Bookwitch bites #49

I’ve turned all nice and pink. At least my mind gets a little pinker. Have some not bad pink tulips at the moment. The daffodils didn’t amount to anything – again – so I depend on my tulips. However, most of the pinkness has been on my desk, aka as the kitchen table. I stole a pink Marimekko folder off Daughter, and there was the unfortunate incident last year with me buying a pink blog diary. They go well together. Nicely complemented by the red plastic ‘thing’ Daughter made in school. I was about to chuck it (I’m not a nice person) when I thought it’d be good to put some of my smaller bits and pieces in. Or should that be on?

My Ballet Dream

For a few days now I’ve had a beautifully pink book next to my tottering ‘admin piles’. Adèle Geras’s new ballet book was published this week, and I know I’m too old for this, but there is something irresistible about ballet and pink pictures. Although one little problem in this story about Tutu Tilly has to do with colour. But you know that problems in ballet picture books are there to be overcome. Everyone’s getting ready for The Recital, which is all Tilly can think about. Shelagh McNicholas’s illustrations for My Ballet Dream are perfect and adorable and very pink. I love them. Maybe I was deprived when I was the right age for pink and ballet? I’m simply compensating, however belatedly.

A Year Without Autumn Blog Tour

Speaking of belated; I have totally omitted to put up the poster for Liz Kessler’s blog tour. It’s the bus coming in threes syndrome again. There is either too much to blog about, or too little. But, all is not lost. The tour is still on the road, so I’m not shutting the stable door after the horse has bolted. Or something.

Gillian Philip's blog tour

In order to avoid repeating this next weekend I will post another poster while the posting is good. Who knows what will happen next? That was a rhetorical question. I’m a witch. I know. Just not saying. Blog tour posters come in twos, and I offer you Gillian Philip’s.

Hmm, this business of posting pictures is fun. Let’s continue. I got this one of Theresa Breslin the other week. She is posing with two of the boys who are in her Divided City play; one of each colour, which in Glasgow is deadly serious stuff. At least none of them are pink. I don’t even know what football is, so will say nothing about their shirts except to say that they both look lovely. So does Theresa, although she’s done that thing and changed her hair. How can I not walk past her?

Theresa Breslin meets Bryan Wilson (Drumchapel High) and Kyle Nolan (Bannerman High) Divided City. Photo by Tim Morozzo

I see those boys are in agreement about which beer to drink. It is beer, isn’t it? In which case you didn’t see it here.

From Glasgow it’s not far at all to Cumbernauld. I know, because I once visited a petrol station there. Cumbernauld has a famous son, who apparently likes ferrets. I offer you this ferret plate (yes, really) courtesy of Ebony McKenna, who writes books about a ferret. A very fanciable ferret. Remember Hamish? Book two is out now. (Watch this space.) Anyway, plate man is called Craig Ferguson, and he’s quite cute here on his plate. Mad, obviously. Lovely accent. Just like Hamish.

Craig Ferguson and his ferrets

Notice how the pictures got bluer as we went from girls to boys?

The Dead

Charlie Higson

I felt fairly certain he didn’t look like that last time. Floppy hair and some sort of beard. Didn’t feel right. At all. (So I google imaged Charlie Higson when I got home, just to see what he most likely looked like when we were last in the same room together. Shorter hair and no beard is the answer.)

Very nice to find that the Manchester Children’s Book Festival has the odd event on during the festival drought period, and nicer still to find myself asked to pop along and fill up any empty seats (something I do so well). As another seat-filler I brought Son along. You know you need to entertain children in their time off education, and it’s only ten years since Son was the same age as the multicoloured (school uniform-wise) schoolchildren who did fill up the lecture theatre at MMU on Thursday.

Charlie Higson

OK, so Charlie Higson hit town with tales of the dead. His new zombie book also happens to be called The Dead. It’s about zombies, and we were treated to a trailer of the film, soon to be here (I think). Charlie cleverly began by telling his audience about the kind of boring and far too common question he and other authors hate to be asked. The ‘where do you get your ideas?’ one. Then he spent the next 45 minutes telling us where.

There would have been no vampires or zombies without the eruption of Mount Tambora in 1815. Charlie did say he thought that for there to be no Stephenie Meyer books would be a good thing, but… The subsequent ash cloud prevented more than planes from flying, and poor Lord Byron found he couldn’t make boat trips on Lake Geneva on his holiday in 1816. So he and his pals had to stay in and tell each other scary stories, and not only did Mary Shelley (to be) dream up Frankenstein, but Byron’s personal drug dealer (sorry, doctor) John Polidori came up with The Vampyre, which later inspired Bram Stoker’s Dracula.

Charlie Higson

Charlie himself has been especially inspired by the film Night of the Living Dead, and he wants to frighten kids, to ‘scar them for life.’ His own bloodthirsty children egg him on to kill more characters, whenever he reads his books to them, and Charlie only felt he had got it right when his youngest had serious nightmares. Don’t feel sorry for him. This is the child who ‘loved it when the eyeballs exploded’. In amongst the blood and the gore Charlie also tries to ‘slip in a bit of plot and character’, while working on getting the black squiggles on white background (that’s words on paper, to you) ‘come alive’. A bit zombie-like.

When someone asked Charlie if he’d ever write a vampire book, he replied that ‘vampires suck’. Oh, how witty. But he seems to feel the world has enough of them by now. His advice is to write what you want to read. His own first books were for adults, so he warned the children not to go looking for them. ‘Don’t read!’ he said, before realising that this might well be the best thing to say to get someone to read.

Charlie Higson

A quick, and unscientific, show of the hands indicated that boys like zombies and girls like vampires. Presumably Edward type vampires, except they don’t exist. What girls do end up with are zombies, who are ‘basically typical teenage boys.’

It’s not every author who gets to walk into a lecture theatre to the accompaniment of whistling and cheering, and the applause at the end wasn’t of the forced ‘we-must-thank-X so please clap hands, children’. Charlie also had a good way of telling his audience to shut up. No hard feelings, though, as just about everyone queued up for books and to get them signed afterwards.

Charlie Higson

I was almost carried away by the idea of a signed book too. But then I remembered my reason for not stopping to chat to Charlie. I couldn’t face telling the man – yet again – that I still haven’t read his books. I know they are wonderful. I know. But I’ve run out of time. And zombies… No. Good for teenage boys. Not for elderly witches.

And then after returning home and telling Daughter and the Resident IT Consultant all about Mount Tambora and Byron I had to go and read a magazine article which told me Charlie was wrong. There were vampires back in the 14th century. At least. And it seems I’ve visited the corpse of one several times in my innocent childhood.

Friendship tested

You can’t really travel in time. At least I don’t think so. On the other hand, there I was, having to delay some of my Christmas preparations, just so I could finish reading A Year Without Autumn, which has only just been published this April. It was so good I had the urge to blog about it four months early.

Liz Kessler has written a standalone book this time, which I’m so grateful for. Those series are going to be the end of me! This new book is on a kind of ‘what if’ topic. If something is just a little bit different, what might happen? Or does fate make sure everything happens, no matter what?

Jenni and Autumn are best friends, talking all the time. Even on holiday, when their families go to the same place every year, same week. Except, this time when Jenni pops over to Autumn’s flat someone else is staying there. No Autumn. What’s happened to her?

After the initial confusion Jenni works out that she has ended up in the same week next year. The steady monotony she’s grown used to has gone, and in its place is… something different. She needs to work out why, and then see if anything can be done to change fate. It is fate, isn’t it?

Autumn’s family have had a hard time in this ‘new’ year and Jenni’s friendship with Autumn is tested. She – who wanted to see what the future holds – wants to turn the clock back. But you can’t. On the other hand, you can’t travel in time either.

This is another of Liz’s wonderful books looking at friendship and what matters deep down, with a bit of fantasy thrown in. Very exciting end, with a race between fate and Jenni’s determination.

Liz Kessler’s Dressing Gowns and Wellies

My murky past is catching up with me. I have another guest here today. It’s Liz Kessler, who is another of my very firsts in the book world. We were introduced to her and her mermaid books from the word go, and Daughter adored her. I could tolerate this. You don’t want your child loving just anyone, but Liz was OK… More than OK, obviously. And it’s always heartening to a mother that her offspring is remembered.

Over to Liz:

“Ten years ago, I had various freelance jobs, I lived on a canal boat in rural Cheshire, and I was desperate to get published.

I had written my first children’s book, The Tail of Emily Windsnap, and was waiting for a phone call from an agent who had recently asked to see it. When the phone call came, saying she wanted to represent me, the screams of joy could possibly be heard the length and breadth of the Macclesfield Canal.

It all happened quite quickly after that. My wonderful agent found me an equally wonderful publisher, and Emily and I found our new home with Orion Children’s Books.

There’s nothing quite like the feeling of getting an agent, a publisher and a book deal. Each of these achievements, as they came, were celebrated in a similar fashion – by jumping up and down on the front deck of my boat in dressing gown and wellies with my best friend who lived on the boat next door, similarly attired.

Liz Kessler - dressing gown and wellies

The first bookshop event is equally wonderful, and for me this took place at a local shop in Bramhall. I quickly developed a fiercely loyal following amongst the girls of Bramhall, and I think the small bookshop there sold more of my books in that first year than Amazon and Waterstone’s put together.

A ten-year-old girl called Helen was amongst these keen followers. In fact, if I recall correctly, she sent me one of my first ever fan letters (another moment to be celebrated on the front deck).

Little did I know that Helen’s mum would one day be the country’s most important Witch in Charge of Books.

That same shy girl has now grown up, to an age where mermaids and fairies perhaps don’t have the same appeal. But at least some higher witch has cast a spell on her mother so that she continues to immerse herself in, and wave flags for, children’s books.

Perhaps out of kindness, or nostalgia, I think Helen does still read my books. And for this, I am just as grateful as I was to receive her hand-written letter all those years ago.

My eighth book, A Year Without Autumn, is about to come out. You get used to some aspects of the job. You get frustrated with others. But you know what I’ve found? The moment when you see your brand new book for the first time never stops feeling magical.

And your readers never stop being the most important part of the job.

So, thank you, Helen, for being amongst the first Emily Windsnap fans. And thank you for having a mum who champions children’s authors like no one else.

Without people like you, people like me would have far fewer reasons to jump up and down in dressing gowns and wellies.”

I just knew it! These writers swan around all day long, not getting dressed. And then they go and live in beautiful houses near the sea and have photogenic dogs. Pah.

Jealous? Me? Just a little.

Liz Kessler and Poppy working in the garden

(Photos supplied by Liz. The second one taken in February. February!!! The first one she apparently forced her neighbour to come and take. ‘Hi, would you mind popping over to take a photo of me in my pyjamas?’)

They come here and take our jobs

No they don’t.

But far too many people believe this about foreigners, and especially about refugees. It’s time to get the message across why people flee their own country and come here (or anywhere else).

Miriam Halahmy’s new novel Hidden is all about the plight of refugees, and especially those who have been denied the right to stay, because they somehow don’t fulfil the strict criteria for permission to remain in Britain.

It’s as if people would want nothing more than to come to a place where they don’t belong, where they don’t know anyone and where ‘everyone’ hates them. I mean, who wouldn’t love to move somewhere like that?

Alix accidentally befriends Samir in her class from school, and equally accidentally the two of them end up rescuing a refugee from Iraq, which is where Samir came from several years before. They need to hide him and they need to make sure he doesn’t fall ill and die from his injuries. All because he’s illegal and Britain doesn’t want people like him.

Hidden

Samir has problems of his own, and so does Alix, who lives with her mum after her dad left and her granddad died. In their class at school they also have the sister of the local hooligan, and they need to steer clear of both her and her terrible brother.

Until she came across this Iraqi man, Alix had always assumed her friends and family and neighbours felt the same about immigrants and refugees as she does. Now she realises she has no idea who is on her side, and it comes as a surprise to find that not all are as she’d expect.

Hidden is a great story about a very real and current problem. It shows the reader precisely why refugees come here, and it’s not for the hospitality. You come because there is no alternative. And there are good and bad people everywhere.

As Nicholas Tucker says in his review, this is a book that ‘deserves the widest audience’.

So you want to know who wins?

Readers! Honestly. They think they can just write in and ask me to do things. And they are quite right. They can and they do and I might well. Lets’ see.

The Carnegie shortlist took me by more of a surprise than ever before. Had actually tried to predict when it would come. Got that wrong, so was taken aback on Friday when Facebook was awash with congratulations. But I’d like to point out that you might be on the shortlist, but it doesn’t exactly mean you’ll win. Does it?

Carnegie’s server seemed to collapse on Friday (it was April 1st, which is such a bad date, for anything), so I couldn’t even satisfy my curiosity until a lot later.

So, let’s have the list:

Theresa Breslin, Prisoner of the Inquisition

Geraldine McCaughrean, The Death Defying Pepper Roux

Patrick Ness, Monsters of Men

Meg Rosoff, The Bride’s Farewell

Marcus Sedgwick, White Crow

Jason Wallace, Out of Shadows

Good list. But then there is an equally good list of people and books which didn’t make it. Let’s not dwell on that. I have read five of the six, and the one I haven’t is Geraldine’s Pepper novel, which I’m sure is as worryingly perfect as her other books have been.

Well, even though you know I would like all six books to win, you also know I want Meg to win. And she stands a very good chance. But with that Patrick Ness around, the vibes tell me he will wipe the floor. Again. Preferably chez Bookwitch, because we badly need it.

OK then, Adèle? I have spoken. And you weren’t the only one. My inbox literally popped with requests.

Between Shades of Gray

Is it a train wreck mentality that draws me to WWII novels? Not quite ‘the gorier the better’, but there is a certain something about the dreadfulness of the war. Between Shades of Gray has plenty of that, and it’s also a real ‘journey book’ which Ruta Sepetys has written.

It has a map to begin with. Two maps, even. The first map shows the journey Lina and her family make, starting in Lithuania and ending by the sea north of the Arctic Circle in Siberia. It made me wonder what happened when they reached the sea. The second map is a timeline showing where they were and when. Again, the reader wonders what happened when they got to Trofimovsk.

This novel is not about Jews, which makes for a ‘fresh’ angle on the awfulness of WWII. The fate of the three Baltic states is far less well known than much of the rest of Europe. They were sort of left in the middle between the Germans and the Russians, with each taking a bite when it suited them.

Deportees to Siberia

Here it is the Russians who have taken over Lithuania, the country closest to Poland, and they want to move the ‘local troublemakers’, usually the educated middle classes. They round them up and put them on goods trains on a journey through their own vast country, just to get rid of them. This is what happens to 15-year-old Lina and her younger brother Jonas and their mother Elena. The father is taken separately.

Lina has no idea why this is happening, making it harder still. She is a talented artist, and spends the journey drawing, both to pass the time and to record where they are going. They suffer starvation, squalor and death, but there is also bravery and friendship.

Lithuanian Christmas by the Lena River

After a month they arrive at a labour camp in Siberia where they stay all winter. Then they are moved on again. Unlike many other journey books there is little relief in this one, and the reader almost comes to appreciate potato peel as something good to eat, just like the Lithuanians had to.

There is romance, and some hope. But mostly it’s despair and suffering. Cold. And death.

At least the end is nowhere near as bad as Ruta originally planned it.

Shaun and ALMA

Shaun Tan

Mercifully Shaun Tan will have been in bed when he was announced as this year’s recipient of the Astrid Lindgren Memorial Award. Or he should have been. I mean, first he was interrupted in his washing-up chores and had to have a conversation, however brief, with Larry Lempert, who phoned to say he’d just been given five million kronor. Who wouldn’t need to be in bed by the time Bologna and the rest of the world hear your unrehearsed reaction to such happiness?

What is it with people in Melbourne? Does it say somewhere that they can hog awards in this manner?

Larry Lempert

Anyway, I sincerely hope Shaun didn’t witness the live broadcast last Tuesday. They had improved their technique from last year, but even so… Larry’s breathing needs to be silenced for next time. (No, not that way.) But the presentation of Shaun and his work was done very nicely, by Maria Lassèn-Seger in a Finnish-Swedish accent, and with loads of pictures to show us ignoramuses what Shaun’s work is like.

Shaun Tan book covers

Swedish juries have a tendency to pick unusual winners. But I dare say that’s the charm of it all. Loads of money to hand out. Very long ‘shortlist’ to choose from.

I’m not going to try to describe all that Shaun has done, but what I have seen so far is impressively good. I’m already the lucky recipient of, not five million, but two of his books.

One of which – The Lost Thing – I will tell you about here. Now.

Shaun Tan, The Lost Thing

A quick way of describing Shaun’s style is to say his art (because it is art, really, not books so much) is what Halmstadgruppen would have done had they been into picture books. Shaun apologises to Edward Hopper, so perhaps he feels he borrowed something from him. I don’t know.

I couldn’t say what age group The Lost Things is for. Old, but not necessarily adult. There are so many layers to it that I will have to go back and read/look some more.

It’s about a lost thing. The thing is rather large and odd looking (sorry, dear) and more like a creature than a thing. As the main character’s friend says, ‘some things are just plain lost’. But I believe there is a happy ending. Hard to be sure, but I think so. Very intelligently written, which I approve of.

The story as such is a good one, but it’s the art that makes the book. There are so many things I could mention or quote, but I’ll stick to just one; ‘sweepus underum carpetae’ which will be my new maxim from now on. And I do approve of a book that has the word anti-logarithm in it. I mean, who isn’t? Anti-logarithm. Very.

‘Government set to curb foreign authors’

The article below is from yesterday’s Bookseller, and I’m not (only) being lazy quoting it here:

‘Bookshops are facing quotas on the number of foreign authors they can stock as the government plans to launch a “British Books for British Readers” campaign.

The Bookseller has learned Prime Minister David Cameron is set to give a speech today outlining his latest iteration of the “Big Society”. A DCMS spokesman said: “The publishing industry needs protecting from the Browns, Larssons and Meyers of this world. We think British literature should be celebrated, not swamped. Crime novels set in gloomy Scandinavian forests have an unfair advantage over our cosy domestic settings, so we have to level the playing field to protect this vital domestic industry.”

Under the plans, bookshops will only be able to hold 10% of stock from overseas authors. Using rules originally framed for international football, authors with British grandparents could qualify as British. The government is also examining the special case of Irish writers. While Northern Irish writers could controversially be classed as British, Irish authors such as James Joyce and Cecelia Ahern would fall foul of the proposed rules.

Authors such as Kipling and Orwell, both born in India to British parents, or J G Ballard, born in China, would remain eligible. The status of British authors who move overseas or adopt “foreign” writing styles, like Lee Child, remains a grey area.

Foreign publishers reacted quickly to the news. “We don’t have to take any more Alexander McCall Smith or Jeffrey Archer you know,” said Danish editor Uwe Binhad of Loof Lirpa Associates.’

Today is the 2nd of April. But you knew that.

The Glass Collector

The Glass Collector is a quiet book. You read and you read and then you begin to worry that there isn’t enough of the book left for the big plot development. But as I thought this, it occurred to me that perhaps we didn’t need a big exciting bang. It never got boring (and I know that’s a dreadful ‘compliment’ to make) and it was quite restful to simply coast along.

Blue glass bottle

Anna Perera has written the story about Aaron, a Christian 15-year-old living in Mokattam just outside Cairo. The Zabbaleen collect rubbish, and Aaron’s speciality is glass. He loves glass. He is good at glass, and never cuts himself when picking it up.

Aaron is an orphan, living with a not very kind stepfather and two stepbrothers. Things are bad to begin with, and they become worse. Their living more or less disappears, and Aaron’s stepbrother Lijah is cruel, the neighbour’s daughter Shareen teases him, and Aaron is secretly in love with Rachel, who looks after the horses.

Rachel wants to become a vet, and in any other book she would somehow find a way, despite her poverty. Many of the young people around Aaron have dreams. Shareen wants a rich and handsome young husband. Aaron’s friend Abe wants a jellyfish.

This book is more of a window on the lives of the people in Mokattam than a story, which might be why the Guardian’s reviewer was surprised Anna hadn’t made it a travel book instead. It’s just right as it is, and as Anna pointed out when I met her, she made most of it up. Hence the fiction label. She went to Cairo to research the lives of the Zabbaleen, but then she wove a story about them, removing many things she felt would have detracted from what she was trying to do.

It’s truly educational, and I hope it will make western readers produce less waste, and hopefully even make them want fewer things. Buy less, and recycle more. If sorting through rubbish turns you off it could be a good idea to generate less of it in the first place.

The end makes you feel quietly happy and satisfied. At least that’s how it was for me. We rarely get everlasting happy-ever-after in real life, so why expect it in every book we read? The Glass Collector has good and bad in it, just like real life. It’s not a bad thing to learn to appreciate what you have. It could always be worse.