Kāma

Posizione della cortigiana (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 1:35
Published: 17 Jan 2011
Uploaded: 20 Jan 2011
Author: mangeruca78

www.mangeruca.it http

Unione sospesa (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 2:02
Published: 17 Jan 2011
Uploaded: 20 Jan 2011
Author: mangeruca78

www.mangeruca.it http

Unione dell' antilope (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 2:24
Published: 17 Jan 2011
Uploaded: 20 Jan 2011
Author: mangeruca78

www.mangeruca.it http

Bhakti Master Class 081: Śrī Bhakti-rasāmṛta-sindhu 1.2.284-293

Order: Reorder
Duration: 150:31
Published: 20 Mar 2010
Uploaded: 03 Sep 2010
Author: davidbrucehughes

bhaktimasterclass.org iyaṁ tu vraja-devīṣu suprasiddhā virājate | āsāṁ prema-viśeṣoyaṁ prāptaḥ kām api mādhurīṁ | tat-tat-krīḍā-nidānatvāt kāma ity ucyate budhaiḥ ||1.2.284 || This very famous kāma-rūpa-bhakti appears with brilliance in the women of Vraja. They have a particular type of prema that has a special sweetness. It is called kāma by the wise because it is the cause of various amorous actions. tathā ca tantre — premaiva gopa-rāmāṇāṁ kāma ity agamat prathām ||1.2.285|| Thus, in a Tantra it is said The kāma-rūpa-bhakti of the gopīs has become famous simply as prema. ity uddhavādayopy etaṁ vāñchati bhagavat-priyāḥ ||1.2.286|| And because it is a form of exalted prema, persons very dear to the Lord such as Uddhava desire that aspect of it. kāma-prāyā ratiḥ kintu kubjāyām eva sammatā ||1.2.287|| But the wise agree that the attraction to Kṛṣṇa seen in Kubjā is essentially due to kāma only. tatra sambandha-rūpā — sambandha-rūpā govinde pitṛtvādy-ābhimānitā | atropalakṣaṇatayā vṛṣṇīnāṁ vallavā matāḥ | yadaiśya-jñāna-śūnyatvād eṣāṁ rāge pradhānatā ||1.2.288|| Next sambandha-rūpa-rāgātmika-bhakti will be discussed: sambandha-rūpa-rāgātmika-bhakti is that bhakti inspired by direct absorption arising from identifying oneself as the parent, friend or servant of Govinda. This refers to the bhakti of the cowherd people, indicated by the term sambandha-vṛṣṇayaḥ in verse 275, as an example of sambandha. This is because these other relationships in Vraja also have a predominance ...

Unione dell' ape (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 2:48
Published: 17 Jan 2011
Uploaded: 08 May 2011
Author: mangeruca78

www.mangeruca.it http

Unione della dea (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 2:57
Published: 17 Jan 2011
Uploaded: 20 Jan 2011
Author: mangeruca78

www.mangeruca.it http

Posizione dell' amazzone (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 3:12
Published: 17 Jan 2011
Uploaded: 08 May 2011
Author: mangeruca78

www.mangeruca.it http

Posizione dello stelo (Kāma Sūtra 64+1 Collezione)

Order: Reorder
Duration: 3:18
Published: 17 Jan 2011
Uploaded: 20 Jan 2011
Author: mangeruca78

www.mangeruca.it http

091203 Bhakti Master Class 032: Sri Bhakti-rasamrta-sindhu 1.2.46-54

Order: Reorder
Duration: 129:16
Published: 27 Dec 2010
Uploaded: 10 May 2011
Author: maxpathlen

BhaktiMasterClass.org http hayaśīrṣīya-śrī-nārāyaṇa-vyūha-stave ca — na dharma kāmam arthaṁ vā mokṣaṁ vā varadeśvara | prārthaye tava pādābje dāsyam evābhikāmaye ||1.2.46|| tatraiva — punaḥ punar varān ditsur viṣṇur muktiṁ na yācitaḥ | bhaktir eva vṛtā yena prahlādaṁ taṁ namāmy ahaṁ ||1.2.47|| In the Nārāyaṇa-vyūha-stava of the Hayaśīrṣīya-pañcarātra it is stated: "O Lord, bestower of benedictions! I do not pray for dharma, artha, kāma or mokṣa. I desire only service to Your lotus feet." And: "I offer my respects to Prahlāda, who asked only for devotion. He did not pray to Viṣṇu for liberation even though the Lord wanted to give many benedictions." yadṛcchayā labdham api viṣṇor dāśarathes tu yaḥ | naicchan mokṣaṁ vinā dāsyaṁ tasmai hanumate namaḥ ||1.2.48|| "I offer my respects to Hanumān, who did not want liberation, which Rāma could easily give, but instead wanted servitude." ataeva prasiddham śrī-hanumad-vākyam — bhava-bandha-cchide tasyai spṛhayāmi na muktaye | bhavān prabhur ahaṁ dāsa iti yatra vilupyate ||1.2.49|| Hanumān's statement is also famous: "I do not desire liberation that cuts the bondage of material life, because in that state of liberation, awareness that You are the Master and I am the servant disappears." śrī-nārada pañcarātre ca jitante-stotre — dharmārtha-kāma-mokṣeṣu necchā mama kadācana | tvat-pāda-pañkajasyādho jīvitaṁ dīyataṁ mama ||1.2.50|| mokṣa-sālokya-sārūpyān prārthaye na dharādhara | icchāmi hi mahābhāga kāruṇyaṁ tava suvrata ||1.2.51|| In ...

Bhakti Master Class 032: Śrī Bhakti-rasāmṛta-sindhu 1.2.46-54

Order: Reorder
Duration: 129:16
Published: 04 Dec 2009
Uploaded: 13 Mar 2011
Author: davidbrucehughes

bhaktimasterclass.org hayaśīrṣīya-śrī-nārāyaṇa-vyūha-stave ca — na dharma kāmam arthaṁ vā mokṣaṁ vā varadeśvara | prārthaye tava pādābje dāsyam evābhikāmaye ||1.2.46|| tatraiva — punaḥ punar varān ditsur viṣṇur muktiṁ na yācitaḥ | bhaktir eva vṛtā yena prahlādaṁ taṁ namāmy ahaṁ ||1.2.47|| In the Nārāyaṇa-vyūha-stava of the Hayaśīrṣīya-pañcarātra it is stated O Lord, bestower of benedictions! I do not pray for dharma, artha, kāma or mokṣa. I desire only service to Your lotus feet. And: I offer my respects to Prahlāda, who asked only for devotion. He did not pray to Viṣṇu for liberation even though the Lord wanted to give many benedictions. yadṛcchayā labdham api viṣṇor dāśarathes tu yaḥ | naicchan mokṣaṁ vinā dāsyaṁ tasmai hanumate namaḥ ||1.2.48|| I offer my respects to Hanumān, who did not want liberation, which Rāma could easily give, but instead wanted servitude. ataeva prasiddham śrī-hanumad-vākyam — bhava-bandha-cchide tasyai spṛhayāmi na muktaye | bhavān prabhur ahaṁ dāsa iti yatra vilupyate ||1.2.49|| Hanumāns statement is also famous: I do not desire liberation that cuts the bondage of material life, because in that state of liberation, awareness that You are the Master and I am the servant disappears. śrī-nārada pañcarātre ca jitante-stotre — dharmārtha-kāma-mokṣeṣu necchā mama kadācana | tvat-pāda-pañkajasyādho jīvitaṁ dīyataṁ mama ||1.2.50|| mokṣa-sālokya-sārūpyān prārthaye na dharādhara | icchāmi hi mahābhāga kāruṇyaṁ tava suvrata ||1.2.51|| In the Jitanta ...

Bhakti Master Class 083: Śrī Bhakti-rasāmṛta-sindhu 1.2.297-302

Order: Reorder
Duration: 117:39
Published: 23 Mar 2010
Uploaded: 03 Sep 2010
Author: davidbrucehughes

bhaktimasterclass.org tatra kāmānugā — kāmānugā bhavet tṛṣṇā kāma-rūpānugāminī ||1.2.297|| sambhogecchā-mayī tat-tad-bhāvecchātmeti sā dvidhā ||1.2.298|| The elements of kāmānuga will be described That rāgānuga-sādhana-bhakti which is filled with longing and follows after the kāma-rūpa-rāgātmika-bhakti of the siddha-bhaktas is called kāmānuga-bhakti. There are two types: sambhogecchā-mayī and tad-tad-bhāvecchātmā. keli-tātparyavaty eva sambhogecchā-mayī bhavet | tad-bhāvecchātmikā tāsām bhāva-mādhurya-kāmitā ||1.2.299 || Sambhogecchā-mayī-bhakti is characterized by enjoying conjugally with Kṛṣṇa. Tad-bhāvecchātmā-bhakti is characterized by desiring the sweet mood of love of the kāma-rūpa-siddha devotees. śrī-mūrter mādhurīṁ prekṣya tat-tal-līlāṁ niśamya vā | tad-bhāvākāṇkṣiṇo ye syus teṣu sādhanatānayoḥ | purāṇe śruyate pādme puṁsam api bhaved iyam ||1.2.300|| Those who develop longing for the bhāva of the gopīs after seeing the sweetness in the Deity of Kṛṣṇa and the gopīs, or after hearing about His pastimes with the gopīs, are qualified for sādhana in either of these types of kāmānuga-bhakti. In the Padma Purāṇa, it is said that even men can attain this type of bhakti. yathā — purā maharṣayaḥ sarve daṇḍakāraṇya-vāsinaḥ | dṛṣṭvā rāmaṁ hariṁ tatra bhoktum aicchan suvigraham ||1.2.301 || te sarve strītvam āpannāḥ samudbhūtāś ca gokule | hariṁ samprāpya kāmena tato muktā bhavārṇavāt ||1.2.302 || Examples of males becoming gopīs are as follows: Previously, all the sages ...

All in the Family Dub Kama Sutra

Order: Reorder
Duration: 3:13
Published: 05 Jan 2011
Uploaded: 04 Mar 2011
Author: SlugworthJay

Never a dull moment when Edith, discovers Archie's stolen Kama Sutra. The Kama Sutra (Sanskrit: कामसूत्र, Kāmasūtra) is an ancient Indian Hindu text widely considered to be the standard work on human sexual behavior in Sanskrit literature written by Vātsyāyana. A portion of the work consists of practical advice on sexual intercourse.[1] It is largely in prose, with many inserted anustubh poetry verses. "Kāma" means sensual or sexual pleasure, and "sūtra" literally means a thread or line that holds things together, and more metaphorically refers to an aphorism (or line, rule, formula), or a collection of such aphorisms in the form of a manual. The Kama Sutra is the oldest and most notable of a group of texts known generically as Kama Shastra (Sanskrit: Kāma Śāstra).[2] Traditionally, the first transmission of Kama Shastra or "Discipline of Kama" is attributed to Nandi the sacred bull, Shiva's doorkeeper, who was moved to sacred utterance by overhearing the lovemaking of the god and his wife Parvati and later recorded his utterances for the benefit of mankind.[3] Historian John Keay says that the Kama Sutra is a compendium that was collected into its present form in the 2nd century CE.[4]

Myths of Mankind - The Mahabharata Part1

Order: Reorder
Duration: 9:03
Published: 15 Jan 2010
Uploaded: 03 May 2011
Author: realindians

The Mahabharata (Sanskrit Mahābhārata महाभारत) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The epic is part of the Hindu itihāsa (or "history"), and forms an important part of Hindu mythology. It is of immense importance to culture in the Indian subcontinent, and is a major text of Hinduism. Its discussion of human goals (dharma or duty, artha or purpose, kāma, pleasure or desire and moksha or liberation) takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'Self') and the workings of karma. The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata's own testimony it is extended from a shorter version simply called Bhārata of 24000 verses. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and composition layers. Its earliest layers probably date back to the late Vedic period (ca. 8th c. BCE) and it probably reached its final form by the time the Gupta period began (ca. 4th c. CE). With about one hundred thousand verses, long prose passages, and about 1.8 million words in total, the Mahabharata is the longest epic poem in the world. It is roughly ten times the length of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the length of the Ramayana ...

Myths of Mankind - The Mahabharata Part2

Order: Reorder
Duration: 8:59
Published: 16 Jan 2010
Uploaded: 23 Apr 2011
Author: realindians

The Mahabharata (Sanskrit Mahābhārata महाभारत) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The epic is part of the Hindu itihāsa (or "history"), and forms an important part of Hindu mythology. It is of immense importance to culture in the Indian subcontinent, and is a major text of Hinduism. Its discussion of human goals (dharma or duty, artha or purpose, kāma, pleasure or desire and moksha or liberation) takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'Self') and the workings of karma. The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata's own testimony it is extended from a shorter version simply called Bhārata of 24000 verses. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and composition layers. Its earliest layers probably date back to the late Vedic period (ca. 8th c. BCE) and it probably reached its final form by the time the Gupta period began (ca. 4th c. CE). With about one hundred thousand verses, long prose passages, and about 1.8 million words in total, the Mahabharata is the longest epic poem in the world. It is roughly ten times the length of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the length of the Ramayana ...

Myths of Mankind - The Mahabharata Part3

Order: Reorder
Duration: 9:03
Published: 16 Jan 2010
Uploaded: 07 May 2011
Author: realindians

The Mahabharata (Sanskrit Mahābhārata महाभारत) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The epic is part of the Hindu itihāsa (or "history"), and forms an important part of Hindu mythology. It is of immense importance to culture in the Indian subcontinent, and is a major text of Hinduism. Its discussion of human goals (dharma or duty, artha or purpose, kāma, pleasure or desire and moksha or liberation) takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'Self') and the workings of karma. The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata's own testimony it is extended from a shorter version simply called Bhārata of 24000 verses. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and composition layers. Its earliest layers probably date back to the late Vedic period (ca. 8th c. BCE) and it probably reached its final form by the time the Gupta period began (ca. 4th c. CE). With about one hundred thousand verses, long prose passages, and about 1.8 million words in total, the Mahabharata is the longest epic poem in the world. It is roughly ten times the length of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the length of the Ramayana ...

Myths of Mankind - The Mahabharata Part4

Order: Reorder
Duration: 8:59
Published: 16 Jan 2010
Uploaded: 08 May 2011
Author: realindians

The Mahabharata (Sanskrit Mahābhārata महाभारत) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The epic is part of the Hindu itihāsa (or "history"), and forms an important part of Hindu mythology. It is of immense importance to culture in the Indian subcontinent, and is a major text of Hinduism. Its discussion of human goals (dharma or duty, artha or purpose, kāma, pleasure or desire and moksha or liberation) takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'Self') and the workings of karma. The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata's own testimony it is extended from a shorter version simply called Bhārata of 24000 verses. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and composition layers. Its earliest layers probably date back to the late Vedic period (ca. 8th c. BCE) and it probably reached its final form by the time the Gupta period began (ca. 4th c. CE). With about one hundred thousand verses, long prose passages, and about 1.8 million words in total, the Mahabharata is the longest epic poem in the world. It is roughly ten times the length of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the length of the Ramayana ...

Myths of Mankind - The Mahabharata Part5

Order: Reorder
Duration: 8:59
Published: 16 Jan 2010
Uploaded: 23 Apr 2011
Author: realindians

The Mahabharata (Sanskrit Mahābhārata महाभारत) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The epic is part of the Hindu itihāsa (or "history"), and forms an important part of Hindu mythology. It is of immense importance to culture in the Indian subcontinent, and is a major text of Hinduism. Its discussion of human goals (dharma or duty, artha or purpose, kāma, pleasure or desire and moksha or liberation) takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'Self') and the workings of karma. The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata's own testimony it is extended from a shorter version simply called Bhārata of 24000 verses. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and composition layers. Its earliest layers probably date back to the late Vedic period (ca. 8th c. BCE) and it probably reached its final form by the time the Gupta period began (ca. 4th c. CE). With about one hundred thousand verses, long prose passages, and about 1.8 million words in total, the Mahabharata is the longest epic poem in the world. It is roughly ten times the length of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the length of the Ramayana ...

Myths of Mankind - The Mahabharata Part6

Order: Reorder
Duration: 6:38
Published: 16 Jan 2010
Uploaded: 03 May 2011
Author: realindians

The Mahabharata (Sanskrit Mahābhārata महाभारत) is one of the two major Sanskrit epics of ancient India, the other being the Rāmāyaṇa. The epic is part of the Hindu itihāsa (or "history"), and forms an important part of Hindu mythology. It is of immense importance to culture in the Indian subcontinent, and is a major text of Hinduism. Its discussion of human goals (dharma or duty, artha or purpose, kāma, pleasure or desire and moksha or liberation) takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'Self') and the workings of karma. The title may be translated as "the great tale of the Bhārata dynasty". According to the Mahabharata's own testimony it is extended from a shorter version simply called Bhārata of 24000 verses. Traditionally, the authorship of the Mahabharata is attributed to Vyasa. There have been many attempts to unravel its historical growth and composition layers. Its earliest layers probably date back to the late Vedic period (ca. 8th c. BCE) and it probably reached its final form by the time the Gupta period began (ca. 4th c. CE). With about one hundred thousand verses, long prose passages, and about 1.8 million words in total, the Mahabharata is the longest epic poem in the world. It is roughly ten times the length of the Iliad and Odyssey combined, roughly five times longer than Dante's Divine Comedy, and about four times the length of the Ramayana ...

Bhakti Master Class 015: Śrī Bhakti-rasāmṛta-sindhu 1.1.33-35

Order: Reorder
Duration: 107:30
Published: 13 Nov 2009
Uploaded: 08 May 2011
Author: davidbrucehughes

bhaktimasterclass.org mokṣa-laghutākṛt — manāg eva prarūḍhāyāṁ hṛdaye bhagavād-ratau | puruṣārthās tu catvārās tṛṇāyante samantataḥ ||1.1.33|| Bhakti causes total disregard for liberation When even a little attraction for the Lord grows in the heart, the four objects of human attainment—artha, dharma, kāma and mokṣa— become like grass, shameful to appear before bhakti. yathā śrī-nārada-pañcarātre — hari-bhakti-mahā-devyāḥ sarvā mukty-ādi-siddhayaḥ | bhuktyaś cādbhutās tasyāś ceṭikāvad anuvratāḥ ||1.1.34|| Thus the Nārada-pañcarātra says: All the siddhis headed by liberation and all astonishing material pleasures follow after the great goddess called Hari-bhakti like fearful maidservants. sudurlabhā — sādhanaughair anāsangair alabhyā sucirād api | hariṇā cāśvadeyeti dvidhā sā syāt sudurlabhā ||1.1.35|| Bhakti is rarely attained. Bhakti is difficult to attain in two ways: if undertaken in great quantity but without attachment (āsakti), bhakti cannot attained even after a long time; and even if practiced with attachment, Kṛṣṇa does not give bhakti to the practitioner immediately.

Gopinath - Gopinath band (live 1997)

Order: Reorder
Duration: 6:36
Published: 27 Dec 2008
Uploaded: 28 Apr 2011
Author: jagatinho

Gopinath band (live in Ljubljana, 1997) Avadhuta-lead vocal,harmonium Bhadra Madhavi,Mandi Tangi-lead vocals Tat Purusha-guitar Moksa Rupi-bass guitar Udaksena-tabla Paramesthi-shakers Jagat-Prasu(Jure Mesec)-flute Free download of the whole album here: www.divshare.com Song Name: Gopinath Mama Nivedana Suno Official Name: Upalabdhi Vijnapti Song 1 Author: Bhaktivinoda Thakura (1) gopīnāth, mama nivedana śuno viṣayī durjana, sadā kāma-rata, kichu nāhi mora guṇa (2) gopīnāth, āmāra bharasā tumi tomāra caraṇe, loinu śaraṇa, tomāra kińkora āmi (3) gopīnāth, kemone śodhibe more nā jāni bhakati, karme jaḍa-mati, porechi soḿsāra-ghore (4) gopīnāth, sakali tomāra māyā nāhi mama bala, jñāna sunirmala, swādīna nahe e kāyā (5) gopīnāth, niyata caraṇe sthāna māge e pāmara, kāndiyā kāndiyā, korohe karuṇā dāna (6) gopīnāth, tumi to' sakali pāro durjane tārite, tomāra śakati, ke āche pāpīra āro (7) gopīnāth, tumi kṛpā-pārābāra jīvera kāraṇe, āsiyā prapañce, līlā koile subistāra (8) gopīnāth, āmi ki doṣe doṣī asura sakala, pāilo caraṇa, vinodá thākilo bosi' TRANSLATION: 1) O Gopinatha, Lord of the gopis, please hear my request. I am a wicked materialist, always addicted to worldly desires, and no good qualities do I possess. 2) O Gopinatha, You are my only hope, and therefore I have taken shelter at Your lotus feet. I am now Your eternal servant. 3) O Gopinatha, how will You purify me? I do not know what devotion is, and my materialistic mind is absorbed in fruitive work. I ...

FABIO ZULIANI in "KAMASUTRA LESSONS SKETCH # 1"

Order: Reorder
Duration: 3:16
Published: 27 Apr 2010
Uploaded: 10 May 2011
Author: fabiozulianifilms

The "Kāma Sūtra Teacher" explains the 64 arts with a surprising ending!... — © Taken from "MR RAVEN SHOW", my first full-length feature film, although it is really made up of 22 short sketches shot between 2008 and 2010. A sexy comedy, it is definitely the most challenging film I have made, because as well as writing and directing it, I also "starred" in it, playing 15 different characters (both male and female)!... www.zulianiplay.it

Evening Darshan 9/8/09: Control of the Senses

Order: Reorder
Duration: 96:33
Published: 09 Sep 2009
Uploaded: 19 Oct 2009
Author: davidbrucehughes

esotericteaching.org āpūryamāṇam acala-pratiṣṭhaṁ samudram āpaḥ praviśanti yadvat tadvat kāmā yaṁ praviśanti sarve sa śāntim āpnoti na kāma-kāmī "A person who is not disturbed by the incessant flow of desires—that enter like rivers into the ocean which is ever being filled but is always still—can alone achieve peace, and not the man who strives to satisfy such desires." [Bhagavad-gītā 2.70]

FABIO ZULIANI in "KAMASUTRA LESSONS SKETCH # 2"

Order: Reorder
Duration: 1:29
Published: 25 May 2010
Uploaded: 02 May 2011
Author: fabiozulianifilms

The "Kāma Sūtra Teacher" explains how to make good oral sex to women!... — © Taken from "MR RAVEN SHOW", my first full-length feature film, although it is really made up of 22 short sketches shot between 2008 and 2010. A sexy comedy, it is definitely the most challenging film I have made, because as well as writing and directing it, I also "starred" in it, playing 15 different characters (both male and female)!... www.zulianiplay.it

Kama

Kama in Hinduism

Kama in Buddhism

Theosophy: kama, kamarupa and kamaloka

Sources

See also

References

External links