TempleCon News, Shorty Awards, February Special Features

Only one more week until TempleCon! I’m scrambling to get my panels ready and will be there with The Wandering Legion of the Thomas Tew. TempleCon has a special place in my heart, particularly because it was there that the co-chair Madame Ximon suggested that I turn Beyond Victoriana into a presentation panel. It was talking with her that planted the idea in my head to start speaking specifically about steampunk & social issues at conventions. And so, after a year touring the country speaking about these topics, it’s really great to come back to the place that inspired it all.

See below for panels & events I will be hosting/attending:

Steam Around the World: Steampunk Beyond Victoriana
Saturday, February 5th, 3-4:30pm Convention Suite 2 – Rm. #632

Retro-Futurists’ Fashion Show
Saturday, February 5th, noon-1pm The Rotunda
Modeling for Festooned Butterfly

“What’s So Feminist About Steampunk?” hosted by Jocelyn Stengel Ahern
Saturday, February 5th, 1pm-2pm Convention Suite 2 – Room #632

Steampunk Photo Shoot with The Wandering Legion of the Thomas Tew
Saturday, February 5th, 2pm-3pm The Rotunda

Envisioning a Better Steam Society: Social Issues & Steampunk
Sunday, February 6th, 1-2:30pm Convention Suite 1 – Rm. #637
Featuring guest panelists Leanna Renee Hieber, Lucretia Dearfour, Monqiue Poirier, and Samara Martin.

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QUAINT #5 Ayesha from She: A History of Adventure and other Novels by H. Rider Haggard

Image courtesy of Wikipedia

Ayesha was created by H. Rider Haggard and appeared in She: A History of Adventure (in The Graphic, Oct. 1886 to January 1887, and then as a novel in 1887), Ayesha: The Return of She (1905), She and Allan (1921), and Wisdom’s Daughter(1923). Haggard (1856-1925) was a prolific, popular, and influential novelist whose works are still read for pleasure today.

She: A History of Adventure is about Ayesha, She Who Must Be Obeyed, the Queen of the Amahagger people of Africa. Centuries ago Ayesha (pronounced “ASH-sha”), then the “mighty Queen of a savage people,” met and fell in love with Kallikrates, an Egyptian priest who had fled Egypt with his love, the Princess Amenartas. Kallikrates would not leave Amenartas, however, and the enraged Ayesha kills Kallikrates. The pregnant Amenartas flees, but the heartbroken Ayesha remains, mourning Kallikrates and waiting for him to return. Amenartas meanwhile charges her descendants with avenging Kallikrates’ death. She takes place in the modern day as Cambridge Don L. Horace Holly and his adopted son Leo Vincey discover that Leo is the descendant of Amenartas. Holly does not initially believe it, but Leo does, and the pair travel to Africa, accompanied by their servant Job, to find the truth behind the story.

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#61 Steam-Powered: Lesbian Steampunk Stories — A Roundtable Interview, Part 2

Note: This is part 2 of our roundtable interview with several contributors to Steam-Powered. Read part 1 here.


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#60 Steam-Powered: Lesbian Steampunk Stories — A Roundtable Interview, Part 1

Steam-Powered: Lesbian Steampunk Stories is a very unique anthology for a variety of reasons. By unique, I’m not stating that this anthology is tailor-made for only a specific target audience (though it may scream “niche” to the average reader.) Still, upon first impression, a reader might wonder: would someone who isn’t queer or female or a romance lover still enjoy this book? Torquere Books, known for its queer and alternative literature, may be jumping onto the growing steampunk bandwagon that is gaining speed in the publishing world. And, some people might fear the worst after steampunk Palin– is Steam-Powered just another trend-hopper?

No, it is not. To think so would do a great disservice to the quality of work contained within this volume, and the literary thoughtfulness from both the contributing authors and Steam-Powered‘s editor JoSelle Vanderhooft.

These stories feature the work of several prominent and up-and-coming writers in the SF/F world. It starts off strong with N.K. Jeminsin’s The Effluent Engine,” previously published on her blog for the A Story for Haiti fund-raising campaign, and also includes the work of Georgina Bruce, D.L. MacInnes, Sara M. Harvey, Beth Wodzinski, Rachel Manija Brown, Shira Lipkin, Matthew Kressel, Meredith Holmes, Teresa Wymore, Tara Sommers, Mikki Kendall, Shweta Narayan, Mike Allen, and Amal El-Mohtar.

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Africans in Ancient China & Vice Versa, Part 4: A Final Word about Zheng He–Guest Blog by Eccentric Yoruba

Note: This is the final segment in a four-part series by Eccentric Yoruba about Ancient Africa & China, cross-posted with her permission. Also, check out parts 1, 2, and 3.


Monument of Zheng He located in the Stadthuys, Melaka, Malaysia. Click for source.

Zheng He’s 7th expedition was his last and after years of moving back and forth between the East African coast and China, all contact ceased. Some people may look at this and say that the Chinese turned their backs on Africa, but if you look at the situation within China in that time, it sheds more light on this situation.

In 1424, the Yongle Emperor died. His successor, the Hongxi Emperor (reigned 1424–1425), decided to curb the influence at court. Zheng He made one more voyage under the Xuande Emperor (reigned 1426–1435), but after that Chinese treasure ship fleets ended. Zheng He died during the treasure fleet’s last voyage.

…Chinese merchants continued to trade in Japan and southeast Asia, but Imperial officials gave up any plans to maintain a Chinese presence in the Indian Ocean and even destroyed most of the nautical charts that Zheng He had carefully prepared. The decommissioned treasure ships sat in harbors until they rotted away, and Chinese craftsmen forgot the technology of building such large vessels. (Source.)

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QUAINT #4 Kala Persad from “The Divinations of Kala Persad” by Francis Edward Grainger

Kala Persad was created by “Headon Hill” and appeared in The Divinations of Kala Persad (1895), a collection of short stories. “Headon Hill” was the pseudonym of Francis Edward Grainger (1857-1924), an English author of romance, mystery, and detective fiction.

Kala Persad is a wizened old Indian man, “at least sixty…he must have been a grown man as far back as the Mutiny days.” Persad is being pursued by a trio of “bad Mahometan budmásh” (evildoers) when he stumbles across Mark Poignand, an Englishman who has come to India to investigate possible murder attempts against a friend. Poignand, an overly-self-assured young man, does not do much to save Persad. Poignand simply stands there and watches as the murderers, “seeing that they had a Sahib to deal with, vanished without more ado across the adjoining fields.” Persad is so grateful for Poignand’s “help” that he solves the mystery of who was trying to kill Poignand’s friend. After that, Poignand presumes on Persad’s gratitude and returns to England with him.

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#59 Multipart Extensions II, ROBOTIKA: FOR A FEW RUBLES MORE–Guest Blog by Noah Meernaum

Note: This week features Noah Meernaum, with a dual review of ROBOTIKA and its follow-up, ROBOTIKA: FOR A FEW RUBLES MORE.

Wherein the graphic series Robotika is seen to be mounting up and continuing into further outbound territory proclaimed to be steadily aided by an additional scribe (causing much trepidation upon the reviewer).

Robotika: For a Few Rubles More by Alex Sheikman (writer/illustrator), David Moran (writer/script), Joel Chua and Scott Keating (colors). Archaia Press, 2009.

Alex Sheikman’s resplendently rendered comic concoction Robotika was (as serial albums often intentionally are) left largely open-ended regarding its leading characters and had rather boldly proclaimed that its odd cast would be drawn further forth within the sequential sequel subtitled For a Few Rubles More. I reckon most readers will recall that this secondary heading is an exchanged refrain rung from Sergio Leone’s notorious noodle western For a Few Dollars More (Per qualche dollaro in più, 1965) aptly referenced by Sheikman as a flipside further molded by Russian relations. 1 This inflected impartment reflects upon Sheikman’s personal experience living in Russia and tenders due currency toward maliciously ‘made men’ or marked outlaws. 2

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#58 Multipart Extentions Round the Collected Graphic Series ROBOTIKA–Guest Blog by Noah Meernaum

Note: This week, Noah Meernaum (who previously wrote for Beyond Victoriana about racial representations in Weird West comics) returns with a dual review of ROBOTIKA and its follow-up, ROBOTIKA: FOR A FEW RUBLES MORE. The first review is below, and its companion piece will be posted on Monday.

Steampunk is currently continuing to be abundantly referenced to describe a vast array of fictional works that have presently arisen in the revitalized interest around this peculiar fantastic amalgam. Amid this extensive fictive outgrowth there is an increasing concentration towards advancing beyond any given geographical location, fixed elements, or customary Western outlooks surrounding steampunk. These alternate positions and views, while being openly encouraged as further imaginative formulations enlarging upon the allowable confines of this compound term, are sometimes held as far flung adoptions disproportionately conjoined of disagreeable parts or disparate plots.

One such decisive adaptive outthrust of steampunk is graphically pronounced in the comic series Robotika, that through its principal creator Alex Sheikman’s descriptive reference as being informed of a “samurai steampunk” is sure to directly incite those opposed to such an audacious concoction.1 Certainly this conjunction of Eastern emblems interacting with Western motifs is not novel in its projected mythical fusion. This perpetual exchange has stemmed from the pioneering films of Akira Kurosawa and continued in current re-shoots or re-slashes such as Takashai Mikke’s Sukiyaki Western Django (2007) and Ji-woon Kim’s The Good, The Bad, The Weird (2008). 2 Afro Samurai (Manga or magazine format, 1999-2000) is another preceding animate example of engaging what would appear to be disparate cultural elements portrayed through alternate perspectives. 3

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Africans in Ancient China & Vice Versa, Part 3: Zheng He’s Star Fleet–Guest Blog by Eccentric Yoruba

Note: This is the third in a four-part series by Eccentric Yoruba, cross-posted with her permission. Here are parts 1 and 2. Check out the rest of her Ancient Africa & China series appearing every Friday throughout this month.

 

The Ming Dynasty's fleet of giant ships predates the Columbus expedition across the Atlantic. Photograph of the display in the China Court of the Ibn Battuta Mall in Dubai. Click for more info.

In 1414 a Chinese fleet heralded by the Muslim Grand Eunuch of the Three Treasures, Zheng He (also known as Cheng Ho) sailed into the western Indian Ocean for the fourth time since his journey to the East began in 1405. In previously, that is between 1405 and 1414, Zheng He and his ships had reached the ports of Indonesia, south-west India and Ceylon. However, the trip in 1414 was special because the fleet was advancing into more distant regions beyond South Asia and the Arabian Gulf and in the process, covering a larger total of water than any seafaring people had before.

Zheng He is frequently referred to as the Chinese Columbus and today he has become the personification of maritime endeavour for China. I am personally not fond of this comparison between Zheng He and Columbus; Zheng He was much cooler they shouldn’t even be compared. They are not on the same level in terms of their maritime adventures. Really to me calling Zheng He the Chinese Columbus actually dims his shine.

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QUAINT #3 Hawkeye from The Last of the Mohicans by James Fenimore Cooper

Hawkeye was created by James Fenimore Cooper and appeared in Cooper’s five Leatherstocking novels, including The Last of the Mohicans (1826). Cooper (1789-1851) was one of the major early American writers, although he is known today primarily for Last of the Mohicans.

Set in 1757, The Last of the Mohicans is about Natty Bumppo, a.k.a. “Hawkeye,” and his adventures alongside his friends Chingachgook, a Delaware Mohican, and Uncas, Chingachgook’s son. Against a backdrop of the events of the French and Indian War (1756-1763), Hawkeye, Uncas, and Chingachgook battle Mingo Indians and the wily, evil Magua, and help Major Duncan Heyward, an officer in the British Army, and Cora and Alice Munro, the daughters of Colonel Munro, the commandant of Fort William Henry. At the end of the novel Magua, Cora, and Uncas are all dead, Heyward and Alice are engaged to be married, and Chingachgook and Hawkeye are mourning the coming demise of “the wise race of the Mohicans.”

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