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Name | Reims |
---|---|
Caption | Place du Parvis and statue of Joan of Arc |
Region | Champagne-Ardenne |
Department | Marne |
Arrondissement | Reims |
Insee | 51454 |
Postal code | 51100 |
Mayor | Adeline Hazan |
Party | PS |
Term | 2008–2014 |
Intercommunality | Reims |
Longitude | 4.03472 |
Latitude | 49.26278 |
Elevation min m | 80 |
Elevation max m | 135 |
Area km2 | 46.9 |
Population | 188078 |
Population date | 2008 |
Reims (formerly Rheims) ( in English and in French), a city in the Champagne-Ardenne region of France, lies 129 km (80 miles) east-northeast of Paris.
Founded by the Gauls, it became a major city during the period of the Roman Empire.
Reims played a prominent ceremonial role in French monarchical history as the traditional site of the crowning of the kings of France. Thus the Cathedral of Reims (damaged by the Germans during the First World War but restored since) played the same role in France as Westminster Abbey did in England. It housed the Holy Ampulla (Sainte Ampoule) containing the Saint Chrême (chrism), allegedly brought by a white dove (the Holy Spirit) at the baptism of Clovis in 496, and used for the anointing, the most important part of the coronation of French kings.
Some sources regard Reims as the capital of the province of Champagne, given its size as by far the largest city in the region.
The 2008 census recorded 188,078 inhabitants (Rémoises (feminine) and Rémois (masculine)) in the city of Reims proper (the commune), and 291,735 inhabitants in the whole metropolitan area (aire urbaine).
, Bishop of Reims, begging of Clovis the restitution of the Sacred Vase taken by the Franks in the pillage of Soissons. — Costumes of the court of Burgundy in the fifteenth century. — Facsimile of a miniature in a manuscript of the History of the Emperors (Library of the Arsenal).]]
Before the Roman conquest of northern Gaul, Reims, founded circa 80 BC as *Durocorteron ("round fortress"; in Latin: Durocortōrum), served as the capital of the tribe of the Remi — whose name the town would subsequently echo. In the course of Julius Caesar's conquest of Gaul (58-51 BC), the Remi allied themselves with the Romans, and by their fidelity throughout the various Gallic insurrections secured the special favour of the imperial power.
Christianity had become established in the city by the middle of the 3rd century, at which period Saint Sixtus of Reims founded the Reims bishopric. The consul Jovinus, an influential supporter of the new faith, repelled the barbarians who invaded Champagne in 336; but the Vandals captured the city in 406 and slew Bishop Nicasius; and in 451 Attila the Hun put Reims to fire and sword.
In 496 — ten years after Clovis, King of the Salian Franks, won his victory at Soissons (486) — Remigius, the bishop of Reims, baptized him using the oil of the sacred phial — purportedly brought from heaven by a dove for the baptism of Clovis and subsequently preserved in the Abbey of Saint-Remi. For centuries the events at the crowning of Clovis I became a symbol used by the monarchy to claim the divine right to rule.
Meetings of Pope Stephen II (752-757) with Pepin the Short, and of Pope Leo III (795-816) with Charlemagne (died 814), took place at Reims; and here Pope Stephen IV crowned Louis the Debonnaire in 816. Louis IV gave the city and countship of Reims to the archbishop Artaldus in 940. Louis VII (reigned 1137–1180) gave the title of duke and peer to William of Champagne, archbishop from 1176 to 1202, and the archbishops of Reims took precedence over the other ecclesiastical peers of the realm.
By the 10th century Reims had become a centre of intellectual culture. Archbishop Adalberon (in office 969 to 988), seconded by the monk Gerbert (afterwards (from 999 to 1003) Pope Silvester II), founded schools which taught the classical "liberal arts". (Adalberon also played a leading role in the dynastic revolution which elevated the Capetian dynasty in the place of the Carolingians.)
The archbishops held the important prerogative of the consecration of the kings of France — a privilege which they exercised (except in a few cases) from the time of Philippe II Augustus (anointed 1179, reigned 1180–1223) to that of Charles X (anointed 1825). Louis VII granted the city a communal charter in 1139. The Treaty of Troyes (1420) ceded it to the English, who had made a futile attempt to take it by siege in 1360; but French patriots expelled them on the approach of Joan of Arc, who in 1429 had Charles VII consecrated in the cathedral. Louis XI cruelly suppressed a revolt at Reims, caused in 1461 by the salt tax. During the French Wars of Religion the city sided with the Catholic League (1585), but submitted to Henri IV after the battle of Ivry (1590).
In the invasions of the War of the Sixth Coalition in 1814, anti-Napoleonic allied armies captured and re-captured Reims; in 1870–1871, during the Franco-Prussian War, the victorious Germans made it the seat of a governor-general and impoverished it with heavy requisitions.
In August 1909 Reims hosted the first international aviation meet. Major aviation personages such as Glenn Curtiss, Louis Blériot and Louis Paulhan participated.
Hostilities in World War I greatly damaged the city. German bombardment and a subsequent fire in 1914 did severe damage to the cathedral. The ruined cathedral became one of the central images of anti-German propaganda produced in France during the war, which presented it, along with the ruins of the Cloth Hall at Ypres and the University Library in Louvain, as evidence that German aggression targeted cultural landmarks of European civilization.
From the end of World War I to the an international effort to restore the cathedral from the ruins has continued. The Palace of Tau, St Jacques Church and the Abbey of St Remi also were protected and restored. The collection of preserved buildings and Roman ruins remains monumentally impressive.
During World War II the city suffered additional damage. But in Reims, at 2:41 on the morning of 7 May 1945, General Eisenhower and the Allies received the unconditional surrender of the German Wehrmacht. General Alfred Jodl, German Chief-of-Staff, signed the surrender at the Supreme Headquarters Allied Expeditionary Force (SHAEF) as the representative for German President Karl Dönitz.
The British statesman Leslie Hore-Belisha died of a cerebral haemorrhage while making a speech at the Reims hôtel de ville (city hall) in February 1957.
The Place Drouet d'Erlon in the city centre contains many lively restaurants and bars, as well as several attractive statues and fountains. During the summer it fills with people sitting outside the many cafés enjoying the summer sun, and in December it has a lively and charming Christmas market.
Note too the Gallo-Roman sarcophagus, allegedly that of the 4th-century consul Jovinus, preserved in the archaeological museum in the cloister of the abbey of Saint-Remi.
Many people know Reims for its cathedral, Notre-Dame de Reims, formerly the place of coronation of the kings of France. The cathedral became a UNESCO World Heritage Site in 1991, along with the former Abbey of Saint-Remi and the Palace of Tau.
Saint Remi Basilica, an easy one-mile walk from the Cathedral of Notre Dame of Reims, takes its name from the 5th-century Saint Remi — revered as the patron saint of the inhabitants of Reims for more than 15 centuries. The basilica almost approaches the cathedral in size. Adjacent to the basilica stands an important abbey, formerly known as the Royal Abbey of St Remi. The abbey sought to trace its heritage back to St Remi, while the present abbey building dates back to the 17th and 18th centuries.
The Saint Remi Basilica dates from the 11th, 12th, 13th and 15th centuries. Most of the construction of the church finished in the 11th century, with additions made later. The nave and transepts, Romanesque in style, date mainly from the earliest, the façade of the south transept from the latest of those periods, the choir and apse chapels from the 12th and 13th centuries. The 17th and 19th centuries saw further additions. The building suffered greatly in World War I, and the meticulous restoration work of architect Henri Deneux rebuilt it from its ruins over the following 40 years. it remains the seat of an active Catholic parish holding regular worship services and welcoming pilgrims. It has been classified as an historical monument since 1841 and is one of the pinnacles of the history of art and of the history of France.
Several royal and archepiscopal figures lie buried in the basilica, but in unidentified graves. They include:
The public can visit the abbey building, the Saint-Remi Museum. The abbey closed in the wake of the French Revolution (the government had all French monasteries dissolved in February, 1790). The museum exhibits include tapestries from the sixteenth century given by Robert de Lenoncourt (who died in 1532), marble capitals from the fourth century AD, furniture, jewellery, pottery, weapons and glasswork from the 6th to 8th century, medieval sculpture, the façade of the 13th-century Musicians' House, remnants from an earlier abbey building, and also exhibits of Gallo-Roman arts and crafts and a room of pottery, jewellery, and weapons from Gallic civilization, as well as an exhibit of items from the Palaeolithic to the Neolithic periods.
Another section of the museum features a permanent military exhibition.
The Church of St Jacques dates from the 13th to the 16th centuries. A few blocks from the cathedral, it stands in a neighborhood of shopping and restaurants. What remains of the Abbey of St. Denis has become a Fine Arts Museum. The old College of the Jesuits also survives as a museum. The churches of St Maurice (partly rebuilt in 1867), St André, and St Thomas (erected from 1847 to 1853, under the patronage of Cardinal Gousset, now buried within its walls) also draw tourists.
The Foujita chapel (1966), designed and decorated by the Japanese School of Paris artist Tsuguharu Foujita became famed for its frescos. It was designated as an historic monument in 1992.
The city hall (hôtel de ville), erected in the 17th century and enlarged in the 19th, features a pediment with an equestrian statue of Louis XIII (reigned 1610 to 1643).
The Surrender Museum stands on the spot where on 7 May 1945, General Eisenhower and the Allies received the unconditional surrender of the German Wehrmacht.
The Carnegie library, the former public library built with money donated by Andrew Carnegie to the city of Reims after World War 1, is a remarkable example of Art Deco in France.
the football club Stade Reims, based in the city, competed in the Ligue 2, the second-highest tier of French football. Stade Reims became the outstanding team of France in the 1950s and early 1960s and reached the final of the European Cup of Champions twice in that era.
The city hosts the Reims Marathon since 1984.
Florence, Italy (1954) Brazzaville, Congo (1961) Canterbury, United Kingdom (1962) Salzburg, Austria (1964) Aachen, Germany (1967) Arlington, Virginia, United States (2005) Kutná Hora, Czech Republic (2008)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Samuel Edward Ramey (born March 28, 1942 in Colby, Kansas) is an American operatic bass with a long, distinguished career. During his best years, he was greatly admired for his range and versatility, having possessed a sufficiently accomplished bel canto technique to enable him to sing the music of Handel, Mozart, Rossini, yet power enough to handle the more overtly dramatic roles written by Verdi and Puccini.
He married his third wife, soprano Lindsey Larsen, on June 29, 2002.
As his repertoire expanded, he spent more and more time in the theatres of Europe, notably in Berlin, Hamburg, London, Paris, Vienna, and the summer festivals in Aix-en-Provence, Glyndebourne, Pesaro, and Salzburg.
In the bel canto repertoire, Ramey has excelled in Mozart's Don Giovanni and The Marriage of Figaro and in Rossini's Semiramide, The Barber of Seville, Il Turco in Italia, L'italiana in Algeri; in Donizetti's Anna Bolena and Lucia di Lammermoor and Bellini's I puritani.
In the dramatic repertoire, Ramey has been acclaimed for his "Three Devils": Boito's Mefistofele, Gounod's Faust, and Berlioz's The Damnation of Faust
Other dramatic roles have included Verdi's Nabucco, Don Carlo, I Lombardi and Jérusalem and Offenbach's Tales of Hoffmann (portraying all four villains). A number of previously obscure operas with strong bass/bass-baritone roles have been revived solely for Ramey, such as Verdi's Attila, Rossini's Maometto II and Massenet's Don Quichotte.
In 1996, Ramey gave a concert at New York's Avery Fisher Hall titled "A Date with the Devil" in which he sang 14 arias representing the core of this repertoire, and he continues to tour this program throughout the world. In 2000, Ramey presented this concert at Munich's Gasteig Concert Hall. This performance was recorded live and was released on compact disc in the northern summer of 2002. In recent years, however, his singing has been criticized for a wobble, the result of years of heavy use.
Category:1942 births Category:Living people Category:People from Thomas County, Kansas Category:Kansas State University alumni Category:Wichita State University alumni Category:American male singers Category:American opera singers Category:Operatic bass-baritones Category:Operatic basses Category:Grammy Award winners
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.