenton, Missouri. Teaching during the day allowed her the opportunity to sing in bands on weekends. Later, she was introduced to local musician and producer Jay Oliver. He had a thriving studio in the basement of his parents' home, in St. Louis, and helped her by using her in advertising jingles. Her first jingle was a back-to-school spot for the St. Louis department store Famous-Barr. McDonald's and Toyota commercial jingles soon followed. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's commercial alone.

Crow toured with Michael Jackson as a backup vocalist during his Bad World Tour from 1987–1989, and often performed with Jackson on "I Just Can't Stop Loving You." She also recorded background vocals for performances from various established artists including Stevie Wonder, Belinda Carlisle and Don Henley.

Crow also sang in the short-lived Steven Bochco drama, Cop Rock, in 1990. The following year, she performed "Hundreds of Tears," which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith.

1990s

Scrapped debut album (1992)

In 1992, Crow recorded her first attempt at her debut album with Phil Collins' producer Hugh Padgham. The self-titled debut album was due to be released on September 22, 1992, but was ultimately rejected by her label. However, a handful of cassette copies of the album were leaked along with press folders to be used for album publicity. This album has been widely dispersed via file sharing networks and fan trading. In the meantime, Crow's songs were recorded by major artists such as Celine Dion and Wynonna Judd.

International success (1993-1997)

She then began dating Kevin Gilbert and joined him in an ad hoc group of musicians known to everyone in the group as the "Tuesday Music Club." Group members, Gilbert, David Baerwald and David Ricketts (both formerly of David & David), Bill Bottrell, Brian MacLeod, and Dan Schwartz share songwriting credits with Crow on her debut album, Tuesday Night Music Club. The singles "Strong Enough" and "Can't Cry Anymore" were also released, with the first song ("Strong Enough") charting at #5 on Billboard and "Can't Cry Anymore" hitting the Top 40. Tuesday Night Music Club went on to sell more than 7 million copies in the US and UK during the 1990s. The album also won Crow three Grammy Awards, in 1995: Record of the Year, Best New Artist and Best Female Vocal Performance.

Crow supplied background vocals to the song "The Garden of Allah" from Don Henley's 1995 album .

In 1996, Crow released her self titled second album. The album had songs about abortion, homelessness and nuclear war. The debut single, "If It Makes You Happy," became a radio success and netted her two Grammy awards for Best Female Rock Vocal Performance and Best Rock Album. Other singles included "A Change Would Do You Good," "Home" and "Everyday Is A Winding Road." Crow produced the album herself. The album was banned from sale at Wal-Mart, as in the "Love Is A Good Thing" lyric Wal-Mart is implicated (by name) of supplying guns to which children later gain access. In 1997, Crow contributed the theme song to the James Bond film Tomorrow Never Dies. Her song "Tomorrow Never Dies" was nominated for a Grammy Award and Best Original Song Golden Globe. Crow collaborated on Scott Weiland's 1998 album, 12 Bar Blues.

The Globe Sessions and Live (1998-1999)

In 1998 Crow released The Globe Sessions. During this period, she discussed in interviews having gone through a deep depression, and there was speculation about a brief affair with Eric Clapton. The debut single from this album, "My Favorite Mistake," was rumored to be about him, although Crow claims otherwise about a philandering ex-boyfriend. Crow has refused to say who the song was about telling Billboard Magazine on the release of her album. "Oh, there will be just so much speculation, and because of that there's great safety and protection in the fact that people will be guessing so many different people and I'm the only person who will ever really know. I'm really private about who I've had relationships with, and I don't talk about them in the press. I don't even really talk about them with the people around me." Despite the difficulties in recording the album, Crow told the BBC in 2005 that: "My favorite single is 'My Favorite Mistake,' it was a lot of fun to record and it's still a lot of fun to play." The album won Best Rock Album at the 1998 Grammy Awards. It was re-released in 1999, with a bonus track, Crow's cover of the Guns N' Roses song "Sweet Child o' Mine," which was included on the soundtrack of the film Big Daddy. The song won the 1999 Grammy for Best Female Rock Vocal Performance. Other singles included "There Goes the Neighborhood," "Anything But Down," and "The Difficult Kind." Crow won Grammy best female rock vocal performance for "There Goes the Neighborhood" in 2001. The Globe Sessions peaked at #5 on the Billboard 200 chart, achieving US sales of 2 million as of January 2008.

Later in 1998, Crow took part in a live concert in tribute to Burt Bacharach, in which she contributed vocals on One Less Bell to Answer.

In 1999, Crow also made her acting debut as an ill-fated drifter in the suspense/drama The Minus Man, which starred her then-boyfriend Owen Wilson as a serial killer.

She also released a live album called . The record featured Crow singing many of her hit singles with new musical spins and guest appearances by many other musicians including Sarah McLachlan, Stevie Nicks, the Dixie Chicks, Keith Richards, and Eric Clapton. "There Goes the Neighborhood" was included in the album, eventually winning the Grammy for Best Female Rock Vocal Performance.

2000s

C'mon, C'mon and The Very Best of (2002-2004)

.]] Crow had been involved with the Scleroderma Research Foundation (SRF) since the late 1990s, performing at fund-raisers and befriending Sharon Monsky. In 2002, as a result of her friend Kent Sexton dying from scleroderma, she interrupted work on her new album C'mon C'mon to record the traditional hymn "Be Still, My Soul," to be played at his funeral. In November of that year it was released as a single, with the proceeds going to SRF.

Crow's fourth studio album, C'mon, C'mon was released in 2002, spawning the hit single "Soak Up the Sun." Second single "Steve McQueen" won the Female Rock Vocal Performance Grammy.

Crow opposed the 2003 invasion of Iraq, wearing a shirt that read "I don't believe in your war, Mr. Bush!" during a performance on Good Morning America and posting an open letter explaining her opposition on her website. Crow, performing with Kid Rock at the 45th annual Grammy Awards, wore a large peace sign and a guitar strap with the words "No War."

Crow recorded the song "Kiss That Girl" for the film Bridget Jones's Diary. She also recorded a cover version of the Beatles' song "Mother Nature's Son" for the film I Am Sam. Crow duetted with rapper Kid Rock on the crossover hit single "Picture." She also assisted Rock on the track "Run Off to L.A."

Crow collaborated with Michelle Branch on the song "Love Me Like That" for Branch's second album, Hotel Paper, released in 2003. Crow was featured on the Johnny Cash album in the song "Field of Diamonds" as a background vocalist, and also played the accordion for the songs "Wayfaring Stranger" and "Mary of the Wild Moor."

In 2003, Crow released a greatest hits compilation called The Very Best of Sheryl Crow. It featured many of her hit singles, as well as some new tracks. Among them was the ballad "The First Cut is the Deepest" (originally a Cat Stevens song), which became her biggest radio hit since "All I Wanna Do." She also released the single "Light In Your Eyes," which received limited airplay. "The First Cut is the Deepest" earned her two American Music Awards for Best Pop/Rock Artist and Adult Contemporary Artist of the Year, respectively.

In 2004, Crow appeared as a musical theater performer in the Cole Porter biopic De-Lovely.

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Wildflower (2005-2007)

Her fifth studio album Wildflower was released in September 2005. Although the album debuted at #2 on the Billboard charts, it received mixed reviews and was not as commercially successful as her previous albums. In December 2005, the album was nominated for a Best Pop Vocal Album Grammy, while Crow was nominated for a Best Female Pop Vocal Performance Grammy for the first single "Good Is Good." However, she ultimately lost in both categories to Kelly Clarkson. The album got a new boost in 2006 when the second single was announced as "Always on Your Side," re-recorded with British musician Sting and sent off to radio, where it was quickly embraced at Adult Top 40. The collaboration with Sting resulted in a Grammy-nomination for Best Pop Collaboration With Vocals. As of January 2008, Wildflower has sold 949,000 units in the U.S. She also voices Elvis in the film. Crow was diagnosed with early-stage breast cancer in mid-February 2006, her doctors stating that "prognosis for a full recovery is excellent."

Crow's first concert after her cancer diagnosis was on May 18 in Orlando, Florida where she played to over 10,000 information technology professionals at the SAP Sapphire Convention. Her first public appearance was on June 12, when she performed at the Murat Theater in Indianapolis, Indiana.

The singer also appeared on Larry King Live on CNN on August 23, 2006. In this show she talked about her comeback, her breakup with Lance Armstrong, her past job as Michael Jackson's backup singer, and her experience as a breast cancer survivor.

In late 2006, Crow was nominated for a Golden Globe Award for the song "Try Not To Remember" (Best Original Song category) from the film Home of the Brave.

Crow wrote a foreword for the book Crazy Sexy Cancer Tips, author Kris Carr's book that was based on her 2007 documentary film Crazy Sexy Cancer. Crow contributed her cover of the Beatles's "Here Comes the Sun" on the Bee Movie soundtrack in November 2007. She contributed background vocals to the Ryan Adams song "Two" from the album Easy Tiger.

Detours 2008-2009

Crow returned with her sixth studio album Detours, which was released on February 5, 2008. Detours debuted at number two on the U.S. Billboard 200 chart, selling about 92,000 copies in its first week and an additional 52,000 copies in its second week.

Detours was recorded at Crow's Nashville farm. Her son, Wyatt, makes an appearance on the song "Lullaby for Wyatt," which is featured in the movie Grace Is Gone. "The songs are very inspired by the last three years of events in my life," Crow said of a time that found her battling breast cancer and splitting with partner Lance Armstrong.

"Shine Over Babylon" was the first promotional single from the album (download only). The first 'official' single to be released from the album was "Love Is Free," followed by "Out of Our Heads."

A liberal political activist, she endorsed Barack Obama for the United States Presidential Election and later performed on the 4th and last day of the 2008 Democratic National Convention.

Crow has also recorded a studio version of "So Glad We Made It" for the "Team USA Olympic Soundtrack" in conjunction with the 2008 U.S. Olympic team sponsors AT&T.; Crow also stated that $1 of each ticket purchased for her 2008 tour would be donated to the United Nations World Food Programme.

A&M; Records re-released Sheryl's debut album, "Tuesday Night Music Club" as a deluxe version 2CD/DVD set on November 17, 2009. The bonus CD contains unreleased songs and B-sides, and a new mix of "I Shall Believe." The DVD features music videos for each of the album's singles.

2010s

Raise Hope for Congo Compilation

In 2010, Crow contributed the original spoken-word track "My Name is Mwamaroyi" to the Enough Project and Downtown Records' Raise Hope for Congo compilation. Proceeds from the compilation fund efforts to make the protection and empowerment of Congo’s women a priority, as well as inspire individuals around the world to raise their voice for peace in Congo.

100 Miles from Memphis (2010 - )

A&M; Records released Crow's seventh studio album, 100 Miles from Memphis, on July 20, 2010. The album has a classic soul vibe and features lead single "Summer Day." 100 Miles from Memphis (released July 20 on A&M; Records), the distance from her hometown to the music mecca, is an ode to her formative memories of music - and one that the label hopes can inspire young music fans to investigate the landscape beyond processed pop and Auto-Tune.

(2010)

Sheryl Crow performed with Loretta Lynn and Miranda Lambert on the song "Coal Miner's Daughter" from (2010).

44th Annual Country Music Awards

On November 10, 2010, Sheryl Crow performed a tribute to Loretta Lynn with Miranda Lambert on the 44th Annual Country Music Awards.

Personal life

Crow began dating cyclist Lance Armstrong in 2003. The couple announced their engagement in September 2005 and their split in February 2006. Immediately following her split from Lance Armstrong, Crow was treated for breast cancer at a Los Angeles-based facility by breast cancer surgeon Dr. Kristi Funk. Crow had "minimally invasive" surgery in late February 2006, followed by radiation therapy.

On May 11, 2007, Crow announced on her official website that she had adopted a two-week-old boy named Wyatt Steven Crow. The child was born on April 29, 2007. She and Wyatt live on a farm outside Nashville, Tennessee.

On June 4, 2010, Crow announced that she adopted another boy named Levi James Crow, born on April 30, 2010.

She is the great-granddaughter of former congressman Charles A. Crow (1873-1938).

Discography

*1993: Tuesday Night Music Club

1996: Sheryl Crow

1998: The Globe Sessions

2002: C'mon C'mon

2005: Wildflower

2008: Detours

2010: 100 Miles from Memphis

See also

List of artists who reached number one on the U.S. Dance chart

References

External links

Official Website

Sheryl Crow's interview on National Public Radio's Fresh Air

Sheryl Crow interview on Bmore Tunes

Sheryl Crow Interview – Billboard En Español

Sheryl Crow Launches Her Own Denim Brand

Category:1962 births Category:Living people Category:People from Kennett, Missouri Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:American anti-Iraq War activists Category:American bass guitarists Category:American female guitarists Category:American female singers Category:American mezzo-sopranos Category:American pop pianists Category:American pop singers Category:American rock guitarists Category:American rock singers Category:American schoolteachers Category:American singer-songwriters Category:Breast cancer survivors Category:BRIT Award winners Category:American people of English descent Category:Female rock singers Category:Grammy Award winners Category:Musicians from Missouri Category:University of Missouri alumni

Name	Jimi Hendrix
Background	solo_singer
Birth name	Johnny Allen Hendrix, renamed James Marshall Hendrix
Born	November 27, 1942 Seattle, Washington, U.S.
Died	September 18, 1970 Kensington, Greater London, England
Instrument	guitar, vocals, bass, drums, keyboard, percussion
Genre	Hard rock, blues-rock, acid rock, funk-rock, psychedelic rock
Occupation	Musician, songwriter, record producer
Years active	1963–1970
Label	RSVP, Track, Barclay, Polydor, Reprise, Capitol, MCA
Associated acts	Little Richard, The Isley Brothers, The Blue Flames, The Jimi Hendrix Experience, Gypsy Sun and Rainbows, Band of Gypsys
Notable instruments	Fender Stratocaster, Gibson Flying V

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix, November 27, 1942 – September 18, 1970) was an American guitarist and singer-songwriter. He is widely considered to be the greatest electric guitarist in the history of music, and one of the most influential musicians of his era across a range of genres.

After initial success in Europe, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, Hendrix headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback. Hendrix, as well as his friend Eric Clapton, popularized use of the wah-wah pedal in mainstream rock which he often used to deliver an exaggerated pitch in his solos, particularly with high bends and use of legato. He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James, rhythm and blues and soul guitarists Curtis Mayfield, Steve Cropper, as well as by funk and some modern jazz. As a record producer, Hendrix also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.

Hendrix won many of the most prestigious rock music awards in his lifetime, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage blue plaque was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, Are You Experienced, was inducted into the United States National Recording Registry, and Rolling Stone named Hendrix the top guitarist on its list of the 100 greatest guitarists of all-time in 2003. He was the first person inducted into the Native American Music Hall of Fame.

Biography

Early life

Born Johnny Allen Hendrix on November 27, 1942, in Seattle, Washington, the first of five children to James Allen "Al" Hendrix (10 June 1919, Vancouver, British Columbia – 17 April 2002, Renton, Washington) and Lucille Jeter (12 October 1925, Seattle, Washington – 2 February 1958, Renton, Washington). His father was a soldier in the United States Army stationed at Fort Sill, Oklahoma at the time of his birth, before he was shipped to France in World War II. When he was two years old, his mother placed him in the temporary care of friends in the San Francisco Bay Area. His father received an honorable discharge from the U.S. Army on September 1, 1945, and retrieved his eldest son and legally changed his name to James Marshall Hendrix in memory of his late brother, Leon Marshall Hendrix. He was known as "Buster" to friends and family, from birth. After his return, Al reunited with Lucille. He found it difficult to gain steady employment after the Second World War, and the family was impoverished.

Hendrix had two brothers, Leon and Joseph, and two sisters, Kathy and Pamela. Joseph was born with physical difficulties and was placed in foster care at age three. His two sisters were also both placed in foster care at a young age. Kathy was born blind and Pamela suffered lesser physical difficulties.

On December 17, 1951, when Hendrix was nine years old, his parents divorced. The divorce was caused by Lucille's alcoholism; she developed cirrhosis of the liver and died on February 2, 1958 when the state of her liver caused her spleen to rupture. On occasion, he was placed in the care of his paternal grandmother in Vancouver, British Columbia because of the unstable household, and his brother Leon was placed in foster care temporarily. Hendrix was a shy and sensitive boy, deeply affected by the poverty and family disruption he experienced at a young age. Unusual for his era, Hendrix's high school had a relatively equitable ethnic mix of African Americans, European Americans, and Asian Americans. At age 15, around the time his mother died, he acquired his first acoustic guitar for $5 from an acquaintance of his father. This guitar replaced both the broomstick he had been strumming in imitation, and a ukulele which his father had found while cleaning a garage. Hendrix learned to play by practicing for several hours a day, watching others play, getting tips from more experienced players, and listening to records. In mid-1959, his father bought Hendrix a white Supro Ozark, his first electric guitar, but there was no available amplifier. According to fellow Seattle bandmates, he learned most of his acrobatic stage moves, a major part of the blues/R&B; tradition, including playing with his teeth and behind his back, from a fellow young musician, Raleigh "Butch" Snipes, guitarist with local band The Sharps. Hendrix himself performed Chuck Berry's trademark "duck walk" on occasion. Hendrix played in a couple of local bands, occasionally playing outlying gigs in Washington State and at least once over the border in Vancouver, British Columbia.

Hendrix was particularly fond of Elvis Presley, whom he saw perform in Seattle, in 1957. Leon Hendrix claimed in an early interview that Little Richard appeared in his Central District neighborhood and shook hands with his brother, Jimi. This is unattested elsewhere and vehemently denied by his father. Hendrix's early exposure to blues music came from listening to records by Muddy Waters and B.B. King which his father owned. Another early impression came from the 1954 western Johnny Guitar, in which the hero carries no gun but instead wears a guitar slung behind his back.

Hendrix's first gig was with an unnamed band in the basement of a synagogue, Seattle's Temple De Hirsch. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones, who performed regularly at the Yesler Terrace Neighborhood House without pay. He later joined the Rocking Kings, who played professionally at such venues as the Birdland. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro. He painted it red and had "Betty Jean" emblazoned on it — the name of his high school girlfriend.

Hendrix completed junior high at Washington Junior High School with little trouble but did not graduate from Garfield High School. Later he was awarded an honorary diploma, and in the 1990s a bust of him was placed in the school library. After he became famous in the late 1960s, Hendrix told reporters that he had been expelled from Garfield by racist faculty for holding hands with a white girlfriend in study hall. Principal Frank Hanawalt says that it was simply due to poor grades and attendance problems.

In the Army

Hendrix got into trouble with the law twice for riding in stolen cars. He was given a choice between spending two years in prison or joining the Army. Hendrix chose the latter and enlisted on May 31, 1961. After completing basic training, he was assigned to the 101st Airborne Division and stationed in Fort Campbell, Kentucky. His commanding officers and fellow soldiers considered him to be a subpar soldier: he slept while on duty, had little regard for regulations, required constant supervision, and showed no skill as a marksman. For these reasons, his commanding officers submitted a request that Hendrix be discharged from the military after he had served only one year. Hendrix did not object when the opportunity to leave arose. He would later tell reporters that he received a medical discharge after breaking his ankle during his 26th parachute jump. The rock music journalist Charles Cross contended in his biography of Hendrix, Room Full of Mirrors (2005) that Hendrix faked being homosexual—claiming to have fallen in love with a fellow soldier—in order to be discharged, but did not produce credible evidence to support this contention.

At the base recreation center, Hendrix met fellow soldier and bass player Billy Cox, and the two forged a loyal friendship that Hendrix would call upon from April 1969 until Billy's breakdown shortly before Hendrix's death. The two would often perform with other musicians at venues both on and off the base as a loosely organized band there named the Casuals. As a celebrity in the UK, Hendrix mentioned his military service in three published interviews; one in 1967 for the film See My Music Talking (much later released under the title Experience), which was intended for TV to promote his recently released LP, in which he spoke very briefly of his first parachuting experience: "...once you get out there everything is so quiet, all you hear is the breezes-s-s-s..." This comment has later been used to claim that he was saying that this was one of the sources of his "spacy" guitar sound. The second and third mentions of his military experience were in interviews for Melody Maker in 1967 and 1969, where he spoke of his dislike of the army. In interviews in the US, Hendrix almost never mentioned it, and when Dick Cavett brought it up in his TV interview, Hendrix's only response was to verify that he had been based at Fort Campbell.

Early career

After his Army discharge, Hendrix and Army friend Billy Cox moved to nearby Clarksville, Tennessee and undertook in earnest to earn a living with their existing band. Hendrix had already seen Butch Snipes play with his teeth in Seattle and now Alphonso 'Baby Boo' Young the other guitarist in the band, was featuring this gimmick. Not to be upstaged, it was then that Hendrix learned to play with his teeth properly, according to Hendrix himself: "... the idea of doing that came to me in a town in Tennessee. Down there you have to play with your teeth or else you get shot. There’s a trail of broken teeth all over the stage..." They played mainly in low-paying gigs at obscure venues. The band eventually moved to Nashville's Jefferson Street, the traditional heart of Nashville's black community and home to a lively rhythm and blues scene. After they moved to Nashville, upon learning there was already an established band by the name "The Casuals", they amended their name to the "King Kasuals". While in Nashville, according to Cox and Larry Lee—who replaced Alphonso Young on guitar—they were basically the house band at "Club del Morocco". Hendrix and Cox shared a flat above "Joyce's House Of Glamour". Hendrix's girlfriend at this time was Joyce Lucas. Bill 'Hoss' Allen's memory of Hendrix's supposed participation in a session with Billy Cox in November 1962, in which he cut Hendrix's contribution due to his over-the-top playing, has now been called into question; a suggestion has been made that he may have confused this with a later 1965 session by Frank Howard And The Commanders in which Hendrix participated. In December 1962, Hendrix visited his relatives in Vancouver, Canada, where as a child he had sometimes lived with his grandmother. It has been claimed that while there, he performed with future members of the Motown band Bobby Taylor & the Vancouvers, including Tommy Chong (of later Cheech & Chong fame). Chong, however, disputes this ever happened and that any such appearance is a product of Taylor's "imagination". In early 1963, Hendrix returned to the South. For the next two years, Hendrix made a living performing on a circuit of venues throughout the South catering to black audiences. These were venues affiliated with the Theater Owners' Booking Association (TOBA), sarcastically known as "Tough On Black Asses" because the audiences were very demanding. The TOBA circuit was also widely known as the Chitlin' Circuit. In addition to performing in his own band, he performed with Bob Fisher and the Bonnevilles, and in backing bands for various soul, R&B;, and blues musicians, including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin' Circuit was where Hendrix refined his style.

Feeling he had artistically outgrown the circuit and frustrated at following the rules of bandleaders, Hendrix decided to try his luck in New York City and in January 1964 moved into the Hotel Theresa in Harlem, where he soon befriended Lithofayne Pridgeon (known as "Faye", who became his girlfriend) and the Allen twins, Arthur and Albert (now known as Taharqa and Tunde-Ra Aleem). The Allen twins became friends and kept Hendrix out of trouble in New York. The twins also performed as backup singers (under the name Ghetto Fighters) on some of his recordings, most notably the song "Freedom". Pridgeon, a Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest. Hoping to land a gig, Hendrix made the club circuit and sat in with various bands. Eventually, Hendrix was offered the guitarist position with The Isley Brothers' back-up band and he readily accepted. Hendrix' first studio recording occurred in March 1964, when the Isley Brothers, with Hendrix as a member of the band, recorded the two-part single "Testify". Hendrix then went on tour with the Isley Brothers. "Testify" was released in June 1964, but did not make an impact on the charts. After touring as a member of the Isley Brothers until mid-late 1964, Hendrix grew dissatisfied and left the band in Nashville. There, he found work with the tour's MC "Gorgeous" George Odell. On March 1, 1964, Hendrix (then calling himself Maurice James) began recording and performing with Little Richard. Hendrix would later (1966) say, "I want to do with my guitar what Little Richard does with his voice." During a stop in Los Angeles while touring with Little Richard in 1965, Hendrix played a session for Rosa Lee Brooks on her single "My Diary". This was his first recorded involvement with Arthur Lee of the band "Love". While in L.A., he also played on the session for Little Richard's final single for Vee-Jay, "I Don't Know What You've Got, But It's Got Me". He later made his first recorded TV appearance on Nashville's Channel 5 "Night Train" with "The Royal Company" backing up "Buddy and Stacy" on "Shotgun". Hendrix clashed with Richard, over tardiness, wardrobe, and, above all, Hendrix's stage antics. He then rejoined the Isley Brothers in the summer of 1965 and recorded a second single with them, "Move Over and Let Me Dance" backed with "Have You Ever Been Disappointed" (1965 Atlantic 45-2303).

Later in 1965, Hendrix joined a New York–based R&B; band, Curtis Knight and the Squires, after meeting Knight in the lobby of the Hotel America, off Times Square, where both men were living at the time. He performed on and off with them for eight months. In October 1965, Hendrix recorded a single with Curtis Knight, "How Would You Feel" backed with "Welcome Home" (1966 RSVP 1120) and on October 15 he signed a three-year recording contract with entrepreneur Ed Chalpin, receiving 1% royalty. While the relationship with Chalpin was short-lived, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The legal dispute has continued to the present day. (Several songs (and demos) from the 1965–1966 Curtis Knight recording sessions, deemed not worth releasing at the time, were marketed as "Jimi Hendrix" recordings after he became famous.) Aside from Curtis Knight and the Squires, Hendrix then toured for two months with Joey Dee and the Starliters.

In between performing with Curtis Knight in 1966, Hendrix toured and recorded with King Curtis. Hendrix recorded the two-part single "Help Me (Get the Feeling)" with Ray Sharpe and the King Curtis Orchestra (1966 Atco 45-6402) (the backing track was subsequently overdubbed by other vocalists with different lyrics and released as new songs). Later in 1966, Hendrix also recorded with Lonnie Youngblood, a saxophone player who occasionally performed with Curtis Knight. The sessions produced two singles for Youngblood: "Go Go Shoes"/"Go Go Place" (Fairmount F-1002) and "Soul Food (That's What I Like)"/"Goodbye Bessie Mae" (Fairmount F-1022). Additionally, singles for other artists came out of the sessions: The Icemen's "(My Girl) She's a Fox"/ "(I Wonder) What It Takes" (1966 SAMAR S-111) and Jimmy Norman's "You're Only Hurting Yourself"/"That Little Old Groove Maker" (1966 SAMAR S-112). As with the King Curtis recordings, backing tracks and alternate takes for the Youngblood sessions would be overdubbed and otherwise manipulated to create many "new" tracks. (Many Youngblood tracks without any Hendrix involvement would later be marketed as "Jimi Hendrix" recordings). Also around this time in 1966, Hendrix got his first composer credits for two instrumentals "Hornets Nest" and "Knock Yourself Out", released as a Curtis Knight and the Squires single (1966 RSVP 1124).

Hendrix, now going by the name Jimmy James, formed his own band, The Blue Flame, composed of Randy Palmer (bass), Danny Casey (drums), a 15-year-old guitarist who played slide and rhythm named Randy Wolfe, and the occasional stand in June 1966.

Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" (as he had recently moved from there to New York City) and Palmer (a Tejano) "Randy Texas". Randy California would later co-found the band Spirit with his stepfather, drummer Ed Cassidy. It was around this time that Hendrix's only daughter Tamika was conceived with Diana Carpenter (also known as Regina Jackson), a teenage runaway and prostitute that he briefly stayed with. Her claim has not been recognized by the US courts where, after death, she may not have a claim on his estate even if she could legally prove he was her father, unless recognized previously as such by him or the courts.

Hendrix and his new band played at several places in New York, but their primary venue was a residency at the Cafe Wha? on MacDougal Street in Greenwich Village. The street runs along "Washington (Square) Park" which appeared in at least two of Hendrix's songs. Their last concerts were at the Cafe au Go Go, as John Hammond Jr.'s backing group, billed as "The Blue Flame". Singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter also claim to have briefly worked with Hendrix in this period.

In 1966, Hendrix, who played and recorded with Little Richard's band from 1964 to 1965, said, "I want to do with my guitar what Little Richard does with his voice."

The Jimi Hendrix Experience

Early in 1966 at the Cheetah Club on Broadway at 53rd Street, Linda Keith, the girlfriend of Rolling Stones guitarist Keith Richards, befriended Hendrix and recommended him to Stones' manager Andrew Loog Oldham and later, producer Seymour Stein. Neither man took a liking to Hendrix's music, and they both passed. She then referred Hendrix to Chas Chandler, who was ending his tenure as bassist in The Animals and looking for talent to manage and produce. Chandler liked the song "Hey Joe" and was convinced he could create a hit single with the right artist.

performing on Dutch television in 1967]] Impressed with Hendrix's version, Chandler brought him to London and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffery. It was Chandler who came up with the spelling change of "Jimmy" to "Jimi". Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell, both English musicians. Shortly before the Experience was formed, Chandler introduced Hendrix to Pete Townshend and to Eric Clapton, who had only recently helped put together Cream. At Chandler's request, Cream let Hendrix join them on stage for a jam on the song "Killing Floor". Hendrix and Clapton remained friends up until Hendrix's death. The first night he arrived in London, he began a relationship with Kathy Etchingham that lasted until February 1969. She later wrote a well received autobiographical book about their relationship and the sixties London scene in general.

Hendrix sometimes had a camp sense of humor, specifically with the song "Purple Haze". A mondegreen had appeared, in which the line "'Scuse me while I kiss the sky" was misheard as "'Scuse me while I kiss this guy." In a few performances, Hendrix humorously used this, deliberately singing "kiss this guy" while pointing to Mitch or Noel, as he did at Monterey. In the Woodstock DVD he deliberately points to the sky at this point, to make it clear. A volume of misheard lyrics has been published, using this mondegreen itself as the title, with Hendrix on the cover.

UK success

After his enthusiastically received performance at France's No. 1 venue, the Olympia theatre in Paris on the Johnny Hallyday tour, an on-stage jam with Cream, a showcase gig at the newly opened, pop-celebrity oriented nightclub Bag O'Nails and the all important appearances on the top UK TV pop shows "Ready Steady Go!" and the BBC's "Top of the Pops", word of Hendrix spread throughout the London music community in late 1966. His showmanship and virtuosity made instant fans of reigning guitar heroes Eric Clapton and Jeff Beck, as well as Brian Jones and members of The Beatles and The Who, whose managers signed Hendrix to their new record label, Track Records.

Hendrix's first single was a cover of "Hey Joe", using Tim Rose's slower arrangement of the song including his addition of a female backing chorus. Backing this first 1966 "Experience" single was Hendrix's first songwriting effort, "Stone Free". Further success came in early 1967 with "Purple Haze" which featured the "Hendrix chord" and "The Wind Cries Mary". The three singles were all UK Top 10 hits and were also popular internationally including Europe, Australia, New Zealand and Japan (though failed to sell when released later in the US). Onstage, Hendrix was also making an impression with sped up renderings of the B.B. King hit "Rock Me Baby" and Howlin' Wolf's hit "Killing Floor".

Are You Experienced

The first Jimi Hendrix Experience album, Are You Experienced, was released in the United Kingdom on May 12, 1967 and shortly thereafter internationally, outside of USA and Canada. It contained none of the previously released (outside North America) singles or their B sides ("Hey Joe/Stone Free", "Purple Haze/51st Anniversary" and "The Wind Cries Mary/Highway Chile"). Only The Beatles' Sgt. Pepper's Lonely Hearts Club Band prevented Are You Experienced from reaching No. 1 on the UK charts.

At this time, the Experience extensively toured the United Kingdom and parts of Europe. This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967, when, booked to appear as one of the opening acts on the Walker Brothers farewell tour, he set his guitar on fire at the end of his first performance, as a publicity stunt. This guitar has now been identified as the "Zappa guitar" (previously thought to have been from Miami), which has been partly refurbished. Later, as part of this press promotion campaign, there were articles about Rank Theatre management warning him to "tone down" his "suggestive" stage act, with Chandler stating that the group would not compromise regardless. On June 4, 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Beatles' Sgt. Pepper album had just been released on June 1 and two Beatles (Paul McCartney and George Harrison) were in attendance, along with a roll call of other UK rock stardom, including: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. Hendrix opened the show with his own rendering of "Sgt. Pepper's Lonely Hearts Club Band", rehearsed only minutes before taking the stage, much to McCartney's astonishment and delight.

, Sweden, in 1967.]] While on tour in Sweden in 1967, Hendrix jammed with the duo Hansson & Karlsson, and later opened several concerts with their song "Tax Free", also recording a cover of it during the Electric Ladyland sessions. He played there frequently throughout his career, and his only son James Daniel Sundquist was born there in 1969 to a Swede, Eva Sundquist, recognized as such by the Swedish courts and paid a settlement by Experience Hendrix LLC. He wrote a poem to a woman there (probably Sundquist). Sundquist had sent Hendrix roses on each of his opening nights in Stockholm, and began – according to the Swedish courts – a sexual relationship from then until conceiving Daniel with him, after his third visit in January 1969. Hendrix also dedicated songs to the Swedish-based Vietnam deserters organization in 1969.

Months later, Reprise Records released the US and Canadian version of Are You Experienced with a new cover by Karl Ferris, removing "Red House", "Remember" and "Can You See Me" to make room for the first three single A-sides. Where the (Rest of the World) album kicked off with "Foxy Lady", the US and Canadian one started with "Purple Haze". Both versions offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on an electric guitar, basically recorded on four tracks, mixed into mono and only modified at this point by a "fuzz" pedal, reverb and a small bit of the experimental "Octavia" pedal on "Purple Haze", produced by Roger Mayer in consultation with Hendrix. A remix using the mostly mono backing tracks with the guitar and vocal overdubs separated and occasionally panned to create a stereo mix was also released, only in the US and Canada.

US success

Although very popular internationally at this time, the Experience had yet to crack America, their first single there failed to sell. Their chance came when Paul McCartney recommended the group to the organizers of the Monterey International Pop Festival. This proved to be a great opportunity for Hendrix, not only because of the large audience present at the event, but also because of the many journalists covering the event who wrote about him. The performances were filmed by D. A. Pennebaker and later shown in some movie theaters around the country in early 1969 as the concert documentary Monterey Pop, which immortalized Hendrix's iconic burning and smashing of his guitar at the finale of his performance.

The opening song was Hendrix's very fast arrangement of Howlin' Wolf's 1965 R&B; hit "Killing Floor". He played this frequently from late 1965 through 1968, usually as the opener to his shows. The Monterey performance included an equally lively rendering of B.B. King's 1964 R&B; hit "Rock Me Baby", Tim Rose's arrangement of "Hey Joe" and Bob Dylan's 1965 Pop hit "Like a Rolling Stone". The set ended with The Troggs "Wild Thing" and Hendrix repeating the act that had boosted his profile in the UK (and internationally) with him burning his guitar on stage, then smashing it to bits and tossing pieces out to the audience. This show finally brought Hendrix to the notice of the US public. A large chunk of this guitar was on display at the Experience Music Project in Seattle, along with the other psychedelically painted Stratocaster that Hendrix smashed (but did not burn) at his farewell concert in England before he left for the US and Monterey.

At the time Hendrix was playing sets in the Scene club in NYC in July 1967, he met Frank Zappa, whose Mothers of Invention were playing the adjacent Garrick Theater, and he was reportedly fascinated by Zappa's recently purchased wah-wah pedal. Hendrix immediately bought one from Manny's and starting using it right away on the sessions for both sides of his new single, and slightly later, on several jams recorded at Ed Chalpin's studio.

Following the festival, the Experience played a series of concerts at Bill Graham's Fillmore replacing the original headliners Jefferson Airplane at the top of the bill. It was at this time that Hendrix became acquainted with future musical collaborator Stephen Stills, and reacquainted himself with Buddy Miles who introduced Hendrix to his future partner, Devon Wilson. She had a turbulent on/off relationship with him, right up to the night of his death, and was the only one of his partners to record with him. She died only six months after Hendrix under mysterious circumstances, apparently falling from an upper window in the Chelsea Hotel.

Following this very successful West Coast introduction, which also included two open air concerts (one of them a free concert in the "panhandle" of Golden Gate Park) and a concert at the Whisky a Go Go, they were booked as one of the opening acts for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their (mostly early teens) audience sometimes did not warm to their act, and he quit the tour after a few dates. Chas Chandler later admitted that being thrown off the Monkees tour was engineered to gain maximum media impact and publicity for Hendrix, similar to that gained from the manufactured Rank Theatre's indecency dispute on the earlier UK Walker Brothers tour. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". This report was concocted by a journalist accompanying the tour, the Australian Lillian Roxon.

Meanwhile in Western Europe, where Hendrix was appreciated for his authentic blues as well as his hit singles and recognized for his avant-garde musical ideas, his wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) had faded; but they later plagued him in the US following Monterey. He became frustrated by the US media and audience when they concentrated on his stage tricks and best known songs.

Axis: Bold as Love

The Jimi Hendrix Experience's second 1967 album, was his first recording made for stereo release and used panning and other stereo effects. It continued the style established by Are You Experienced. The opening track, "EXP", featured a stereo effect in which a sound emanating from Hendrix's guitar appeared to revolve around the listener, fading out into the distance from the right channel, then returning in on the left. This album marked the first time Hendrix recorded the whole album with his guitar tuned down one half-step, to E, which he used exclusively thereafter and was his first to feature the wah-wah pedal. A mishap almost delayed the album's pre-Christmas release: Hendrix lost the master tape of side one of the LP, leaving it in the back seat of a London taxi. With the release deadline looming, Hendrix, Chas Chandler and engineer Eddie Kramer had to remix most of side one in an overnight session, but they couldn't match the lost mix of "If 6 was 9". They soon learned that bassist Noel Redding had a tape recording of this mix. The tape had to be smoothed out as it had gotten wrinkled. Hendrix was disappointed that the album had to be finished so quickly and felt it could have been better, given more time. He was also somewhat disappointed in the album cover art work, which depicts Hendrix and his Experience bandmates as the various forms of Vishnu, incorporating a painting of them by Roger Law (from a photo-portrait by Karl Ferris). Hendrix remarked that it would have been more appropriate if the cover had highlighted his American Indian heritage.

The album was released in the UK near the end of their first headlining tour there, after which the pace slowed briefly during the Christmas holidays. In January 1968 the group went to Sweden for a short tour, and after the first show Hendrix, reportedly after drinking and according to Hendrix his drink being spiked, went berserk and smashed up his hotel room in a rage, injuring his hand and culminating in his arrest. Then on the 6th in Denmark his famous hat was stolen. The rest of the tour was uneventful, though Hendrix had to spend some time in Sweden waiting for his trial and eventual large fine.

Electric Ladyland

Hendrix's third recording, the double album Electric Ladyland (1968), was a departure from previous efforts. Following his third and penultimate French concert at the Paris Olympia, Hendrix flew to the US to start his first tour there, and after two months returned to his Electric Ladyland project at the newly opened Record Plant Studios with engineers Eddie Kramer and Gary Kellgren and initially Chas Chandler as producer.

As the album's recording progressed, Chas Chandler became so frustrated with Hendrix's perfectionism and with various friends and guests milling about the studio that he decided to sever his professional relationship with Hendrix. Chandler's departure had a clear impact on the artistic direction that the recording took.

Hendrix began experimenting with different combinations of musicians and instruments, and modern electronic effects. For example, Dave Mason, Chris Wood, and Steve Winwood from the band Traffic, drummer Buddy Miles and former Bob Dylan organist Al Kooper, among others, were involved in the recording sessions. He described how Hendrix went from a disciplined recording regimen to an erratic schedule, which often saw him beginning recording sessions in the middle of the night and with any number of guests.

Chandler also expressed exasperation at the number of times Hendrix would insist on rerecording particular tracks; the song "Gypsy Eyes" was reportedly recorded 43 times. This was also frustrating for bassist Noel Redding, who would often leave the studio to calm himself, only to return and find that Hendrix had recorded the bass parts himself during Redding's absence.

Electric Ladyland includes "Voodoo Chile (Slight Return)" as well as Hendrix's rendering of Bob Dylan's "All Along the Watchtower".

Throughout the four years of his fame, Hendrix often appeared at impromptu jams with various musicians, such as B.B. King. In March 1968, Jim Morrison of The Doors joined Hendrix onstage at New York's Scene Club. Albums of this Electric Ladyland-era bootleg recording were released under various titles, some falsely claiming the presence of Johnny Winter, who has denied, several times, being a participant at that jam session, and to ever having met Morrison.

Breakup of Jimi Hendrix Experience

After a year based in the US, Hendrix temporarily moved back to London and into his girlfriend Kathy Etchingham's rented Brook Street flat, next door to the Handel House Museum, in the West End of London. During this time The Jimi Hendrix Experience toured Scandinavia, Germany, and included a final French concert. They later performed two sold-out concerts at London's Royal Albert Hall on February 18 and February 24, 1969, which were the last European appearances of this line-up of the "Jimi Hendrix Experience". A Gold and Goldstein-produced film titled Experience was also recorded at these two shows, which, according to Experience Hendrix LLC, "Elements of these recordings are sure to be utilized when the official release of this material is finally made."

Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band, Fat Mattress, which would sometimes open for the Experience (Hendrix would jokingly refer to them as "Thin Pillow"). Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the bass parts on Electric Ladyland.

Fruitless recording sessions at Olympic in London; Olmstead and the Record Plant in New York that ended on April 9, which only produced a remake of Stone Free for a possible single release, were the last to feature Redding. Hendrix then flew Billy Cox to New York and started recording and rehearsing with him on April 21 as a replacement for Noel.

In a recorded interview by Nancy Carter on June 15 at his hotel in Los Angeles, Hendrix announced that he had been recording with Cox and that he would be replacing Noel as bass player in "The Jimi Hendrix Experience".

The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by police firing tear gas into the audience as they played "Voodoo Chile (Slight Return)". The band escaped from the venue in the back of a rental truck which was partly crushed by fans trying to escape the tear gas. The next day, Noel Redding announced that he had quit the Experience.

Gypsy Sun and Rainbows

After the departure of Noel Redding from the group, Hendrix rented the eight-bedroom 'Ashokan House' in the hamlet of Boiceville near Woodstock in upstate New York, where he spent some time in mid-1969. Manager Michael Jeffery, who had a house in Woodstock, arranged the stay, with hopes that the respite would produce a new album. To replace Redding as bassist, Hendrix had been rehearsing and recording with Billy Cox, his old and trusted Army buddy, since at least April 21.

Woodstock

Mitchell was unavailable to help fulfill Hendrix's commitments at this time, which include his first appearance on US TV – on the Dick Cavett show – where he was backed by the studio orchestra, and an appearance on The Tonight Show where he appeared with his new bass player Billy Cox, and session drummer Ed Shaughnessy sitting in for Mitchell. Mitchell returned in time for the Woodstock music festival on August 18, 1969, for which—in an effort to expand his sound beyond the power trio format—Hendrix then added rhythm guitarist Larry Lee (another old friend from his R&B; days), and percussionists Juma Sultan and Jerry Velez. , Woodstock, 1969]]

They recorded some jam-based material such as "Jam Back at the House", "Shokan Sunrise" (posthumous title for untitled jam), "Villanova Junction", and early renderings of the funk-driven centerpieces of Hendrix's post-Experience sound: "Machine Gun", "Message to Love" and "Izabella".

Bad weather and logistical problems caused long delays, so that Hendrix did not appear on stage until Monday morning. By this time, the audience (which had peaked at over 500,000 people) had been reduced to, at most, 180,000, many of whom merely waited to catch a glimpse of Hendrix before leaving. Festival MC Chip Monck introduced the band as "The Jimi Hendrix Experience", but Hendrix quickly corrected this to "Gypsy Sun and Rainbows, for short it's nothin’ but ‘A Band Of’ Gypsies" and launched into a two hour set, the longest of his career. As well as the two percussionists, the performance notably featured Larry Lee performing two songs and Lee sometimes soloing while Hendrix played rhythm in places. Most of this has been edited out of the officially released recordings, including Lee's two songs, reducing the sound to basically a three piece. The concert was relatively free of the technical difficulties that frequently plagued Hendrix's performances, although one of his guitar strings snapped while performing "Red House", which he played through. The band, unused to playing large audiences and exhausted after being up all night, could not always keep up with Hendrix's pace, but in spite of this the guitarist managed to deliver a memorable performance, climaxing with his rendering of "The Star-Spangled Banner", an improvisation since regarded as a defining moment of the 1960s.

This expanded band did not last long. After the Woodstock festival they appeared on only two more occasions. The first was a street benefit in Harlem where, in a scenario similar to the festival, most of the audience had left and only a fraction remained by the time Hendrix took the stage. Within seconds of Hendrix arriving at the site two youths had stolen his guitar from the back seat of his car, although it was later recovered. The band's only other appearance was at the Salvation club in Greenwich Village, New York. After some studio recordings, Hendrix disbanded the group. Some of this band's recordings can be heard on the MCA Records box set The Jimi Hendrix Experience and on South Saturn Delta. Their final work together was a session on September 6. Hendrix's September 9 appearance on TV's The Dick Cavett Show, backed by Cox, Mitchell and Juma Sultan, was credited as the "Jimi Hendrix Experience".

Band of Gypsys

In 1967, a contractual dispute arose in relation to an agreement Hendrix had entered into with producer Ed Chalpin in 1965. The resolution for the dispute included Hendrix having to record an LP of new material for Chalpin company, which wouldn't feature the Experience band, and wouldn't be associated with the Experience band name. In addition, Chalpin was granted 2% of profits from Hendrix's back catalog sold in US. For the agreed upon album, Hendrix chose to record Band of Gypsys, a live album.

Along with Billy Cox and drummer Buddy Miles (formerly with Wilson Pickett and The Electric Flag) with whom he had been jamming together since September, Hendrix wrote and rehearsed material which they then performed at a series of four concerts over two nights, New Year's Eve and New Year's Day at Fillmore East. The second night produced the material for the Band Of Gypsys LP, which was produced by Hendrix (under the name "Heaven Research").

The Band of Gypsys LP was the only official completely live LP released in Hendrix's lifetime. The band also released a single "Stepping Stone" which failed to sell, and recorded several studio songs slated for Hendrix's future LP. In 1999, the tapes from the four Fillmore concerts were remastered and additional tracks and edits were released as Live at the Fillmore East. Litigation with Chalpin ended in 2007 after the "singularly uncredible witness" was fined nearly $900,000 for failure to abide by contractual limitations and failure to pay Experience Hendrix L.L.C. its court ordered royalties.

On January 26 and 27, 1970, Mitch Mitchell and Noel Redding flew into New York and signed contracts with Jeffery for the upcoming Jimi Hendrix Experience tour. The next day, a second and final Band of Gypsys appearance occurred at a twelve-act show in Madison Square Garden which was a benefit for the massively popular anti-Vietnam War Moratorium Committee, titled the "Winter Festival for Peace". Similar to Woodstock, set delays forced Hendrix to take the stage at an inopportune 3 a.m., only this time he was obviously in no shape to play. He played "Who Knows" before snapping a vulgar response at a woman who shouted a request for "Foxy Lady". He played a second song, "Earth Blues", he then told the audience: "That's what happens when earth fucks with space—never forget that". He then sat down on the drum riser for a minute and then walked off stage. Various unverifiable assertions have been proffered to explain this bizarre scene. Buddy Miles claimed that manager Michael Jeffery dosed Hendrix with LSD in an effort to sabotage the current band and bring about the return of the Experience lineup. But none of Hendrix's other close associates verifies his statement.

Cry of Love tour

A week after the botched Band of Gypsys show, Hendrix, Mitch Mitchell and Noel Redding gave an interview to Rolling Stone for the upcoming tour dates as a reunited Jimi Hendrix Experience. But Redding never even got to rehearse, as Hendrix just continued to work with Billy Cox. Noel was not told he wasn't going to be playing until the pretour rehearsals. Fans refer to this final "Jimi Hendrix Experience" lineup as the "Cry of Love" band, named after The Cry of Love Tour to distinguish it from the original. Billy Cox has countered on several occasions that this lineup considered themselves "The Jimi Hendrix Experience" before they even went on tour and that any other title is bogus. All billing, adverts, tickets etc. on the tour used "Jimi Hendrix Experience" or occasionally, as previously, just "Jimi Hendrix".

Two of Hendrix's later recordings were the lead guitar parts on "Old Times Good Times" from Stephen Stills hit eponymous album (1970), and on "The Everlasting First" from Arthur Lee's new incarnation of Love's, not so successful and aptly named LP False Start both tracks were recorded with these old friends on a fleeting and unexplained visit to London in March 1970, following Kathy Etchingham's marriage.

He spent the next four months of 1970 working on his next LP tentatively titled First Rays of the New Rising Sun, recording during the week and playing live on the weekends. The "Cry of Love" tour, launched that April at the L.A. Forum, was partly undertaken to earn money to repay the Warner Bros loan for completing his Electric Lady Studios. Performances on this tour featured Hendrix, Cox, and Mitchell playing new material alongside older audience favourites. The USA leg of the tour included 30 performances and ended at Honolulu, Hawaii on August 1, 1970. A number of these shows were recorded and produced some of Hendrix's most memorable live performances.

Electric Lady Studios

In 1968, Hendrix and Jeffery had invested jointly in the purchase of the Generation Club in Greenwich Village. Their initial plans to reopen the club were scrapped when the pair decided that the investment would serve them much better as a recording studio. The studio fees for the lengthy Electric Ladyland sessions were astronomical, and Hendrix was constantly in search of a recording environment that suited him. In August 1970, Electric Lady Studios was opened in New York.

Designed by architect and acoustician John Storyk, the studio was made specifically for Hendrix, with round windows and a machine capable of generating ambient lighting in a myriad of colors. It was designed to have a relaxing feel to encourage Hendrix's creativity, but at the same time provide a professional recording atmosphere. Engineer Eddie Kramer upheld this by refusing to allow any drug use during session work.

Hendrix spent only two and a half months recording in Electric Lady, most of which took place while the final phases of construction were still ongoing. Following a recording/dubbing session on August 26, an opening party was held later that day. He then boarded an Air India flight for London with Billy Cox, joining Mitch Mitchell to perform at the Isle of Wight Festival.

European tour

The group then commenced the European leg of the tour. Longing for his new studio and creative outlets, the tour was a commitment that Hendrix was not eager to perform. In Aarhus, Hendrix abandoned his show after only two songs, remarking: "I've been dead a long time". In the months before Hendrix's death, a British music paper alleged that Hendrix had plans to join the band Emerson, Lake & Palmer. On September 6, 1970, his final concert performance, Hendrix was greeted with some booing and jeering by fans at the Isle of Fehmarn Festival in Germany, due to his non-appearance at the end of the previous nights bill, (due to the torrential rain and risk of electrocution). Several acts played after he left the stage, later part of the stage was burnt during the first stage appearance of Ton Steine Scherben. Billy Cox quit the tour and headed home to Memphis, Tennessee, reportedly suffering paranoia after taking LSD or being given it unknowingly, earlier in the tour.

Hendrix returned to London, where he reportedly spoke to Chas Chandler, Eric Burdon, and others about leaving his manager, Michael Jeffery. Hendrix's last public performance was an informal jam at Ronnie Scott's Jazz Club in Soho with Burdon and his latest band, War.

Death

Early on September 18, 1970, Jimi Hendrix died in London. He had spent the latter part of the previous evening at a party and was picked up by girlfriend Monika Dannemann and driven to her flat at the Samarkand Hotel, 22 Lansdowne Crescent, Notting Hill. According to the estimated time of death, from autopsy data and statements by friends about the evening of September 17, he died within a few hours after midnight, though no precise estimate was made at the original inquest.

Dannemann claimed in her original testimony that after they returned to her lodgings the evening before, Hendrix, unknown to her, had taken nine of her prescribed Vesperax sleeping pills. The normal medical dose was half a tablet, but Hendrix was unfamiliar with this very strong German brand. According to surgeon John Bannister, the doctor who initially attended to him, Hendrix had asphyxiated in his own vomit, mainly red wine which had filled his airways, as an autopsy later confirmed. For years, Dannemann publicly claimed that she had only discovered that her lover was unconscious and unresponsive sometime after 9 a.m., that Hendrix was alive when placed in the back of the ambulance after half past eleven, and that she rode with him on the way to the hospital; the latter two are denied by the ambulance crew. However, Dannemann's comments about that morning were often contradictory, varying from interview to interview. Police and ambulance statements reveal that there was no one but Hendrix in the flat when they arrived at 11:27 a.m., and not only was he dead when they arrived on the scene, but was fully clothed and had been dead for some time.

Later, Dannemen claimed that former road managers Gerry Stickels and Eric Barrett had been present before the ambulance was called and had removed some of Hendrix's possessions, including some of his most recent messages. Lyrics written by Hendrix, which were found in the apartment, led Eric Burdon to make a premature announcement on the BBC-TV program 24 Hours that he believed Hendrix had committed suicide. Burdon often claimed he had been telephoned by Dannemann after she discovered that Jimi failed to wake up.

Following a libel case brought in 1996 by Hendrix's long-term English girlfriend Kathy Etchingham, Monika Dannemann committed suicide.

Allegations of murder

A former Animals "roadie," James "Tappy" Wright, published a book in May 2009 claiming Hendrix's manager, Mike Jeffery, admitted to him that he had Hendrix killed because the rock star wanted to end his management contract. John Bannister, the doctor who attended the scene of his death in 1970 stated in 2009 that it "sounded plausible".

It was claimed that Mike Jeffery was not "in London," he was in Spain when Jimi died in London on September 18, 1970.

"There was a freak storm across Mallorca and all the phone lines were down. Somebody told Mike that Jimi had been trying to phone him. The first call that got through was to say Jimi was dead. Mike was terribly upset at the thought of Jimi not being able to get through to him." - Trixie Sullivan, secretary/assistant for Mike Jeffery

Fashion

on display at the Hard Rock Cafe, Hollywood]] Hendrix was well known for his unique sense of fashion and wardrobe and his Dylan-esque (c. 1966) hairstyle. A set of hair curlers was one of the few possessions that traveled with him to England when he was first discovered in 1966. When his first advance check arrived, Hendrix immediately took to the streets of London in search of clothing at famous boutiques like I Was Lord Kitchener's Valet and Granny Takes a Trip, both of which specialized in vintage fashion. He purchased at least two army dress uniform jackets, including an old Hussar's jacket adorned with tasseled ropes. A group of policemen once ordered him to remove a Royal Veterinary Corps dress jacket, saying it was an offense to the men who had worn it.

Many photographs of Hendrix show him wearing various scarves, rings, medallions, and brooches, and in the early days occasionally badges (pins or buttons) that professed his support for the hippie movement or his fascination with Bob Dylan. He initially wore a dark suit and plain silk shirts that progressively became "louder" and more psychedelically patterned. He later favored a bright blue velvet suit, then a bright red one, antique military dress jackets, a very broadly striped suit, psychedelically patterned silk jackets, various exotic waistcoats and brightly colored flared trousers. At Monterey, he wore a hand-painted silk jacket by Chris Jagger (Mick Jagger's brother) and a bright pink feather boa. In late 1967 he started to wear a wide-brimmed Western style hat (brand name "The Westerner"). It was adorned with a narrow purple band and various brooches, as shown in the original Jimi Plays Monterey film. This hat was stolen in 1968, and replaced later with another, crowned variously with a longer purple scarf, a star-like brooch in front and a set of silver bangles, sometimes with an angled feather, though he went hatless for protracted periods after this.

From late 1968 he began tying scarves to one leg and one arm, and in mid-1969 he gave up the hat for bandanas. He started wearing increasingly fantastic custom-made stage costume with long trailing sleeves, culminating in his African-styled "Fire Angel" outfit that he wore throughout most of his final "Cry Of Love" tour, until it began to come apart during the Isle of Wight concert. He appeared in this outfit only once more (in just the jacket) at the disastrous concert in Aarhus, Denmark. His only non-work-related vacation was a two-week trip to Morocco in July 1969 with friends Colette Mimram, Stella Benabou (the then-wife of producer Alan Douglas), and Deering Howe. Upon his return Hendrix decorated his Greenwich Village apartment with Moroccan objets d'art and fabrics. Mimram and Benabou created some of Hendrix's most memorable later attire, the shortened blue kimono-style jacket that he wore in three TV appearances and the white fringed jacket, ornamented with blue glass beads, he wore at the Woodstock Festival.

Drug use and women

of the drug possession charges.]] Hendrix is widely known for and associated with the use of psychedelic drugs, most notably lysergic acid diethylamide (LSD), as were many other famous musicians and celebrities of that time. He supposedly had never taken psychedelic drugs until the night he met Linda Keith, but smoked cannabis and drank alcohol previously. Amphetamines are also recorded as being used by Hendrix during tours. Hendrix was notorious among friends and bandmates for sometimes becoming angry and violent when he drank too much alcohol. Kathy Etchingham spoke of an incident that took place in a London pub in which an intoxicated Hendrix beat her with a public telephone handset because he thought she was calling another man on the pay phone. Carmen Borrero, another girlfriend, says she required stitches after he hit her with a bottle after drinking and becoming jealous. Alcohol was also cited as the cause of Hendrix's 1968 rampage that badly damaged a Stockholm hotel room and led to his arrest. Paul Caruso's friendship with Hendrix ended in 1970 when Hendrix, while under the influence, punched him and accused him of stealing from him.

On May 3, 1969, while checking through Canadian customs at Toronto Pearson International Airport, Hendrix was arrested when small amounts of heroin and hashish were found in his luggage. After being released on a $10,000 cash bail the same day, only four hours before his show was to begin, (and being required to appear in court at a later date), the Experience were able to play their concert at Maple Leaf Gardens.

In his trial defense, Hendrix claimed that the drugs were slipped into his bag by a fan without his knowledge. He was acquitted.

Once he became a star, he entertained groupies and reportedly had casual sex with hundreds of women.

Gravesite

Hendrix's body was returned to Seattle and he was interred in Greenwood Memorial Park, Renton, Washington. As the popularity of Hendrix and his music grew over the decades following his death, concerns began to mount over fans damaging the adjoining graves at Greenwood, and the growing, extended Hendrix family further prompted his father to create an expanded memorial site separate from other burial sites in the park. The memorial was announced in late 1999, but Al Hendrix's deteriorating health led to delays and he died two months before its scheduled completion in 2002. Later that year, the remains of Jimi Hendrix, his father Al Hendrix, and grandmother Nora Rose Moore Hendrix were moved to the new site. The headstone contains a depiction of a Fender Stratocaster guitar, the instrument he was most famed for using —– although the guitar is shown right-side up, rather than the way Hendrix played it, upside down (left-handed).

The memorial is a granite dome supported by three pillars under which Jimi Hendrix and other family members are interred. Hendrix's autograph is inscribed at the base of each pillar, while two stepped entrances and one ramped entrance provide access to the dome's center where the original Stratocaster adorned headstone has been incorporated into a statue pedestal. A granite sundial complete with brass gnomon adjoins the dome, along with over 50 family plots that surround the central structure, half of which are currently adorned with raised granite headstones.

To date, the memorial remains incomplete: brass accents for the dome and a large brass statue of Hendrix were announced as being under construction in Italy, but since 2002, no information as to the status of the project has been revealed to the public. A memorial statue of Jimi playing a Stratocaster stands near the corner of Broadway and Pine Streets in Seattle.

In May 2006, the city of Seattle honored Hendrix with the re-naming of a park near Seattle's Colman School in the Central District.

Recordings

Hendrix's recordings were originally released in North America on Reprise Records (a division of Warner Communications) from 1967 until 1993 and were released Internationally (outside of US & Canada) on Polydor Records. (Because it was recorded to settle a legal dispute, the Band of Gypsys album was released on Capitol Records in US & Canada.) British releases of all his albums up to and including The Cry Of Love were first issued on the independent label Track Records, which was originally created by the managers of The Who. The label was later absorbed by Polydor.

In 1994, the Hendrix family prevailed in its long standing legal attempt to gain control of Jimi's music, and subsequently licensed the recordings to MCA Records (later Universal Music) through the family-run company Experience Hendrix. In August 2009, Experience Hendrix announced that it had entered a new licensing agreement with Sony Music Entertainment's Legacy Recordings division which would take effect in 2010.

Unfinished work and posthumous releases

Reports that Hendrix's tapes for a concept album Black Gold had been stolen and lost from the London flat, are incorrect. Hendrix gave those tapes to Mitch Mitchell at the Isle of Wight Festival three weeks prior to his death. They are now in the possession of Experience Hendrix LLC.

Hendrix's unfinished album was partly released as the 1971 title The Cry of Love. The album was well received and charted in several countries. However, the album's producers, Mitchell and Kramer, would later complain that they were unable to make use of all the tracks they wanted. This was due to some tracks being used for 1971's Rainbow Bridge and 1972's War Heroes for contractual reasons.

Material from The Cry of Love was rereleased in 1997 as First Rays of the New Rising Sun, along with the rest of the tracks that Mitchell and Kramer wanted to include.

Many of Hendrix's personal items, tapes, and many pages of lyrics and poems are now in the hands of private collectors and have attracted considerable sums at the occasional auctions. These materials surfaced after two employees, under the instructions of Mike Jeffery, removed items from Hendrix's Greenwich Village apartment following his death.

In 2010, Legacy Recordings and Experience Hendrix LLC launched the 2010 Jimi Hendrix Catalog Project, starting with the release of Valleys of Neptune in March. Legacy has also released deluxe CD/DVD editions of the Hendrix albums Are You Experienced, Axis: Bold As Love, Electric Ladyland and First Rays of the New Rising Sun, as well as the 1968 compilation album Smash Hits. and Davis would later want guitarists in his bands to emulate Hendrix. Hendrix was ranked number 3 on VH1's 100 Greatest Artists of Hard Rock behind Black Sabbath and Led Zeppelin.

Hendrix's guitar style also had significanct influence upon future ZZ Top guitarist Billy Gibbons and fellow Texas guitar legend Stevie Ray Vaughn.

Hendrix was ranked number 3 on VH1's list of the 100 Greatest Artists of Rock N' Roll, behind the Rolling Stones and the Beatles. He has been voted by Rolling Stone, Guitar World, and a number of other magazines and polls as the best electric guitarist of all time.

Guitar World's readers voted six of Hendrix's solos among the top "100 Greatest" of all time: "Purple Haze" (70), "The Star-Spangled Banner" (52), "Machine Gun" (32), "Little Wing" (18), "Voodoo Child (Slight Return)" (11) and "All Along the Watchtower (5).

In 1992, Hendrix was posthumously awarded the Grammy Lifetime Achievement Award.

Financial

When Al Hendrix died of congestive heart failure in 2002, his will stipulated that Experience Hendrix, LLC was to exist as a trust designed to distribute profits to a list of Hendrix family beneficiaries. Upon his death, it was revealed that Al had signed a revision to his will which removed Hendrix's brother Leon Hendrix as a beneficiary. A 2004 probate lawsuit merged Leon's challenge to the will with charges from other Hendrix family beneficiaries that Janie Hendrix, Al's adopted daughter, was improperly handling the company finances. The suit argued that Janie and a cousin of Jimi Hendrix (Robert Hendrix) paid themselves exorbitant salaries and covered their own mortgages and personal expenses from the company's coffers while the beneficiaries went without payment and the Hendrix gravesite in Renton went uncompleted.

Janie and Robert's defense was that the company was not profitable yet, and that their salary and benefits were justified given the work that they put into running the company. Leon charged that Janie bilked Al Hendrix, then old and frail, into signing the revised will, and sought to have the previous will reinstated. The defense argued that Al willingly removed Leon from his will because of Leon's problems with alcohol and gambling. In early 2005, presiding judge Jeffrey Ramsdell handed down a ruling that left the final will intact, but replaced Janie and Robert's role at the financial helm of Experience Hendrix with an independent trustee.

The Jimi Hendrix Foundation

In 1987, Leon Hendrix commissioned the James (Jimi) Marshall Hendrix Foundation. This foundation is based in Renton, Washington. Though run for some time by Jimi's brother Leon Hendrix, in August, 2006 Leon asked a childhood friend of Jimi Hendrix – James (Jimmy) Williams, to take control of the Foundation.

Guitar

Fender Stratocaster

Hendrix owned and used a variety of guitars during his career. His guitar of choice however, and the instrument that became most associated with him, was the Fender Stratocaster. He started playing the model in 1966 and thereafter used it prevalently in his stage performances and recordings.

Hendrix bought many Stratocasters and gave some away as gifts. The original sunburst Stratocaster that Hendrix burnt at the Astoria in 1967, and that he kept as a souvenir, was given to Frank Zappa by a Hendrix roadie at the 1968 Miami Pop Festival; Zappa assumed it was the one Hendrix had played there.

Hendrix used right-handed guitars, turned upside down and restrung for left-hand playing. This had an important effect on his guitar sound: because of the slant of the Strat's bridge pickup, his lowest string had a bright sound while his highest string had a mellow sound, the opposite of the Stratocaster's intended design. Heavy use of the tremolo bar necessitated frequent tuning; Hendrix often asked the audience for a "minute to tune up", as heard on many live bootlegs of his performances.

In addition to Stratocasters, Hendrix was also photographed playing Fender Jazzmasters, Duosonics, two different Gibson Flying Vs, a Gibson Les Paul, three Gibson SGs, a Gretsch Corvette he used at the 1967 Curtis Knight sessions and miming with a right strung Fender Jaguar on the "Top Of The Pop's" TV show, as well as several other brands. Hendrix borrowed a Fender Telecaster from Noel Redding to record "Hey Joe" and "Purple Haze", used a white Gibson SG Custom for his performances on the Dick Cavett show in the summer of 1969, and the Isle of Wight film shows him playing his second Gibson Flying V. While Jimi had previously owned a Flying V that he'd painted with a psychedelic design, the Flying V used at the Isle of Wight was a unique custom left-handed guitar with gold plated hardware, a bound fingerboard and "split-diamond" fret markers that were not found on other 60s-era Flying Vs.

On December 4, 2006, one of Hendrix's 1968 Fender Stratocaster guitars with a sunburst design was sold at a Christie's auction for USD$168,000.

Amplifiers and effects

Hendrix was a catalyst in the development of modern guitar effects pedals. His high volume and use of feedback required robust and powerful amplifiers. For the first few rehearsals he used Vox and Fender amplifiers. Sitting in with Cream, Hendrix played through a new range of high-powered guitar amps being made by London drummer turned audio engineer Jim Marshall, and they proved perfect for his needs. Along with the Stratocaster, the Marshall stack and amplifiers were crucial in shaping his heavily overdriven sound, enabling him to master the use of feedback as a musical effect, and he created a "definitive vocabulary for rock guitar."

While his mainstays were the Arbiter Fuzz Face and a Vox wah-wah pedal, Hendrix experimented with guitar effects as well. He had a fruitful association with engineer Roger Mayer who later went on to make the Axis fuzz unit, the Octavia octave doubler and several other devices based on units Mayer had created or tweaked for Hendrix. The Japanese-made Univibe, designed to simulate the modulation effects of the rotating Leslie speaker, provided a rich phasing sound with a speed control pedal, and is heard on the Band of Gypsys track "Machine Gun," which highlights use of the univibe, octavia and fuzz face pedals.

The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects. He was also known for his trick playing, which included playing with only his right (fretting) hand and using his teeth or playing behind his back and between his legs. Hendrix had large hands and characteristically used his thumb to fret bass notes, leaving his fingers free to play melodic lines on top. A clear demonstration of this thumb technique can be witnessed in the Woodstock video; during the song Red House there are closeups of Hendrix's fretting hand.

Discography

The Jimi Hendrix Experience

Are You Experienced (1967)

(1967)

Electric Ladyland (1968)

Jimi Hendrix/Band of Gypsys

Band of Gypsys (1970) [recorded live]

Posthumous studio albums

The Cry of Love (1971)

Rainbow Bridge (1971)

War Heroes (1972)

Loose Ends (1974)

Crash Landing (1975)

Midnight Lightning (1975)

Nine to the Universe (1980)

Radio One (1988)

First Rays of the New Rising Sun (1997)

South Saturn Delta (1997)

Valleys of Neptune (2010)

See also

Eire Apparent

Electric Church

Rainbow Bridge (film) Maui, Hawaii, 1970

Citations

Further reading

Charles R. Cross, ''Room Full Of Mirrors: A Biography Of Jimi Hendrix, 2005: ISBN 1401300286

Gary Geldeart & Steve Rodham, "From The Benjamin Franklin Studios 3rd Edition Parts 1, 2 & 3" 2008

Curtis Knight, Jimi: An Intimate Biography of Jimi Hendrix, Praegar Publishers, New York, 1974. The book includes A Jimi Hendrix Discography, compiled by John McKellar.

John Kruth, Bright Moments: The Life & Legacy of Rahsaan Roland Kirk, 2004: ISBN 1566491053

Mark Lewisohn, The Complete Beatles Recording Sessions, Hamlyn 1988: ISBN 0600612074. See pp. 164–5 re Apple recording studio.

Ken Matesich, Jimi Hendrix: A Discography, 1982

David Stubbs, Jimi Hendrix: Voodoo Child: The Stories Behind Every Song, 2003

Brad Tolinski and Ross Halfin, Classic Hendrix: The Ultimate Hendrix Experience, Genesis Publications 2004

External links

Official website

Jimpress Magazine

Univibes Magazine

Jimi Hendrix at MySpace

Jimi Hendrix Exhibition - slideshow by The First Post

"Jimi Hendrix: 'You never told me he was that good'" Ed Vulliamy, The Guardian

Category:1942 births Category:1970 deaths Category:1960s singers Category:1970s singers Category:African American guitarists Category:African American rock musicians Category:African American rock singers Category:African American singer-songwriters Category:Alcohol-related deaths in England Category:American baritones Category:American expatriates in the United Kingdom Category:American people of Cherokee descent Category:American people of Native American descent Category:Grammy Lifetime Achievement Award winners Category:Lead guitarists Category:Musicians from Washington (U.S. state) Category:Native American musicians Category:Native American singers Category:Native American songwriters Category:People from Seattle, Washington Category:Rock and Roll Hall of Fame inductees Category:The Jimi Hendrix Experience members Category:United States Army soldiers

Jeb Corliss (born March 25, 1976) is a professional BASE jumper, skydiver, and wingsuit flyer. He has jumped from sites including Paris' Eiffel Tower, Seattle's Space Needle, and the Petronas Twin Towers in Kuala Lumpur, Malaysia.

Jeb Corliss is co-founder of 3 Triple 7, a clothing label.

He was also the original host of the Discovery Channel series Stunt Junkies, appearing in 13 episodes, but was fired by Discovery as a result of his arrest (below).

Jeb is currently working on a plan to jump out of a helicopter with his wing suit and land without a parachute.

Arrest

In April 2006, Jeb Corliss attempted to BASE jump off the observation deck of the Empire State Building, while wearing a camera, but was restrained by building security and arrested by the NYPD. As a result, Corliss received 3 years probation and 100 hours community service, This sentence was affirmed in January 2009. Corliss was later permanently banned from setting foot in the Empire State Building.

References

Corliss is featured in the last chapter of Birdmen, Batmen, and Skyflyers: Wingsuits and the Pioneers Who Flew in Them, Fell in Them, and Perfected Them, by Michael Abrams. ISBN 1-4000-5491-5.

Parachuteless Parachuting

Flying Humans, Hoping to Land With No Chute - New York Times.

External links

Jeb Corliss wing-suit demo flights video

Weekend America - Interview with Jeb Corliss

Demo video

A Year in the Life - 2003 jumps around the world

Outlawing Creative Subversions

MySpace

Daredevils: The Human Bird - Channel 4 (UK) television documentary, 2009

Category:1976 births Category:Living people Category:Parachuting

Name	Glenn Beck
Caption	Beck at the Time 100 Gala, 2010
Birth name	Glenn Edward Lee Beck
Birth date	February 10, 1964
Birth place	Everett, Washington, U.S.
Hometown	Mount Vernon, Washington
Education	Sehome High School
Nationality	American
Occupation	Political commentator, author, media proprietor, entertainer
Salary	US$ 32 million (2009–10)
Spouse	Claire (1983–1994) Tania (m. 1999)
Children	4
Website	http://www.glennbeck.com/
Religion	The Church of Jesus Christ of Latter-day Saints (Mormon)
Residence	New Canaan, Connecticut
Home town	Mount Vernon, Washington

Glenn Edward Lee Beck (born February 10, 1964) is an American conservative radio and television host, author, entrepreneur and political commentator. He hosts The Glenn Beck Program, a nationally syndicated talk-radio show that airs throughout the United States on Premiere Radio Networks; and also a cable news show on Fox News Channel. As an author, Beck has had six New York Times-bestselling books, with five debuting at #1. Beck is the founder and CEO of Mercury Radio Arts, a multimedia production company through which he produces content for radio, television, publishing, the stage, and the Internet.

Beck has received wealth and fame, as well as controversy and criticism. His supporters praise him as a constitutional stalwart defending traditional American values from secular progressivism, while his critics contend he promotes conspiracy theories and employs incendiary rhetoric for ratings.

Personal life

Early years

Glenn Lee Beck was born in Everett, Washington, to William and Mary Beck, who lived in Mountlake Terrace, Washington. The family later moved to Mount Vernon, Washington, where they owned and operated City Bakery in the downtown area. He is descended from German immigrants who came to the United States in the 1800s. Beck was raised as a Roman Catholic and attended Immaculate Conception Catholic School in Mount Vernon.

Glenn and his older sister moved with their mother to Sumner, Washington, attending a Jesuit school in Puyallup. On May 15, 1979, his mother drowned in Puget Sound, just west of Tacoma, Washington. A man who had taken her out in a small boat also drowned. A Tacoma police report stated that Mary Beck "appeared to be a classic drowning victim", but a Coast Guard investigator speculated that she could have intentionally jumped overboard.

After their mother's death, Beck and his older sister moved to their father's home in Bellingham, Washington, where Beck graduated from Sehome High School in June 1982. In the aftermath of his mother's death and subsequent suicide of his stepbrother, Beck has said he used "Dr. Jack Daniel's" to cope. At 18, following his high school graduation, Beck relocated to Provo, Utah, and worked at radio station KAYK. Feeling he "didn't fit in," Beck left Utah after six months, taking a job at Washington D.C.'s WPGC in February 1983. The couple divorced in 1994 amid Beck's struggles with substance abuse. A recovering alcoholic and drug addict, Beck has been diagnosed with Attention Deficit Hyperactivity Disorder.

By 1994, Beck was suicidal, and imagined shooting himself to the music of his fellow Washingtonian, Kurt Cobain. Beck would later claim that he had gotten high every day for the previous 15 years, since the age of 16.

This was followed by Beck going on a "spiritual quest" where he "sought out answers in churches and bookstores." Beck would be baptized by his old friend, and current-day co-worker Pat Gray.

Beck announced in July 2010 that he had been diagnosed with macular dystrophy, saying "A couple of weeks ago I went to the doctor because of my eyes, I can't focus my eyes. He did all kinds of tests and he said, 'you have macular dystrophy ...you could go blind in the next year. Or, you might not." The disorder can make it difficult to read, drive or recognize faces.

Career

]] As an author, Beck has reached #1 on the New York Times Bestseller List in four separate categories : Hardcover Non-Fiction, Paperback Non-Fiction, and Children's Picture Books.

*The Real America: Messages from the Heart and Heartland, Simon & Schuster 2003. ISBN 978-0-7434-9696-4

An Inconvenient Book: Real Solutions to the World's Biggest Problems, Simon & Schuster 2007. ISBN 978-1-4391-6857-8

The Christmas Sweater, Simon & Schuster 2008. ISBN 978-1-4165-9485-7

America's March to Socialism: Why We're One Step Closer to Giant Missile Parades, 2008 (Audiobook) An Unlikely Mormon: The Conversion Story of Glenn Beck, Deseret Book 2008 (Audiobook). ISBN 978-1-59038-944-7

The Christmas Sweater: A Picture Book Simon & Schuster Children's Publishing 2009. ISBN 978-1-4169-9543-2

America's March to Socialism: Why We're One Step Closer to Giant Missile Parades Simon & Schuster Audio 2009 (Audio CD). ISBN 978-0-7435-9854-5

Glenn Beck's Common Sense: The Case Against an Out-of-Control Government, Simon & Schuster 2009. ISBN 978-1-4391-6857-8

Arguing with Idiots: How to Stop Small Minds and Big Government, Simon & Schuster 2009. ISBN 978-1-4165-9501-4

Idiots Unplugged, Simon & Schuster 2010 (Audio CD). ISBN 1-4423-3396-0

The Overton Window, Threshold Editions 2010. ISBN 1-4391-8430-5 Idiots Unplugged, 2010 (Audiobook) , Simon & Schuster 2010. ISBN 1-4423-3457-6.

Stage shows and speeches

In 2009, the Glenn Beck show was one of the highest rated news commentary programs on cable TV. For a Barbara Walters ABC special, Beck was selected as one of America’s "Top 10 Most Fascinating People" of 2009. In 2010, Beck was selected for the Times top 100 most influential people under the "Leaders" category.

Beck has referred to himself as an entertainer, and a "rodeo clown".

Time Magazine described Beck as "[t]he new populist superstar of Fox News" saying it is easier to see a set of attitudes rather than a specific ideology, noting his criticism of Wall Street, yet defending bonuses to AIG, as well as denouncing conspiracy theories about the Federal Emergency Management Agency (FEMA) but warning against indoctrination of children by the AmeriCorps program. (Paul Krugman and Mark Potok, on the other hand, have been among those asserting that Beck helps spread "hate" by covering issues that stir up extremists.) What seems to unite Beck's disparate themes, Time argued, is a sense of siege. One of Beck's Fox News Channel colleagues Shepard Smith, has jokingly called Beck's studio the "fear chamber", with Beck countering that he preferred the term "doom room." The progressive watchdog group Fairness and Accuracy in Reporting's (FAIR) Activism Director Peter Hart argues that Beck red-baits political adversaries as well as promotes a paranoid view of progressive politics. Howard Kurtz of The Washington Post has remarked that "Love him or hate him, Beck is a talented, often funny broadcaster, a recovering alcoholic with an unabashedly emotional style."

Critical biographies

In June 2010, investigative reporter Alexander Zaitchik released a critical biography titled , with a title mocking Beck's work, Common Sense. In an interview about the book, Zaitchik theorized that "Beck’s politics and his insatiable hunger for money and fame are not mutually exclusive", while stating: "Beck’s true religion is not Patriotism, Mormonism, or Conservatism. His true religion is cross-platform self-marketing ... According to Beck’s worldview, there’s no inherent contradiction between his sophisticated instinct for self-promotion, his propagandist rodeo clown act, his self-image as a media mogul, and his professed belief system. I think he actually believes that God wants him to make a ton of money and become this huge celebrity by fear mongering and generally doing whatever it takes in the media to promote right-wing causes."

In September 2010, Philadelphia Daily News reporter Will Bunch released The Backlash: Right-Wing Radicals, High-Def Hucksters, and Paranoid Politics in the Age of Obama. One of Bunch's primary theses is that Beck is nothing more than a morning zoo deejay playing a fictional character as a money-making stunt.

Satire, spoof and parody of Beck

Beck has been the subject of mockery and ridicule by a number of humorists. In response to Beck's animated delivery and views, he was parodied in an impersonation by Jason Sudeikis on Saturday Night Live. The Daily Shows Jon Stewart has spoofed Beck's 9-12 project with his own "11-3 project", impersonated Beck's chalk board-related presentation style for an entire show, and quipped about Beck "finally, a guy who says what people who aren't thinking are thinking." Stephen Colbert of The Colbert Report satirized Beck's "war room" by creating his own "doom bunker." Through the character Eric Cartman, South Park parodied Beck's television program and his commentary style in the episode "Dances with Smurfs". The Onion, a satirical periodical and faux news site, ran an Onion News Network video "special report" where it lamented that the "victim in a fatal car accident was tragically not Glenn Beck." Meanwhile, the Current TV cartoon SuperNews! ran an animated cartoon feature titled "The Glenn Beck Apocalypse", where Beck is confronted by Jesus Christ who rebukes him as the equivalent of "Sarah Palin farting into a balloon." Political comedian and satirist Bill Maher has mocked Beck's followers as an "army of diabetic mallwalkers", while The Buffalo Beast, named Beck the most loathsome person in America in 2010, declaring "It’s like someone found a manic, doom-prophesying hobo in a sandwich board, shaved him, shot him full of Zoloft and gave him a show."

Public disputes

Several incidents involving Beck and President Barack Obama have resulted in notable public controversy. In response to Obama's remarks on the Henry Louis Gates controversy, Beck argued that Obama has repeatedly shown "a deep-seated hatred for white people or the white culture," saying "I'm not saying he doesn't like white people. I'm saying he has a problem. This guy is, I believe, a racist." These remarks drew criticism, and resulted in a boycott promulgated by Color of Change. In 2009, the boycott resulted in at least 57 advertisers requesting their ads be removed from his programming, to avoid associating their brands with content that could be considered offensive by potential customers. He later apologized for the remarks, telling Fox News Sunday anchor Chris Wallace that he has a "big fat mouth" and miscast as racism what is actually, as he theorizes, Obama's belief in black liberation theology.

In July 2009, Glenn Beck began to focus what would become many episodes on his TV and radio shows on Van Jones, Special Advisor for Green Jobs at Obama's White House Council on Environmental Quality. Beck was critical of Jones' involvement in STORM, a left wing non-governmental group, and his support for death row inmate Mumia Abu-Jamal, who had been convicted of killing a police officer. Beck spotlighted video of Jones referring to Republicans as "assholes", and a petition Jones signed suggesting that George W. Bush knowingly let the 9/11 attacks happen. In September 2009, Jones resigned his position in the Obama administration, after a number of his past statements became fodder for conservative critics and Republican officials. Time magazine credited Beck with leading conservatives' attack on Jones.

In 2009, Beck and other conservative commentators were critical of Association of Community Organizations for Reform Now (ACORN) for various reasons, including claims of voter registration fraud in the 2008 presidential election. In September 2009, he broadcast a series of heavily edited undercover videos by conservative activists James O'Keefe and Hannah Giles, which seemed to portray ACORN community organizers offering inappropriate tax advice to people who said they were engaged in illegal activities. Following the videos' release, the U.S. Census Bureau severed ties with the group while the U.S. House and Senate voted to cut all of its federal funding. Beck's lawyers argued that the site infringed on his trademarked name and that the domain name should be turned over to Beck. The WIPO ruled against Beck, but Eiland-Hall voluntarily transferred the domain to Beck anyway, saying that the First Amendment had been upheld and that he no longer had a use for the domain name.

Websites

As of 2009, GlennBeck.com was estimated to receive 5-million unique visitors per month. and Pat Gray, begun in 2010

Beck University, interactive classes offered beginning in July 2010

In August 2010, Mercury Radio Arts also launched the independent political blog, The Blaze.

See also

Beck University

Conservative talk

List of most-listened-to radio programs

References

External links

Glenn Beck's Official Website

Glenn Beck's Radio Program

Glenn Beck – The 912 Project

Glenn Beck's Common Sense Tour

Official Site at Fox News

Multimedia

A Day in the Life of Glenn Beck - photo slideshow by Time magazine

Katie Couric Interview of Glenn Beck - video by CBS News

"Brand it like Beck" - video interview by Forbes magazine

John Stossel: "Glenn Beck, Conservative Narcissist?" - video by ABC News

Glenn Beck Discusses his Mormonism - video testimonial at The Week

Category:American activists Category:American anti-communists Category:American Latter Day Saints Category:American magazine editors Category:American magazine founders Category:American political pundits Category:American political writers Category:Conspiracy theorists Category:Former Roman Catholics Category:American talk radio hosts Category:American television talk show hosts Category:American people of German descent Category:Conservatism in the United States Category:Converts to Mormonism from Roman Catholicism Category:Environmental skepticism Category:People from Bellingham, Washington Category:People from Fairfield County, Connecticut Category:People from Mount Vernon, Washington Category:People from Seattle, Washington Category:People self-identifying as alcoholics Category:Tea Party movement Category:Writers from Washington (U.S. state) Category:1964 births Category:Living people Category:Fox News Channel people

Name	Eric Clapton
Alias	Slowhand
Landscape	yes
Background	solo_singer
Birth name	Eric Patrick Clapton
Born	March 30, 1945 Ripley, Surrey, England
Instrument	Vocals, Guitar
Genre	Rock, blues-rock, blues, psychedelic rock, hard rock
Occupation	Musician, singer-songwriter, artist
Years active	1962–present
Label	Warner Bros., Reprise, Polydor, RSO, Atco, Apple, Deram
Associated acts	Dire Straits, The Yardbirds, John Mayall & the Bluesbreakers, Powerhouse, Cream, Free Creek, The Dirty Mac, Blind Faith, J.J. Cale, The Plastic Ono Band, Delaney, Bonnie & Friends, Derek and the Dominos, T.D.F.
Url	Official website
Notable instruments	See: Guitars section Blackie Brownie Gibson SG Gibson ES-335 Gibson Les Paul

Eric Patrick Clapton, CBE (born 30 March 1945) is an English guitarist, vocalist, and songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's Top 50 Guitarists of All Time.

In the mid sixties, Clapton left the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand", and graffiti in London declared "Clapton is God." Immediately after leaving Mayall, Clapton formed with drummer Ginger Baker and bassist Jack Bruce the trio Cream, in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the seventies, Clapton's output bore the influence of the mellow style of JJ Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped gain reggae a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004 Clapton was awarded a CBE for services to music. In 1998 Clapton, a recovering alcoholic and heroin addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.

Career

Early years

Eric Patrick Clapton was born in Ripley, Surrey, England, the son of 16 year old Patricia Molly Clapton (b. 7 January 1929) and Edward Walter Fryer (21 March 1920 - 15 May 1985), a 24-year-old soldier from Montreal, Quebec. Fryer shipped off to war prior to Clapton's birth and then returned to Canada. Clapton grew up with his grandmother, Rose, and her second husband Jack, believing they were his parents and that his mother was his older sister. Their surname was Clapp, which has given rise to the widespread but erroneous belief that Clapton's real surname is Clapp (Reginald Cecil Clapton is the name of Rose's first husband, Eric Clapton's maternal grandfather). Years later, his mother married another Canadian soldier, and moved to Canada, leaving young Eric with his grandparents in distant Surrey. Two years later Clapton picked it up again and started playing consistently. In 1962, Clapton started performing as a duo with fellow blues enthusiast David Brock in the pubs around Surrey. When he was 17 years old Clapton joined his first band, an early British R&B; group, called "The Roosters". He stayed with this band from January through August 1963. In October of that year, Clapton did a brief seven gig stint with Casey Jones & The Engineers. The band initially played Chess/Checker/Vee-Jay blues numbers and began to attract a large cult following when they took over the Rolling Stones' residency at the Crawdaddy Club in Richmond. They toured England with American bluesman Sonny Boy Williamson II; a joint LP album, recorded in December 1963, was issued belatedly under both their names, in 1965. In March 1965, just as Clapton left the band, the Yardbirds had their first major hit, "For Your Love", on which Clapton played guitar.

It was during this time period that Clapton's Yardbirds rhythm guitarist Chris Dreja recalled that whenever Clapton broke a guitar string during a concert, he would stay on stage and replace it. The English audiences would wait out the delay by doing what is called a "slow handclap". Clapton told his official biographer, Ray Coleman, that, "My nickname of 'Slowhand' came from Giorgio Gomelsky. He coined it as a good pun. He kept saying I was a fast player, so he put together the slow handclap phrase into Slowhand as a play on words".

Still musically devoted to the blues, Clapton was opposed to the Yardbirds' move toward a pop-oriented sound, in part, because "For Your Love" had been written by pop songwriter-for-hire Graham Gouldman, who had also written hit songs for teen pop outfit Herman's Hermits as well as the radio-friendly music of The Hollies. Clapton recommended fellow guitarist Jimmy Page as his replacement, but Page was at that time unwilling to relinquish his lucrative career as a freelance studio musician, so Page in turn recommended Clapton's successor, Jeff Beck.

Cream

Clapton left the Bluesbreakers in July 1966 (to be replaced by Peter Green) and formed Cream, one of the earliest supergroups, with Jack Bruce on bass (also of Manfred Mann, the Bluesbreakers and the Graham Bond Organization) and Ginger Baker on drums (another member of the GBO). Before the formation of Cream, Clapton was not well known in the United States; he left the Yardbirds before "For Your Love" hit the American Top Ten, and had yet to perform there. During his time with Cream, Clapton began to develop as a singer, songwriter and guitarist, though Bruce took most of the lead vocals and wrote the majority of the material with lyricist Pete Brown.

Cream's farewell album, Goodbye, featured live performances recorded at The Forum, Los Angeles, 19 October 1968, and was released shortly after Cream disbanded in 1968; it also featured the studio single "Badge", co-written by Clapton and George Harrison. Clapton had met Harrison and become friends with him after the Beatles shared a bill with the Clapton-era Yardbirds at the London Palladium. The close friendship between Clapton and Harrison resulted in Clapton's playing on Harrison's "While My Guitar Gently Weeps" from the Beatles' White Album. In the same year of release as the White Album, Harrison released his solo debut Wonderwall Music, becoming the first of many Harrison solo records to feature Clapton on guitar. Though friends, Clapton would go largely uncredited for his contributions to Harrison's albums due to contractual restraints. The pair would often play live together as each other's guest. A year after Harrison's death in 2001, Clapton helped organise the tribute concert, for which he was musical director.

Cream briefly reunited in 1993 to perform at the ceremony inducting them into the Rock and Roll Hall of Fame; however, a full reunion took place in May 2005, with Clapton, Bruce, and Baker playing four sold-out concerts at London's Royal Albert Hall, and three more at New York's Madison Square Garden that October. Recordings from the London shows, Royal Albert Hall London May 2-3-5-6, 2005, were released on CD, LP, and DVD in September/December 2005.

Blind Faith & Delaney and Bonnie and Friends

A desultory spell in a second super group, the short-lived Blind Faith (1969), which was composed of Cream drummer Ginger Baker, Steve Winwood of Traffic and Ric Grech of Family, resulted in one LP and one arena-circuit tour. The super group debuted before 100,000 fans in London's Hyde Park on 7 June 1969. They later performed several dates in Scandinavia and began a sold-out American tour in July before their one and only album was released. The LP Blind Faith was recorded in such haste that side two consisted of just two songs, one of them a 15-minute jam entitled "Do What You Like". The album's jacket image of a topless pubescent girl was deemed controversial in the United States and was replaced by a photograph of the band. Blind Faith dissolved after less than seven months. While Winwood returned to Traffic, by now Clapton was tired of both the spotlight and the hype that had surrounded Cream and Blind Faith.

Clapton decided to step into the background for a time, touring as a sideman with the American group Delaney and Bonnie and Friends, who had been the support act for Blind Faith's U.S. tour. He also played two dates that fall as a member of The Plastic Ono Band, including the famous performance at the Toronto Rock and Roll Revival in September 1969, released as the album Live Peace in Toronto 1969.

Clapton became close friends with Delaney Bramlett, who encouraged him in his singing and writing. During the summer of 1969, Clapton and Bramlett contributed to the Music From Free Creek "supersession" project. Clapton, appearing as "King Cool" for contractual reasons, played with Dr. John on three songs, joined by Bramlett on one track. Jeff Beck also contributed to the sessions as "A. N. Other", though Clapton and Beck did not play together.

Using the Bramletts' backing group and an all-star cast of session players (including Leon Russell and Stephen Stills), Clapton recorded his first solo album during two brief tour hiatuses, fittingly named Eric Clapton. Delaney Bramlett co-wrote six of the songs with Clapton, and Bonnie Bramlett co-wrote "Let It Rain". The album also yielded the unexpected U.S. #18 hit, J. J. Cale's "After Midnight". Clapton went with Delaney and Bonnie from the stage to the studio with the Dominos to record George Harrison's All Things Must Pass in spring 1970. During this busy period, Clapton also recorded with other artists including Dr. John, Leon Russell, Plastic Ono Band, Billy Preston and Ringo Starr.

1970s

Derek and the Dominos

With the intention to counteract the "star" cult faction that had begun to form around him, Clapton assembled a new band composed of Delaney & Bonnie's former rhythm section; Bobby Whitlock as keyboardist and vocalist, Carl Radle as the bassist and drummer Jim Gordon, with Clapton playing guitar. It was his intention to show that he need not form a starring role, and functioned well as a member of an ensemble. Naming the band, "Eric Clapton and Friends" at first, the name "Derek and the Dominos" was a fluke. It occurred when the band's provisional name of "Del and the Dynamos" was misread as Derek and the Dominos. Clapton's biography also states that Ashton told Clapton to call the band "Del and the Dominos", since "Del" was his nickname for Eric Clapton. Del and Eric were combined and the final name became "Derek and the Dominos".

Clapton's close friendship with George Harrison had brought him into contact with Harrison's wife Pattie Boyd, with whom he became deeply infatuated. When she spurned his advances, Clapton's unrequited affections prompted most of the material for the Dominos' album Layla and Other Assorted Love Songs. This album contained the monster-hit single, love song "Layla", inspired by the classical poet of Persian literature, Nezami Ganjavi's The Story of Layla and Majnun, a copy of which his friend Ian Dallas had given him. The book moved Clapton profoundly as it was the tale of a young man who fell hopelessly in love with a beautiful, unavailable woman and who went crazy because he could not marry her.

Working at Criteria Studios in Miami with Atlantic Records producer Tom Dowd, who had worked with Clapton on Cream's Disraeli Gears, the band recorded a double-album. The two parts of "Layla" were recorded in separate sessions: the opening guitar section was recorded first, and for the second section, laid down several months later, drummer Jim Gordon composed and played the piano part. The album was heavily blues-influenced and featured the combination of twin lead guitars of Allman and Clapton, with Allman's slide guitar as a key ingredient of their sound.

Tragedy dogged the group throughout its brief career. During the sessions, Clapton was devastated by news of the death of Jimi Hendrix; eight days previously the band had cut a cover of "Little Wing" as a tribute to Hendrix. On 17 September 1970, one day before Hendrix's death, Clapton had purchased a left-handed Fender Stratocaster that he had planned to give to Hendrix as a birthday gift. Adding to Clapton's woes, the Layla album received only lukewarm reviews upon release. The shaken group undertook a U.S. tour without Allman, who had returned to The Allman Brothers Band. Despite Clapton's later admission that the tour took place amidst a veritable blizzard of drugs and alcohol, it resulted in the live double album In Concert. The band had recorded several tracks for a second album in London during the spring of 1971 (five of which were released on the Eric Clapton box-set Crossroads), but the results were mediocre.

A second record was in the works when a clashing of egos took place and Clapton walked, thus disbanding the group. Allman was later killed in a motorcycle accident on 29 October 1971. Although Radle would remain Clapton's bass player until the summer of 1979 (Radle died in May 1980 from the effects of alcohol and narcotics), it would be 2003 before Clapton and Whitlock appeared together again (Clapton guested on Whitlock's appearance on the Later with Jools Holland show). Another tragic footnote to the Dominos story was the fate of drummer Jim Gordon, who was an undiagnosed schizophrenic and years later murdered his mother during a psychotic episode. Gordon was confined to 16-years-to-life imprisonment, later being moved to a mental institution, where he remains today. In addition to his (temporarily) unrequited and intense attraction to Pattie Boyd, he withdrew from recording and touring to isolation in his Surrey, England residence. There he nursed his heroin addiction, resulting in a career hiatus interrupted only by the Concert for Bangladesh in August 1971 (where he passed out on stage, was revived, and continued his performance). Clapton continued to release albums and toured regularly. Highlights of the period include No Reason to Cry, (a collaboration with Bob Dylan and The Band) and Slowhand, which featured "Wonderful Tonight", another song inspired by Boyd, and a second J.J. Cale cover, "Cocaine". In 1976 he performed alongside a string of notable guests, to pay tribute to the final farewell performance of The Band, filmed in a Martin Scorsese documentary called the Last Waltz.

1980s

In 1981, Clapton was invited by producer Martin Lewis to appear at the Amnesty International benefit The Secret Policeman's Other Ball. Clapton accepted the invitation and teamed up with Jeff Beck to perform a series of duets—reportedly their first-ever billed stage collaboration. Three of the performances were released on the album of the show and one of the songs was featured in the film of the show. The performances heralded a return to form and prominence for Clapton in the new decade. Many factors had influenced Clapton's comeback, including his "deepening commitment to Christianity", to which he had converted prior to his heroin addiction.

After an embarrassing fishing incident, Clapton finally called his manager and admitted he was an alcoholic. In January 1982, Roger and Clapton flew to Minneapolis-St. Paul; Clapton would be checked in at Hazelden Treatment Center, located in Center City, Minnesota. On the flight over, Clapton indulged himself in a great amount of drinks, for fear he may never be able to drink again. Clapton is quoted as saying from his autobiography, "In the lowest moments of my life, the only reason I didn't commit suicide was that I knew I wouldn't be able to drink anymore if I was dead. It was the only thing I thought was worth living for, and the idea that people were about to try and remove me from alcohol was so terrible that I drank and drank and drank, and they had to practically carry me into the clinic." [Clapton - p. 198]

After being discharged, it was recommended by doctors of Hazelden that Clapton not partake in any activities that would act as triggers for his alcoholism or stress, until he was fully situated back at Hurtwood. A few months after his discharge, Clapton began working on his next album against the Hazelden doctors' orders. Working with Tom Dowd, Clapton produced what he thought as his "most forced" album to date, Money and Cigarettes.

In 1984, he performed on Pink Floyd member Roger Waters' solo album, The Pros and Cons of Hitch Hiking and went on tour with Waters following the release of the album. Since then Waters and Clapton have had a close relationship. In 2005 they performed together for the Tsunami Relief Fund. In 2006 they performed at the Highclere Castle, in aid of the Countryside Alliance, playing two set pieces of "Wish You Were Here" and "Comfortably Numb". Clapton, now a seasoned charity performer, played at the Live Aid concert on 13th July 1985 when offered his place close to peak viewing hours he was apparently flattered. As Clapton recovered from his addictions, his album output continued in the 1980s, including two produced with Phil Collins, 1985's Behind the Sun, which produced the hits "Forever Man" and "She's Waiting", and 1986's August.

and Eric Clapton at Wembley Stadium, 18 June 1987]] August was suffused with Collins's trademark drum and horn sound and became Clapton's biggest seller in the UK to date, matching his highest chart position, number 3. The album's first track, the hit "It's In The Way That You Use It", was also featured in the Tom Cruise-Paul Newman movie The Color of Money. The horn-peppered "Run" echoed Collins' "Sussudio" and rest of the producer's Genesis/solo output, while "Tearing Us Apart" (with Tina Turner) and the bitter "Miss You" echoed Clapton's angry sound. This rebound kicked off Clapton's two-year period of touring with Collins and their August collaborates, bassist Nathan East and keyboard player/songwriter Greg Phillinganes. While on tour for August, two concert videos were recorded of the four-man band, Eric Clapton Live from Montreux and Eric Clapton and Friends. Clapton later remade "After Midnight" as a single and a promotional track for the Michelob beer brand, which had also marketed earlier songs by Collins and Steve Winwood. Clapton won a British Academy Television Award for his collaboration with Michael Kamen on the score for the 1985 BBC television thriller serial Edge of Darkness. In 1989, Clapton released Journeyman, an album which covered a wide range of styles including blues, jazz, soul and pop. Collaborators included George Harrison, Phil Collins, Daryl Hall, Chaka Khan, Mick Jones, David Sanborn and Robert Cray.

and Clapton playing in the Prince's Trust Concert at Wembley Stadium in 1987]] In 1984, while still married to Pattie Boyd, Clapton began a year-long relationship with Yvonne Kelly. The two had a daughter, Ruth, who was born in January 1985; but her existence was kept a secret by her parents. She was not publicly revealed as his child until 1991. Boyd criticised Clapton because he had not revealed the child's existence.

Hurricane Hugo hit Montserrat in 1989 and this resulted in the closure of Sir George Martin and John Burgess's recording studio AIR Montserrat, where Kelly was Managing Director. Kelly and Ruth moved back to England, and the myth of Eric's secret daughter began as a result of newspaper articles published at the time. Boyd herself was never able to conceive children, despite attempts at in vitro fertilisation. Clapton's grief was expressed in the song "Tears in Heaven", which was co-written by Will Jennings. At the 35th Grammy Awards, Clapton received a total of six Grammy Awards for the single "Tears in Heaven", and his Unplugged album.

In October 1992, Clapton was among the dozens of artists performing at Bob Dylan's 30th Anniversary Concert Celebration. Recorded at Madison Square Garden in New York City, the live two-disk CD/DVD captured a show full of celebrities performing classic Dylan songs, before ending with a few performances from Dylan himself. Despite the presence of 10 other guitarists on stage, including George Harrison, Neil Young, Roger McGuinn, Steve Cropper, Tom Petty, and Dylan, Clapton played the lead on a nearly 7-minute version of Dylan's "Knockin' on Heaven's Door" as part of the finale.

While Unplugged featured Clapton playing acoustic guitar, his 1994 album From the Cradle contained new versions of old blues standards highlighted by his electric guitar playing. Clapton's 1996 recording of the Wayne Kirkpatrick/Gordon Kennedy/Tommy Sims tune "Change the World" (featured in the soundtrack of the movie Phenomenon) won the Grammy Award for Song of the Year in 1997, the same year he recorded Retail Therapy (an album of electronic music with Simon Climie under the pseudonym TDF). The following year, Clapton released the album Pilgrim, the first record featuring brand new material for almost a decade.

On 22 January 2005, Clapton performed in the Tsunami Relief Concert held at the Millennium Stadium in Cardiff, in aid of the victims of the 2004 Indian Ocean earthquake. In May 2005, Eric Clapton, Jack Bruce and Ginger Baker reunited as Cream for a series of concerts at the Royal Albert Hall in London. Concert recordings were released on CD and DVD. Later, Cream performed in New York at Madison Square Garden. Back Home, Clapton's first album of new original material in nearly five years, was released on Reprise Records on 30 August. In 2006 he invited Derek Trucks and Doyle Bramhall II to join his band for his 2006–2007 world tour. Trucks is the third member of The Allman Brothers Band to tour supportng Clapton, the second being pianist/keyboardist Chuck Leavell who appeared on the MTV Unplugged album and the 24 Nights performances at the Royal Albert Hall theatre of London in 1990 and 1991, as well as Clapton's 1992 U.S. tour.

On 20 May 2006, Clapton performed with Queen drummer Roger Taylor and former Pink Floyd bassist Roger Waters at the Highclere Castle, in support of the Countryside Alliance. On 13 August 2006, Clapton made a guest appearance at the Bob Dylan concert in Columbus, Ohio, playing guitar on three songs in Jimmie Vaughan's opening act. A collaboration with guitarist J. J. Cale, titled The Road to Escondido, was released on 7 November 2006, featuring Derek Trucks and Billy Preston. The 14-track CD was produced and recorded by the duo in August 2005 in California. The chemistry between Trucks and Clapton convinced him to invite The Derek Trucks Band to open for Clapton's set on his 2007 Crossroads Guitar Festival, with Trucks remaining on set afterward, performing with Clapton's band throughout his performances, and embarking on a world tour with him.

The rights to Clapton's official memoirs, written by Christopher Simon Sykes and published in 2007, were sold at the 2005 Frankfurt Book Fair for USD $4 million.

On 26 February 2008, it was reported that North Korean officials had invited Clapton to play a concert in the communist state. According to reports, Clapton's management received the invitation and passed it on to the singer, who has agreed in principle and suggested it take place sometime in 2009. Kristen Foster, a spokesperson, said, "Eric Clapton receives numerous offers to play in countries around the world," and "[t]here is no agreement whatsoever for him to play in North Korea."

In 2007, Clapton learned more about his father, a Canadian soldier who left the UK after the war. Although Clapton's grandparents eventually told him the truth about his parentage, he only knew that his father's name was Edward Fryer. This was a source of disquiet for Clapton, as witnessed by his 1998 song "My Father's Eyes". A Montreal journalist named Michael Woloschuk researched Canadian Armed Forces service records and tracked down members of Fryer's family, finally piecing together the story. He learned that Clapton's father was Edward Walter Fryer, born 21 March 1920, in Montreal and died 15 May 1985 in Newmarket, Ontario. Fryer was a musician (piano and saxophone) and a lifelong drifter, who was married several times, had several children and apparently never knew that he was the father of Eric Clapton. Clapton thanked Woloschuk in an encounter at Macdonald Cartier Airport, in Ottawa, Canada.

In February 2008, Clapton performed with his long-time friend Steve Winwood at Madison Square Garden and guested on his recorded single "Dirty City" on Winwood's album Nine Lives. The two former Blind Faith bandmates met again for a series of 14 concerts throughout the United States in June 2009.

Clapton's 2008 Summer Tour began on 3 May at the Ford Amphitheatre, Tampa Bay, Florida, and then moved to Canada, Ireland, England, Norway, Iceland, Denmark, Poland, Germany and Monaco. On 28 June 2008, he headlined Saturday night for Hard Rock Calling 2008 in London's Hyde Park (previously Hyde Park Calling) with support from Sheryl Crow & John Mayer. In September 2008, Clapton performed at a private charity fundraiser for The Countryside Alliance at Floridita in Soho, London, that included such guests as the London Mayor Boris Johnson.

at the Beacon Theater]] In March 2009, The Allman Brothers Band (amongst many notable guests), celebrated their 40th year, dedicating their string of concerts to the late Duane Allman on their annual run at the Beacon Theatre. Eric Clapton was one of the performers, with drummer Butch Trucks remarking that the performance wasn't the typical Allman Brothers experience, given the number and musical styles of the guests who were invited to perform. Songs like "In Memory of Elizabeth Reed" were punctuated with others including "The Weight", with Levon Helm; Johnny Winter sitting in on Hendrix's "Red House" and "Layla". Two months later, on 4 May 2009 Clapton appeared as a featured guest at the Royal Albert Hall playing "Further on Up the Road" with Joe Bonamassa.

Clapton was scheduled to be one of the performers at the Rock and Roll Hall of Fame's 25th anniversary concert in Madison Square Garden on 30 October 2009, but cancelled due to gallstone surgery. Van Morrison (who also cancelled) said in an interview that he and Clapton were to do a "couple of songs" but that they would do something else together at "some other stage of the game".

2010s

Clapton performed a 2-night show with Jeff Beck at London's O2 Arena 13–14 February 2010. The two former Yardbirds extended their 2010 tour with stops at Madison Square Garden, Air Canada Centre and the Bell Centre in Montreal. Clapton performed a series of concerts in 11 cities throughout the United States from 25 February to 13 March 2010. His third European tour with Steve Winwood began on 18 May and ended 13 June. He then began a short North American tour lasting from 26 June to 3 July, starting with his third Crossroads Guitar Festival on 26 June in Bridgeview, Illinois. Clapton released a new studio album, Clapton, on 27 September 2010 in the United Kingdom and 28 September 2010 in the United States. On 17 November 2010, Clapton performed as guest on the Prince's Trust rock gala held at the Royal Albert Hall, supported by the house band for the evening which included Jools Holland, Midge Ure and Mark King.

Influences

Clapton has performed songs by myriad artists, which include Bob Marley, J.J. Cale, Bo Diddley, Robert Johnson, and Bob Dylan. He cites Freddie King, B.B. King, Albert King, Buddy Guy, and Hubert Sumlin both in musical influence and on his style on the guitar.

He holds no other artist in higher esteem than Robert Johnson. In 2004, Clapton released a CD and DVD entitled Sessions for Robert Johnson, featuring Clapton recording Robert Johnson covers with electric and acoustic guitars. He performs these tracks live and in the practice space on the DVD, as well as gives brief interviews explaining the huge influence Robert Johnson had on him. Doyle Bramhall II assists Clapton on the acoustic tracks of the CD and the DVD.

In his book, Discovering Robert Johnson (which he co-authored with several other writers), Clapton said of Johnson, that he was "...the most important blues musician who ever lived. He was true, absolutely, to his own vision, and as deep as I have gotten into the music over the last 30 years, I have never found anything more deeply soulful than Robert Johnson. His music remains the most powerful cry that I think you can find in the human voice, really. ... it seemed to echo something I had always felt." Clapton persuaded Freddie King to sign with his record label, RSO in 1974. Clapton has recorded more than six of J. J. Cale's originals and has put out an album with him. Clapton has also collaborated with Frank Zappa, B.B. King, George Harrison, Santana, Ringo Starr, Roger Waters, John Lennon, Mark Knopfler and The Plastic Ono Band. Clapton also collaborated with singer/songwriter John Mayer on his 2006 album release, Continuum. Mayer cites Clapton in his liner notes: "Eric Clapton knows I steal from him and is still cool with it."

Legacy

Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. He ranked fourth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's Top 50 Guitarists of All Time.

A number of guitarists that Clapton has influenced are: Richie Sambora, Stevie Ray Vaughan, Gary Moore, Duane Allman, Derek Trucks, Eddie Van Halen, Brian May, Orianthi, Jimi Hendrix, Brad Paisley, Jonny Buckland, Joe Don Rooney, Alex Lifeson, Jonny Lang, John Mayer, Joe Bonamassa, and Davy Knowles.

Guitars

" Photo: Matt Gibbons]] Clapton's choice of electric guitars has been as notable as the man himself, and alongside Hank Marvin, The Beatles and Jimi Hendrix, Clapton exerted a crucial and widespread influence in popularising particular models of the electric guitar. With the Yardbirds, Clapton played a Fender Telecaster, a Fender Jazzmaster, a double-cutaway Gretsch 6120 and a 1964 Cherry-Red Gibson ES-335. He became exclusively a Gibson player for a period beginning in mid-1965, when he purchased a used Gibson Les Paul Sunburst Standard guitar from a local guitar store in London. Clapton commented on the slim profile of the neck, which would indicate it as a 1960 model.

Early during his stint in Cream, Clapton's first Les Paul Standard was stolen. He continued to play Les Pauls exclusively with Cream (one bought from Andy Summers was almost identical to the stolen guitar) until 1967 when he acquired his most famous guitar in this period, a 1964 Gibson SG. Just before Cream's first U.S. appearance in 1967, Clapton's SG, Bruce's Fender VI, and Baker's drum head were all repainted in psychedelic designs created by the visual art collective known as The Fool. In 1968 Clapton bought a Gibson Firebird and started using the 1964 Cherry-Red Gibson ES-335 again. Gibson produced a limited run of 250 "Crossroads 335" replicas. The 335 was only the second electric guitar Clapton bought.

In July 1968, Clapton gave George Harrison a red, refinished Les Paul. In the following September, Clapton played the guitar on the Beatles' studio recording of "While My Guitar Gently Weeps". His SG found its way into the hands of George Harrison's friend Jackie Lomax, who subsequently sold it to musician Todd Rundgren for US$500 in 1972. Rundgren restored the guitar and nicknamed it "Sunny", after "Sunshine of Your Love". He retained it until 2000, when he sold it at an auction for US$150,000. First was "Brownie" used during the recording of Eric Clapton which in 1974 became the backup to the most famous of all Clapton's guitars, "Blackie". In November 1970 Eric bought six Fender Stratocasters from the Sho-bud guitar shop in Nashville, Tennessee while on tour with the Dominos. He gave one each to George Harrison, Steve Winwood and Pete Townshend.

Clapton assembled the best components of the remaining three to create "Blackie", which was his favourite stage guitar until its retirement in 1985. It was first played live 13 January 1973 at the Rainbow Concert. Clapton called the 1956/57 Strat a "mongrel". On 24 June 2004, Clapton sold "Blackie" at Christie's Auction House, New York for $959,500 to raise funds for his Crossroads Centre for drug and alcohol addictions. "Brownie" is now on display at the Experience Music Project. The Fender Custom Shop has since produced a limited run of 275 'Blackie' replicas, correct in every detail right down to the 'Duck Brothers' flight case, and artificially aged using Fender's 'Relic' process to simulate years of hard wear. One was presented to Eric upon the model's release and used for three numbers during a concert at the Royal Albert Hall in 17 May 2006.

In 1981, Clapton gave his signed Fender Lead II guitar to the Hard Rock Cafe to designate his favourite bar stool. Pete Townshend also donated his own Gibson Les Paul guitar, with a note attached: "Mine's as good as his! Love, Pete."

In 1988, Fender honoured Clapton with the introduction of his signature Eric Clapton Stratocaster. These were the first two artist models in the Stratocaster range and since then, the artist series has grown to include models inspired both by Clapton's contemporaries such as Rory Gallagher, Mark Knopfler, Jeff Beck, Stevie Ray Vaughan, and by those who have influenced him such as Buddy Guy. Clapton uses Ernie Ball Slinky and Super Slinky strings. Clapton has also been honoured with signature-model 000-28EC and 000-42EC acoustic guitars made by the famous American firm of C.F. Martin & Company. The Crossroads Centre is a treatment base for addictive disorders such as drugs and alcohol. In 2004, Clapton organised and participated in the Crossroads Guitar Festival to benefit the Centre. A second guitar auction, including the "Cream" of Clapton's collection – as well as guitars donated by famous friends – was also held on 24 June 2004. His Lowden acoustic guitar sold for $41,825. The total revenue garnered by this auction at Christie's was US $7,438,624.

The "woman tone" is the informal term used by Clapton to refer to his distinctive mid- to late-1960s electric guitar sound, created using his Gibson SG solidbody guitar (with humbucking pick-ups) and a Marshall tube amplifier. It is an overdriven sound that is articulate yet thick. It is characterised by being quite distorted (or even achieved with a fuzz) but muted, in contrast to the bright and twangy distortion that most guitarists were using at the time. Many players have tried to duplicate it, usually without success, in part because Clapton's playing technique had a lot to do with the tone.

Among the techniques used to replicate Clapton's sound is a technique by which the amplifier's volume is turned up to full, while the guitar's tone knob is turned down to zero or one.

Perhaps the best examples of the "woman tone" are Clapton's famous riff and solo from his band Cream's 1967 hit "Sunshine of Your Love". Clapton has explained that he obtained the tone with his Gibson's tone control rolled all the way down, switching to the neck pick-up (closest to the fretboard) and the volume all the way up, with his distortion turned all the way up. The treble, mids and bass controls on the amplifier were also maxed out. Some versions of the "woman tone" may also have involved strategic positioning of Clapton's wah-wah pedal.

Other media appearances

Clapton frequently appears as a guest on the albums of other musicians. For example, he is credited on Dire Straits’ Brothers in Arms album, as he lent Mark Knopfler one of his guitars for the album. He also played lead guitar and synthesiser on The Pros and Cons of Hitch Hiking, Roger Waters' debut solo album. Other media appearances include the Toots & the Maytals album True Love where he played guitar on the track "Pressure Drop". He can also be heard at the beginning of Frank Zappa's album, We're Only in It for the Money, repeating the phrase, "Are you hung up?" over and over again. In 1985, Clapton appeared on the charity concert Live Aid in Philadelphia with Phil Collins, Tim Renwick, Chris Stainton, Jamie Oldaker, Marcy Levy, Shaun Murphy and Donald 'Duck' Dunn. In 1988 he played with Dire Straits and Elton John at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium and the Prince's Trust rock gala at the Royal Albert Hall. On 30 June 1990, Dire Straits, Clapton and Elton John made a guest appearance in the Nordoff-Robbins charity show held at Knebworth. In 1991, Clapton was featured on Richie Sambora's album, Stranger In This Town, in a song dedicated to him called "Mr. Bluesman". He also contributed guitar and vocals to "Runaway Train", a duet with Elton John on the latter's The One album the following year.

On 12 September 1996, Clapton played a party for Armani at New York City's Lexington Armory with Greg Phillinganes, Nathan East and Steve Gadd. Sheryl Crow appeared on one number, performing "Tearing Us Apart", a track from August, which was first performed by Tina Turner during the Prince's Trust All-Star Rock show in 1986. It was Clapton's sole US appearance that year, following the open-air concert held at Hyde Park with Dave Bronze, Andy Fairweather-Low, The Kick Horns, Jerry Portnoy, Chris Stainton and backing vocalists Katie Kissoon and Tessa Niles. The concert was taped and the footage was released both on VHS video cassette and later, on DVD.

Clapton was featured in the movie version of Tommy, the first full length rock opera written by The Who. The movie version gave Clapton a cameo appearance as the Preacher, performing Sonny Boy Williamson's song, "Eyesight to the Blind". He also appeared in Blues Brothers 2000 as one of the Louisiana Gator Boys. In addition to being in the band, he had a small speaking role. Clapton has also appeared in an advertisement for the Mercedes-Benz G-Wagen. In March 2007, Clapton appeared in an advertisement for RealNetwork's Rhapsody online music service. In 2010 Clapton started appearing as a spokesman for T-Mobile, advertising their MyTouch Fender cell phone.

Eric Clapton was again compared to God's image in the episode "Holy Crap!" of season two of That '70s Show when Eric Forman and Steven Hyde are made by their minister to draw God.

Views and advocacy

Clapton is a supporter of the Countryside Alliance, has played in concerts to raise funds for the organisation and publicly opposed the Labour Party’s ban on fox hunting. A spokesperson for Clapton said: "Eric supports the Countryside Alliance. He doesn't hunt himself, but does enjoy rural pursuits such as fishing and shooting. He supports the Alliance's pursuit to scrap the ban on the basis that he doesn't agree with the state's interference with people's private pursuits."

Controversy over remarks on immigration

On 5 August 1976 Clapton provoked an uproar and lingering controversy when he spoke out against increasing immigration during a concert in Birmingham. Visibly intoxicated, Clapton voiced his support of controversial political candidate Enoch Powell and announced on stage that Britain was in danger of becoming a "black colony". Clapton was quoted telling the audience: "I think Enoch's right ... we should send them all back. Throw the wogs out! Keep Britain white!" The latter phrase was at the time a British National Front slogan. Clapton continued:

"I used to be into dope, now I’m into racism. It’s much heavier, man. Fucking wogs, man. Fucking Saudis taking over London. Bastard wogs. Britain is becoming overcrowded and Enoch will stop it and send them all back. The black wogs and coons and Arabs and fucking Jamaicans and fucking (indecipherable) don’t belong here, we don’t want them here. This is England, this is a white country, we don’t want any black wogs and coons living here. We need to make clear to them they are not welcome. England is for white people, man. We are a white country. I don’t want fucking wogs living next to me with their standards. This is Great Britain, a white country, what is happening to us, for fuck's sake? We need to vote for Enoch Powell, he’s a great man, speaking truth. Vote for Enoch, he’s our man, he’s on our side, he’ll look after us. I want all of you here to vote for Enoch, support him, he’s on our side. Enoch for Prime Minister! Throw the wogs out! Keep Britain white!"

This incident, along with some explicitly pro-fascism remarks made around the same time by David Bowie as well as uses of Nazi-related imagery by Sid Vicious and Siouxsie Sioux, were the main catalysts for the creation of Rock Against Racism, which occurred on 30 April 1978.

In response to his comments, rock photographer Red Saunders and others published an open letter in NME, Melody Maker, Sounds and the Socialist Worker. It read "Come on Eric... Own up. Half your music is black. You're rock music's biggest colonist". It also concluded, "P.S. Who shot the Sheriff, Eric? It sure as hell wasn't you!".

In a 2004 interview with Uncut, Clapton referred to Powell as "outrageously brave", and stated that his "feeling about this has not changed", because the UK is still "... inviting people in as cheap labour and then putting them in ghettos." In 2004, Clapton told an interviewer for Scotland on Sunday, "There's no way I could be a racist. It would make no sense". In his 2007 autobiography, Clapton called himself "deliberately oblivious to it all" and wrote, "I had never really understood or been directly affected by racial conflict... when I listened to music, I was disinterested in where the players came from or what colour their skin was. Interesting, then, that 10 years later, I would be labelled a racist... Since then, I have learnt to keep my opinions to myself. Of course, it might also have had something to do with the fact that Pattie had just been leered at by a member of the Saudi royal family." In a December 2007 interview with Melvin Bragg on The South Bank Show, Clapton reiterated his support for Enoch Powell and again denied that Powell's views were "racist".

Awards and honours

{| class="wikitable" style="width:95%;" |- !align=center| Year ! Award / Recognition |- |align=center|1983 | Presented the Silver Clef Award from Princess Michael of Kent for outstanding contribution to British music. |- |align=center|1985 | Presented with BAFTA for Best Original Television Music for Score of Edge of Darkness with Michael Kamen. |- |align=center|1993 | "Tears In Heaven" won three Grammy awards for Song of the Year, Record of the Year, and Male Pop Vocal Performance. Clapton also won Album of the Year and Best Rock Vocal Performance for Unplugged and Best Rock Song for "Layla". |- |align=center|1994 | Awarded the Order of the British Empire for services to music. |- | align=center|2000 | Inducted into the Rock and Roll Hall of Fame for the third time, this time as a solo artist. He was earlier inducted as a member of the bands Cream and The Yardbirds. |- |align=center|2004 | Promoted to CBE, receiving the award from the Princess Royal at Buckingham Palace as part of the New Year's Honours list. |- |align=center|2006 |

Awarded the Grammy Lifetime Achievement Award (as a member of Cream)

|}

Football

In 1982, he performed a concert before West Bromwich Albion player John Wile's testimonial game at the Hawthorns, and it is often reported by various sources that Clapton (despite being from London more than 100 miles away) is an Albion supporter. Credence for this notion can be taken from the cover pictures to the "Backless" solo album, where he is seen on the front cover to be wearing a football scarf; the rear cover photograph reveals the slogan "ALBION" on the scarf. It has also been reported that the club rejected his offer to invest cash in them around this time, and that he has since expressed more of an interest in Chelsea instead.

Clapton's music in film and TV

Mean Streets (1973) – "I Looked Away"

Purple Haze (1983) - "I Feel Free"

The Hit (1984) – Score

Back to the Future (1985) – Heaven Is One Step Away

Edge of Darkness (1985) – Soundtrack

The Color of Money (1986) – "It's In The Way That You Use It"

SpaceCamp (1986 film) – "Forever Man" plays when Tate Donovan's character arrives at the Space Camp.

The German car manufacturer Opel and Vauxhall in the UK used the guitar riff of Clapton's "Layla" in its advertising campaign throughout in 1987–95.

Lethal Weapon (1987) – Soundtrack with Michael Kamen

Lethal Weapon 2 (1989) – "Knockin' On Heaven's Door"

Goodfellas (1990) – "Layla" and "Sunshine of Your Love"

Rush (1991) – Clapton wrote the score

Wayne's World (1992) – "Loving your Loving"

Peter's Friends (1992) – "Give Me Strength"

Lethal Weapon 3 (1992) - Clapton contributed to the score and co-wrote and co-performed the song "It's Probably Me" with Sting and "Runaway Train" with Elton John.

True Lies (1994) – "Sunshine of Your Love"

The Simpsons episode "Mother Simpson" (1995) – "Sunshine of Your Love"

Twister (1996) – "Motherless Child"

Phenomenon (1996) – "Change the World"

The Van (1996) – (Soundtrack)

Happy Gilmore (1996) - "Wonderful Tonight"

Patch Adams (1998) – "Let It Rain"

Lethal Weapon 4 (1998) – "Pilgrim"

City of Angels (1998) – "Further On Up The Road"

Buffy the Vampire Slayer episodes "Band Candy" and "Forever" (1998) – "Tales of Brave Ulysses"

Runaway Bride (1999) – "Blue Eyes Blue "

The Story of Us (1999) – "(I) Get Lost" (featured multiple times)

Friends episode "The One with the Proposal, Part 2" (2000) - "Wonderful Tonight"

Dancing At The Blue Iguana (2000) – "River of Tears"

A Knight's Tale (2001) – "Further On Up The Road"

Blow (2001) – "Strange Brew"

Friends episode "The One Where Rachel Has a Baby, Part Two" (2002) - "River of Tears"

Futurama episode "The 30% Iron Chef" (2002) – "Sunshine of Your Love"

The Sopranos episode "Whitecaps" (2002) – Tony Soprano is seen listening to "Layla" in his Suburban.

School Of Rock (2003) – "Sunshine of Your Love"

Starsky & Hutch (2004) – "Cocaine"

Anger Management (2004) – "Strange Brew"

Fahrenheit 9/11 (2004) – "Cocaine"

Bad News Bears (2005) – "Cocaine"

Lords of Dogtown (2005) – "Strange Brew"

Lord of War (2005) – "Cocaine"

United States of Tara episode – "Cocaine"

The Good Guys Episode Silvio's Way - "Layla"

Due Date (2010) – "White Room"

Discography

Band

, Derek Trucks, Steve Jordan, Eric Clapton, Willie Weeks 2006–2007]]

2006–07 Tour Band

European Tour

Eric Clapton – guitars, vocals

Doyle Bramhall II – guitars, backing vocals

Derek Trucks – slide guitar, guitar

Chris Stainton – keyboards

Tim Carmon – keyboards

Willie Weeks – bass guitar

Steve Jordan – drums

The Kick Horns (Simon Clarke, Roddy Lorimer, and Tim Sanders) – brass

Michelle John – backing vocals

Sharon White – backing vocals

North America – Eastern Region, Japan, Australia and New Zealand – Crossroads Guitar Festival 2007

Eric Clapton – guitars, vocals

Doyle Bramhall II – guitars, backing vocals

Derek Trucks – slide guitar, guitar

Chris Stainton – keyboards

Tim Carmon – keyboards

Willie Weeks – bass guitar

Steve Jordan – drums

Jerry Douglas – slide guitar on Crossroads Guitar Festival 2007

Michelle John – backing vocals

Sharon White – backing vocals

Support act for European and North America: The Robert Cray Band

2008 Summer Tour Band

Eastern U.S. / Canada Tour

Eric Clapton – guitars, vocals

Doyle Bramhall II – guitars, backing vocals

Chris Stainton – keyboards

Pino Palladino – bass

Robert Randolph – slide guitar

Ian Thomas – drums

Sharon White – backing vocals

Michelle John – backing vocals

European Tour

Eric Clapton – guitars, vocals

Doyle Bramhall II – guitars, backing vocals

Chris Stainton – keyboards

Willie Weeks – bass

Abe Laboriel, Jr. – drums

Sharon White – backing vocals

Michelle John – backing vocals

2009 Tour Band

Japan / Australia / New Zealand Tour

*Eric Clapton – guitars, vocals

Doyle Bramhall II – guitars, backing vocals

Chris Stainton – keyboards

Willie Weeks – bass

Abe Laboriel, Jr. – drums

Sharon White – backing vocals

Michelle John – backing vocals

UK / Ireland Tour

*Eric Clapton – guitars, vocals

Andy Fairweather-Low – guitars, backing vocals

Doyle Bramhall II – guitars, backing vocals (on the RAH shows of 26–31 May)

Chris Stainton – keyboards

Willie Weeks – bass

Tim Carmon – keyboards

Steve Gadd – drums

Sharon White – backing vocals

Michelle John – backing vocals

US Tour with Steve Winwood – (10 June – 30 June)

*Eric Clapton – guitars, vocals

Steve Winwood – vocals, Hammond B3, piano, guitars

Chris Stainton – keyboards

Willie Weeks – bass

Abe Laboriel, Jr. – drums

Michelle John – backing vocals

Sharon White – backing vocals

2010 Tour Band

Eric Clapton – guitars, vocals

Chris Stainton – keyboards

Willie Weeks – bass

Walt Richmond – keyboards

Steve Gadd – drums

Sharon White – backing vocals

Michelle John – backing vocals

European Tour with Steve Winwood – (18 May – 13 June)

*Eric Clapton – guitars, vocals

Steve Winwood – guitars, vocals, piano, Hammond B3

Chris Stainton – keyboards

Willie Weeks – bass

Steve Gadd – drums

Michelle John – backing vocals

Sharon White – backing vocals

Previous band members

Albert Lee – guitar, vocals, backing vocals

Tim Renwick – guitar

Andy Fairweather-Low – guitar, backing vocals

Phil Palmer – guitar

George Terry – guitar, backing vocals

Mark Knopfler – guitar

Alan Darby – guitar

Greg Phillinganes – keyboards, hammond organ, backing vocals

Billy Preston – Hammond B3 Organ

David Sancious – keyboards, guitar, harmonica, backing vocals

Joe Sample – piano, Wurlitzer

Dick Sims – keyboards

Alan Clark – piano, keyboards

Jim Taylor – xylophone

Gary Brooker – keyboards, backing vocals

Chuck Leavell – piano, keyboards, hammond organ

Chris Stainton – piano, keyboards

Donald "Duck" Dunn – bass guitar

Carl Radle – bass guitar, guitar

Nathan East – bass guitar, vocals, backing vocals

Pino Palladino – bass guitar

Dave Bronze – bass guitar

Paulinho Da Costa – percussion

Jim Gordon – drums, piano

Steve Ferrone – drums

Steve Gadd – drums

Roger Hawkins – drums

Jim Keltner – drums

Richie Hayward – drums

Andy Newmark – drums

Jamie Oldaker – drums

Henry Spinetti – drums

Phil Collins – drums, vocals

Ricky Lawson – drums

Ray Cooper – percussion

Yvonne Elliman – vocals, backing vocals, guitar

Katie Kissoon – backing vocals

Marcy Levy – vocals, backing vocals, harmonica

Shaun Murphy - backing vocals

Tessa Niles – backing vocals

Maggie Ryder – backing vocals

See also

The Yardbirds

John Mayall & the Bluesbreakers

Cream

Blind Faith

Delaney & Bonnie and Friends

The Plastic Ono Band

Derek and the Dominos

References

Further reading

On Eric Clapton's career :

* Robin Bextor, Eric Clapton: Now & Then, Carlton Books, 2006, 144 pp.

* Eric Clapton, Clapton, The Autobiography, 2007 and 2008, Broadway Books, 352 pp. / Arrow, 400 pages / Century, 384 pp.

* Eric Clapton, Derek Taylor and Peter Blake, 24 Nights, Genesis Publications, 2 volumes, 1992, 198 and 64 pp. Eric Clapton's signed limited edition books, in a Solander box with 2 live CD

* Ray Coleman, Clapton!: The Authorized Biography, Warner Books, 368 pp, or Futura, 336 pages, 1986; originally publ. as "Survivor: The Authorized Biography", Sidgwick & Jackson, 1985, 300 pp.

* Geoffrey Giuliano, Brenda Giuliano and Deborah Lynn Black, The Illustrated Eric Clapton, Sunburst Books, 1994, 96 pp.

* George Harrison, Eric Clapton & al, Live in Japan: A celebration of George Harrison’s ‘Rock Legends’ Tour with Eric Clapton Band, Genesis Publications, 1993, 274 pp. George Harrison's signed limited black leather edition book, in a box with 2 live CD.

* Christopher Hjort w/ a foreword by John Mayall, Strange brew: Eric Clapton and the British Blues Boom, 1965-1970, Jawbone, 2007, 352 pp.

* John Pidgeon, Eric Clapton: A Biography, Panther, 1976, ... pages; rev. & upd. Vermilion, 1985 or 1987, 123 pp.

* Marc Roberty, Eric Clapton: The Complete Recording Sessions 1963-1992, Blandford or St. Martin’s Press, 1993, 192 pp.

* Marc Roberty, Slowhand: The Life & Music of Eric Clapton, Octopus or Harmony, 1991, 176 pp; upd. ed. Crown, 1993, 192 pp.

* Marc Roberty, Eric Clapton in His Own Words, Omnibus Press, 1993, 96 pp.

* Marc Roberty, Eric Clapton: The New Visual Documentary, Omnibus Press, 1990, 128 pp.; rev. ed., 1994, ...pp.; originally publ. as ''Eric Clapton: A Visual Documentary, 1986, ... pp.

* Marc Roberty, Clapton: The Complete Chronicle, Pyramid, 1991, 176 pp. / Mitchell Beazley 1993, 192 pp.

* Marc Roberty, Eric Clapton: The Man, the Music and the Memorabilia, Paper Tiger-Dragon’s World, 1994, 226 pp.

* Marc Roberty, The Complete Guide to the Music of Eric Clapton, Omnibus Press, 1995, 152 pp. CD format; rev. ed., 2005, 128 pp.

* Marc Roberty, Eric Clapton, CD Books, Orion, 1994, ...pp or MBS (Miami), 1996, 120 pp. CD format

* Marc Roberty and Chris Welch, Eric Clapton: The Illustrated Disco/Biography, Omnibus Press, 1984, 80 pp. or Beekman (New York), 1990, ...pp.

* Christopher Sandford, Clapton: Edge of Darkness, Victor Gollancz, 1994, 322 pp.

* Michael Schumacher, Crossroads: The Life and Music of Eric Clapton, Hyperion, 1995, 388 pp.; rev. ed, Time Warner p'backs, 1998, 411 pp.; new ed. titled Eric Clapton, Sphere, 2008, 432 pp.

* Harry Shapiro, Eric Clapton: Lost in The Blues, Guinness Books or Muze, 1992, 256 pp.; rev. ed. Da Capo press, 1193, 225 pp.; originally publ. as Slowhand: The Story of Eric Clapton, Proteus Books, 1985, 160 pp.

* Dave Thompson, Cream: The World's First Supergroup, Virgin Books, 2005, 256 pp.; rev., upd. & illustr. ed. titled Cream: How Eric Clapton Took the World By Storm, 2006, 320 pp.

* Steve Turner, Conversations with Eric Clapton, London: Abacus, 1976, 116 pp.

* Fred Weiler, Eric Clapton, Smithmark-Penguin or Bison Books, 1992, ... pp.

* Chris Welch, Cream: Stange Brew, Castle Communications or Sanctuary or Penguin, 1994, 176 pp.; Backbeat Books, 2000, 192 pp.

* About Clapton's playing and sound :

External links

Eric Clapton & Steve Winwood @ Bucharest (review)

An Interview with Eric Clapton Guitar Technician Lee Dickson

Article on Bluesbreakers Les Paul

Gibson article on obtaining the "Woman Tone"

Review: Eric Clapton at Floridita

Eric Clapton FAQ

http://www.whereseric.com/ecfaq/guitars-amps/fool-guitar-psychedelic-gibson-sg.html

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