photo: Creative Commons / Ghirlandajo
Titian - Allegorie der Zeit.
photo: Creative Commons / BorgQueen
TItian - The Flaying of Marsyas
photo: Creative Commons / Didier Descouens
Tintoretto2
photo: Creative Commons / Bg007
Madonna with Child,Tintoretto
photo: Public Domain / Eloquence
Titian, Diana and Actaeon, bought in 2008, jointly with the National Gallery of Scotland
photo: Creative Commons / Adamt
Like numerous of his late works, Titian's last painting, the Pietà, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel.
photo: Creative Commons
Titian
photo: Public Domain / Shii
The Rape of Europa, Titian, 1562.
photo: Creative Commons / Hermitage
Titian, 1553-1554, Hermitage Museum, Saint Petersburg. Here the figures are closer together, but the dog is absent
photo: Creative Commons / Galleria degli Uffizi
Venus of Urbino (1538) by Titian. The painting was inspired by Titian's Venus of Urbino, which in turn refers to Giorgione's Sleeping Venus.[1] There were also pictorial precedents for a nude woman, attended by a black servant, such as Ingres' Odalisque with a Slave (1842), Léon Benouville's Esther with Odalisque (1844) and Charles Jalabert's Odalisque (1842).
photo: Creative Commons
Salome, or Judith; this religious work also functions as an idealized portrait of a beauty, a genre developed by Titian, supposedly often using Venetian courtesans as models.
photo: Creative Commons / Musée du Louvre
The Pastoral Concert ca. 1510 by Titian has been cited as an inspiration for Manet's painting. Scholars also cite two works as important precedents for Manet's painting Le déjeuner sur l'herbe, The Pastoral Concert, 1508, by Giorgione or possibly Titian (in the Louvre) and Giorgione's The Tempest, both of which are famous Renaissance paintings
photo: Creative Commons / Giovanni Bellini
Drunkenness of Noah, Giovanni Bellini. Italy: Bellini, Tintoret, Titian, Palumbo, Giuseppe Recco, Luca Giordano, Tiepolo
photo: Creative Commons
Titian's unmatched handling of color is exemplified by his Danaë with Nursemaid, one of several mythological paintings, or "poesie" ("poems") as the painter called them, done for Philip II of Spain. Although Michelangelo adjudged this piece deficient from the point of view of drawing, Titian and his studio produced several versions for other patrons.
photo: Creative Commons
This early portrait (c. 1512) was long wrongly believed to be of Ariosto; it is more likely a self-portrait, and the composition was borrowed by Rembrandt for his own self-portraits.
photo: Creative Commons
Oil on canvas, 172 cm x 175 cm. Museo del Prado
photo: Creative Commons
This early portrait (c. 1512) was long wrongly believed to be of Ariosto; it is more likely a self-portrait, and the composition was borrowed by Rembrandt for his own self-portraits.
photo: Creative Commons
Venus Anadyomene (Titian)
photo: Creative Commons
Bacchus and Ariadne
photo: Creative Commons
It took Titian two years (1516–1518) to complete the oil painting Assunta, whose dynamic three-tier composition and color scheme established him as the preeminent painter north of Rome.
photo: Creative Commons / Giorgione
Giorgione, Sleeping Venus, c. 1510. Giorgione shows Venus sleeping on fine textiles in an outdoor setting against a sumptuous landscape.[19] As with Velázquez's Venus, Giorgione painted, against tradition, the goddess as a brunette.
photo: Creative Commons / Giovanni Bellini and Titian
Feastofthegods
photo: US Navy / Mass Communication Specialist Third Class Drew Williams
The color guard team from the amphibious dock landing ship USS Rushmore (LSD 47) presents colors at Qualcomm Stadium in San Diego, Calif. before the NFL playoff game between the San Diego Chargers and the Tennessee Titians.
photo: Creative Commons
Titian, Diana and Actaeon, bought in 2008, jointly with the National Gallery of Scotland
photo: Creative Commons / Titian
Francis I (left) and Suleiman the Magnificient (right) initiated a Franco-Ottoman alliance. Both were separately painted by Titian circa 1530.
photo: Public Domain / Dmitry Rozhkov
The Fall of Man (after Titian), 1628–29. Prado, Madrid.
photo: Creative Commons / Galleria Borghese
Correggio's Danaë, 1531–1532. Note the angle of Danaë's right l. The Danaë series (sometimes known as Danaë and the Shower of Gold) comprises at least five[2] oil-on-canvas paintings by the Venetian master Titian, completed between 1553 and 1556.
photo: Creative Commons / Kunsthistorisches Museum
Samson and Delilah, ca. 1630. by Anthony van Dyck, A strenuous history painting in the manner of Rubens; the saturated use of color reveals van Dyck's study of Titian.
photo: Creative Commons / Olegivvit
The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting.
photo: Public Domain / Lafit86
Boy with a Basket of Fruit, 1593-1594. Oil on canvas, 67 × 53 cm (26 in × 21 in). Galleria Borghese, Rome.