The official debut for Troy Tate with the Shake (Jo Callis, Simon Templar, Angel Patterson) was for a Peel Session. Recorded at Maida Vale Studio on April 23rd 1979, with Cris Lycett producing and Dave Dade and Martyn Parker engineering, the session was aired on April 30th and featured:
Peel Session (April 1979)
- (But) Not Mine
- Glasshouse
- Night by Night
- Teenbeat
The first two numbers appeared on the Shake’s first Ep, Nigh by Night was to be the b-side of the upcoming single.
shake peel
(see also: http://www.bbc.co.uk/radio1/johnpeel/sessions/1970s/1979/Apr23shake/ )
giovedì 14 ottobre 2010
The Shake (1979-1980)
Band formed by ex-Rezillos Jo (a.k.a John) Callis (guitars, later Boots for Dancing, Human League, and, as a solo artist in-between bands, recorded the Ep Woah Yeah in 1981), Simon Templar (bass, later Flowers, Boots for Dancing) and Angel (a.k.a. Ali) Patterson (drums, later Boots for Dancing, TV21 and Troy Tate Band). Shake released an Ep in July 1979:
Culture Shock (1979)
- Culture Shock
- (But) Not mine
- Glasshouse
- Dream on
Troy Tate was added to the line-up (guitar, vocals, former Index, later Teardrop Explodes, Troy Tate Band). This line-up released the band’s second single in February 1980:
Invasion of the Gamma Men (1980)
- Invasion of the Gamma Men
- Night by Night
Culture Shock (1979)
- Culture Shock- (But) Not mine
- Glasshouse
- Dream on
Troy Tate was added to the line-up (guitar, vocals, former Index, later Teardrop Explodes, Troy Tate Band). This line-up released the band’s second single in February 1980:
Invasion of the Gamma Men (1980)- Invasion of the Gamma Men
- Night by Night
.
Shortly after the release of the single Tate was suggested by Bill Drummond to Julian Cope as a replacement for Alan Gill leaving the Teardrop Explodes. This is Cope’s recollection of the audition:
‘Troy Tate was great looking. He was dark haired and a little older than us. When he walked into the rehearsal room, he walked up to me, and said, ‘Hi, baby.’ I like him at once. We made a racket and he clanged his guitar the way I liked, so he was in. Within the week, we were firm friends.’ (Heads On, 107)
‘Troy Tate was great looking. He was dark haired and a little older than us. When he walked into the rehearsal room, he walked up to me, and said, ‘Hi, baby.’ I like him at once. We made a racket and he clanged his guitar the way I liked, so he was in. Within the week, we were firm friends.’ (Heads On, 107)
The Index (1977-79)
Cheltenham-based band with a short life (early 1977, early 1979) featuring Liverpool born Troy Tate (guitar, vocals, later Shake, Teardrop Explodes, Troy Tate bad), Russell Elliott (bass) and Dave Hough (drums).
The Index release their first and only single in June 1978:
Jet Leg (1978)
- Jet Leg
- Total Bland
index
The Index release their first and only single in June 1978:
Jet Leg (1978)
- Jet Leg
- Total Bland
index
domenica 26 settembre 2010
The Language (1982-1985)
Language were a Wallasey-based band playing westcoast rock. The 
original nucleus formed in 1982 and included Dean Johnson (guitars, vocals) and Pete Hunt (bass), which was enlarged in 1983 with the recruiting of Graham Todd (keyboards). And Andy Golbourne (drums). Hunt then quit to be replaced by Gareth Edwards (bass). In 1984 Language released the cassette-ep Live at the Cavern (recorded lev on July 18th, 1984 and featuing Powergame, The Same Door, Deliver us, Down by the River), which became a favourite in the Merseyside area. So much so that in October of the same year Radio Luxembourg voted Language as ‘best newcomer’. In early 1985 Golbourne left and was replaced by Barry Hilton (former Instant Agony). Todd and Edwards were the next to leave and Martin Lavery was added to the line-up on bass. In 1985 the band toured as support act of Dr & The Medics but split up before the end of the year.
In 1987 Johnson formed his outfit Dean Johnson and the British Invasion and later, with Martin Lavery the jazz-influenced The Cocoa Room.
More info and audio files can be found at the band’s myspace page:
original nucleus formed in 1982 and included Dean Johnson (guitars, vocals) and Pete Hunt (bass), which was enlarged in 1983 with the recruiting of Graham Todd (keyboards). And Andy Golbourne (drums). Hunt then quit to be replaced by Gareth Edwards (bass). In 1984 Language released the cassette-ep Live at the Cavern (recorded lev on July 18th, 1984 and featuing Powergame, The Same Door, Deliver us, Down by the River), which became a favourite in the Merseyside area. So much so that in October of the same year Radio Luxembourg voted Language as ‘best newcomer’. In early 1985 Golbourne left and was replaced by Barry Hilton (former Instant Agony). Todd and Edwards were the next to leave and Martin Lavery was added to the line-up on bass. In 1985 the band toured as support act of Dr & The Medics but split up before the end of the year.In 1987 Johnson formed his outfit Dean Johnson and the British Invasion and later, with Martin Lavery the jazz-influenced The Cocoa Room.
More info and audio files can be found at the band’s myspace page:
sabato 25 settembre 2010
The Vis Johnson Band
The Vis Johnson Band formed around 1985 in the Sefton area. The original five-piece act consisted of Tony Cannon (guitar), Tommy Pendelton (bass), Marty Bennett (guitar), Dave Hartley and Dave Selwood (drums and vocals). With some adjustments over time (the addition of Azzy on sax and Ste on vocals) the original line-up is still performing nowadays.The band played a 70s flavoured pop rock, as can be hear in the band’s only song ever released (Lose All Control, on the Twist and Samba compilation in 1986) and in the numbers of the same period which can be found at the band’s official site.
giovedì 23 settembre 2010
The Iconoclasts - Spotty Dog (1985)
The Iconoclast – Mandy Bendix (vocals, guitars, former A.T.A., later Mere Dead Men), Dibbie (a.k.a. Dib, vocals, guitars, ex Joyful Assault), another Mandy (a.k.a. Moge, bass, vocals, former Joyful Assault, later Decomposed) and Spekki (drums) – released their firs official maxi single in May 1985:
Spotty Dog (1985)
Side A:
- Bilge And Moans
- Nosferatu
- Chocolate Lime Junkies
Side B:
- Rainbow
- Sylvester Gridsporn
- The Eyelash Song- Spotty Dog
The press release accompanying the release reads as follows:
‘On Friday 10th May 1985, the combined efforts of all girl punk band The Iconoclasts, Station House Studios, Skysaw Records and Ryker Pressing plant made a successful attempt at seting a new World record for the fastest time from the band playing live to the finished 12” maxi single being on sale.
‘Up to date there is no officially recorded record breaking time, though previously 24 hours has been the unofficial time.
‘We have now set a new challenge of 10 hours and 22 minutes.
‘Once the recording had been completed, the tapes were flown by helicopter to London where lacquers were cut. Then to Leicester, by helicopter, where stampers were processed. On completion of the process, the helicopter returned o Wallasey, Merseyside, where Ryker commenced presing.
The first quantity of records were then flown over the Mersey to The Albert Dock Merseyside Alive ’85 Jamboree.
The first copies of the record were being sold before 11pm.
The first radio airplay was at Midnight on BBC Radio Merseyside, Friday 10th May 1985.
‘Merseyside Alive ’85 financed the single
Station House Studios recorded and edited the tapes
Ryker financed helicopter transport
Skysaw Records are looking after promotion and monitoring distribution
Probe/Cartel are distributors
‘TIMETABLE OF EVENTS
Friday May 10th 1985
12.10 Helicopter leaves Albert Dock, Liverpool, for London
13.18 Tapes arrive London and taken to cutting room
15.30 Helicopter leaves for Leicester
16.15 Arrive Leicester for lacquers to be mastered
21.25 Helicopter leaves for Ryker Pressing plant, Wallasey, Merseyside
22.10 First copy of record available
22.50 Box of records arrives, bu helicopter, at Albert Dock for sale
24.00 First Airplay on BBC Radio Merseyside
‘The whole operation was independently monitored and documented by Con McConville of BBC Radio Merseyside, and witnessed by representatives from Skysaw Records, Station House Studios and Ryker.’
spotty dog
(see also: http://uk82.150m.com/bands/iconoclasts.html
http://www.myspace.com/mandymdm/photos/albums/iconoclasts/1053699 )
Spotty Dog (1985)
Side A:- Bilge And Moans
- Nosferatu
- Chocolate Lime Junkies
Side B:
- Rainbow
- Sylvester Gridsporn
- The Eyelash Song- Spotty Dog
The press release accompanying the release reads as follows:
‘On Friday 10th May 1985, the combined efforts of all girl punk band The Iconoclasts, Station House Studios, Skysaw Records and Ryker Pressing plant made a successful attempt at seting a new World record for the fastest time from the band playing live to the finished 12” maxi single being on sale.
‘Up to date there is no officially recorded record breaking time, though previously 24 hours has been the unofficial time.
‘We have now set a new challenge of 10 hours and 22 minutes.
‘Once the recording had been completed, the tapes were flown by helicopter to London where lacquers were cut. Then to Leicester, by helicopter, where stampers were processed. On completion of the process, the helicopter returned o Wallasey, Merseyside, where Ryker commenced presing.The first quantity of records were then flown over the Mersey to The Albert Dock Merseyside Alive ’85 Jamboree.
The first copies of the record were being sold before 11pm.
The first radio airplay was at Midnight on BBC Radio Merseyside, Friday 10th May 1985.
‘Merseyside Alive ’85 financed the single
Station House Studios recorded and edited the tapes
Ryker financed helicopter transport
Skysaw Records are looking after promotion and monitoring distribution
Probe/Cartel are distributors
‘TIMETABLE OF EVENTS
Friday May 10th 1985
12.10 Helicopter leaves Albert Dock, Liverpool, for London
13.18 Tapes arrive London and taken to cutting room
15.30 Helicopter leaves for Leicester
16.15 Arrive Leicester for lacquers to be mastered
21.25 Helicopter leaves for Ryker Pressing plant, Wallasey, Merseyside
22.10 First copy of record available
22.50 Box of records arrives, bu helicopter, at Albert Dock for sale
24.00 First Airplay on BBC Radio Merseyside
‘The whole operation was independently monitored and documented by Con McConville of BBC Radio Merseyside, and witnessed by representatives from Skysaw Records, Station House Studios and Ryker.’
spotty dog
(see also: http://uk82.150m.com/bands/iconoclasts.html
http://www.myspace.com/mandymdm/photos/albums/iconoclasts/1053699 )
martedì 21 settembre 2010
Grown up Strange (1983-1986)
New Romantic band originally form Ulverston. After playing with punk 
acts the Spurts (1978) and the Hormones (1979), Chris ‘Mokka’ Hutchinson (guitars, vocals) and Mike Gaunt (drums) formed Grown up Strange in 1981 with Toby Wren (guitars), and Norman Scott (keyboards).
As to the origin of the band Hutchinson told ‘Blast Off’ Magazine:
‘I started off in a punk band. But that developed into Grown Up Strange. Mike was drumming in it, this was 78/79. Then Mike moved to Manchester, and I was just a bedroom guitarist for a couple of years. I spent a couple of years just growing up, starting to write my own stuff. In this punk band, The Spurts – and then we became The Hormones! – we used to do cover versions of about four Buzzcocks songs, and The Only Ones – and XTC. And then we, as I say, split up and when we came back it was with our own material.” (Blast Off, 1/1986)
In 1982, Wren and Scott were replaced respectively by Steve Wildgoose and Greg Shields. In 1985 the new recruits were substituted by Simon ‘Bendy’ Bennet (bass, former Hoi Polloi, Sonny & a Million) and David Williams (keyboards). Finally, in 1986 Bennet quit to be replaced by Roy Corckill (a.k.a. Roy Corckhill) former Here’s Johnny and Black) (ands the group was joined by Colin Vearncombe, from Black, for live work). This line-up recorded the band’s only single, released in August 1986:
A Wing and a Prayer (1986)
- A Wing and a Prayer
- When You Became That Summer
- Now Winter Lasts Forever
Here’s the band recording info (1987):
‘The seeds of Grown Up Strange were sown in Ulverston in the Lake District. It was there that Christopher Mark (Mokka) Hutchinson and Michael Gaunt decided to form a group together.. They have known each other since schooldays and played in various local punk bands back in 1977. Their partnership was interrupted for a while when Michael went to study in Manchester and then fell off his motor bike and spent nine months on crutches. In 1083 they adopted their current name and started to perform Mokka’s songs.
‘They made occasional forays to play gigs around the North but found it difficult operating from Ulverston, so in 1984 they decided to move. They chose Liverpool, having visited the city regularly to see gigs at Eric’s. They found themselves a manager, Dave G who has been heavily involved in the local music scene for longer than many people can remember (but is still only 28). They also found a new bass player Bendy and keyboard player Dave Williams and started to take the group seriously.
‘After a solid grounding in the clubs and colleges of Merseyside, they toured properly for the first time in the autumn of 1985 as support to the Icicle Works. They went down well to be asked back to some of the same venues in their own right. Colin Vearncombe joined the group for live work to fill out the sound and in return Mokka plays guitars at Black gigs.
‘Grown Up Strange haven’t been as active as they would like to have been in 1986 for several reasons. Firstly Bendy left the band to live in London to be replaced by Roy Corckill who as played in many groups in Liverpool including Here’s Johnny and Black. Secondly, the local club scene for up and coming groups has all but disappeared and finally, hardly anybody outside Liverpool is prepared to book a group without any records out. Consequently their live work in the last year has been restricted to several supports around Liverpool and gigs in their own right in Blackburn, London, Barrow And Manchester. Hopefully the release of their first single ‘A Wing and a Prayer’ on Uglyman Records will enable them to travel more widely as it is live that the group shines.’
grown up strange
acts the Spurts (1978) and the Hormones (1979), Chris ‘Mokka’ Hutchinson (guitars, vocals) and Mike Gaunt (drums) formed Grown up Strange in 1981 with Toby Wren (guitars), and Norman Scott (keyboards).As to the origin of the band Hutchinson told ‘Blast Off’ Magazine:
‘I started off in a punk band. But that developed into Grown Up Strange. Mike was drumming in it, this was 78/79. Then Mike moved to Manchester, and I was just a bedroom guitarist for a couple of years. I spent a couple of years just growing up, starting to write my own stuff. In this punk band, The Spurts – and then we became The Hormones! – we used to do cover versions of about four Buzzcocks songs, and The Only Ones – and XTC. And then we, as I say, split up and when we came back it was with our own material.” (Blast Off, 1/1986)
In 1982, Wren and Scott were replaced respectively by Steve Wildgoose and Greg Shields. In 1985 the new recruits were substituted by Simon ‘Bendy’ Bennet (bass, former Hoi Polloi, Sonny & a Million) and David Williams (keyboards). Finally, in 1986 Bennet quit to be replaced by Roy Corckill (a.k.a. Roy Corckhill) former Here’s Johnny and Black) (ands the group was joined by Colin Vearncombe, from Black, for live work). This line-up recorded the band’s only single, released in August 1986:
A Wing and a Prayer (1986)- A Wing and a Prayer
- When You Became That Summer
- Now Winter Lasts Forever
Here’s the band recording info (1987):
‘The seeds of Grown Up Strange were sown in Ulverston in the Lake District. It was there that Christopher Mark (Mokka) Hutchinson and Michael Gaunt decided to form a group together.. They have known each other since schooldays and played in various local punk bands back in 1977. Their partnership was interrupted for a while when Michael went to study in Manchester and then fell off his motor bike and spent nine months on crutches. In 1083 they adopted their current name and started to perform Mokka’s songs.
‘They made occasional forays to play gigs around the North but found it difficult operating from Ulverston, so in 1984 they decided to move. They chose Liverpool, having visited the city regularly to see gigs at Eric’s. They found themselves a manager, Dave G who has been heavily involved in the local music scene for longer than many people can remember (but is still only 28). They also found a new bass player Bendy and keyboard player Dave Williams and started to take the group seriously.
‘After a solid grounding in the clubs and colleges of Merseyside, they toured properly for the first time in the autumn of 1985 as support to the Icicle Works. They went down well to be asked back to some of the same venues in their own right. Colin Vearncombe joined the group for live work to fill out the sound and in return Mokka plays guitars at Black gigs.
‘Grown Up Strange haven’t been as active as they would like to have been in 1986 for several reasons. Firstly Bendy left the band to live in London to be replaced by Roy Corckill who as played in many groups in Liverpool including Here’s Johnny and Black. Secondly, the local club scene for up and coming groups has all but disappeared and finally, hardly anybody outside Liverpool is prepared to book a group without any records out. Consequently their live work in the last year has been restricted to several supports around Liverpool and gigs in their own right in Blackburn, London, Barrow And Manchester. Hopefully the release of their first single ‘A Wing and a Prayer’ on Uglyman Records will enable them to travel more widely as it is live that the group shines.’
grown up strange
Iscriviti a:
Post (Atom)
