Busted Hard Drive.........

Hi Folks.....



Well, it finally had to happen.  My computer's internal hard drive is kaput.

The good news is, I've kept all my media files on my external hard drive.

The bad news is, I need my C: drive to access it.

So until I get it fixed (hopefully within a week), I won't be able to re-up anything or fix bad links or post anymore music. 

Thanks again for your patience.

Cheers. 

(VA) A Touch Of Fringe: The Compilation

As regular visitors to my blog will attest, I try not to be a one-trick pony.  That is to say, that while I have posted a helluva lot of Canadian punk rock from the 70s, I try to keep things diverse.  As you'll also recognize, I try to post items that are no longer available. 

Case in point, this extremely rare release by the now-defunct, Fringe Records ("Fringe Product"):

A Touch Of Fringe brings together some of Canada's finest proponents of aggressive music.  You've got yer Dayglo Abortions, your Bunchoffuckingoofs, Razor, Slaughter, Sacrifice and so much more.  The genres on this disk run the gamut from Industrial, to Speed/Thrash Metal, Death Metal, Punk, Techno and Crossover.

Fringe Product was the brainchild of one Ben Hoffman, who also used to be the man behind The Record Peddler store and Record Peddler Distribution.  From the late 70s to 2000, Fringe was one of Canada's most important punk rock and heavy metal labels, if not THE most. 

(If you were of a certain age in 1988, you may remember that Fringe and Record Peddler were brought up on obscenity charges: a police officer from Nepean, Ontario instigated a criminal investigation of the Dayglo Abortions, after his daughter brought home a copy of Here Today, Guano Tomorrow.  The cover shows a picture of a hamster eating from a box of chocolates on nice satin sheets, along with a glass of wine. A gun points at the hamster.  The back cover, on the other hand, shows a depiction of the resultant carnage.  For the record -- if you'll excuse the pun -- a jury cleared the companies of all charges in 1990.)  


Anyway, click on the album cover to download a copy of 1993's extremely rare A Touch Of Fringe.

(VA) A Touch Of Fringe - The Compilation (1993):

1	Death and Horror Inc.	Pain and Courage	3:44
2	Sacrifice	Storm In The Silence	4:09
3	Disciples Of Power	Nature's Fury	5:31
4	Dayglo Abortions	Here Today Guano Tomorrow	4:55
5	Razor	Sucker For Punishment	4:03
6	Splatterpunk	Inner Sanctum	3:45
7	Dogs With Jobs	Stone Cold Killer	5:05
8	Bunchofuckingoofs	Coke The Real Thing For Real Assholes	2:26
9	Northern Vultures	Clean Up Verdun	4:19
10	Slaughter	F.O.D.	3:56
11	Mad	Special Olympics	1:44
12	Sacrifice	Re-Animation	3:51
13	Death and Horror Inc.	Climbing	4:43
14	Disciples Of Power	Crisis	3:55
15	Razor	Shotgun Justice	3:16
16	Dogs With Jobs	Dogs With Jobs	2:52
17	Sacrifice	Sacrifice	3:09

Ishan People: A Little Jamaica By Way Of Toronto

LINKS REMOVED BY REQUEST

The development and acceptance of reggae in Canada followed the same pattern as that in Britain and United States: when Jamaicans settled into this country in the 50s and 60s, they brought the music of their homeland with them.  Eventually, they began to promote and record their own releases here.

Pioneers in the 60s included Toronto's first ska and rock-steady groups, The Rivals, The Sheiks, The Cougars, and The Cavaliers.  In fact, the city became of hotbed of North American reggae, what with several reggae venues opening up: The West Indian Federation Club, Club Jamaica, Tiger's Den and The Blue Angel.  Jackie Mitoo became the first reggae artist to record a disc in Canada.  He was soon followed by Stranger Cole, Tony Eden, Audley Williams, the Webber Sisters, Leroy Brown, and Joe Issacs.

The First Record

In 1976, Toronto's Ishan People -- featuring vocalist Errol "Johnny" Osbourne (a.k.a. Bumpy Jones), Larry Silvera on bass, drummer Karl Parris Jr., keyboardist David Jones, Glen Daley on percussion and guitarists Michael Murray and Anthony Campbell -- recorded their first album, Roots, for GRT Records.  While Roots was a mélange of Jamaican rhythms, it also reflected the band's Canadian home; in other words, it was nice.

The Followup

But where Roots lacked in production values and ferocity, the followup a year later was an improvement.  While, still not as biting as their brethren back home in Jamaica, the production is better on this one.  And clubs around Toronto took notice: Ishan People performed on many of the same bills as the city's notorious punks of the era.

By 1979, however, Ishan People went their separate ways.  But their influence was immeasurable: the following 15 years would spawn a plethora of Canadian reggae bands such as (in no particular order) Messenjah, Fujahtive, Sattalites, Truths & Rights, 20th Century Rebels, Sonia Colleymore and others.

After the band's demise, Johnny Osbourne returned to Jamaica, where he began a prolific recording careers, where he would record a stunning 18 albums in the space of just 12 years.

Ishan People - Roots (1976):

1

Ishan People

Tough Tight & Dread

4:31

2

Ishan People

I Shall Be Released

4:31

3

Ishan People

One Way Ticket

3:48

4

Ishan People

Lies

4:07

5

Ishan People

Your Money Or Your Life

5:29

6

Ishan People

Talkin' Blues

4:40

7

Ishan People

Situation Vacant

2:51

8

Ishan People

No Ganja

3:21

Ishan People - Ishan People (a.k.a. Reggae Sun) (1977):

1	Ishan People	Come To The Music	4:13
2	Ishan People	Hold On	3:45
3	Ishan People	Inflation	3:32
4	Ishan People	Sweet Chariot	4:33
5	Ishan People	Let The Rhythm Roll	3:18
6	Ishan People	Mighty Warrior	3:48
7	Ishan People	Rainbow	3:13
8	Ishan People	Trenchtown	5:35

The 'B' Girls: Fun You! Not Fuck You.

I have to say, I'm not sure what the "B" in 'B' Girls implies.  But some cursory internet research leads me to believe that the definition leads me to believe they are referring to women employed by bars, nightclubs, what have you, to act as a companion to male customers and induce them to buy drinks. 

Nevertheless, this is not your primordial Riot Girrrl Dishrags or Curse.  Presumably, these were a bunch of fun-loving gals who reportedly decided to start a band in the washroom of a 1977 Thin Lizzy concert in Toronto.

(That is to say, I believe the decision to start a band was made in the washroom, not to play there, lol.)

Anyhoo...

Of course, by all accounts, they had no songwriting or musical experience.  What they had, however, was attitude and panache.  They had met that summer at Toronto's do-it-yourself punk rock club, The Crash 'n' Burn.  Later, they play their first gig at back-alley gay bar, Club Davids, joining the Viletones on stage.  They play two sets of the only six songs they know.  Their sound is in direct contrast to the the noisy, sweaty punk rock of contemporaries The Curse, Viletones or The Ugly:  good, clean fun dressed up in matching striped sweaters.

While many Toronto punk bands played at legendary New York City clubs CBGB and Max's Kansas City, The 'B' Girls actually moved to the Big Apple. They were supposed to play their first gig at Max's, sharing the bill with The Romantics.  But a huge blizzard led to the show being cancelled.  But they're determined to stay and play a make-up date: later that week, Hilly Krystal of CBGB puts them on the same bill with The Poles, also from Toronto.  The Poles, are reportedly not amused.  The Romantics, meanwhile, leave town without playing.

However, The Clash happen to be in the crowd that night.  The two groups strike up a friendly alliance.  Mick Jones and company ask The 'B' Girls to open for them on their upcoming North American tour.  They're slotted to open for The Clash for their first Toronto appearance.  But vocalist Lucasta Ross reportedly quits the night before the show.

So rhythm guitarist Xenia Splawinski takes over on lead vocals.  Renee Chetsky takes over lead guitar while Marcy Saddy (late of London, Ontario's Demics) replaces Rhonda Ross on drums.

 The Clash return to Toronto a year later, with the Girls opening once more at the prestigious O'Keefe Centre.  Promoters are quickly dismayed when fans go nuts and start ripping apart one of Canada's finest concert halls.  The two bands would also tour the Western parts of North America.  Mick Jones even produces three studio recordings for the girls.

But it wasn't just Mick Jones.  Debbie Harry would play a role in the development of The 'B' Girls:

They ask the Blondie lead singer to produce a late-night session at New York's The Power Station recording studio.  She produces a demo version of Eddie Schwartz's "Two Hearts".  In return, the girls open for Blondie on stage and sing backup live and on the Autoamerican LP. 

Cynthia Ross, who reportedly has been acting as group manager, gets sisterly advice from Debbie, continuously warning her of the men in the recording biz, who would try to change the girls, and take away their artistic freedom. 

But the record company managers would keep trying, attempting to impose their their own vision of the band.  But the girls resist every attempt: they turn down choreographers, the suggestion of session musicians and every other recommendation that was contrary to the spirit of the band and the times.  The 'B' Girls persevered for the sake of their own artistic freedom, sleeping on floors and opening for Johnny Thunders in NYC's shit-hole bars. 

Still, it seemed to be paying off, with the result being that the girls had a hell of a time.  They became darlings of the Sid Vicious, Johnny Thunders, Joe Ramone and Stiv Bators set.  Cynthia was even engaged to the Dead Boys vocalist for a time. 

The 'B' Girls - "High School Dance"

Along the way, they shared a CBGB poetry bill with Allen Ginsberg (!).  One unnamed poet reportedly went so long, that The 'B' Girls went next door to The Ramones' loft.  They changed clothes and returned to the club wearing matching pink pyjamas. 

Not the matching pink pyjamas. 

No other band from Toronto's punk rock scene was as well-woven into any city as The 'B' Girls were in New York.  Johnny Thunders, The Ramones, Post-Runaway/Pre-Blackheart Joan Jett: they all jumped up on their stage to join them in musical frivolity. 

Meanwhile, the expected record deal never materialized: 

Polygram Records U.K. flew in three times to check out The 'B' Girls.  The girls kept waiting for a better offer. 

The Copelands of FBI and IRS Records waited.  They finally released The Go-Go's six months later. 

The Ritz's Jerry Brandt kept them waiting outside his office for a gig they never got. 

Phil Spector kept them waiting so long, they fell asleep in his waiting room. 

The 'B' Girls waiting until 1982 before breaking up; no record label ever signed them. 


The girls have since reformed for several reunion gigs over the past several years. 

Who says girls can't rock? 




The 'B' Girls (1977-1981):

1	The 'B' Girls	'B' Side	2:14
2	The 'B' Girls	Hearts In His Eyes	3:44
3	The 'B' Girls	Heartbreaker	2:26
4	The 'B' Girls	Alibi (Demo)	3:09
5	The 'B' Girls	Who Says Girls Can't Rock	3:15
6	The 'B' Girls	Boys Are Drinking	3:06
7	The 'B' Girls	Two Hearts #1 (Longer Version)	3:23
8	The 'B' Girls	Alibi (1980)	3:10
9	The 'B' Girls	Jealousy	2:28
10	The 'B' Girls	Fun At The Beach	2:18
11	The 'B' Girls	Two Hearts #2 (Shorter Version)	3:17
12	The 'B' Girls	Angel Doesn't Shoot A Gun	2:14
13	The 'B' Girls	Mystery	3:25
14	The 'B' Girls	Alibi (1979)	2:46
15	The 'B' Girls	Big Girl	4:00
16	The 'B' Girls	Savage Fever	3:19
17	The 'B' Girls	Chinese Rocks	3:00
18	The 'B' Girls	Long Distance Love	3:20
19	The 'B' Girls	Fun At The Beach	2:18

Stay Tuned...More Posts Coming Soon

Once again, it's been crazy busy on my end.  I appreciate the daily visits and I respect that you're still yearning for more music. 

Have patience, little one...I'll be posting more stuff soon. 

Cheers!

(VA) Time Machine: The History Of Canadian 60s Garage Punk and Surf (1985-95) Reupped In Zip Format!

Back by popular demand.  Sorry to the folks who had earlier requested it and I never got around to reupping it.  IT IS NOW IN ZIP FORMAT!

Here it is in all its garage-sloppy splendour.

The Diodes

In the interests of full disclosure, I have to say that the following photos are taken from various sources around the internet.  

Nonetheless, I'm posting their first two albums from Epic Records.  The songs here were included in their entirety on Tired Of Waking Up Tired: The Best of The Diodes - The Original Recordings, 1977-1979 along with outtakes from their subsequent 1980 album Action/Reaction. 

You're gonna get Action/Reaction as well as their hard to find outtakes album, Survivors.  

Cheers.  

Photo By Ralph Alfonso

 

The Diodes formed in late 1976 with an amalgam of influences from The Who, Marc Bolan, Iggy Pop and MC5.  They began touring that year in Canada and the United States.  In 1977, the band and their manager Ralph Alfonso ran Canada's first punk club, The Crash 'n' Burn.  The building that housed the club was owned by CEAC, the Centre for Experimental Art and Communication.  CEAC recruited The Diodes and Mickey Skin from The Curse, to record a double-sided single, "Raw/War" (IF ANYONE HAS A RECORDING OF THE DIODES SIDE THAT THEY'D BE WILLING TO MP3, PLEASE CONTACT ME IMMEDIATELY), which was a propaganda newsletter for CEAC issued under the guise of Crash And Burn Records.

That summer, The Diodes played CBGB's in New York City and had been written up in Melody Maker, NME, Creem, etc.  The group signed to CBS Records in August of 1977, making it one of the first Punk Rock/New Wave albums of the era. 

When members of the Diodes read Paul Simon saying he hated punk rock, they decided to record a punked-up version of the 60s hit he had written for The Cyrkle, "Red Rubber Ball".  "RRB" was the first New Wave single on Canadian charts (peaking at a modest Number 96 on the RPM Singles Chart).  It reached Number 5 on U.S. Record Week's New Wave Top 20 Countdown in February, 1978.  

Photo By Ralph Alfonso

November, 1977 saw The Diodes headlining New York City's notorious Max's Kansas City, with Wendy O. Williams (later of The Plasmatics) introducing them on stage.  The Diodes LP was released in France, Sweden, Germany and Holland.  It would also be a top selling CBS import in the USA and UK.  

Photo By Ralph Alfonso

It was during a 1978 U.S. tour that the group introduced the song, "Tired Of Waking Up Tired".  It created an instant sensation so strong that it was rush-released and rocketed onto US radio stations, where it climbed into the Top 20 and, in some cases, the Top 5 in many markets.  It reached No. 36 in Sounds magazine's Best of 1978 chart.  A number of years ago it was voted No. 17 on Chart magazine's Top 50 Canadian Songs Of All Time. 

The Diodes were active on the Canadian and American music scene: they toured with the likes of U2, The Ramones, Dead Boys, Talking Heads, Ultravox, Split Enz, The Cramps and Gary Numan. 

Photo By Steve Jossiter

By 1981 the group had split, with singer Paul Robinson and  guitarist John Catto moving to London, England.  The band has since reformed for occasional gigs.  They are now back on tour.  

There's more to The Continuing Story of The Diodes, but I just can't think right now. 

I guess I'm just tired of waking up tired. 

(Aw, c'mon...you KNOW I was gonna put something corny in there!)

http://www.mediafire.com/download.php?zzinkmogtmm

The Diodes (1978):

1	Diodes	Red Rubber Ball	2:35
2	Diodes	Child Star	1:56
3	Diodes	Tennis (Again)	3:18
4	Diodes	Blonde Fever	3:04
5	Diodes	Plastic Girls	3:40
6	Diodes	Death In The Suburbs	3:05
7	Diodes	Behind Those Eyes	2:32
8	Diodes	Midnight Movie Star	2:19
9	Diodes	We're Ripped	2:16
10	Diodes	China Doll	2:40
11	Diodes	Shapes Of Things To Come	2:16
12	Diodes	Time Damage	2:18

http://www.mediafire.com/file/zzinkmogtmm/[1979] Released.zip

Released (1979):

1	Diodes	Red Rubber Ball	2:35
2	Diodes	Teenage Nation	3:52
3	Diodes	Photographs From Mars	3:49
4	Diodes	Madhouse	3:40
5	Diodes	Mercenary Flight	3:09
6	Diodes	Tired Of Waking Up Tired	2:53
7	Diodes	Jenny's In A Sleep World	2:49
8	Diodes	Weekend	3:03
9	Diodes	No Right To Make Me Bleed	3:13
10	Diodes	Terminal Rock	2:22

http://www.mediafire.com/download.php?ejmxyz3ojaa

Action/Reaction (1980):

1	The Diodes	That Was The Way It Was	3:45
2	The Diodes	Catwalker	3:28
3	The Diodes	Strange Time	2:52
4	The Diodes	Polaroid	2:37
5	The Diodes	Action-Reaction	3:15
6	The Diodes	City Of The Dead	4:03
7	The Diodes	Rock It	4:18
8	The Diodes	Everything I Am	3:12
9	The Diodes	Edge Of Darkness	3:07

Survivors (1982):

1	Diodes	Survivors	2:55
2	Diodes	When I Was Young	4:15
3	Diodes	Hot Sands	4:29
4	Diodes	Heat Or The Beat	4:35
5	Diodes	Lost In The Dark	2:47
6	Diodes	Burn Down Your Daddy's House	3:13
7	Diodes	Curiosity Girl	2:47
8	Diodes	Roses and Thorns	3:19
9	Diodes	Coma	2:47
10	Diodes	Play With Fire	5:28