]] Wind is the flow of gases on a large scale. On Earth, wind consists of the bulk movement of air. In outer space, solar wind is the movement of gases or charged particles from the sun through space, while planetary wind is the outgassing of light chemical elements from a planet's atmosphere into space. Winds are commonly classified by their spatial scale, their speed, the types of forces that cause them, the regions in which they occur, and their effect. The strongest observed winds on a planet in our solar system occur on Neptune and Saturn.

In meteorology, winds are often referred to according to their strength, and the direction from which the wind is blowing. Short bursts of high speed wind are termed gusts. Strong winds of intermediate duration (around one minute) are termed squalls. Long-duration winds have various names associated with their average strength, such as breeze, gale, storm, hurricane, and typhoon. Wind occurs on a range of scales, from thunderstorm flows lasting tens of minutes, to local breezes generated by heating of land surfaces and lasting a few hours, to global winds resulting from the difference in absorption of solar energy between the climate zones on Earth. The two main causes of large scale atmospheric circulation are the differential heating between the equator and the poles, and the rotation of the planet (Coriolis effect). Within the tropics, thermal low circulations over terrain and high plateaus can drive monsoon circulations. In coastal areas the sea breeze/land breeze cycle can define local winds; in areas that have variable terrain, mountain and valley breezes can dominate local winds.

In human civilization, wind has inspired mythology, influenced the events of history, expanded the range of transport and warfare, and provided a power source for mechanical work, electricity, and recreation. Wind has powered the voyages of sailing ships across Earth's oceans. Hot air balloons use the wind to take short trips, and powered flight uses it to increase lift and reduce fuel consumption. Areas of wind shear caused by various weather phenomena can lead to dangerous situations for aircraft. When winds become strong, trees and man-made structures are damaged or destroyed.

Winds can shape landforms, via a variety of Aeolian processes such as the formation of fertile soils, such as loess, and by erosion. Dust from large deserts can be moved great distances from its source region by the prevailing winds; winds that are accelerated by rough topography and associated with dust outbreaks have been assigned regional names in various parts of the world because of their significant effects on those regions. Wind affects the spread of wildfires. Winds disperse seeds from various plants, enabling the survival and dispersal of those plant species, as well as flying insect populations. When combined with cold temperatures, wind has a negative impact on livestock. Wind affects animals' food stores, as well as their hunting and defensive strategies.

Cause

of Great Blizzard of 1888. Areas with greater isobaric packing indicate higher winds.]]

Wind is caused by differences in pressure. When a difference in pressure exists, the air is accelerated from higher to lower pressure. On a rotating planet the air will be deflected by the Coriolis effect, except exactly on the equator. Globally, the two major driving factors of large scale winds (the atmospheric circulation) are the differential heating between the equator and the poles (difference in absorption of solar energy leading to buoyancy forces) and the rotation of the planet. Outside the tropics and aloft from frictional effects of the surface, the large-scale winds tend to approach geostrophic balance. Near the Earth's surface, friction causes the wind to be slower than it would be otherwise. Surface friction also causes winds to blow more inward into low pressure areas.

Winds defined by an equilibrium of physical forces are used in the decomposition and analysis of wind profiles. They are useful for simplifying the atmospheric equations of motion and for making qualitative arguments about the horizontal and vertical distribution of winds. The geostrophic wind component is the result of the balance between Coriolis force and pressure gradient force. It flows parallel to isobars and approximates the flow above the atmospheric boundary layer in the midlatitudes. The thermal wind is the difference in the geostrophic wind between two levels in the atmosphere. It exists only in an atmosphere with horizontal temperature gradients. The ageostrophic wind component is the difference between actual and geostrophic wind, which is responsible for air "filling up" cyclones over time. The gradient wind is similar to the geostrophic wind but also includes centrifugal force (or centripetal acceleration).

Measurement

Wind direction is reported by the direction from which it originates. For example, a northerly wind blows from the north to the south. Weather vanes pivot to indicate the direction of the wind. At airports, windsocks are primarily used to indicate wind direction, but can also be used to estimate wind speed by its angle of hang. Wind speed is measured by anemometers, most commonly using rotating cups or propellers. When a high measurement frequency is needed (such as in research applications), wind can be measured by the propagation speed of ultrasound signals or by the effect of ventilation on the resistance of a heated wire. Another type of anemometer uses pitot tubes that take advantage of the pressure differential between an inner tube and an outer tube that is exposed to the wind to determine the dynamic pressure, which is then used to compute the wind speed.

Sustained wind speeds are reported globally at a height and are averaged over a 10 minute time frame. The United States reports winds over a 1 minute average for tropical cyclones, and a 2 minute average within weather observations. India typically reports winds over a 3 minute average. Knowing the wind sampling average is important, as the value of a one-minute sustained wind is typically 14 percent greater than a ten-minute sustained wind. A short burst of high speed wind is termed a wind gust, one technical definition of a wind gust is: the maxima that exceed the lowest wind speed measured during a ten minute time interval by . A squall is a doubling of the wind speed above a certain threshold, which lasts for a minute or more.

To determine winds aloft, rawinsondes determine wind speed by GPS, radio navigation, or radar tracking of the probe. Alternatively, movement of the parent weather balloon position can be tracked from the ground visually using theodolites. Remote sensing techniques for wind include SODAR, Doppler LIDARs and RADARs, which can measure the Doppler shift of electromagnetic radiation scattered or reflected off suspended aerosols or molecules, and radiometers and radars can be used to measure the surface roughness of the ocean from space or airplanes. Ocean roughness can be used to estimate wind velocity close to the sea surface over oceans. Geostationary satellite imagery can be used to estimate the winds throughout the atmosphere based upon how far clouds move from one image to the next. Wind Engineering describes the study of the effects of the wind on the built environment, including buildings, bridges and other man-made objects.

Wind force scale

Historically, the Beaufort wind force scale provides an empirical description of wind speed based on observed sea conditions. Originally it was a 13-level scale, but during the 1940s, the scale was expanded to 17 levels. There are general terms that differentiate winds of different average speeds such as a breeze, a gale, a storm, tornado, or a hurricane. Within the Beaufort scale, gale-force winds lie between and with preceding adjectives such as moderate, fresh, strong, and whole used to differentiate the wind's strength within the gale category. A storm has winds of to . The terminology for tropical cyclones differs from one region to another globally. Most ocean basins use the average wind speed to determine the tropical cyclone's category. Below is a summary of the classifications used by Regional Specialized Meteorological Centers worldwide: {| class="collapsible wikitable" border="1" |- ! colspan=3 style="background: #ccf;"|General wind classifications ! colspan=7 style="background: #ccf;"|Tropical cyclone classifications (all winds are 10-minute averages) |- ! Beaufort scale ! N Indian OceanIMD ! SW Indian OceanMF ! AustraliaBOM ! SW PacificFMS ! NW PacificJMA ! NW PacificJTWC ! NE Pacific &N AtlanticNHC & CPHC |- | 0 | <1 | Calm |rowspan=7| Depression |rowspan=7| Tropical disturbance |rowspan="9"| Tropical low |rowspan="9"| Tropical depression |rowspan="9"| Tropical depression |rowspan="9"| Tropical depression |rowspan="9"| Tropical depression |- | 1 | 1–3 | Light air |- | 2 | 4–6 | Light breeze |- | 3 | 7–10 | Gentle breeze |- | 4 | 11–16 | Moderate breeze |- | 5 | 17–21 | Fresh breeze |- | 6 | 22–27 | Strong breeze |- |rowspan=2| 7 | 28–29 |rowspan=2| Moderate gale |rowspan=2| Deep depression |rowspan=2| Tropical depression |- | 30–33 |- | 8 | 34–40 | Fresh gale |rowspan=2| Cyclonic storm |rowspan=2| Moderate tropical storm |rowspan=2| Tropical cyclone (1) |rowspan=2| Tropical cyclone (1) |rowspan=2| Tropical storm |rowspan=4| Tropical storm |rowspan=4| Tropical storm |- | 9 | 41–47 | Strong gale |- | 10 | 48–55 | Whole gale |rowspan=2| Severe cyclonic storm |rowspan=2| Severe tropical storm |rowspan=2| Tropical cyclone (2) |rowspan=2| Tropical cyclone (2) |rowspan=2| Severe tropical storm |- | 11 | 56–63 | Storm |- || 12 | 64–72 |rowspan=8| Hurricane |rowspan=7| Very severe cyclonic storm |rowspan=3| Tropical cyclone |rowspan=2| Severe tropical cyclone (3) |rowspan=2| Severe tropical cyclone (3) |rowspan=8| Typhoon |rowspan=6| Typhoon || Hurricane (1) |- ||13 | 73–85 | Hurricane (2) |- ||14 | 86–89 |rowspan=3| Severe tropical cyclone (4) |rowspan=3| Severe tropical cyclone (4) |rowspan=2| Major hurricane (3) |- ||15 | 90–99 |rowspan=3| Intense tropical cyclone |- ||16 | 100–106 |rowspan=3| Major hurricane (4) |- | rowspan=3|17 | 107–114 |rowspan=3| Severe tropical cyclone (5) |rowspan=3| Severe tropical cyclone (5) |- | 115–119 |rowspan=2| Very intense tropical cyclone |rowspan=2| Super typhoon |- | >120 | Super cyclonic storm | Major hurricane (5) |}

The station model plotted on surface weather maps uses a wind barb to show both wind direction and speed. The wind barb shows the speed using "flags" on the end. Each half of a flag depicts of wind. Each full flag depicts of wind. Each pennant (filled triangle) depicts of wind.

Winds are depicted as blowing from the direction the barb is facing. Therefore, a northeast wind will be depicted with a line extending from the cloud circle to the northeast, with flags indicating wind speed on the northeast end of this line. Once plotted on a map, an analysis of isotachs (lines of equal wind speeds) can be accomplished. Isotachs are particularly useful in diagnosing the location of the jet stream on upper level constant pressure charts, and are usually located at or above the 300 hPa level.

The Enhanced Fujita Scale (EF Scale) rates the strength of tornadoes in the United States based on the damage they cause.

Wind energy physics

Wind energy is the kinetic energy of the air in motion. Total wind energy flowing through an imaginary area A during the time t is:

E = A . v . t . ρ . ½ v²,

where v is the wind velocity and ρ is the air density. The formula presented is structured in two parts: (A . v . t) is the volume of air passing through A, which is considered perpendicular to the wind velocity; (ρ . ½ v²) is the kinetic energy of the moving air per unit volume.

Total wind power is:

P = E / t = A . ρ . ½ v³

Wind power is thus proportional to the third power of the wind velocity.

Theoretical power captured by a wind turbine

Total wind power could be captured only if the wind velocity is reduced to zero. In a realistic wind turbine this is impossible, as the captured air must also leave the turbine. A relation between the input and output wind velocity must be considered. Using the concept of stream tube, the maximal achievable extraction of wind power by a wind turbine is 59% of the total theoretical wind power (see: Betz' law).

Practical wind turbine power

Further insufficiencies, such as rotor blade friction and drag, gearbox losses, generator and converter losses, reduce the power delivered by a wind turbine. The basic relation that the turbine power is (approximately) proportional to the third power of velocity remains.

Global climatology

Easterly winds, on average, dominate the flow pattern across the poles, westerly winds blow across the mid-latitudes of the earth, to the north of the subtropical ridge, while easterlies again dominate the tropics.

Directly under the subtropical ridge are the doldrums, or horse latitudes, where winds are lighter. Many of the Earth's deserts lie near the average latitude of the subtropical ridge, where descent reduces the relative humidity of the air mass. The strongest winds are in the mid-latitudes where cold Arctic air meets warm air from the tropics.

Tropics

The trade winds (also called trades) are the prevailing pattern of easterly surface winds found in the tropics towards the Earth's equator. The trade winds blow predominantly from the northeast in the Northern Hemisphere and from the southeast in the Southern Hemisphere. The trade winds act as the steering flow for tropical cyclones that form over world's oceans. Trade winds also steer African dust westward across the Atlantic Ocean into the Caribbean Sea, as well as portions of southeast North America.

A monsoon is a seasonal prevailing wind that lasts for several months within tropical regions. The term was first used in English in India, Bangladesh, Pakistan, and neighboring countries to refer to the big seasonal winds blowing from the Indian Ocean and Arabian Sea in the southwest bringing heavy rainfall to the area. Its poleward progression is accelerated by the development off a heat low over the Asian, African, and North American continents during May through July, and over Australia in December.

Westerlies and their impact

's map of the Gulf Stream]] The Westerlies or the Prevailing Westerlies are the prevailing winds in the middle latitudes between 35 and 65 degrees latitude. These prevailing winds blow from the west to the east to the north of the subtropical ridge, and steer extratropical cyclones in this general manner. The winds are predominantly from the southwest in the Northern Hemisphere and from the northwest in the Southern Hemisphere.

Together with the trade winds, the westerlies enabled a round-trip trade route for sailing ships crossing the Atlantic and Pacific Oceans, as the westerlies lead to the development of strong ocean currents on the western sides of oceans in both hemispheres through the process of western intensification. These western ocean currents transport warm, tropical water polewards toward the polar regions. The westerlies can be particularly strong, especially in the southern hemisphere, where there is less land in the middle latitudes to cause the flow pattern to amplify, which slows the winds down. The strongest westerly winds in the middle latitudes are within a band known as the Roaring Forties, between 40 and 50 degrees latitude south of the equator. The Westerlies play an important role in carrying the warm, equatorial waters and winds to the western coasts of continents, especially in the southern hemisphere because of its vast oceanic expanse.

Polar easterlies

The polar easterlies, also known as Polar Hadley cells, are dry, cold prevailing winds that blow from the high-pressure areas of the polar highs at the north and south poles towards the low-pressure areas within the Westerlies at high latitudes. Unlike the Westerlies, these prevailing winds blow from the east to the west, and are often weak and irregular. Because of the low sun angle, cold air builds up and subsides at the pole creating surface high-pressure areas, forcing an equatorward outflow of air; that outflow is deflected eastward by the Coriolis effect.

Local considerations

Sea and land breezes

In coastal regions, sea breezes and land breezes can be important factors in a location's prevailing winds. The sea is warmed by the sun more slowly because of water's greater specific heat compared to land. As the temperature of the surface of the land rises, the land heats the air above it by conduction. The warm air is less dense than the surrounding environment and so it rises. This causes a pressure gradient of about 2 millibars from the ocean to the land. The cooler air above the sea, now with higher sea level pressure, flows inland into the lower pressure, creating a cooler breeze near the coast. When large-scale winds are calm, the strength of the sea breeze is directly proportional to the temperature difference between the land mass and the sea. If an offshore wind of exists, the sea breeze is not likely to develop.

At night, the land cools off more quickly than the ocean because of differences in their specific heat values. This temperature change causes the daytime sea breeze to dissipate. When the temperature onshore cools below the temperature offshore, the pressure over the water will be lower than that of the land, establishing a land breeze, as long as an onshore wind is not strong enough to oppose it.

Near mountains

Over elevated surfaces, heating of the ground exceeds the heating of the surrounding air at the same altitude above sea level, creating an associated thermal low over the terrain and enhancing any thermal lows that would have otherwise existed, and changing the wind circulation of the region. In areas where there is rugged topography that significantly interrupts the environmental wind flow, the wind circulation between mountains and valleys is the most important contributor to the prevailing winds. Hills and valleys substantially distort the airflow by increasing friction between the atmosphere and landmass by acting as a physical block to the flow, deflecting the wind parallel to the range just upstream of the topography, which is known as a barrier jet. This barrier jet can increase the low level wind by 45 percent. Wind direction also changes because of the contour of the land. Cool winds accelerating through mountain gaps have been given regional names. In Central America, examples include the Papagayo wind, the Panama wind, and the Tehuano wind. In Europe, similar winds are known as the Bora, Tramontane, and Mistral. When these winds blow over open waters, they increase mixing of the upper layers of the ocean that elevates cool, nutrient rich waters to the surface, which leads to increased marine life.

In mountainous areas, local distortion of the airflow becomes severe. Jagged terrain combines to produce unpredictable flow patterns and turbulence, such as rotors, which can be topped by lenticular clouds. Strong updrafts, downdrafts and eddies develop as the air flows over hills and down valleys. Orographic precipitation occurs on the windward side of mountains and is caused by the rising air motion of a large-scale flow of moist air across the mountain ridge, also known as upslope flow, resulting in adiabatic cooling and condensation. In mountainous parts of the world subjected to relatively consistent winds (for example, the trade winds), a more moist climate usually prevails on the windward side of a mountain than on the leeward or downwind side. Moisture is removed by orographic lift, leaving drier air on the descending and generally warming, leeward side where a rain shadow is observed. Winds that flow over mountains down into lower elevations are known as downslope winds. These winds are warm and dry. In Europe downwind of the Alps, they are known as foehn. In Poland, an example is the halny wiatr. In Argentina, the local name for downsloped winds is zonda. In Java, the local name for such winds is koembang. In New Zealand, they are known as the Nor'west arch, and are accompanied by the cloud formation they are named after that has inspired artwork over the years. In the Great Plains of the United States, the winds are known as a chinook. In California, downsloped winds are funneled through mountain passes, which intensify their effect, and examples into Santa Ana and sundowner winds. Wind speeds during downslope wind effect can exceed .

Average wind speeds

As described earlier, prevailing and local winds are not spread evenly across the earth, which means that wind speeds also differ by region. In addition, the wind speed also increases with the altitude.

Wind power density

Nowadays, a yardstick used to determine the best locations for wind energy development is referred to as wind power density (WPD). It is a calculation relating to the effective force of the wind at a particular location, frequently expressed in terms of the elevation above ground level over a period of time. It takes into account wind velocity and mass. Color coded maps are prepared for a particular area are described as, for example, "mean annual power density at 50 meters." The results of the above calculation are included in an index developed by the National Renewable Energy Lab and referred to as "NREL CLASS." The larger the WPD calculation, the higher it is rated by class. At the end of 2008, worldwide nameplate capacity of wind-powered generators was 120.8 gigawatts. Although wind produces only about 1.5 percent of worldwide electricity use,

Shear

plot of wind vectors at various heights in the troposphere, which is used to diagnose vertical wind shear]] Wind shear, sometimes referred to as windshear or wind gradient, is a difference in wind speed and direction over a relatively short distance in the Earth's atmosphere. Wind shear can be broken down into vertical and horizontal components, with horizontal wind shear seen across weather fronts and near the coast, and vertical shear typically near the surface, though also at higher levels in the atmosphere near upper level jets and frontal zones aloft.

Wind shear itself is a microscale meteorological phenomenon occurring over a very small distance, but it can be associated with mesoscale or synoptic scale weather features such as squall lines and cold fronts. It is commonly observed near microbursts and downbursts caused by thunderstorms, weather fronts, areas of locally higher low level winds referred to as low level jets, near mountains, radiation inversions that occur because of clear skies and calm winds, buildings, wind turbines, and sailboats. Wind shear has a significant effect during take-off and landing of aircraft because of their effects on control of the aircraft, and was a significant cause of aircraft accidents involving large loss of life within the United States. Strong vertical wind shear within the troposphere also inhibits tropical cyclone development, but helps to organize individual thunderstorms into living longer life cycles that can then produce severe weather. The thermal wind concept explains how differences in wind speed with height are dependent on horizontal temperature differences, and explains the existence of the jet stream.

Usage of wind

History

.]] As a natural force, the wind was often personified as one or more wind gods or as an expression of the supernatural in many cultures. Vayu is the Hindu God of Wind. The Greek wind gods include Boreas, Notus, Eurus, and Zephyrus. Fūjin, the Japanese wind god and is one of the eldest Shinto gods. According to legend, he was present at the creation of the world and first let the winds out of his bag to clear the world of mist. In Norse mythology, Njord is the god of the wind. Stribog is the name of the Slavic god of winds, sky and air. He is said to be the ancestor (grandfather) of the winds of the eight directions. Protestant Wind is a name for the storm that deterred the Spanish Armada from an invasion of England in 1588 where the wind played a pivotal role, or the favorable winds that enabled William of Orange to invade England in 1688. During Napoleon's Egyptian Campaign, the French soldiers had a hard time with the khamsin wind: when the storm appeared "as a blood-stint in the distant sky", the natives went to take cover, while the French "did not react until it was too late, then choked and fainted in the blinding, suffocating walls of dust." During the North African Campaign of the World War II, "allied and German troops were several times forced to halt in mid-battle because of sandstorms caused by khamsin ... Grains of sand whirled by the wind blinded the soldiers and created electrical disturbances that rendered compasses useless."

Transportation

airfield on 20 May 1944, showing the layout of the runways that allow aircraft to take off and land into the wind]]

There are many different forms of sailing ships, but they all have certain basic things in common. Except for rotor ships using the Magnus effect, every sailing ship has a hull, rigging and at least one mast to hold up the sails that use the wind to power the ship. Ocean journeys by sailing ship can take many months, and a common hazard is becoming becalmed because of lack of wind, or being blown off course by severe storms or winds that do not allow progress in the desired direction. A severe storm could lead to shipwreck, and the loss of all hands. Sailing ships can only carry a certain quantity of supplies in their hold, so they have to plan long voyages carefully to include appropriate provisions, including fresh water.

While aircraft usually travel under an internal power source, tail winds affect groundspeed, and in the case of hot air balloons and other lighter-than-air vehicles, wind may play a significant role in their movement and ground track. In addition, the direction of wind plays a role in the takeoff and landing of fixed-wing aircraft and airfield runways are usually aligned to take the direction of wind into account. Of all factors affecting the direction of flight operations at an airport, wind direction is considered the primary governing factor. While taking off with a tailwind may be permissible under certain circumstances, it is generally considered the least desirable choice because of performance and safety considerations, with a headwind the desirable choice. A tailwind will increase takeoff distance and decrease climb gradient such that runway length and obstacle clearance may become limiting factors. An airship, or dirigible, is a lighter-than-air aircraft that can be steered and propelled through the air using rudders and propellers or other thrust. Unlike other aerodynamic aircraft such as fixed-wing aircraft and helicopters, which produce lift by moving a wing, or airfoil, through the air, aerostatic aircraft, such as airships and hot air balloons, stay aloft by filling a large cavity, such as a balloon, with a lifting gas. The main types of airship are non-rigid (or blimps), semi-rigid and rigid. Blimps are small airships without internal skeletons. Semi-rigid airships are slightly larger and have some form of internal support such as a fixed keel. Rigid airships with full skeletons, such as the massive Zeppelin transoceanic models, all but disappeared after several high-profile catastrophic accidents during the mid-20th century.

Power source

generates electricity from wind power.]]

Historically, the ancient Sinhalese of Anuradhapura and in other cities around Sri Lanka used the monsoon winds to power furnaces as early as 300 BCE. The furnaces were constructed on the path of the monsoon winds to exploit the wind power, to bring the temperatures inside up to . An early historical reference to a rudimentary windmill was used to power an organ in the first century CE. The first practical windmills were later built in Sistan, Afghanistan, from the 7th century CE. These were vertical-axle windmills, which had long vertical driveshafts with rectangle shaped blades. Made of six to twelve sails covered in reed matting or cloth material, these windmills were used to grind corn and draw up water, and were used in the gristmilling and sugarcane industries. Horizontal-axle windmills were later used extensively in Northwestern Europe to grind flour beginning in the 1180s, and many Dutch windmills still exist. High altitude wind power is the focus of over 30 companies worldwide using tethered technology rather than ground-hugging compressive-towers. Oil is being saved by using wind for powering cargo ships by use of the mechanical energy converted from the wind's kinetic energy using very large kites.

Recreation

in flight]] Wind figures prominently in several popular sports, including recreational hang gliding, hot air ballooning, kite flying, snowkiting, kite landboarding, kite surfing, paragliding, sailing, and windsurfing. In gliding, wind gradients just above the surface affect the takeoff and landing phases of flight of a glider. Wind gradient can have a noticeable effect on ground launches, also known as winch launches or wire launches. If the wind gradient is significant or sudden, or both, and the pilot maintains the same pitch attitude, the indicated airspeed will increase, possibly exceeding the maximum ground launch tow speed. The pilot must adjust the airspeed to deal with the effect of the gradient. When landing, wind shear is also a hazard, particularly when the winds are strong. As the glider descends through the wind gradient on final approach to landing, airspeed decreases while sink rate increases, and there is insufficient time to accelerate prior to ground contact. The pilot must anticipate the wind gradient and use a higher approach speed to compensate for it.

Role in the natural world

In arid climates, the main source of erosion is wind. The general wind circulation moves small particulates such as dust across wide oceans thousands of kilometers downwind of their point of origin, which is known as deflation. Westerly winds in the mid-latitudes of the planet drive the movement of ocean currents from west to east across the world's oceans. Wind has a very important role in aiding plants and other immobile organisms in dispersal of seeds, spores, pollen, etc. Although wind is not the primary form of seed dispersal in plants, it provides dispersal for a large percentage of the biomass of land plants.

Erosion

, Bolivia, sculpted by wind erosion]] Erosion can be the result of material movement by the wind. There are two main effects. First, wind causes small particles to be lifted and therefore moved to another region. This is called deflation. Second, these suspended particles may impact on solid objects causing erosion by abrasion (ecological succession). Wind erosion generally occurs in areas with little or no vegetation, often in areas where there is insufficient rainfall to support vegetation. An example is the formation of sand dunes, on a beach or in a desert. Loess is a homogeneous, typically nonstratified, porous, friable, slightly coherent, often calcareous, fine-grained, silty, pale yellow or buff, windblown (Aeolian) sediment. It generally occurs as a widespread blanket deposit that covers areas of hundreds of square kilometers and tens of meters thick. Loess often stands in either steep or vertical faces. Loess tends to develop into highly rich soils. Under appropriate climatic conditions, areas with loess are among the most agriculturally productive in the world. Loess deposits are geologically unstable by nature, and will erode very readily. Therefore, windbreaks (such as big trees and bushes) are often planted by farmers to reduce the wind erosion of loess. Over 50 percent of the African dust that reaches the United States affects Florida. Since 1970, dust outbreaks have worsened because of periods of drought in Africa. There is a large variability in the dust transport to the Caribbean and Florida from year to year. Dust events have been linked to a decline in the health of coral reefs across the Caribbean and Florida, primarily since the 1970s. Similar dust plumes originate in the Gobi desert, which combined with pollutants, spread large distances downwind, or eastward, into North America. The Harmattan carries dust during the winter into the Gulf of Guinea. The Sirocco brings dust from north Africa into southern Europe because of the movement of extratropical cyclones through the Mediterranean Sea. Spring storm systems moving across the eastern Mediterranean Sea cause dust to carry across Egypt and the Arabian peninsula, which are locally known as Khamsin. The Shamal is caused by cold fronts lifting dust into the atmosphere for days at a time across the Persian Gulf states.

Effect on plants

Wind dispersal of seeds, or anemochory, is one of the more primitive means of dispersal. Wind dispersal can take on one of two primary forms: seeds can float on the breeze or alternatively, they can flutter to the ground. The classic examples of these dispersal mechanisms include dandelions (Taraxacum spp., Asteraceae), which have a feathery pappus attached to their seeds and can be dispersed long distances, and maples (Acer (genus) spp., Sapindaceae), which have winged seeds and flutter to the ground. An important constraint on wind dispersal is the need for abundant seed production to maximize the likelihood of a seed landing in a site suitable for germination. There are also strong evolutionary constraints on this dispersal mechanism. For instance, species in the Asteraceae on islands tended to have reduced dispersal capabilities (i.e., larger seed mass and smaller pappus) relative to the same species on the mainland. Reliance upon wind dispersal is common among many weedy or ruderal species. Unusual mechanisms of wind dispersal include tumbleweeds. A related process to anemochory is anemophily, which is the process where pollen is distributed by wind. Large families of plants are pollinated in this manner, which is favored when individuals of the dominant plant species are spaced closely together.

Wind also limits tree growth. On coasts and isolated mountains, the tree line is often much lower than in corresponding altitudes inland and in larger, more complex mountain systems, because strong winds reduce tree growth. High winds scour away thin soils through erosion, as well as damage limbs and twigs. When high winds knock down or uproot trees, the process is known as windthrow. This is most likely on windward slopes of mountains, with severe cases generally occurring to tree stands that are 75 years or older. Plant varieties near the coast, such as the Sitka spruce and sea grape, are pruned back by wind and salt spray near the coastline.

Wind can also cause plants damage through sand abrasion. Strong winds will pick up loose sand and topsoil and hurl it through the air at speeds ranging from 25-40 miles per hour. Such windblown sand causes extensive damage to plant seedlings because it ruptures plant cells, making them vulnerable to evaporation and drought. Using a mechanical sandblaster in a laboratory setting, scientists affiliated with the Agricultural Research Service studied the effects of windblown sand abrasion on cotton seedlings. The study showed that the seedlings responded to the damage created by the windblown sand abrasion by shifting energy from stem and root growth to the growth and repair of the damaged stems. After a period of four weeks the growth of the seedling once again became uniform throughout the plant, as it was before the windblown sand abrasion occurred.

Effect on animals

Cattle and sheep are prone to wind chill caused by a combination of wind and cold temperatures, when winds exceed that renders their hair and wool coverings ineffective. Although penguins use both a layer of fat and feathers to help guard against coldness in both water and air, their flippers and feet are less immune to the cold. In the coldest climates such as Antarctica, emperor penguins use huddling behavior to survive the wind and cold, continuously alternating the members on the outside of the assembled group, which reduces heat loss by 50%. Flying insects, a subset of arthropods, are swept along by the prevailing winds, while birds follow their own course taking advantage of wind conditions, in order to either fly or glide. As such, fine line patterns within weather radar imagery, associated with converging winds, are dominated by insect returns. Bird migration, which tends to occur overnight within the lowest of the Earth's atmosphere, contaminates wind profiles gathered by weather radar, particularly the WSR-88D, by increasing the environmental wind returns by to .

Pikas use a wall of pebbles to store dry plants and grasses for the winter in order to protect the food from being blown away. Cockroaches use slight winds that precede the attacks of potential predators, such as toads, to survive their encounters. Their cerci are very sensitive to the wind, and help them survive half of their attacks. Elk has a keen sense of smell that can detect potential upwind predators at a distance of . Increases in wind above signals glaucous gulls to increase their foraging and aerial attacks on thick-billed murres.

Related damage

High winds are known to cause damage, depending upon their strength. Infrequent wind gusts can cause poorly designed suspension bridges to sway. When wind gusts are at a similar frequency to the swaying of the bridge, the bridge can be destroyed more easily, such as what occurred with the Tacoma Narrows Bridge in 1940. Wind speeds as low as can lead to power outages due to tree branches disrupting the flow of energy through power lines. While no species of tree is guaranteed to stand up to hurricane-force winds, those with shallow roots are more prone to uproot, and brittle trees such as eucalyptus, sea hibiscus, and avocado are more prone to damage. Hurricane-force winds cause substantial damage to mobile homes, and begin to structurally damage homes with foundations. Winds of this strength due to downsloped winds off terrain have been known to shatter windows and sandblast paint from cars.

Australia's Barrow Island holds the record for the strongest wind gust, reaching 408 km/h (253 mph) during tropical cyclone Olivia on 10 April 1996, surpassing the previous record held by Mount Washington (New Hampshire) of 372 km/h (231 mph) on the afternoon of 12 April 1934.

Wildfire intensity increases during daytime hours. For example, burn rates of smoldering logs are up to five times greater during the day because of lower humidity, increased temperatures, and increased wind speeds. Sunlight warms the ground during the day and causes air currents to travel uphill, and downhill during the night as the land cools. Wildfires are fanned by these winds and often follow the air currents over hills and through valleys. United States wildfire operations revolve around a 24-hour fire day that begins at 10:00 a.m. because of the predictable increase in intensity resulting from the daytime warmth.

In outer space

The solar wind is quite different from a terrestrial wind, in that its origin is the sun, and it is composed of charged particles that have escaped the sun's atmosphere. Similar to the solar wind, the planetary wind is composed of light gases that escape planetary atmospheres. Over long periods of time, the planetary wind can radically change the composition of planetary atmospheres.

Planetary wind

The hydrodynamic wind within the upper portion of a planet's atmosphere allows light chemical elements such as hydrogen to move up to the exobase, the lower limit of the exosphere, where the gases can then reach escape velocity, entering outer space without impacting other particles of gas. This type of gas loss from a planet into space is known as planetary wind. Such a process over geologic time causes water-rich planets such as the Earth to evolve into planets such as Venus over billions of years. Planets with hot lower atmospheres could result in humid upper atmospheres that accelerate the loss of hydrogen.

Solar wind

Rather than air, the solar wind is a stream of charged particles—a plasma—ejected from the upper atmosphere of the sun at a rate of . It consists mostly of electrons and protons with energies of about 1 keV. The stream of particles varies in temperature and speed with the passage of time. These particles are able to escape the sun's gravity, in part because of the high temperature of the corona, but also because of high kinetic energy that particles gain through a process that is not well-understood. The solar wind creates the Heliosphere, a vast bubble in the interstellar medium surrounding the solar system. Planets require large magnetic fields in order to reduce the ionization of their upper atmosphere by the solar wind. the aurorae such as the Northern Lights, and the plasma tails of comets that always point away from the sun.

On other planets

Strong winds at Venus's cloud tops circle the planet every four to five earth days. When the poles of Mars are exposed to sunlight after their winter, the frozen CO₂ sublimes, creating significant winds that sweep off the poles as fast as , which subsequently transports large amounts of dust and water vapor over its landscape. Other Martian winds have resulted in cleaning events and dust devils. On Jupiter, wind speeds of are common in zonal jet streams. Saturn's winds are among the solar system's fastest. Cassini–Huygens data indicated peak easterly winds of . On Uranus, northern hemisphere wind speeds reach as high as near 50 degrees north latitude. At the cloud tops of Neptune, prevailing winds range in speed from along the equator to at the poles. At 70° S latitude on Neptune, a high-speed jet stream travels at a speed of .

See also

Climatology

Küssner effect

Wind advisory

Wind engineering

Wind wave

List of local winds

North wind

South wind

West wind

East wind

References

External links

Meteorology Guides: Forces and Winds – Instructional module from the University of Illinois

Names of Winds – A list from Golden Gate Weather Services

Wind Atlases of the World – Lists of wind atlases and wind surveys from all over the world

Winds of Mars: Aeolian Activity and Landforms – Paper with slides that illustrate the wind activity on the planet Mars

Classification of Wind Speeds

Wind-speed chart

The Bibliography of Aeolian Research

Category:Atmospheric dynamics Category:Basic meteorological concepts and phenomena

Name	Yusuf Islam / Cat Stevens
Background	solo_singer
Birth name	Steven Demetre Georgiou
Alias	Steve Adams, Yusuf
Born	July 21, 1948Marylebone, London, England
Instrument	Vocals, guitar, bass, mandolin, organ, piano, mellotron, double bass, percussion
Genre	Folk rock, psychedelic rock soft rockpop rock
Pos	right
Filename	Catfirstcut.ogg
Title	"The First Cut is the Deepest" (1967)
Description	Sample of "The First Cut is the Deepest", performed by Cat Stevens. Appears on New Masters.
Format	Ogg

Over the next two years, Stevens recorded and toured with artists ranging from Jimi Hendrix to Engelbert Humperdinck. The music business had not yet begun targeting specific audiences, so he frequently toured with what now would be considered an unusual array of celebrities. Stevens was considered a fresh-faced teen star, placing several single releases in the British pop music charts. Some of that success was attributed to the pirate radio station Wonderful Radio London, which gained him fans by playing his records. In August 1967, he went on the air with other recording artists who had benefited from the station to mourn its closure.

His December 1967 album New Masters failed to chart in the United Kingdom. The album is now most notable for his song "The First Cut Is the Deepest", a song he sold for £30 to P.P. Arnold that was to become a massive hit for her, and an international hit for Keith Hampshire, Rod Stewart, James Morrison, and Sheryl Crow. Forty years after he recorded the first demo of the song, it earned him two back-to-back ASCAP "Songwriter of the Year" awards, in 2005 and 2006.

Tuberculosis

Stevens contracted tuberculosis in 1969 and was close to death at the time of his admittance to the King Edward VII Hospital, Midhurst; read about other religions; and became a vegetarian. but developed a fast friendship; Davies, like Stevens, was a perfectionist, appearing after all the sound checks had been completed, just to be sure that all the equipment and sound were prepared for each concert. He recorded on all but two of the succeeding pop music albums Stevens released, and continued performing and recording with him until Stevens' retirement. The two remained friends, however, and years later, when Stevens re-emerged as Yusuf Islam after 27 years, Davies appeared again performing at his side, and has remained there.

The first single released from Mona Bone Jakon was "Lady D'Arbanville", which Stevens wrote about his young American girlfriend Patti D'Arbanville. The record, with a madrigal sound unlike most music played on pop radio, with sounds of djembes and bass in addition to Stevens' and Davies' guitars, reached #8 in the UK. It was the first of his hits to get real airplay in the United States. Other songs written for her included "Maybe You're Right", and "Just Another Night". In addition, the song, "Pop Star", about his experience as a teen star, and "Katmandu", featuring Genesis frontman Peter Gabriel playing flute, were featured. Mona Bone Jakon was an early example of the solo singer-songwriter album format that was becoming popular for other artists as well. Rolling Stone magazine compared its popularity with that of Elton John's Tumbleweed Connection, saying it was played "across the board, across radio formats".

Mona Bone Jakon was the precursor for Stevens' international breakthrough album, Tea for the Tillerman, which became a top-10 Billboard hit. Within six months of its release, it had sold over 500,000 copies, attaining gold record status in the United States and in Britain. The combination of Stevens' new folk-rock style and accessible lyrics which spoke of everyday situations and problems, mixed with the beginning of spiritual questions about life, would remain in his music from then on. The album features the top 20 single "Wild World"; a parting song after D'Arbanville moved on. "Wild World" has been credited as the song that gave Tea for the Tillerman 'enough kick' to get it played on FM radio; and the head of Island Records, Chris Blackwell, was quoted as calling it "the best album we’ve ever released". It is ranked at #206 in Rolling Stone Magazine's 2003 list of the "500 Greatest Albums of All Time".

After the end of his relationship with D'Arbanville, Stevens noted the effect it had on writing his music, saying,

"Everything I wrote while I was away was in a transitional period and reflects that. Like Patti. A year ago we split; I had been with her for two years. What I write about Patti and my family... when I sing the songs now, I learn strange things. I learn the meanings of my songs late..."

For seven months from 1971 to 1972 Stevens was romantically linked to popular singer Carly Simon while both were produced by Samwell-Smith. During that time both wrote songs for and about one another. Simon wrote and recorded at least two top 50 songs, "Legend in Your Own Time" and "Anticipation" about Stevens. He reciprocated in his song to her, after their romance, entitled, "Sweet Scarlet".

His next album, Catch Bull at Four, released in 1972, was his most rapidly successful album in the United States, reaching gold record status in 15 days, and holding the number-one position on the Billboard charts for three weeks. This album continued the introspective and spiritual lyrics that he was known for, combined with a rougher-edged voice and a less acoustic sound than his previous records, utilizing synthesizers and other instruments. Although the sales of the album indicated Stevens' popularity, the album did not produce any real hits, with the exception of the single "Sitting", which charted at #16. Catch Bull at Four was Platinum certified in 2001.

Exploration with movie soundtracks

In July 1970, Stevens recorded one of his songs, "But I Might Die Tonight", for the Jerzy Skolimowski film Deep End. In 1971, Stevens provided nine songs to the soundtrack of the black comedy Harold and Maude which became a popular cult movie celebrating the free spirit, and brought Stevens' music to a wider audience, continuing to do so long after he stopped recording in the late 1970s. Among the songs were "Where Do the Children Play?," "Trouble," and "I Think I See the Light." Two of the songs, "Don't Be Shy" and "If You Want to Sing Out, Sing Out," were not released on any album until their inclusion in 1984 on a second "greatest hits" collection: .

After his religious conversion in the late 1970s, Stevens stopped granting permission for his songs to be used in films. However, almost twenty years later, in 1997, the movie Rushmore was allowed to use his songs "Here Comes My Baby" and "The Wind", showing a new willingness on his part to release his music from his Western "pop star" days. This was followed in 2000 by the inclusion of "Peace Train" in the movie Remember the Titans, in 2000 by the use in Almost Famous of the song "The Wind", and in 2006 the inclusion of "Peace Train" on the soundtrack to We Are Marshall. In 2007, an excerpt of "If You Want To Sing Out, Sing Out" is sung by characters in Charlie Bartlett whose title character resembles the character of Harold in Harold and Maude, where the song first appeared. In 2009, the song "Father and Son" was in the soundtrack of the movie The Boat That Rocked (known as Pirate Radio in the U.S.).

Later Cat Stevens recordings

Subsequent releases in the 1970s also did well on the charts and in ongoing sales, although they did not touch the success he had from 1970 to 1973. In 1973, Stevens moved to Rio de Janeiro, Brazil, as a tax exile from the United Kingdom, (however, he later donated the money to UNESCO). During that time he created the album Foreigner, which was a departure from the music that had brought him to the height of his fame. It differed in several respects: entirely written by Stevens, he dropped his band and produced the record without the assistance of Samwell-Smith, who had played a large role in catapulting him to fame, and instead of guitar, he played keyboard instruments throughout the album. It was intended to show a funk/soul element rising in popularity that Stevens had come to appreciate. One side of Foreigner was continuous, much different from the radio-friendly pop tunes fans had come to expect. In November 1973 he performed side two of the album at the Aquarius Theater in Hollywood, with a pre-arranged uninterrupted quadraphonic simulcast on the ABC network titled the "Moon and Star" concert; this performance included his band, but they were all but overshadowed by an orchestra. The album produced a couple of singles including "The Hurt", but did not reach the heights he had once enjoyed.

The follow-up to Foreigner was Buddha and the Chocolate Box, largely a return to the instrumentation and styles employed in Teaser and the Firecat and Tea for the Tillerman. Featuring the return of Alun Davies and best known for "Oh Very Young", Buddha and the Chocolate Box reached platinum status in 2001. Stevens' next album was the concept album Numbers, a less successful departure for him.

The 1977 Izitso included his last chart hit, "(Remember the Days of the) Old Schoolyard", a duet with fellow UK singer Elkie Brooks. Linda Lewis appears in the song's video, with Cat Stevens singing to her, as they portray former schoolmates, singing to each other on a schoolyard merry-go-round. This is one of few videos that Stevens made, other than simple videos of concert performances.

His final original album under the name Cat Stevens was Back to Earth, released in late 1978, which was also the first album produced by Samwell-Smith since his peak in single album sales in the early 1970s.

Several compilation albums were released before and after he stopped recording. After Stevens left Decca Records they bundled his first two albums together as a set, hoping to ride the commercial tide of his early success; later his newer labels did the same, and he himself released compilations. The most successful of the compilation albums was the 1975 Greatest Hits which has sold over 4 million copies in the United States. In May 2003 he received his first Platinum Europe Award from the IFPI for Remember Cat Stevens, The Ultimate Collection, indicating over one million European sales.

Religious conversion

While on holiday in Marrakech, Morocco, shortly after visiting Ibiza, Stevens was intrigued by the sound of the Aḏhān, the Islamic ritual call to prayer, which was explained to him as "music for God". Stevens said, "I thought, music for God? I’d never heard that before – I’d heard of music for money, music for fame, music for personal power, but music for God!"

In 1976 Stevens nearly drowned off the coast of Malibu, California, USA and claims to have shouted: “Oh God! If you save me I will work for you.” He says that right afterward a wave appeared and carried him back to shore. This brush with death intensified his long-held quest for spiritual truth. He had looked into "Buddhism, Zen, I Ching, Numerology, tarot cards and Astrology". Stevens' brother David Gordon brought him a copy of the Qur'an as a birthday gift from a trip to Jerusalem. Stevens took to it right away, and began his transition to Islam.

During the time he was studying the Qur'an, he began to identify more and more with the name of Joseph, a man bought and sold in the market place, which is how he says he had increasingly felt within the music business. Regarding his conversion, in his 2006 interview with Alan Yentob, he stated, "to some people, it may have seemed like an enormous jump, but for me, it was a gradual move to this." And, in a Rolling Stone magazine interview, he reaffirmed this, saying, "I had found the spiritual home I'd been seeking for most of my life. And if you listen to my music and lyrics, like "Peace Train" and "On The Road To Find Out", it clearly shows my yearning for direction and the spiritual path I was travelling." Stevens had been seeking inner peace and spiritual answers throughout his career, and now believed he had found what he had been seeking.

Stevens formally converted to the Islamic religion on 23 December 1977, taking the name Yusuf Islam in 1978. Yusuf is the Arabic rendition of the name Joseph. He stated that he "always loved the name Joseph" and was particularly drawn to the story of Joseph in the Qur'an. The concert closed with a performance by Stevens, David Essex, Alun Davies, and Stevens' brother, David, who wrote the song that was the finale, "Child for a Day". and this was the primary reason he gave for retreating from the spotlight. But in his first performance on the television show Later... with Jools Holland, 27 years after leaving the music business, and in other interviews, he gave different reasons for leaving: "A lot of people would have loved me to keep singing," he said. "You come to a point where you have sung, more or less ... your whole repertoire and you want to get down to the job of living. You know, up until that point, I hadn't had a life. I'd been searching, been on the road." he decided to use his accumulated wealth and ongoing earnings from his music career on philanthropic and educational causes in the Muslim community of London and elsewhere. In 1981, he founded the Islamia Primary School in Salusbury Road in the north London area of Kilburn and, soon after, founded several Muslim secondary schools; in 1992, Yusuf set up The Association of Muslim Schools (AMS-UK), a charity that brought together all the Muslim schools in the UK, and served as chairman. He is also the founder and chairman of the Small Kindness charity, which initially assisted famine victims in Africa and now supports thousands of orphans and families in the Balkans, Indonesia, and Iraq. He served as chairman of the charity Muslim Aid from 1985 to 1993.

In 1985, Yusuf decided to return to the public spotlight for the first time since his religious conversion, at the historic Live Aid concert, concerned with the famine threatening Ethiopia. Though he had written a song especially for the occasion, his appearance was skipped when Elton John's set ran too long.

Salman Rushdie controversy

The singer attracted controversy in 1989, during an address to students at London's Kingston University, where he was asked about the fatwa calling for the death of author Salman Rushdie. The media interpreted his response as support for the fatwa. Yusuf released a statement the following day denying that he supported vigilantism, and claiming that he had merely recounted the legal Islamic punishment for blasphemy. In a BBC interview, he displayed a newspaper clipping from that time period, which quotes from his statement. Subsequent comments made by him in 1989 on a British television programme were also seen as being in support of the fatwa. In a statement in the FAQ section of one of his web sites, Yusuf asserted that while he regretted the comments, he was joking and that the show was improperly edited. In the years since these comments, he has repeatedly denied ever calling for the death of Rushdie or supporting the fatwa.

He appeared on videotape on a VH1 pre-show for the October 2001 Concert for New York City, condemning the attacks and singing his song "Peace Train" for the first time in public in more than 20 years, as an a cappella version. He also donated a portion of his box-set royalties to the Fund for victims' families, and the rest to orphans in underdeveloped countries. During the same year, Yusuf Islam dedicated time and effort in joining the Forum Against Islamophobia and Racism, an organization that worked towards battling misperceptions and acts against others because of their religious beliefs and/or racial identity, after many Muslims reported a backlash against them due in part to the grief caused by the events in the United States on 9-11.

The following day, Yusuf was denied entry and flown back to the United Kingdom. A spokesman for Homeland Security claimed there were "concerns of ties he may have to potential terrorist-related activities". The Israeli government had deported Yusuf in 2000 over allegations that he provided funding to the Palestinian organisation Hamas; he denied doing so knowingly. "I have never knowingly supported or given money to Hamas," says Yusuf, who repeatedly has condemned terrorism and Islamic extremism. "At the time I was reported to have done it, I didn't know such a group existed. Some people give a political interpretation to charity. We were horrified at how people were suffering in the Holy Land." Powell responded by stating that the watchlist was under review, adding, "I think we have that obligation to review these matters to see if we are right".

Yusuf believed his inclusion on a "watch list" may have simply been an error: a mistaken identification of him for a man with the same name, but different spelling. On 1 October 2004 Yusuf requested the removal of his name, "I remain bewildered by the decision of the US authorities to refuse me entry to the United States". According to a statement by Yusuf, the man on the list was named "Youssef Islam", indicating that Yusuf himself was not the suspected terrorism supporter. Yusuf said of the incident at the time, that, "No reason was ever given, but being asked to repeat the spelling of my name again and again, made me think it was a fairly simple mistake of identity. Rumors which circulated after made me imagine otherwise."

Yusuf has written a song about the 2004 exclusion from the U.S., entitled "Boots and Sand", recorded in the summer of 2008 and featuring Paul McCartney, Alison Krauss, Dolly Parton, and Terry Sylvester.

Libel cases

British reports regarding inadmissibility to the U.S.

In October 2004 the British newspapers The Sun and The Sunday Times voiced their support for Yusuf's exclusion from the U.S., claiming that he had supported terrorism. Yusuf successfully sued for libel and received a substantial out-of-court financial settlement and apologies from the newspapers stating that he had never supported terrorism and acknowledging that he had recently been given a Man of Peace award from the private Nobel Peace Prize Laureates Committee. However The Sunday Times managing editor Richard Caseby said that while there was an "agreed settlement", they "always denied liability" and "disagreed with Cat Stevens' lawyers interpretation", but took a "pragmatic view" of the lawsuit.

Yusuf responded that he was "delighted by the settlement [which] helps vindicate my character and good name. ... It seems to be the easiest thing in the world these days to make scurrilous accusations against Muslims, and in my case it directly impacts on my relief work and damages my reputation as an artist. The harm done is often difficult to repair", and added that he intended to donate the financial award given to him by the court to help orphans of the tsunami in the Indian Ocean.

False rumour regarding unveiled women

On 18 July 2008, Yusuf received substantial undisclosed damages from the World Entertainment News Network following their distribution of the false rumour that the singer did not speak to unveiled women. The allegations first surfaced in German newspaper [[B.Z. (newspaper)| B.Z.]] after Yusuf's trip to Berlin in March 2007 to collect the Echo music award for "life achievements as musician and ambassador between cultures". Once again he was awarded damages after the World Entertainment News Network allowed an article to be published on Contactmusic.com, a "website said to have 2.2 million page views a month", The offending news agency apologized, admitting that Yusuf has never had any problem in working with women and, contrary to the article in question, never has required a third party as an intermediary to function at work.

Return to music

2009 Photo: Simon Fernandez]] Yusuf gradually resumed his musical career in the 1990s. His initial recordings had not included any musical instruments other than percussion, and featured lyrics about Islamic themes. He invested in building his own recording studio which he named Mountain of Light Studios in the late 1990s, and he was featured as a guest singer on "God Is the Light", a song on an album of nasheeds by the group Raihan. In addition, he invited and collaborated with other Muslim singers, including Canadian artist Dawud Wharnsby. After Yusuf's friend, Irfan Ljubijankic, the Foreign Minister of Bosnia and Herzegovina, was killed by a Serbian rocket attack, Yusuf appeared at a 1997 benefit concert in Sarajevo and recorded a benefit album named after a song written by Ljubijankic, I Have No Cannons That Roar. Realizing there were few educational resources designed to teach children about the Islamic religion, Yusuf wrote and produced a children's album, A Is for Allah, in 2000 with the assistance of South African singer-songwriter Zain Bhikha. The title song was one Yusuf had written years before to introduce his first child to both the religion and the Arabic alphabet. He also established his own record label, "Jamal Records", and Mountain of Light Productions, and he donates a percentage of his projects' proceeds to his Small Kindness charity, whose name is taken from the Qur'an.

On the occasion of the 2000 re-release of his Cat Stevens albums, he explained that he had stopped performing in English due to his misunderstanding of the Islamic faith. "This issue of music in Islam is not as cut-and-dried as I was led to believe ... I relied on heresy [sic], that was perhaps my mistake."

In 2003, after repeated encouragement from within the Muslim world, Yusuf once again recorded "Peace Train" for a compilation CD, which also included performances by David Bowie and Paul McCartney. He performed "Wild World" in Nelson Mandela's 46664 concert with his former session player Peter Gabriel, the first time he had publicly performed in English in 25 years. In December 2004, he and Ronan Keating released a new version of "Father and Son": the song entered the charts at number two, behind Band Aid 20's "Do They Know It's Christmas?". They also produced a video of the pair walking between photographs of fathers and sons, while singing the song. The proceeds of "Father and Son" were donated to the Band Aid charity. Keating's former group, Boyzone, had a hit with the song a decade earlier. As he had been persuaded before, Yusuf contributed to the song, because the proceeds were marked for charity. However, this marked a point in his artistic career where he entertained the concept of using more than simply voice and drums.

On 21 April 2005 Yusuf gave a short talk before a scheduled musical performance in Abu Dhabi, United Arab Emirates, on the anniversary of Muhammad's birthday. He said, "There is a great deal of ignorance in the world about Islam today, and we hope to communicate with the help of something more refined than lectures and talks. Our recordings are particularly appealing to the young, having used songs as well as Qur'an verses with pleasing sound effects..." Yusuf observed that there are no real guidelines about instruments and no references about the business of music in the Qur'an, and that Muslim travellers first brought the guitar to Moorish Spain. He noted that Muhammad was fond of celebrations, as in the case of the birth of a child, or a traveller arriving after a long journey. Thus, Yusuf concluded that healthy entertainment was acceptable within limitations, and that he now felt that it was no sin to perform with the guitar. Music, he now felt, is uplifting to the soul; something sorely needed in troubled times. At that point, he was joined by several young male singers who sang backing vocals and played a drum, with Yusuf as lead singer and guitarist. They performed two songs, both half in Arabic, and half in English; "Tala'a Al-Badru Alayna", an old song in Arabic which Yusuf recorded with a folk sound to it, and another song, "The Wind East and West", which was newly written by Yusuf and featured a distinct R&B; sound.

With this performance, Yusuf began slowly to integrate instruments into both older material from his Cat Stevens era (some with slight lyrical changes) and new songs, both those known to the Muslim communities around the world and some that have the same Western flair from before with a focus on new topics and another generation of listeners.}}

In early 2005, Yusuf released a new song entitled "Indian Ocean" about the 2004 tsunami disaster. The song featured Indian composer/producer A. R. Rahman, a-ha keyboard player Magne Furuholmen and Travis drummer Neil Primrose. Proceeds of the single went to help orphans in Banda Aceh, one of the areas worst affected by the tsunami, through Yusuf's Small Kindness charity. At first, the single was released only through several online music stores but later featured on the compilation album Cat Stevens: Gold. "I had to learn my faith and look after my family, and I had to make priorities. But now I've done it all and there's a little space for me to fill in the universe of music again."

On 28 May 2005, Yusuf delivered a keynote speech and performed at the Adopt-A-Minefield Gala in Düsseldorf. The Adopt-A-Minefield charity, under the patronage of Paul McCartney, works internationally to raise awareness and funds to clear landmines and rehabilitate landmine survivors. Yusuf attended as part of an honorary committee which also included George Martin, Richard Branson, Boutros Boutros-Ghali, Klaus Voormann, Christopher Lee and others.

In mid-2005, Yusuf played guitar for the Dolly Parton album, Those Were the Days, on her version of his "Where Do the Children Play?". (Parton had also covered "Peace Train" a few years earlier.)

In May 2006, in anticipation of his forthcoming new pop album, the BBC1 programme "Imagine" aired a 49-minute documentary with Alan Yentob called Yusuf: The Artist formerly Known as Cat Stevens. This documentary film features rare audio and video clips from the late 1960s and 1970s, as well as an extensive interview with Yusuf, his brother David Gordon, several record executives, Bob Geldof, Dolly Parton, and others outlining his career as Cat Stevens, his conversion and emergence as Yusuf Islam, and his return to music in 2006. There are clips of him singing in the studio when he was recording An Other Cup as well as a few 2006 excerpts of him on guitar singing a few verses of Cat Stevens songs including "The Wind" and "On the Road to Find Out". and his debut album was released in February 2007. Yoriyos created the art on Yusuf's album An Other Cup, something that Cat Stevens did for his albums in the 1970s.

Starting in 2006, the Cat Stevens song "Tea for The Tillerman" was used as the theme tune for the Ricky Gervais BBC-HBO sitcom Extras. A Christmas-season television commercial for gift-giving by the diamond industry aired in 2006 with Cat Power's cover of "How Can I Tell You". That song is also covered by John Frusciante of the Red Hot Chili Peppers frequently in concert.

In December 2006, Yusuf was one of the artists who performed at the Nobel Peace Prize Concert in Oslo, Norway, in honour of the prize winners, Muhammad Yunus and Grameen Bank. He performed the songs "Midday (Avoid City After Dark)", "Peace Train", and "Heaven/Where True Love Goes". He also gave a concert in New York City that month as a Jazz at Lincoln Center event, recorded and broadcast by KCRW-FM radio, along with an interview by Nic Harcourt. Accompanying him, as in the Cat Stevens days, was Alun Davies, on guitar and vocals.

In April 2007, BBC1 broadcast a concert given at the Porchester Hall by Yusuf as part of BBC Sessions, his first live performance in London in 28 years (the previous one being the UNICEF "Year of the Child" concert in 1979). He played several new songs along with some old ones like "Father and Son", "The Wind", "Where Do the Children Play?", "Don't Be Shy", "Wild World", and "Peace Train".

In July 2007, he performed at a concert in Bochum, Germany, in benefit of Archbishop Desmond Tutu's Peace Centre in South Africa and the Milagro Foundation of Deborah and Carlos Santana. The audience included Nobel Laureates Mikhail Gorbachev, Desmond Tutu and other prominent global figures. He later appeared as the final act in the German leg of Live Earth in Hamburg performing some classic Cat Stevens songs and more recent compositions reflecting his concern for peace and child welfare. His set included Stevie Wonder's "Saturn", "Peace Train", "Where Do the Children Play?", "Ruins", and "Wild World". He performed at the Peace One Day concert at the Royal Albert Hall on 21 September 2007. In 2008 Yusuf contributed the song "Edge of Existence" to the charity album Songs for Survival, in support of the indigenous rights organization Survival International.

In January 2009, Yusuf released a charity song in aid of children in Gaza. He recorded a rendition of the George Harrison song "The Day the World Gets Round", along with the German bassist and former Beatles collaborator Klaus Voorman. Yusuf said that all proceeds from the song will be donated to the U.N. agency in charge of Palestinian refugees, UNRWA, and to the nonprofit group Save the Children to be directed to aiding Gaza residents. Israeli Consul David Saranga criticized Yusuf for not dedicating the song to all the children who are victims of the violence, including Israeli children.

An Other Cup

In March 2006, Yusuf finished recording his first all-new pop album since 1978. The album, An Other Cup, was released internationally in November 2006 on his own label, Ya Records (distributed by Polydor Records in the UK and internationally by Atlantic Records) — the 40th anniversary of his first album, Matthew and Son. A single, called Heaven/Where True Love Goes, was simultaneously released. The album was produced with Rick Nowels, who has worked with Dido and Rod Stewart. The performer is noted as "Yusuf", with a cover label identifying him as "the artist formerly known as Cat Stevens". The art on the album is credited to Yoriyos. Yusuf wrote all of the songs except "Don't Let Me Be Misunderstood", and recorded it in the United States and the United Kingdom. Originally, Yusuf began to return only to his acoustic guitar as he had in the past, but his son encouraged him to "experiment", which resulted in the purchase of a Stevie Ray Vaughan Fender Stratocaster in 2007.

Also in November 2006, Billboard magazine was curious as to why the artist is credited as just his first name, "Yusuf" rather than "Yusuf Islam". for Island Records' 50th Anniversary]] A new pop album, Roadsinger, was released on 5 May 2009. The lead track, "Thinking 'Bout You", received its debut radio play on a BBC programme on 23 March 2009. Unlike An Other Cup, Yusuf promoted the new album with appearances on American television as well as in the U.K. He appeared on the Chris Isaak Hour on the A&E; network in April 2009, performing live versions of his new songs, "World O'Darkness", "Boots and Sand", and "Roadsinger". On 13 May he appeared on The Tonight Show with Jay Leno in Los Angeles, and on 14 May, on The Colbert Report in New York City, performing the title song from the Roadsinger album. On 15 May, he appeared on Late Night with Jimmy Fallon, performing "Boots and Sand" and "Father and Son". On 24 May he appeared on the BBC's The Andrew Marr Show, where he was interviewed and performed the title track of Roadsinger. On 15 August, he was one of many guests at Fairport Convention's annual Fairport's Cropredy Convention where he performed five songs accompanied by Alun Davies, with Fairport Convention as his backing band.

A world tour was announced on his web site to promote the new album. He was scheduled to perform at an invitation-only concert at New York City's Highline Ballroom on 3 May and to go on to Los Angeles, Chicago and Toronto, as well as some to-be-announced European venues. and New Zealand for the first time ever.

On October 30, 2010 Yusuf appeared at Jon Stewart and Stephen Colbert's Rally to Restore Sanity and/or Fear in Washington, DC, singing alongside Ozzy Osbourne. Yusuf performed "Peace Train" and Ozzy performed "Crazy Train" at the same time, followed by The O'Jays performance of "Love Train".

Awards

Philanthropic and humanitarian awards

2003 World Award also known as the "World Social Award" for "humanitarian relief work helping children and victims of war".

2004 Man for Peace Award presented by Mikhail Gorbachev for his "dedication to promote peace, the reconciliation of people and to condemn terrorism", the ceremony was held in Rome, Italy and attended by five Nobel Peace Prize laureates.

(2005) Honorary Doctorate by the University of Gloucestershire for services to education and humanitarian relief. 4 January 2007, The Mediterranean Prize for Peace in Naples, Italy. The award was received "as a result of the work he has done to increase peace in the world." 10 July 2007, honorary doctorate (LLD) by the University of Exeter, in recognition of "his humanitarian work and improving understanding between Islamic and Western cultures". The ceremony was attended by esteemed personalities including Professor Ekmeleddin Ihsanoglu and guitarist Brian May.

6 November 2009, Special Achievement Award of the German Sustainability Award.

Music awards and recognition

2005 Nominated for induction into the Rock and Roll Hall of Fame 20 October 2005, ASCAP named Songwriter of the Year and Song of the Year for "The First Cut Is the Deepest" 8 June 2006, listed as #49 in Paste magazine's "100 Best Living Songwriters" 11 October 2006, awarded Songwriter of the Year for the second year running, for the same song "The First Cut Is the Deepest" 25 March 2007, received the German ECHO "special award for life achievements as musician and ambassador between cultures", Europe's Grammy, in Berlin

Discography

:(includes Yusuf discography)

See also

List of best-selling music artists

List of converts to Islam

Rolling Stone's 500 Greatest Albums of All Time

Notes and references

Further reading

#Cat Stevens Complete Illustrated Biography & Discography by George Brown, 2006 (finalist for the award for "Best Research in Recorded Rock Music" from the Association for Recorded Sound Collections). #My Journey From Cat Stevens to Yusuf Islam By Yusuf Islam (Mountain of Light, 2001 Autobiographical account published by Mountain of Light in 2001. #Cat Stevens biography by Chris Charlesworth (Proteus, 1985) #Cat Stevens/Yusuf Islam, (a German language biography) by Albert Eigner Hannibal Verlag GmbH, 2006) #Cat Stevens Breaks His Silence Rolling Stone article, 14 June 2000 #Billboard Q&A; with Yusuf Islam November 2006 #New York Times Magazine Q&A; with Yusuf Islam January 2007 #Roadsinger album demo

External links

Yusuf Islam's official website

Small Kindness, Yusuf Islam's charity

Mountain of Light, Yusuf Islam's spiritual website

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Name	Lil Twist
Background	solo_singer
Birth name	Christopher L. Moore
Born	January 11, 1993
Origin	Dallas, Texas, United States
Genre	Hip hop
Occupation	Rapper
Years active	2000-present
Associated acts	Young Money Entertainment
Url

Christopher L. Moore (born 1993), better known by his stage name Lil Twist, is an American rapper from Dallas. He is signed to Lil Wayne's label Young Money Entertainment, and his debut album is set to be released in early 2011.

Life and career

Moore was born to parents Rhonda Moore and Stephen L. Gray in the Oak Cliff community of Dallas, Texas . He has one sister named Crystal McGriff. Moore said that he attended Kennemer Middle School in Duncanville, Texas. Beginning at age ten, Twist gained fame in Dallas, and gained notoriety with a local single called "Texas Twist". He was discovered by Lil Wayne after he opened up for him during a local concert. Wayne then brought Twist with him to a studio in Atlanta to freestyle, and was impressed with him, signing him to his Young Money Entertainment Label. From 2008-2009, Twist toured with Wayne's Young Money Entertainment and recorded two mixtapes, The Yearbook and Class President, and began recording for his debut album, Don't Get It Twisted. He was officially signed to Young Money on May 21, 2010, with a reported 1.3 million dollar signing bonus. "Love Affair" is set to be released soon, and the music video is in post production. |- |}

Music videos

Filmography

References

External links

Category:1993 births Category:Living people Category:2010s rappers Category:African American rappers Category:American Christians Category:Cash Money Records artists Category:Musicians from Dallas, Texas Category:Rappers from Texas

Name	Gwen Stefani
Background	solo_singer
Birth name	Gwen Renée Stefani
Born	October 03, 1969Anaheim, California, United States
Instrument	Vocals, guitar born October 3, 1969) is an American singer-songwriter and fashion designer. Stefani is the lead vocalist for the rock band No Doubt. Stefani recorded her first solo album Love. Angel. Music. Baby. in 2004. The album was primarily inspired by music of the 1980s, and emerged a success with sales of seven million. Stefani's second solo album, The Sweet Escape (2006), yielded "Wind It Up", "4 in the Morning" and the highest-selling single "The Sweet Escape". Including her work with No Doubt, Stefani has sold more than 40 million albums worldwide. She won the World's Best-Selling New Female Artist at the World Music Awards 2005.
Name	Stefani, Gwen
Short description	Singer
Date of birth	October 3, 1969
Place of birth	Fullerton, California, United States

Name	David Bowie
Background	solo_singer
Birth name	David Robert Jones
Born	January 08, 1947Brixton, London, England
Years active	1964–present
Occupation	Musician, actor, record producer, arranger, singer
Voice type	Baritone
Instrument	Vocals, guitar, saxophone, piano, keyboards, synthesizers, Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums, percussion
Genre	Rock, Pop, glam rock, art rock, blue-eyed soul
Associated acts	The Riot Squad, Tin Machine
Label	Deram, RCA, Rykodisc, Virgin, EMI, ISO, Columbia, BMG, Parlophone, Pye, Hanso
Url	Official Website

David Bowie ( ; born David Robert Jones, 8 January 1947) is an English rock musician and singer who has also worked as an actor, record producer and arranger. A major figure for five decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s, and is known for his distinctive voice and the intellectual depth of his work.

Although he released an album (David Bowie) and several singles earlier, Bowie first caught the eye and ear of the public in July 1969, when the song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture."

The family moved in 1953 to nearby suburb, Bromley, where, two years later, Bowie progressed to Burnt Ash Junior School. His singing voice was considered "adequate" by the school choir, and his recorder playing judged to demonstrate above-average musical ability. At the age of nine, his dancing during the newly introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. Presley's impact on him was likewise emphatic: "I saw a cousin of mine dance to ... 'Hound Dog' and I had never seen her get up and be moved so much by anything. It really impressed me, the power of the music. I started getting records immediately after that." By the end of the following year he had taken up the ukelele and tea-chest bass and begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile his stage presentation of numbers by both Presley and Chuck Berry—complete with gyrations in tribute to the original artists—to his local Wolf Cub group was described as He received a serious injury at school in 1962 when his friend George Underwood, wearing a ring on his finger, punched him in the left eye during a fight over a girl. Doctors feared he would lose the sight of the eye, and he was forced to stay out of school for a series of operations during a four-month hospitalisation. The damage could not be fully repaired, leaving him with faulty depth perception and a permanently dilated pupil (the latter producing Bowie's appearance of having different coloured eyes, though each iris has the same blue colour). Despite their fisticuffs, Underwood and Bowie remained good friends, and Underwood went on to create the artwork for Bowie's early albums.

1962–1968: The Kon-rads to the Riot Squad

Graduating from his plastic saxophone to a real instrument in 1962, Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Kon-rads had a varying line-up of between four and eight members, Underwood among them. When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Kon-rads and formed another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul—"I used to dream of being their Mick Jagger", Bowie was to recall.

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of The Monkees, Bowie re-named himself after the 19th century American frontiersman Jim Bowie and the knife he had popularised. His April 1967 solo single, "The Laughing Gnome", utilising sped-up Chipmunk-style vocals, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate. It would be his last release for two years. Kemp, for his part, recalled, "I didn't really teach him to be a mime artiste but to be more of himself on the outside, ... I enabled him to free the angel and demon that he is on the inside." After Kemp cast Bowie with Hermione Farthingale for a poetic minuet, the pair began dating; they soon moved into a London flat together. Playing acoustic guitar, she formed a group with Bowie and bassist John Hutchinson; between September 1968 and early 1969, when Bowie and Farthingale broke up, the trio gave a small number of concerts combining folk, Merseybeat, poetry and mime.

1969–1973: Psychedelic folk to glam rock

Space Oddity to Hunky Dory

Because of his lack of commercial success, Bowie was forced to try to earn a living in different ways. He featured in a Lyons Maid ice cream commercial, but was rejected for another by Kit Kat. Intended as a vehicle to promote the singer, a 30-minute film featuring performances from his repertoire, Love You till Tuesday, was made. Although not released until 1984, the filming sessions in January 1969 led to unexpected success when Bowie told the producers, "That film of yours—I've got a new song for it." He then demoed the song that would provide his commercial breakthrough. "Space Oddity" was released later in the year to coincide with the first moon landing. Continuing the divergence from rock and roll and blues begun by his work with Farthingale, Bowie joined forces with Finnigan, Christina Ostrom and Barrie Jackson to run a folk club on Sunday nights at the Three Tuns pub in Beckenham High Street. "Space Oddity" was released on 11 July, five days ahead of the Apollo 11 launch, to become a UK top five hit. Bowie's second album, Space Oddity, followed in November; originally issued in the UK as David Bowie, it caused some confusion with its predecessor of the same name, and the early US release was instead titled Man of Words/Man of Music. Featuring philosophical post-hippie lyrics on peace, love and morality, its acoustic folk rock occasionally fortified by harder rock, the album was not a commercial success at the time of its release. presents David Bowie. Cleveland Press magazine in November 3, 1972. WMMS played a key role in breaking several major acts at the time. It helped break many new rock artists nationally, most notably Bowie, who along with the Spiders from Mars, kicked off his American tour in Cleveland, based on the market's huge sales figures for the Bowie album, primarily due to WMMS airplay.|left]] Bowie met Angela Barnett in April 1969. They would marry within a year. Her impact on him was immediate, and her involvement in his career far-reaching, leaving Pitt with limited influence. Having established himself as a solo artist with "Space Oddity", Bowie now began to sense a lack: "a full-time band for gigs and recording—people he could relate to personally". A band was duly assembled. John Cambridge, a drummer Bowie met at the Arts Lab, was joined by Tony Visconti on bass and Mick Ronson on electric guitar. After a brief and disastrous manifestation as the Hype, the group reverted to a configuration presenting Bowie as a solo artist. Not long after, in a move that would result in years of litigation, at the conclusion of which Bowie would be forced to pay Pitt compensation, the singer fired his manager, replacing him with Tony Defries. During the tour Bowie's observation of two seminal American proto-punk artists led him to develop a concept that would eventually find form in the Ziggy Stardust character: a melding of the persona of Iggy Pop with the music of Lou Reed, producing "the ultimate pop idol". (His parents chose "his kooky name"—he would be known as Zowie for the next 12 years—after the Greek word zoe, life.) Elsewhere, the album explored more serious themes, and found Bowie paying unusually direct homage to his influences with "Song for Bob Dylan", "Andy Warhol", and "Queen Bitch", a Velvet Underground pastiche. It was not a significant commercial success at the time.

Ziggy Stardust

Tour]] With his next venture, Bowie, in the words of biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture". The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), combining the hard rock elements of The Man Who Sold the World with the lighter experimental rock and pop of Hunky Dory, was released in June. "Starman", issued as an April single ahead of the album, was to cement Bowie's UK breakthrough: both single and album charted rapidly following his July Top of the Pops performance of the song. The album, which would remain in the chart for two years, was soon joined there by the six-month-old Hunky Dory. At the same time the non-album single "John, I’m Only Dancing", and "All the Young Dudes", a song he wrote and produced for Mott the Hoople, became UK hits. The Ziggy Stardust Tour continued to the United States.

Bowie contributed backing vocals to Reed's 1972 solo breakthrough Transformer, co-producing the album with Ronson. His own Aladdin Sane (1973) topped the UK chart, his first number one album. Described by Bowie as "Ziggy goes to America", it contained songs he wrote while travelling to and across the United States during the earlier part of the Ziggy tour, which now continued to Japan to promote the new album. Aladdin Sane spawned the UK top five singles "The Jean Genie" and "Drive-In Saturday".

Bowie's love of acting led his total immersion in the characters he created for his music. "Offstage I'm a robot. Onstage I achieve emotion. It's probably why I prefer dressing up as Ziggy to being David." With satisfaction came severe personal difficulties: acting the same role over an extended period, it became impossible for him to separate Ziggy Stardust—and, later, the Thin White Duke—from his own character offstage. Ziggy, Bowie said, "wouldn't leave me alone for years. That was when it all started to go sour ... My whole personality was affected. It became very dangerous. I really did have doubts about my sanity." His later Ziggy shows, which included songs from both Ziggy Stardust and Aladdin Sane, were ultra-theatrical affairs filled with shocking stage moments, such as Bowie stripping down to a sumo wrestling loincloth or simulating oral sex with Ronson's guitar. Bowie toured and gave press conferences as Ziggy before a dramatic and abrupt on-stage "retirement" at London's Hammersmith Odeon on 3 July 1973. Footage from the final show was released in 1983 for the film Ziggy Stardust and the Spiders from Mars.

After breaking up the Spiders from Mars, Bowie attempted to move on from his Ziggy persona. His back catalogue was now highly sought: The Man Who Sold the World had been re-released in 1972 along with Space Oddity. "Life on Mars?", from Hunky Dory, was released in June 1973 and made number three in the UK singles chart. Entering the same chart in September, Bowie's novelty record from 1967, "The Laughing Gnome", would reach number four. Pin Ups, a collection of covers of his 1960s favourites, followed in October, producing a UK number three hit in "Sorrow" and itself peaking at number one, making David Bowie the best-selling act of 1973 in the UK. It brought the total number of Bowie albums currently in the UK chart to six.

1974–1976: Soul, funk and the Thin White Duke

Bowie moved to the United States in 1974, initially staying in New York City before settling in Los Angeles. Diamond Dogs (1974), parts of which found him heading towards soul and funk, was the product of two distinct ideas: a musical based on a wild future in a post-apocalyptic city, and setting George Orwell's 1984 to music. The album went to number one in the UK, spawning the hits "Rebel Rebel" and "Diamond Dogs", and number five in the US. To promote it, Bowie launched the Diamond Dogs Tour, visiting cities in North America between June and December 1974. Choreographed by Toni Basil, and lavishly produced with theatrical special effects, the high-budget stage production was filmed by Alan Yentob. The resulting documentary, Cracked Actor, featured a pasty and emaciated Bowie: the tour coincided with the singer's slide from heavy cocaine use into addiction, producing severe physical debilitation, paranoia and emotional problems. He later commented that the accompanying live album, David Live, ought to have been titled "David Bowie Is Alive and Well and Living Only In Theory". David Live nevertheless solidified Bowie's status as a superstar, charting at number two in the UK and number eight in the US. It also spawned a UK number ten hit in Bowie's cover of "Knock on Wood". After a break in Philadelphia, where Bowie recorded new material, the tour resumed with a new emphasis on soul.

The fruit of the Philadelphia recording sessions was Young Americans (1975). Biographer Christopher Sandford writes, "Over the years, most British rockers had tried, one way or another, to become black-by-extension. Few had succeeded as Bowie did now." The album's sound, which the singer identified as "plastic soul", constituted a radical shift in style that initially alienated many of his UK devotees. Young Americans yielded Bowie's first US number one, "Fame", co-written with John Lennon, who contributed backing vocals, and Carlos Alomar. Earning the distinction of being one of the first white artists to appear on the US variety show Soul Train, Bowie mimed "Fame", as well as "Golden Years", his October single. Young Americans was a commercial success in both the US and the UK, and a re-issue of the 1969 single "Space Oddity" became Bowie's first number one hit in the UK a few months after "Fame" achieved the same in the US.

Despite his by now well established superstardom, Bowie, in the words of biographer Christopher Sandford, "for all his record sales (over a million copies of Ziggy Stardust alone), existed essentially on loose change." In 1975, in a move echoing Pitt's acrimonious dismissal 15 years earlier, Bowie fired his manager. At the culmination of the ensuing months-long legal dispute, he watched, as described by Sandford, "millions of dollars of his future earnings being surrendered" in what were "uniquely generous terms for Defries", then "shut himself up in West 20th Street, where for a week his howls could be heard through the locked attic door."

at the O'Keefe center, Toronto 1976]] Station to Station (1976) introduced a new Bowie persona, the "Thin White Duke" of its title track. Visually, the character was an extension of Thomas Jerome Newton, the extraterrestrial being he portrayed in the film The Man Who Fell to Earth the same year. Developing the funk and soul of Young Americans, Station to Station also prefigured the Krautrock and synthesiser music of his next releases. The extent to which drug addiction was now affecting Bowie was made public when Russell Harty interviewed the singer for his London Weekend Television talk show in anticipation of the album's supporting tour. Shortly before the satellite-linked interview was scheduled to commence, the death of the Spanish dictator General Franco was announced. Bowie was asked to relinquish the satellite booking, to allow the Spanish Government to put out a live newsfeed. This he refused to do, and his interview went ahead. In the ensuing conversation with Harty, as described by biographer David Buckley, "the singer made hardly any sense at all throughout what was quite an extensive interview. [...] Bowie looked completely disconnected and was hardly able to utter a coherent sentence." His sanity—by his own later admission—had become twisted from cocaine; he overdosed several times during the year, and was withering physically to an alarming degree. Matters came to a head in London in May in what became known as the "Victoria Station incident". Arriving in an open-top Mercedes convertible, the singer waved to the crowd in a gesture that some alleged was a Nazi salute, which was captured on camera and published in NME. Bowie said the photographer simply caught him in mid-wave. He later blamed his pro-Fascism comments and his behaviour during the period on his addictions and the character of the Thin White Duke. "I was out of my mind, totally crazed. The main thing I was functioning on was mythology ... that whole thing about Hitler and Rightism ... I'd discovered King Arthur ...". According to playwright Alan Franks, writing later in The Times, "he was indeed 'deranged'. He had some very bad experiences with hard drugs."

1976–1979: The Berlin era

Bowie moved to Switzerland in 1976, purchasing a chalet in the hills to the north of Lake Geneva. In the new environment, his cocaine use increased; so too did his interest in pursuits outside his musical career. He took up painting, producing a number of post-modernist pieces. When on tour, he took to sketching in a notebook, and photographing scenes for later reference. Visiting galleries in Geneva and the Brücke Museum in Berlin, Bowie became, in the words of biographer Christopher Sandford, "a prolific producer and collector of contemporary art. [...] Not only did he become a well-known patron of expressionist art: locked in Clos des Mésanges he began an intensive self-improvement course in classical music and literature, and started work on an autobiography".

Before the end of 1976, Bowie's interest in the burgeoning German music scene, as well as his drug addiction, prompted him to move to West Berlin to clean up and revitalise his career. Working with Brian Eno while sharing an apartment in Schöneberg with Iggy Pop, he began to focus on minimalist, ambient music for the first of three albums, co-produced with Tony Visconti, that would become known as his Berlin Trilogy. During the same period, Pop, with Bowie as a co-writer and musician, completed his solo album debut, The Idiot, and its follow-up, Lust for Life, touring the UK, Europe, and the US in March and April 1977. Low (1977), partly influenced by the Krautrock sound of Kraftwerk and Neu!, evidenced a move away from narration in Bowie's songwriting to a more abstract musical form in which lyrics were sporadic and optional. It received considerable negative criticism upon its release—a release which RCA, anxious to maintain the established commercial momentum, did not welcome, and which Bowie's ex-manager, Tony Defries, who still maintained a significant financial interest in the singer's affairs, tried to prevent. Despite these forebodings, Low yielded the UK number three single "Sound and Vision", and its own performance surpassed that of Station to Station in the UK chart, where it reached number two. Leading contemporary composer Philip Glass described Low as "a work of genius" in 1992, when he used it as the basis for his Symphony No. 1 "Low"; subsequently, Glass used Bowie's next album as the basis for his 1996 Symphony No. 4 "Heroes". Glass has praised Bowie's gift for creating "fairly complex pieces of music, masquerading as simple pieces".

Echoing Lows minimalist, instrumental approach, the second of the trilogy, "Heroes" (1977), incorporated pop and rock to a greater extent, seeing Bowie joined by guitarist Robert Fripp. Like Low, "Heroes" evinced the zeitgeist of the Cold War, symbolised by the divided city of Berlin. Incorporating ambient sounds from a variety of sources including white noise generators, synthesizers and koto, the album was another hit, reaching number three in the UK. Its title track, though only reaching number 24 in the UK singles chart, gained lasting popularity, and within months had been released in both German and French. Towards the end of the year, Bowie performed the song for Marc Bolan's television show Marc, and again two days later for Bing Crosby's televised Christmas special, when he joined Crosby in "Peace on Earth/Little Drummer Boy", a version of "The Little Drummer Boy" with a new, contrapuntal verse. Five years later, the duet would prove a worldwide seasonal hit, charting in the UK at number three on Christmas Day, 1982.

After completing Low and "Heroes", Bowie spent much of 1978 on the Isolar II world tour, bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. By now he had broken his drug addiction; biographer David Buckley writes that Isolar II was "Bowie's first tour for five years in which he had probably not anaesthetised himself with copious quantities of cocaine before taking the stage. [...] Without the oblivion that drugs had brought, he was now in a healthy enough mental condition to want to make friends." Recordings from the tour made up the live album Stage, released the same year.

The final piece in what Bowie called his "triptych", Lodger (1979), eschewed the minimalist, ambient nature of the other two, making a partial return to the drum- and guitar-based rock and pop of his pre-Berlin era. The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales. Some tracks were composed using Eno and Peter Schmidt's Oblique Strategies cards: "Boys Keep Swinging" entailed band members swapping instruments, "Move On" used the chords from Bowie's early composition "All the Young Dudes" played backwards, and "Red Money" took backing tracks from "Sister Midnight", a piece previously composed with Iggy Pop. The album was recorded in Switzerland. Ahead of its release, RCA's Mel Ilberman stated, "It would be fair to call it Bowie's Sergeant Pepper [...] a concept album that portrays the Lodger as a homeless wanderer, shunned and victimized by life's pressures and technology." As described by biographer Christopher Sandford, "The record dashed such high hopes with dubious choices, and production that spelt the end—for fifteen years—of Bowie's partnership with Eno." Lodger reached number 4 in the UK and number 20 in the US, and yielded the UK hit singles "Boys Keep Swinging" and "DJ". Towards the end of the year, Bowie and Angela initiated divorce proceedings, and after months of court battles the marriage was ended in early 1980.

1980–1989: From superstar to megastar

Scary Monsters (and Super Creeps) (1980) produced the number one hit "Ashes to Ashes", featuring the textural work of guitar-synthesist Chuck Hammer and revisiting the character of Major Tom from "Space Oddity". The song gave international exposure to the underground New Romantic movement when Bowie visited the London club "Blitz"—the main New Romantic hangout—to recruit several of the regulars (including Steve Strange of the band Visage) to act in the accompanying video, renowned as one of the most innovative of all time. While Scary Monsters utilised principles established by the Berlin albums, it was considered by critics to be far more direct musically and lyrically. The album's hard rock edge included conspicuous guitar contributions from Fripp, Pete Townshend, Chuck Hammer and Tom Verlaine. As "Ashes to Ashes" hit number one on the UK charts, Bowie opened a three-month run on Broadway on 24 September, starring in The Elephant Man.

Bowie paired with Queen in 1981 for a one-off single release, "Under Pressure". The duet was a hit, becoming Bowie's third UK number one single. The same year, he made a cameo appearance in the German movie Christiane F., a real-life story of teenage drug addiction in 1970s Berlin. The soundtrack, in which Bowie's music featured prominently, was released as Christiane F. a few months later. Bowie was given the lead role in the BBC's 1981 televised adaptation of Bertolt Brecht's play Baal. Coinciding with its transmission, a five-track EP of songs from the play, recorded earlier in Berlin, was released as David Bowie in Bertolt Brecht's Baal. In March 1982, the month before Paul Schrader's film Cat People came out, Bowie's title song, "Cat People (Putting Out Fire)", was released as a single, becoming a minor US hit and entering the UK top 30.

Bowie reached a new peak of popularity and commercial success in 1983 with Let's Dance. Co-produced by Chic's Nile Rodgers, the album went platinum in both the UK and the US. Its three singles became top twenty hits in both countries, where its title track reached number one. "Modern Love" and "China Girl" made number two in the UK, accompanied by a pair of acclaimed promotional videos that, as described by biographer David Buckley, "were totally absorbing and activated key archetypes in the pop world. 'Let's Dance', with its little narrative surrounding the young Aborigine couple, targeted 'youth', and 'China Girl', with its bare-bummed (and later partially-censored) beach lovemaking scene (a homage to the film From Here to Eternity), was sufficiently sexually provocative to guarantee heavy rotation on MTV. By 1983, Bowie had emerged as one of the most important video artists of the day. Let's Dance was followed by the Serious Moonlight world tour, during which Bowie was accompanied by guitarist Earl Slick and backing vocalists Frank and George Simms. The tour lasted six months and was extremely popular.

Tonight (1984), another dance-oriented album, found Bowie collaborating with Tina Turner and, once again, Iggy Pop. It included a number of cover songs, among them the 1966 Beach Boys hit "God Only Knows". The album bore the transatlantic top ten hit "Blue Jean", itself the inspiration for a short film that won Bowie a Grammy Award for Best Short Form Music Video, "Jazzin' for Blue Jean". Bowie performed at Wembley in 1985 for Live Aid, a multi-venue benefit concert for Ethiopian famine relief. During the event, the video for a fundraising single was premièred, Bowie's duet with Jagger. "Dancing in the Street" quickly went to number one on release. The same year, Bowie worked with the Pat Metheny Group to record "This Is Not America" for the soundtrack of The Falcon and the Snowman. Released as a single, the song became a top 40 hit in the UK and US.

Bowie was given a role in the 1986 film Absolute Beginners. The movie was poorly received by critics, but Bowie's theme song rose to number two in the UK charts. He also appeared as Jareth, the Goblin King, in the 1986 Jim Henson film Labyrinth, for which he wrote five songs. His final solo album of the decade was 1987's Never Let Me Down, where he ditched the light sound of his previous two albums, instead offering harder rock with an industrial/techno dance edge. Peaking at number six in the UK, the album yielded the hits "Day-In, Day-Out" (his 60th single), "Time Will Crawl", and "Never Let Me Down". Bowie later described it as his "nadir", calling it "an awful album". Supporting Never Let Me Down, and preceded by nine promotional press shows, the 86-concert Glass Spider Tour commenced on 30 May. Bowie's backing band included Peter Frampton on lead guitar. Critics maligned the tour as overproduced, saying it pandered to the current stadium rock trends in its special effects and dancing.

1989–1991: Tin Machine

Bowie shelved his solo career in 1989, retreating to the relative anonymity of band membership for the first time since the early 1970s. A hard-rocking quartet, Tin Machine came into being after Bowie began to work experimentally with guitarist Reeves Gabrels. The line-up was completed by Tony and Hunt Sales, known by Bowie since the late 1970s for their contribution, on drums and bass respectively, to Iggy Pop's 1977 album Lust For Life.

Though he intended Tin Machine to operate as a democracy, Bowie dominated, both in songwriting and in decision-making. The band's album debut, Tin Machine (1989), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as "a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis"; in the view of biographer Christopher Sandford, "It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book." EMI complained of "lyrics that preach" as well as "repetitive tunes" and "minimalist or no production". The album nevertheless reached number three in the UK. A series of Tin Machine singles failed to chart, and Bowie, after a disagreement with EMI, left the label. Like his audience and his critics, Bowie himself became increasingly disaffected with his role as just one member of a band. Tin Machine began work on a second album, but Bowie put the venture on hold and made a return to solo work. Performing his early hits during the seven-month Sound+Vision Tour, he found commercial success and acclaim once again.

In October 1990, a decade after his divorce from Angela, Bowie and Somali-born supermodel Iman were introduced by a mutual friend. Bowie recalled, "I was naming the children the night we met ... it was absolutely immediate." They would marry in 1992. Tin Machine resumed work the same month, but their audience and critics, ultimately left disappointed by the first album, showed little interest in a second. Tin Machine IIs arrival was marked by a widely publicised and ill-timed conflict over the cover art: after production had begun, the new record label, Victory, deemed the depiction of the four nude band members in statuesque pose, judged by Bowie to be "in exquisite taste", "a show of wrong, obscene images", requiring air-brushing and patching to render the figures sexless. Tin Machine toured again, but after the live album failed commercially, the band drifted apart, and Bowie, though he continued to collaborate with Gabrels, resumed his solo career.

1992–1999: Electronica

In April 1992 Bowie appeared at the Freddie Mercury Tribute Concert, following the Queen frontman's death the previous year. As well as performing "Heroes" and "All the Young Dudes", he was joined on "Under Pressure" by Annie Lennox, who took Mercury's vocal part. Four days later, Bowie and Iman were married in Switzerland. Intending to move to Los Angeles, they flew in to search for a suitable property, but found themselves confined to their hotel, under curfew: the 1992 Los Angeles riots began the day they arrived. They settled in New York instead.

1993 saw the release of Bowie's first solo offering since his Tin Machine departure, the soul, jazz and hip-hop influenced Black Tie White Noise. Making prominent use of electronic instruments, the album, which reunited Bowie with Let's Dance producer Nile Rodgers, confirmed Bowie's return to popularity, hitting the number one spot on the UK charts and spawning three top 40 hits, including the top 10 song "Jump They Say". Bowie explored new directions on The Buddha of Suburbia (1993), a soundtrack album of incidental music composed for the TV series adaptation of Hanif Kureishi's novel. It contained some of the new elements introduced in Black Tie White Noise, and also signalled a move towards alternative rock. The album was a critical success but received a low-key release and only made number 87 in the UK charts.

Reuniting Bowie with Eno, the quasi-industrial Outside (1995) was originally conceived as the first volume in a non-linear narrative of art and murder. Featuring characters from a short story written by Bowie, the album achieved US and UK chart success, and yielded three top 40 UK singles. In a move that provoked mixed reaction from both fans and critics, Bowie chose Nine Inch Nails as his tour partner for the Outside Tour. Visiting cities in Europe and North America between September 1995 and February the following year, the tour saw the return of Gabrels as Bowie's guitarist.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996. Incorporating experiments in British jungle and drum 'n' bass, Earthling (1997) was a critical and commercial success in the UK and the US, and two singles from the album became UK top 40 hits. Bowie's song "I'm Afraid of Americans" from the Paul Verhoeven film Showgirls was re-recorded for the album, and remixed by Trent Reznor for a single release. The heavy rotation of the accompanying video, also featuring Reznor, contributed to the song's 16-week stay in the US Billboard Hot 100. The Earthling Tour took in Europe and North America between June and November 1997. Bowie reunited with Visconti in 1998 to record "(Safe in This) Sky Life" for The Rugrats Movie. Although the track was edited out of the final cut, it would later be re-recorded and released as "Safe" on the B-side of Bowie's 2002 single "Everyone Says 'Hi'". The reunion led to other collaborations including a limited-edition single release version of Placebo's track "Without You I'm Nothing", co-produced by Visconti, with Bowie's harmonised vocal added to the original recording.. In 1998, Bowie recorded "A Foggy Day (In London Town)" with Angelo Badalamenti for the Red Hot Organization’s compilation album Red Hot + Rhapsody a tribute to George Gershwin which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.

1999–present: Neoclassicist Bowie

during the Heathen Tour in 2002.]] Bowie created the soundtrack for , a 1999 computer game in which he and Iman also appeared as characters. Released the same year and containing re-recorded tracks from Omikron, his album 'Hours...' featured a song with lyrics by the winner of his "Cyber Song Contest" Internet competition, Alex Grant. Making extensive use of live instruments, the album was Bowie's exit from heavy electronica. Sessions for the planned album Toy, intended to feature new versions of some of Bowie's earliest pieces as well as three new songs, commenced in 2000, but the album was never released. Bowie and Visconti continued their collaboration, producing a new album of completely original songs instead: the result of the sessions would be the 2002 album Heathen. Alexandria Zahra Jones, Bowie and Iman's daughter, was born on 15 August.

In October 2001, Bowie opened The Concert for New York City, a charity event to benefit the victims of the September 11 attacks, with a minimalist performance of Simon & Garfunkel's "America", followed by a full band performance of "Heroes". 2002 saw the release of Heathen, and, during the second half of the year, the Heathen Tour. Taking in Europe and North America, the tour opened at London's annual Meltdown festival, for which Bowie was that year appointed artistic director. Among the acts he selected for the festival were Philip Glass, Television and The Polyphonic Spree. As well as songs from the new album, the tour featured material from Bowie's Low era. Reality (2003) followed, and then a world tour. Covering Europe, the United States, Canada, New Zealand, Australia and Japan, 'A Reality Tour', with an estimated attendance of 722,000, grossed more than any other tour in 2004. Onstage in Oslo, Norway, on 18 June, Bowie was hit in the eye with a lollipop thrown by a fan; a week later he suffered chest pain while performing at the Hurricane Festival in Scheeßel, Germany. Originally thought to be a pinched nerve in his shoulder, the pain was later diagnosed as an acutely blocked artery, requiring an emergency angioplasty in Hamburg. The remaining 14 dates of the tour were cancelled.

at the premiere of Jones' directorial debut Moon]] Recuperating from the heart surgery, Bowie reduced his musical output for the first time in several years, making only one-off appearances on stage and in the studio. He sang in a duet of his 1972 song "Changes" with Butterfly Boucher for the 2004 animated film Shrek 2. During a relatively quiet 2005, he recorded the vocals for the song "(She Can) Do That", co-written with Brian Transeau, for the movie Stealth. He returned to the stage on 8 September 2005, appearing with Arcade Fire for the US nationally televised event Fashion Rocks, and performed with the Canadian band for the second time a week later during the CMJ Music Marathon. He contributed back-up vocals on TV on the Radio's song "Province" for their album Return to Cookie Mountain, made a commercial with Snoop Dogg for XM Satellite Radio, and joined with Lou Reed on Danish alt-rockers Kashmir's 2005 album No Balance Palace. Bowie was awarded the Grammy Lifetime Achievement Award on 8 February 2006. In April, he announced, "I’m taking a year off—no touring, no albums." He made a surprise guest appearance at David Gilmour's 29 May concert at the Royal Albert Hall in London. The event was recorded, and a selection of songs on which he had contributed joint vocals were subsequently released. He performed again in November, alongside Alicia Keys, at the Black Ball, a New York benefit event for Keep a Child Alive.

Bowie was chosen to curate the 2007 High Line Festival, selecting musicians and artists for the Manhattan event, and performed on Scarlett Johansson's 2008 album of Tom Waits covers, Anywhere I Lay My Head. On the 40th anniversary of the July 1969 moon landing—and Bowie's accompanying commercial breakthrough with "Space Oddity"—EMI released the individual tracks from the original eight-track studio recording of the song, in a 2009 contest inviting members of the public to create a remix. A Reality Tour, a double album of live material from the 2003 concert tour, was released in January 2010.

Acting career

Biographer David Buckley writes, "The essence of Bowie's contribution to popular music can be found in his outstanding ability to analyse and select ideas from outside the mainstream—from art, literature, theatre and film—and to bring them inside, so that the currency of pop is constantly being changed." Buckley says "Just one person took glam rock to new rarefied heights and invented character-playing in pop, marrying theatre and popular music in one seamless, powerful whole." Bowie's career has also been punctuated by various roles in film and theatre productions, earning him some acclaim as an actor in his own right.

The beginnings of his acting career predate his commercial breakthrough as a musician. Studying avant-garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's 1967 theatrical production Pierrot in Turquoise (later made into the 1970 TV movie The Looking Glass Murders). In the black and white short film The Image (1969), he played a ghostly boy who emerges from a troubled artist's painting to haunt him. The same year, the film of Leslie Thomas's 1966 comic novel The Virgin Soldiers saw Bowie make a brief appearance as an extra. Bowie starred in The Hunger (1983), a revisionist vampire movie, with Catherine Deneuve and Susan Sarandon. In Nagisa Oshima's film the same year, Merry Christmas, Mr. Lawrence, based on Laurens van der Post's novel The Seed and the Sower, Bowie played Major Jack Celliers, a prisoner of war in a Japanese internment camp. Another musician, Ryuichi Sakamoto, played the camp commandant who begins to be undermined by Celliers' bizarre behaviour. Bowie had a cameo in Yellowbeard, a 1983 pirate comedy created by Monty Python members, and a small part as Colin, the hitman in the 1985 film Into the Night. He declined to play the villain Max Zorin in the James Bond film A View to a Kill (1985).

Absolute Beginners (1986), a rock musical based on Colin MacInnes's 1959 novel about London life, featured Bowie's music and presented him with a minor acting role. The same year, Jim Henson's dark fantasy Labyrinth found him with the part of Jareth, the king of the goblins. Two years later he played Pontius Pilate in Martin Scorsese's 1988 film The Last Temptation of Christ. Bowie portrayed a disgruntled restaurant employee opposite Rosanna Arquette in The Linguini Incident (1991), and the mysterious FBI agent Phillip Jeffries in David Lynch's (1992). He took a small but pivotal role as Andy Warhol in Basquiat, artist/director Julian Schnabel's 1996 biopic of Jean-Michel Basquiat, and co-starred in Giovanni Veronesi's spaghetti western Il Mio West (1998, released as Gunslinger's Revenge in the US in 2005) as the most feared gunfighter in the region. He played the aging gangster Bernie in Andrew Goth's Everybody Loves Sunshine (1999), and appeared in the TV horror serial of The Hunger. In Mr. Rice's Secret (2000), he played the title role as the neighbour of a terminally ill twelve-year-old, and the following year appeared as himself in Zoolander.

Bowie portrayed Nikola Tesla, the physicist who pioneered AC electricity, co-starring with Christian Bale and Hugh Jackman in The Prestige (2006), Christopher Nolan's film of Christopher Priest's epistolary novel about the bitter rivalry between two magicians in the early 20th century. He voice-acted in the animated movie Arthur and the Invisibles as the powerful villain Maltazard, and lent his voice to the character Lord Royal Highness in the SpongeBob's Atlantis SquarePantis TV movie. In the 2008 film August, directed by Austin Chick, he played a supporting role as Ogilvie, alongside Josh Hartnett and Rip Torn, with whom he had worked in 1976 for The Man Who Fell to Earth.

Sexual orientation

Buckley writes, "If Ziggy confused both his creator and his audience, a big part of that confusion centred on the topic of sexuality." Bowie declared himself bisexual in an interview with Melody Maker in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust. In a 1983 interview with Rolling Stone, Bowie said his public declaration of bisexuality was "the biggest mistake I ever made", and on other occasions he said his interest in homosexual and bisexual culture had been more a product of the times and the situation in which he found himself than his own feelings; as described by Buckley, he said he had been driven more by "a compulsion to flout moral codes than a real biological and psychological state of being".

Asked in 2002 by Blender whether he still believed his public declaration was the biggest mistake he ever made, he replied:

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Buckley's view of the period is that Bowie, "a taboo-breaker and a dabbler ... mined sexual intrigue for its ability to shock", and that "it is probably true that Bowie was never gay, nor even consistently actively bisexual ... he did, from time to time, experiment, even if only out of a sense of curiosity and a genuine allegiance with the 'transgressional'." Biographer Christopher Sandford says that according to Mary Finnigan, with whom Bowie had an affair in 1969, the singer and his first wife Angie "lived in a fantasy world [...] and they created their bisexual fantasy." Sandford tells how, during the marriage, Bowie "made a positive fetish of repeating the quip that he and his wife had met while 'fucking the same bloke' [...] Gay sex was always an anecdotal and laughing matter. That Bowie's actual tastes swung the other way is clear from even a partial tally of his affairs with women." but biographer also reinforces that his public statements on sex had no other purpose but to do marketing and draw attention to his "transgressional" work.

Musicianship

Voice and instruments

A man of many voices, Bowie, from the time of his earliest recordings in the 1960s, has employed a wide variety of musical styles. His early compositions and performances were strongly influenced not only by rock and rollers like Little Richard and Elvis Presley but also by the wider world of show business. He particularly strove to emulate the British musical theatre singer-songwriter and actor Anthony Newley, whose vocal style he frequently adopted, and made prominent use of for his 1967 debut release, David Bowie (to the disgust of Newley himself, who destroyed the copy he received from Bowie's publisher). Bowie's music hall fascination continued to surface sporadically alongside such diverse styles as hard rock and heavy metal, soul, psychedelic folk and pop. Musicologist James Perone observes Bowie's use of octave switches for different repetitions of the same melody, exemplified in his commercial breakthrough single, "Space Oddity", and later in the song "Heroes", to dramatic effect; Perone notes that "in the lowest part of his vocal register [...] his voice has an almost crooner-like richness."

Voice instructor Jo Thompson describes Bowie's vocal vibrato technique as "particularly deliberate and distinctive". Schinder and Schwartz call him "a vocalist of extraordinary technical ability, able to pitch his singing to particular effect." Here, too, as in his stagecraft and songwriting, the singer's chamaeleon-like nature is evident: historiographer Michael Campbell says that Bowie's lyrics "arrest our ear, without question. But Bowie continually shifts from person to person as he delivers them [...] His voice changes dramatically from section to section."

Bowie plays many instruments, among them electric, acoustic, and twelve-string guitar, alto, tenor and baritone saxophone, keyboards including piano, synthesizers and Mellotron, harmonica, Stylophone, xylophone, vibraphone, koto, drums and percussion, and string instruments including viola and cello. , 1974.]]

Compositions

Bowie's compositions are suffused with philosophical and literary lyrics. Songs like "The Width of a Circle", "Quicksand" and "The Superman" receive influences of Buddhism, occultism, mysticism and especially the concept of Übermensch by Friedrich Nietzsche. The first of the three alluded to a sexual encounter with God or Devil in Hell, or other supernatural being, according to different interpretations. Indeed, his early compositions were influenced by poetry and writings of Aleister Crowley, William Hughes Mearns and H. P. Lovecraft, and "The Jean Genie" is a reference to Jean Genet.

With these influences Bowie created a new world through his music. "Oh! You Pretty Things" from Hunky Dory (1971) is a fine example of this and has been considered a sci-fi song about 'homo superior' concepts in a "teasing, unquestionably gay tinged manner." The Rise and Fall of Ziggy Stardust and the Spiders from Mars is another example; an album around a fictional sci-fi story created by Bowie himself. Track "Five Years", for example, desperately says that the world will end to five years, and is one of many examples of his artistic endeavors with the collapse of society. Diamond Dogs also presents a vision of a post-apocalyptic world. Later, in Outside, he returned to the idea of a concept album based on stories he wrote and characters he had created. And Heathen reflected his impressions on the Attacks of September 11, 2001, with lyrics focused on humanity degradation. To conclude, Reality reflects on his career and in the title track he sings: "I've been right and I've been wrong"/ "I look for sense but I get next to nothing" / "Hey boy welcome to reality" on a hard song moved with three guitars, syncopated drums and bass such as the rock songs of his past phases.

Legacy

Bowie's innovative songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. A pioneer of glam rock, Bowie, according to music historians Schinder and Schwartz, has joint responsibility with Marc Bolan for creating the genre. At the same time, he inspired the innovators of the punk rock music movement—historiographer Michael Campbell calls him "one of punk's seminal influences". While punk musicians trashed the conventions of pop stardom, Bowie moved on again—into a more abstract style of music making that would in turn become a transforming influence. Biographer David Buckley writes, "At a time when punk rock was noisily reclaiming the three-minute pop song in a show of public defiance, Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company sought to convey his unique status in popular music with the slogan, "There is old wave, there is new wave, and there is Bowie..." Musicologist James Perone credits him with having "brought sophistication to rock music", and critical reviews frequently acknowledge the intellectual depth of his work and influence.

Buckley writes that, in an early 1970s pop world that was "Bloated, self-important, leather-clad, self-satisfied, [...] Bowie challenged the core belief of the rock music of its day." As described by John Peel, "The one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change." Buckley says that Bowie "subverted the whole notion of what it was to be a rock star", with the result that "After Bowie there has been no other pop icon of his stature, because the pop world that produces these rock gods doesn't exist any more. [...] The fierce partisanship of the cult of Bowie was also unique—its influence lasted longer and has been more creative than perhaps almost any other force within pop fandom." Buckley concludes that "Bowie is both star and icon. The vast body of work he has produced [...] has created perhaps the biggest cult in popular culture. [...] His influence has been unique in popular culture—he has permeated and altered more lives than any comparable figure."

Bowie was inducted into the Rock and Roll Hall of Fame in 1996.

David Bowie's influence remains immense, musically and socially. According to many authors, for example, incorporating androgynous characters like Ziggy Stardust and Aladdin Sane in his 1970 glam era that communicate through sexual languages Bowie re-create a independent adolescent class at the time and also helped movements such as the gay liberation. In this era he also helped to create new fashions around the rock and music scenes that still appeals people nowadays.

Musically, his albums were also very influential. The Man Who Sold the World (1970), for example, has been cited as influencing the goth rock, darkwave and science fiction elements of work by artists such as Siouxsie and the Banshees, The Cure, Gary Numan, John Foxx and Nine Inch Nails. In his journal, Kurt Cobain of Nirvana listed this album at number 45 in his top 50 favourite albums. In 1993, the band re-recorded its title-track in their MTV Unplugged in New York. After the glam era Bowie produced works such as Diamond Dogs (1974) which its elements of raw guitar style and visions of urban chaos, scavenging children and nihilistic lovers have been credited with anticipating the punk revolution of bands like The Germs and Sex Pistols, that would take place in the following years. 1976 saw the appraised album Station to Station, that has also been described as "enormously influential on post-punk" and influenced band Magazine. On the following year, "Heroes" (1977) of 'Berlin Trilogy' influenced Double Fantasy (1980) by John Lennon and Yoko Ono.

His work in the 80's, especially "Ashes to Ashes" song and its video showing a creative Bowie's music and image, provided the basis for a new musical movement of the time, called New Romantic, influencing acts such as Blitz Kids, Keanan Duffty, and Steve Strange. In fact, critics have written that this song was considered the anthem for the New Romantic movement musicians. Pixies also began in 1986 with Joey Santiago introducing Black Francis to the Bowie's music and punk rock, then the pair began to jam together.

David Bowie's influence continues nowadays, even among artists and acts of diverse genres and countries. Examples include Marilyn Manson (in fact, Bowie is their biggest influence), Boy George, Groove Armada (especially album Black Light), Spacehog, Neïmo, Arckid, Stacey Q, Buck-Tick, Lady Gaga, All the Pretty Horses (a Minnesota's transgender rock band), and many others. On November 2010, Bono Vox of U2 compared Bowie to Elvis Presley and said he was very influential on Britain and also in his generation and band. As biographer Thomas Forget adds, "Because he has succeeded in so many different styles of music, it is almost impossible to find a popular artist today that has not been influenced by David Bowie."

Awards and recognition

Bowie's 1969 commercial breakthrough, the song "Space Oddity", won him an Ivor Novello Special Award For Originality. For his performance in the 1976 science fiction film The Man Who Fell to Earth, he won a Saturn Award for Best Actor. In the ensuing decades he has been honoured with numerous awards for his music and its accompanying videos, receiving, among others, two Grammy Awards and two BRIT Awards.

In 1999, Bowie was made a Commander of the Ordre des Arts et des Lettres by the French government. He received an honorary doctorate from Berklee College of Music the same year. He declined the British honour Commander of the British Empire in 2000, and a knighthood in 2003, stating: "I would never have any intention of accepting anything like that. I seriously don't know what it's for. It's not what I spent my life working for."

Throughout his career he has sold an estimated 136 million albums. In the BBC's 2002 poll of the 100 Greatest Britons, he was ranked 29. In 2004, Rolling Stone magazine ranked him 39th on their list of the 100 Greatest Rock Artists of All Time and the 23rd best singer of all time.

Bowie was inducted into the Rock and Roll Hall of Fame on 17 January 1996.

Discography

David Bowie (1967)

Space Oddity (1969)

The Man Who Sold the World (1970)

Hunky Dory (1971)

The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Aladdin Sane (1973)

Pin Ups (1973)

Diamond Dogs (1974)

Young Americans (1975)

Station to Station (1976)

Low (1977)

"Heroes" (1977)

Lodger (1979)

Scary Monsters (and Super Creeps) (1980)

Let's Dance (1983)

Tonight (1984)

Never Let Me Down (1987)

Black Tie White Noise (1993)

The Buddha of Suburbia (1993)

Outside (1995)

Earthling (1997)

'Hours...' (1999)

Heathen (2002)

Reality (2003)

See also

100 Greatest Britons

Best selling music artists

David Bowie filmography

Bowie Bonds

List of artists who reached number one on the Hot 100 (US)

List of artists who reached number one on the US Dance chart

List of David Bowie tours

List of number-one hits (United States)

List of Number 1 Dance Hits (United States)

List of people who have declined a British honour

Low Symphony and Heroes Symphony

Notes

References

Further reading

Seabrook, Thomas Jerome, Bowie in Berlin: A New Career in a New Town, Jawbone Press, 2008.

Spitz, Marc, Bowie: A Biography, Crown Publishers, 2009.

Tremlett, George, David Bowie: Living on the Brink, Carroll and Graf, 1997.

Waldrep, Shelton, "Phenomenology of Performance", The Aesthetics of Self-Invention: Oscar Wilde to David Bowie, University of Minnesota Press, 2004.

Welch, Chris, David Bowie: We Could Be Heroes: The Stories Behind Every David Bowie Song, Da Capo Press, 1999.

Wilcken, Hugo, 33⅓: David Bowie's Low, Continuum, 2005.

External links

Official Myspace page

Official YouTube channel

Bowieart – paintings, printmakings, etc.

Charlie Rose interview (1998)

Category:1947 births Category:Living people Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:Bisexual actors Category:Bisexual musicians Category:BRIT Award winners Category:British expatriates in Switzerland Category:Columbia Records artists Category:Commandeurs of the Ordre des Arts et des Lettres * Category:Daytime Emmy Award winners Category:Decca Records artists Category:English baritones Category:English film actors Category:English male singers Category:English multi-instrumentalists Category:English people of Irish descent Category:English record producers Category:English rock musicians Category:English singer-songwriters Category:Glam rock Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:LGBT musicians from the United Kingdom Category:LGBT people from England Category:Musicians from London Category:Parlophone artists Category:People from Brixton Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees‎ Category:Rykodisc artists Category:Saturn Award winners Category:Virgin Records artists

Name	Bob Seger
Background	solo_singer
Birth name	Robert Clark Seger
Born	May 06, 1945Dearborn, Michigan, United States
Instrument	Vocals, guitar, piano
Genre	Rock, heartland rock, roots rock, blue-eyed soul
Occupation	Singer-songwritermusician
Years active	1961–present
Label	Hideout, Cameo, Capitol, Palladium
Associated acts	Glenn Frey, The Eagles, Shaun Murphy, Muscle Shoals Rhythm Section, Little Feat, Kid Rock
Url	BobSeger.com

Robert Clarke Seger (born May 6, 1945) is an American rock musician and singer-songwriter.

As a locally successful Detroit-area artist, he performed and recorded as The Bob Seger System throughout the 1960s. By the early 1970s, he had dropped the "System" from his recordings, and he continued to strive for national success with other various bands. In 1973 he put together "The Silver Bullet Band," an evolving group of Detroit-area musicians, with whom he became most successful. In 1976, he achieved national fame with two albums, the live record Live Bullet, and the studio record Night Moves. On his studio albums he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, appearing on several of Seger's best selling singles and albums.

A roots rocker with a classic raspy, shouting voice, Seger was first inspired by Little Richard, along with Elvis Presley. He wrote and recorded songs that dealt with blue-collar themes. Seger has recorded many rock and roll hits, including "Night Moves", "Turn the Page", and "Like a Rock", and also co-wrote the Eagles number one hit "Heartache Tonight". His iconic signature song "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. With a career spanning five decades, Seger continues to perform and record today.

"Old Time Rock & Roll" charted #2 as most played Jukebox Singles of all Time, second only to Patsy Cline's "Crazy".

Seger's songs have been covered by many artists including Thin Lizzy and Metallica.

Seger was inducted into the Rock and Roll Hall of Fame in 2004.

Biography

Early years

Bob Seger was born in Dearborn, Michigan and lived in the area until age 6 when his family moved to nearby Ann Arbor, Michigan. When Seger was 10 years old, his father abandoned the family and moved to California. Then Seger attended Tappan Junior High School (now Tappan Middle School) and high school in Ann Arbor and graduated in 1963. He ran track and field in high school. Seger also went to Lincoln Park High School for a year.

Influences

Bob Seger has stated that "Little Richard was the first one that really got to me. Little Richard and, of course, Elvis Presley." After the Decibels disbanded, Seger joined the Town Criers, a four-piece band with Seger on lead vocals, John Flis on bass, Pep Perrine on drums, and Larry Mason on Lead guitar. The Town Criers, covering songs like "Louie Louie", began gaining a steady following. The band,The Decibels was made up of Bob on guitar, piano, keyboards, vocals, Pete Stanger, guitar and H.B. Hunter on drums. They all went to Ann Arbor High. Bob and Pete were in the same grade but H.B. was a year or two behind them.

Doug Brown & The Omens

As the Town Criers began landing more gigs, Bob Seger met a man named Doug Brown, backed by a band called the Omens. Seger joined Doug Brown & the Omens, who presumably had a bigger following than the Town Criers. While Doug Brown was the primary lead vocalist for the group, Seger would take the lead on some songs—covering R&B; numbers.

While Bob was a member of the Omens, he met his longtime manager Edward "Punch" Andrews, who at the time was partnered with Dave Leone running the Hideout franchise, which consisted of two clubs where local acts would play and a small-scale record label. Seger began writing and producing for other acts that Punch was managing, such as the Mama Cats and the Mushrooms (with future Eagle Glenn Frey). It was then when Seger and Doug Brown were approached by Punch and Leone to write a song for the Underdogs, another local band who recently had a hit with a song called "Man in the Glass." Seger contributed a song called "East Side Story", which ultimately proved to be a failure for the Underdogs. In 1971, Seger released his first solo album, the all-acoustic Brand New Morning. The album was a commercial failure and led to Seger's departure from Capitol Records.

Seger, having regained an appreciation for backing bands,

Peak of success: 1976-1987

Seger finally achieved his commercial breakthrough with his October 1976 album Night Moves. The title song "Night Moves" was a highly evocative, nostalgic, time-spanning tale that was not only critically praised, but became a #4 hit single on the Billboard pop singles chart as well as a heavy album-oriented rock airplay mainstay. The album also contained "Mainstreet", a #24 hit ballad that emphasized Seger's heartland rock credentials, as well as the AOR anthem "Rock and Roll Never Forgets". Night Moves was Seger's first Top 10 album in the Billboard album chart, and as of 2006 was certified at 6 million copies in the United States alone - making it the biggest-selling studio album of his entire career. Furthermore it activated sales of Seger's recent back catalog, so that Beautiful Loser would eventually sell 2 million and Live Bullet would go on to sell some 5 million copies in the United States.

The following year, original Silver Bullet drummer Charlie Allen Martin was hit by a car from behind while walking on a service road, and was left unable to walk. David Teegarden, drummer for Seger on the Smokin' O.P.'s album, replaced him. Despite the loss, Seger followed up strongly with 1978's Stranger in Town. The first single, "Still the Same", emphasized Seger's talent for mid-tempo numbers that revealed a sense of purpose, and reached #4 on the pop singles chart. "Hollywood Nights" was an up-tempo #12 hit rocker, while "We've Got Tonight" was a slow ballad that reached #13 on the Hot 100. The album ran out of steam with "Old Time Rock & Roll", reaching only #28 although it achieved substantial AOR airplay. (Moreover, it would later become one of Seger's most recognizable songs following its memorable Tom Cruise-dancing-in-his-underwear use in the 1983 film Risky Business.) Seger also co-wrote the Eagles' #1 hit song "Heartache Tonight" from their 1979 album The Long Run; their collaboration resulted from Seger and Glenn Frey's early days together in Detroit.

In 1980 Seger released Against the Wind (with ex-Grand Funk Railroad member Craig Frost replacing Robyn Robbins on keyboards) and it became his first and only #1 album on the Billboard album chart. The first single "Fire Lake" featured Eagles Don Henley, Timothy B. Schmit, and Frey on backing vocals and reached #6 on the Hot 100, while the title song "Against the Wind" reached #5 as a single and even crossed over to the Top 10 on Billboard's Adult Contemporary chart. "You'll Accomp'ny Me" became the third hit single from the record, reaching #14. Against the Wind would also win two Grammy Awards. As of 2006, both Stranger in Town and Against the Wind had sold over 5 million copies each in the United States.

The live 1981 album Nine Tonight encapsulated this three-album peak of Seger's commercial career. Seger's take on Eugene Williams' "Tryin' to Live My Life Without You" became a Top Five hit from Nine Tonight and the album would go on to sell 4 million copies.

Seger released the acclaimed The Distance in the final days of 1982. During the recording of this album, Silver Bullet guitarist Drew Abbott left the band due to his frustration with Seger's frequent use of session musicians in the studio, and was replaced by Dawayne Bailey. After the album's release, David Teegarden also left the band due to internal conflict, and was replaced by ex-Grand Funk drummer Don Brewer. Critically praised for representing a more versatile sound than that of his recent material, The Distance spawned numerous hits beginning with Rodney Crowell's "Shame on the Moon". It was the biggest hit of Seger's entire career, hitting #1 on the Adult Contemporary chart and holding at #2 for four consecutive weeks - behind Michael Jackson's Platinum-selling "Billie Jean" - on the Hot 100. It also crossed over to #15 on Billboard's Country Singles chart. The follow-up single, "Even Now", just missed the Top 10 and "Roll Me Away" peaked at #27. The driving album track "Making Thunderbirds" was a popular music video filmed in Detroit and well-received on MTV. Seger's mega-Platinum sales dropped off at this point with The Distance peaking at #5 and selling only 1.9 million copies in the United States. (This album was belatedly released on 8 track tape; Capitol reportedly had no plans to do so, but Seger, guessing that a good many of his fans still had 8 track players in their vehicles, prevailed upon the label to release the album in that discontinued format as well.)

In 1983, country music superstar Kenny Rogers would team up with pop singer Sheena Easton to cover "We've Got Tonight". Their version was a hugely successful Top 10 Pop hit - topping Billboard's Country and Adult Contemporary charts - becoming far more successful than Bob Seger's original. Rogers even used it as the title cut to one of his own Platinum albums.

In 1984, Seger wrote and recorded the power rock ballad "Understanding" for the Teachers movie soundtrack. The song was another Top 20 hit for Seger in late 1984.

In 1986, he wrote and recorded "Living Inside My Heart" for the soundtrack to About Last Night... starring Rob Lowe and Demi Moore.

Seger was no longer as prolific and several years elapsed before his next studio album, Like a Rock emerged in the spring of 1986. The fast-paced "American Storm" was another Top 20 single aided by a popular music video featuring actress Lesley Ann Warren, and "Like a Rock" followed, reaching #12 on Billboard's Hot 100. Later it would become familiar to many Americans through its association with a long-running Chevrolet ad campaign (something Seger explicitly chose to do to support struggling American automobile workers in Detroit). Seger's 1986-1987 American Storm Tour was his self-stated last major tour, playing 105 shows over 9 months and selling almost 1.5 million tickets. Like a Rock reached #3 and eventually sold over 3 million copies although it has never been certified above Platinum.

The following year Seger's "Shakedown", a somewhat uncharacteristic song off the 1987 film Beverly Hills Cop II's soundtrack, became his first and only #1 hit on the pop singles chart. The song had originally been intended for Seger's fellow Detroiter Glenn Frey, but when he lost his voice just prior to the recording session, he called in Seger to take his place. Seger changed the verses of the song but kept the chorus the same.

Later years: 1988-present

Bob Seger's next record was 1991's The Fire Inside, at a time when glam metal, grunge and alternative rock were all taking the forefront. His new music found little visibility on radio or elsewhere. The same was true of 1995's It's a Mystery, although the album was certified gold (500,000 copies sold). In between, however, his Greatest Hits compilation was his biggest-ever record in sales, having sold nearly 10 million copies in the United States as of 2010. Seger did go back on the road again for a 1996 tour, which was successful and sold the fourth-largest number of tickets of any North American tour that year. (Seger was once known for his concerts in small venues, as witnessed with his appearance at the 18th Amendment in Omaha, Nebraska.)

Seger took a sabbatical from the music business for about ten years to spend time with his wife and two young children. In 2001 and 2002, Seger won the prestigious Port Huron-to-Mackinac race aboard his sailboat Lightning. He subsequently sold the boat. He was inducted into the Rock and Roll Hall of Fame on March 15, 2004. Fellow Detroiter Kid Rock gave the induction speech and Michigan Governor Jennifer Granholm proclaimed that date Bob Seger Day in his honor. In 2005, Seger was featured singing with 3 Doors Down on the song "Landing in London" from their Seventeen Days album. That same year, Bob Seger & The Silver Bullet Band were inducted into the Michigan Rock and Roll Legends Hall of Fame.

Seger's first new album in 11 years, titled Face the Promise, was released in 2006. In its first 45 days, it sold more than 400,000 copies. The album has sold over 1.2 million copies to date - returning Seger to Platinum status - and staying on the Billboard chart for several months. His supporting tour was also eagerly anticipated, with many shows selling out within minutes. Showing that Seger's legendary appeal in Michigan had not diminished, all 15,000 tickets available for his first show at Grand Rapids' Van Andel Arena sold out in under five minutes; three additional shows were subsequently added, each of which also sold out. In the spring of 2006, The Bob Seger System was belatedly inducted into the Michigan Rock and Roll Legends Hall of Fame.

Seger has had four of his recordings voted as Legendary Michigan Songs: "Night Moves" in 2007, "2 + 2 = ?" in 2008, and "Ramblin' Gamblin' Man" and "Old Time Rock & Roll" in 2009.

In October 2009, Yessian Music reported on its social networking sites that Seger was re-recording his albums Smokin' O.P.'s and Seven. On October 25, 2009 it was revealed that Seger indeed had done some re-recording of older songs for an upcoming compilation album entitled Early Seger Vol. 1, a collection of out of print songs and also previously unreleased material. The album was released on November 24, 2009, initially exclusively available for purchase at Meijer. A week later it was available for download at BobSeger.com.

Seger lives mainly at his home in Orchard Lake Village, Michigan, a suburb of Detroit. He frequents many local events including West Bloomfield High School football games to watch his son who is in the nationally-ranked marching band. Seger also has a vacation house near Good Hart, Michigan.

Seger made a surprise announcement on 26 March during an interview with Dick Purtan on Detroit's WOMC-FM that he plans to tour in late 2010. These concerts will be Seger's first since 2007's 50-stop US tour which followed the release of his last album Face the Promise.

Seger contributed piano and vocals on Kid Rock's 2010 album Born Free. Alongside Seger, the album also featured Sheryl Crow, Zac Brown Band, and Martina Mcbride among others.

Discography

; Studio albums

Ramblin' Gamblin' Man (1969)

Noah (1969)

Mongrel (1970)

Brand New Morning (1971)

Smokin' O.P.'s (1972)

Back in '72 (1973)

Seven (1974)

Beautiful Loser (1975)

Night Moves (1976)

Stranger in Town (1978)

Against the Wind (1980)

The Distance (1982)

Like a Rock (1986)

The Fire Inside (1991)

It's a Mystery (1995)

Face the Promise (2006)

; Live albums

Live Bullet (1976)

Nine Tonight (1981)

; Compilation albums

Greatest Hits (1994)

Greatest Hits 2 (2003)

Early Seger Vol. 1 (2009)

See also

List of best selling music artists

Notable Ann Arborites

Notes

References

1983 Rolling Stone Record Guide

Joel Whitburn, The Billboard Book of Top 40 Hits, 1983. ISBN 0-8230-7511-7.

Joel Whitburn, Top Adult Contemporary 1961-2001, 2002. ISBN 0-89820-149-7.

Ted Kennedy, Canada Top 40 (Canadian chart listings)

Tim Rice et al., British Hit singles

everyhit.com

Stephen Thomas Erlewine, [ Allmusic biographical entry on Bob Seger]

External links

Official website

Bob Seger's Michigan - Interactive map at DetNews.com

Historic Photos of Bob Seger - Backstage Gallery

Category:1945 births Category:Living people Category:American male singers Category:American pop singers Category:American rock musicians Category:Rock and Roll Hall of Fame inductees Category:Musicians from Detroit, Michigan Category:Bob Seger & the Silver Bullet Band members Category:Michigan Democrats Category:People from Ann Arbor, Michigan Category:People from Dearborn, Michigan Category:Music of Ann Arbor, Michigan Category:Grammy Award winners Category:Capitol Records artists Category:Musicians from Michigan