Taixu wearing his traditional kāṣāya robes.

Taixu (traditional Chinese: 太虛; simplified Chinese: 太虚; pinyin: Tàixū; Wade-Giles: T'ai Hsü), 1890-1947, was a Buddhist modernist, activist and thinker who advocated the reform and renewal of Chinese Buddhism.

Biography[link]

Taixu was born in Hǎiníng (海寧/海宁) in Zhejiang province. His lay name was Lǚ Pèilín (呂沛林). His parents died when he was still young, and he was raised by his grandparents. At 16 he was ordained into the Linji school of Chan Buddhism in Xiao Jiǔhuá Temple (小九華寺/小九华寺) in Suzhou. Not long after being ordained he was given the Dharma name of Taixu, meaning Great Emptiness. In 1909 he travelled to Nanjing to join the Sutra Carving Society established there by the lay Buddhist Yang Renshan.

As a result of being exposed to the political writings of Kang Youwei, Liang Qichao, Tan Sitong and Zhang Taiyan, Taixu turned his mind to the reformation of Buddhism. In 1911 while in Guangzhou, he made contact with the revolutionaries plotting to overthrow the Qing dynasty and participated in some secret revolutionary activities. Taixu would later describe the formation of his political thinking during this time in his Autobiography (自傳 zìzhuàn):

My social and political thought was based upon 'Mr. Constitution', the Republican Revolution, Socialism, and Anarchism. As I read works such as Zhang Taiyan's "On Establishing Religion", "On the Five Negatives", and "On Evolution", I came to see Anarchism and Buddhism as close companions, and as a possible advancement from Democratic Socialism.^[1]

After the establishment of the new Republic of China, Taixu founded the Association for the Advancement of Buddhism (佛教協進會/佛教协进会 fójiào xiéjìn hùi), which lasted only a short time due to resistance from conservative Buddhists. Unable to convince the Buddhist community of his ideas, and shocked by the outbreak of the First World War and the sufferings in China, Taixu went into seclusion (閉關/闭关 bìguān) on Putuoshan for three years from October 1914.

Until his death Taixu worked toward the revival of Buddhism in China, although because of the economic and political turmoil that China experienced through wars and revolutions, few of his projects were successful. He died on March 12, 1947 at the Jade Buddha Temple (玉佛寺 yùfó sì) in Shanghai. One of his influential disciples was Dongchu 東初 (1907–1977).

Buddhist Modernism[link]

Besides being a revolutionary activist for the Chinese, Taixu was a Buddhist modernist. He took the doctrine and adapted it so that he may propagate Buddhism throughout the world. One of his grand schemes was to reorganize the Sangha. He envisioned plan was to cut the number of monks in the monastic order down and according to history of religion professor Don A. Pittman, by 1930 Taixu had

these numbers [down] to include only twenty thousand monastics; five thousand students, twelve thousand bodhisattva monastics, and three thousand elders. Of the twelve thousand bodhisattva monastics, five thousand should be spreading the Dharma through public preaching and teaching, three thousand serving as administrators in Buddhist educational institutions, fifteen hundred engaging in Buddhist charitable and relief work, fifteen hundred serving as instructors in the monastic educational system, and one thousand participating in various cultural affairs.^[2]

This reorganization of the Sangha was an attempt to revitalize Buddhism, an important step to bring about a Pure Land in this world. Pure Land Buddhism was widely practiced in China during his time. Taixu's modernist mentality caused him to propagate the idea of a Pure Land, not as a land of Buddhist cosmology but as something possible to create here and now in this very world. Pittman writes:

His views on the realization of that ideal were far from those of the mainstream of the contemporary Sangha. Rather than focusing on the glories of distant pure lands, which were accessible through reliance on the spiritual merit and power of other great bodhisattvas and buddhas, Taixu visualized this earthly world transformed into a pure land by the dedication and sacrificial hard work of thousands of average bodhisattvas who were mindful of what their concerted witness could mean.^[3]

Like many Buddhist modernists, Taixu was interested in using tactics such as cultural translation (a method of explaining Buddhism) so that non Buddhists can better comprehend the complexity of the tradition. For example, in his essay "Science and Buddhism," Taixu makes a translation of the Buddha's teaching that inside of every drop of water, there are 84 thousand microbes, a Buddhist teaching that basically states that within our world there are many more worlds. He goes on to explain how that when one looks inside of a microscope one will able to see these tiny microbes and that each one is a life of its own.

In his writings he connected the scientific theory that there is infinite space with no center of the universe to the Buddhist Sutras that states "Space is endless and the number of worlds is infinite, for all are in mutual counterpoise like a network of innumerable beads."^[4] However, Taixu did not believe that science was the be-all and end-all. As a matter of fact he saw that in no way was it possible to reach enlightenment through science even though it is capable of explaining many of the universe's mysteries. "Scientific knowledge can prove and postulate the Buddhist doctrine, but it cannot ascertain the realities of the Buddhist doctrine."^[5] He understood Buddhism to be scientific and yet surpassing science. Like other Buddhist modernists, Taixu condemned superstition. Taixu explains that the two deeply rooted superstitions were the "Superstition of God" and the "Superstition of Reality." These two superstitions go hand-in-hand in regards to explaining why, according to Taixu, Buddhism is the only way to true enlightenment. The "Superstition of God" can be understand as how science will never be able to explain the existence of the supernatural. Also science is also only able to explain the materialistic aspects of the world, which leads to the second superstition, "Superstition of Reality." The "Superstition of Reality" is basically materialism but as materialism, in this sense, means what science is capable of explaining. These two superstitions essentially blind science and people's ability to see the truths that only Buddhism can reveal.^{[citation needed]}

Survey of Writings[link]

In one publication by Taixu, he discusses the importance of interreligious dialogue. He realizes the problems that exist in China and through a conversation with a French archbishop he was able to understand this importance. Taixu writes:

All religions should be regulated in order that they conform to the situation in China. There should be no overt rejection of Catholicism.^[6]

This quote shows that Taixu believed there was no reason to deny the teachings of another religion because different religions, with cooperation and open-mindedness, have the ability to work together and learn from each other. Taixu went as far as incorporating some Christian ideas, such as methods of pastoral training and revival style preaching, into his own Buddhist practices.

Beyond adopting select Christians methods, a more controversial topic that Taixu dealt with openly was the existence of God. When Taixu went into three years of self confinement after a failed reform attempt he reflected on the subject -

Who is God? Is He made of matter or not? . . . If He exists in the heart only, then his existence is legendary, similar to such non-existent things as "turtle hair" and "hare horn." Thus, we should not believe that God created all things in the world. . . . How did He create the Universe? If the Holy Father is part of the universe, it is unreasonable that He created the world. I challenge the existence of God. Show me the evidence of the birth of God. What was He before His birth? Does He exist because He possesses an inherent nature? It is not rational to claim that all things exist before His birth. If there is a birth, or a beginning, there should be an end. It is unreasonable to say that He is almighty. . . . If, with knowledge, God created man and all things at His will, then did He create man blindly or ignorantly? How could He create sinful things, crimes, ignorance, and even blasphemers? This would be unreasonable. If He did all these things, it would be unreasonable that God sent people into exile, to make them suffer, rather than allowing them to stay in Paradise. How could God create men who do not respect Him?^[6]

Taixu questions the existence of God because rationally if one looks at the world's situation there is no evidence of a god. He appears to tie this argument to the connections between Buddhism and science, and how superstition creates an obstacle on the path to enlightenment.

In Taixu’s own article “Science and Buddhism” he offers many interesting and original thoughts on science and superstition. Taixu’s main argument in the article is that all of the superstition in the world such as “The superstition of God or the restriction of the ego” and “the superstition of reality” prevent the advance of scientific discovery because of the closed-mindedness of the superstitious people to see beyond their beliefs. Taixu writes,

Science therefore, can never be the main support of Buddhism although it may act as a valuable auxiliary and much may be expected from uniting the two methods of investigation.^[7]

From his writings Taixu’s followers can grasp an understanding that he believes science is a valuable resource but because of people's steadfast faith in superstitions it will never be a successful asset to Buddhism. He seems to argue that science is a means to enlightenment but it will never allow someone to get there. In Taixu's words, "Scientific methods can only corroborate the Buddhist doctrine, they can never advance beyond it."^[8]

Don Pittman wrote a book entitled “Toward a Modern Chinese Buddhism” in which he analyzes Taixu’s reform efforts. One of his reform efforts was the attempt to make Pure Land Buddhism a reality.

If today, based on good knowledge of our minds, we can produce pure thoughts and work hard to accomplish good deeds. How hard can it be to transform an impure China into a Chinese pure land?... All persons have this force of mind, and since they already have the faculty (benneng) to create a pure land, they can all make the glorious vow to make this world into a pure land and work hard to achieve it."^[9]

This among many things was one of Taixu's greatest ideas of reform. He believed that the only way to end the suffering on this world was to bring the Pure Land to it. He attempted to do so through many means, including the reorganization of the Sangha. Unfortunately for Taixu, his attempts at global propagating the Dharma failed. Most of his institutions that were set up to help bring about this better life were crushed by many different things, including the communists.^[10]

References[link]

Bibliography[link]

• Taixu, "Science and Buddhism." Lectures in Buddhism. Paris, 1928
• Taixu, Taixu dashi quanshu. (The Complete Works of the Venerable Master Taixu), 20 vols. Taipei, 1956.
• Pittman, Don A. Toward a Modern Chinese Buddhism: Taixu's Reforms. Hawai'i UP. Honolulu, 2001.
• Welch, Homles. The Buddhist Revival in China. Havard UP. Cambridge, 1968.

External links[link]

This article contains Chinese text. Without proper rendering support, you may see question marks, boxes, or other symbols instead of Chinese characters.

• The Short Record of Master Taixu
• Taixu: To Renew Buddhism and Save the Modern World
• Taixu Biography
• An Interfaith Dialogue[1]

A Love
File:A Love.jpg A Love (Sarang) movie poster
Hangul	사랑
RR	Sarang
MR	Sarang
Directed by	Kwak Kyung-taek
Produced by	Jeong Tae-Won Yang Jung-Gyeong
Written by	Kwak Kyung-taek
Starring	Ju Jin-mo Park Si-yeon
Editing by	Park Gwang-Il
Release date(s)	September 19, 2007 (2007-09-19)
Running time	104 min.
Country	South Korea
Language	Korean

A Love (사랑 - Sarang) is a 2007 South Korean film directed by Kwak Kyung-taek. Kwak Kyung-taek's most notable film is Chingoo. A Love stars Ju Jin-mo from 200 Pounds Beauty and Park Si-yeon.

Plot[link]

At age 17, In ho meets a girl as beautiful as a watercolor painting, and promises to protect her after her brother dies. Although he is the best fighter in his school, he dreams of making his mother proud by going to college. It takes him 7 years to confess to the girl of his dreams. He stabs a gangster in the neck for her, although he wanted to live quietly like everyone else. But to keep his promise to protect her, he stabs Chi-kwon, a notorious mobster in Busan. He devotes his life to working for Chairman Yoo. He buries his love for the vanished girl and gets a second chance while working at the docks. He offers his life to the man who first holds out his hand for him. The girl he cannot forget returns as a love he cannot have. She becomes his patron’s woman and beyond reach... But as he decides to be happy for once in life, cruel destiny rattles everything in his life.

Cast[link]

• Ju Jin-mo - In-ho
• Park Si-yeon - Mi-Ju
• Joo Hyun
• Kim Min-jun

See also[link]

• List of Korean language films
• Korean cinema
• List of Korea-related topics

External links[link]

• Official site (Korean)
• Sa-rang (2007) at the Internet Movie Database
• A Love at HanCinema

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