October 24, 2010

the whirlwind continues

Photograph by David Secombe via Esoteric London

Sorry it’s been a bit thin on the ground here lately. But that’s about to change! Regular readers may like to know that, if they can’t always get enough of me here, they can find me this week on the Best American Poetry blog as well: that’s the good news. The bad news, you’ll all be pleased to hear, is that my first post of the week is about the spending cuts! But: and poetry.

It’s all part of a plan.

It has been a bit of a whirlwind lately: I know I can’t keep up this pace forever. Work is full-on at the moment to an extent one really couldn’t describe. I don’t remember Friday evening, let’s put it like that – except that I was home. Oh, wait. I think I got in at 8pm and collapsed… Was that the night I fell asleep in front of Newsnight? No, that was Thursday I think… Yesterday I spent about seven hours at my desk, copy-editing more of Horizon Review. We are zeroing in on it! It will happen, just not now-ish, as was my original hope. But with luck in November. I’ll try and get back on track for the April issue.

One reason I’m so knackered now – aside from the work stuff which I couldn’t have foreseen – is that the HR work is coinciding with the Poetry School work, which I had hoped it wouldn’t – and this week of guest blogging also coincides with the big week at work, so every time I think I have a chance to do nothing it all gets fun again! I took on too much. I know that.

And last night Mlle B went out in Tufnell Park – I mean, she’s working all the hours, too, so we’re in it together, except for the weeks she’s at her dad’s – and was stuck waiting for her friends to decide to leave, which at least reassured me that she wasn’t going to try and get home on her own or anything – changing buses at Finsbury Park at 2am – and I had given her money for that very reason, so they got a cab back around 3am, but I had woken up at 1.15…. my one lovely night of sleep, spent – ahem – awake… Well, maybe sleep isn’t really the thing right now.

Apparently I look great, though – everywhere I go lately I’m besieged with people telling me how very well I look – can you believe it! Someone was saying it last week and my head was literally spinning as she spoke. It happened again yesterday. Well, Lord thy wonders never cease.

But do I read? Do I write? (No.) The list of things I have to write grows daily, and it is all reviews or essays or posts or intros or bios or blurbs or key words or instructions or emails. Do I ponder?? Only about one’s future and one’s past does one ponder, these days. How to re-align them. But I’ve been percolating a little bit, I think. I drafted a wonderful poem about Oscar Wilde, based on a colour theory about vowels, on the tube one morning: all I remember now is something about “the innocent in the office.” And I had half an idea about Henry James yesterday, walking past Yum Yums. I need some days off.

Anyway, above is the picture from my first post over at BestAmPo, and if you click on it it will take you to my post. (Oh, and by the way, our old Hackney mucker Dave Hill, now tremendously influential over at the Guardian, gave Esoteric a great mention the other day. That was a bit of a thrill…)

October 22, 2010

In which the UK’s public spending is cut by over 20%

Guys, sorry, it’s just going kind of from not-sublime to ridiculous at the moment. I’m in a state of shock over these cuts. Poetry shmoetry, when I get some words back I’ll write an editorial for Horizon Review like nothing you’ve ever seen – and it’s not about the goddamn arts funding, either. “Arts funding” is just a little last month, don’t you think? Except where it’s about jobs?

Johann Hari in the Independent:

When was the last time Britain’s public spending was slashed by more than 20 per cent? Not in my mother’s lifetime. Not even in my grandmother’s lifetime. No, it was in 1918, when a Conservative-Liberal coalition said the best response to a global economic crisis was to rapidly pay off this country’s debts. The result? Unemployment soared from 6 per cent to 19 per cent, and the country’s economy collapsed so severely that they lost all ability to pay their bills and the debt actually rose from 114 per cent to 180 per cent. “History doesn’t repeat itself,” Mark Twain said, “but it does rhyme.”

George Osborne has just gambled your future on an extreme economic theory that has failed whenever and wherever it has been tried. In the Great Depression, we learned some basic principles. When an economy falters, ordinary people – perfectly sensibly – cut back their spending and try to pay down their debts. This causes a further fall in demand, and makes the economy worse. If the government cuts back at the same time, then there is no demand at all, and the economy goes into freefall. That’s why virtually every country in the world reacted to the Great Crash of 2008 – caused entirely by deregulated bankers – by increasing spending, funded by temporary debt. Better a deficit we repay in the good times than an endless depression. The countries that stimulated hardest, like South Korea, came out of recession first.

People usually complain on budget day about a penny in the tax on alcohol or petrol. This time it isn’t some cuddly fellow with w beat-up briefcase. It’s two shiny men in yellow ties, lying through their teeth. Linda Grant, on Facebook this morning, alluded to how different this is to what we’re used to:

We’re all in this together: I wish one of the papers would do one of those things where you check your status – single, married, with kinds, retired, disabled, living in social housing, higher tax bracket, public servant, private sector – and show what you are losing. Because I have yet to find a single way in which I’m directly affected by this budget, not being poor, disabled or (yet) old. It’s massive con trick.

Apparently 85% of the deficit was caused by the bank bailout – which of course we knew, right. And of course we have to pay it all back. But surely the bankers should be paying a little more of it.

And there’s the Vodaphone business. For anyone who can’t be bothered to click, a £6bn tax bill, written off via a loophole – while their Director of Finance is advising Osborne on corporate tax.

PriceWaterhouseCoopers is predicting a million jobs lost.

Official estimate only [sic] 500,000.

Well, and so on and so on and so on… I’m not going to complain about a million enumerated ways in which the Baroque household will be affected by this; we’ve identified some of them, and suffice to say Mlle B in her first term of A Levels is not feeling very chirpy. Nor am I going to write some analytical thing or debate whether we needed to rein it in, etc. That’s boring.In any case I’ve had no time to keep up properly, just working at work and being in a complete fog.

I’ve had a splitting headache for 36 hours now, I missed Newsnight last night by falling asleep on the couch the minute I got upon it, and I just don’t think I can take being unemployed again. You could crib off the New Statesman if you want more information.

Aux armes, citoyens, and pass the Nurofen.

In other news, I’m guest blogging next week at Best American Poetry! Starting on Sunday. Just watch me.

October 19, 2010

Robot Julia Bird says: Go on. From Amazon.

I really want one of these videos now!* I want a robot me, and I want her to read one of my poems in her voice.  But I’ll only be copying. I’ll just have to wait until no one’s expecting it, and then make one. Oh, what poem to choose!? Maybe “Metropolitan Opera”! Or perhaps something like “My Dish”? You wait and see.

In the meantime, buy Julia’s book: Hannah and the Monk. From Salt Publishing. From Amazon.

* Except that the little bastard just won’t embed. As they say. I’ve been faffing with it for ages now instead of going embedded myself, which is very highly annoying. So please click the picture to (I hope) be taken to the source of all happiness itself.

October 18, 2010

storm in a theatre

It’s been a brutal couple of weeks here on Baroqueside, as you can see from increasingly desperate posts. However, e’en as the infrastructure of 21st-century society seems about to be dashed onto the rocks, a beautiful piece of the 16th century is coming into view. Two hectic weeks ago – and I feel terrible about this, because the run is only until October 30th – I went to see The Tempest at the Rose Theatre, Bankside.

Yes: that’s THE Rose Theatre. Henslowe’s original, built 12 years before the Globe. Its foundations were discovered in 1989, visited by actors, launched with fanfare, and two-thirds excavated. What I hadn’t realised – and why hadn’t I? – is that they are putting on plays in the Rose Theatre.

The site is completely under cover, and you go in round the back, through the little foyer – with a model of the original Rose – and  through a black curtain directly onto the performance space. This “space” is a stage which fronts, and possibly slightly overhangs, the excavated area. You sit at what would be the back of the stage, and ahead of you there is a railing where the footlights should be. Beyond the railing, you look out past the actors to the watery foundations themselves, and the outline – picked out in red lights – of the stage where Tamburlaine was first performed…

The “stage” is long and thin, and there was little-to-no set; props were basic. There was a watery, blustery video projection on the wall stage right, and the play began with some very enjoyable tempest sound effects and shouting: the mise-en-scène was perfect. I can hardly remember when I’ve felt so directly engaged with, invited into, a play. Maybe it’s as with book illustrations: the simpler they are, the more you’re free to see the story in your mind’s eye. Or maybe it was Shakespeare…

The cast is small – several actors were doubling up on the roles, with what looked like pretty extreme quick-change costume changes (out in the ticket area??). Miranda (Suzanne Marie) was innocence itself in a nightgown with a filmy top over it, and Prospero and a couple of other men effectively timeless in black jeans and black long-sleeve t shirts (though Prospero in all fairness had a cloak and a wand, and there was great hat action throughout). (Prospero, Robert Carretta, also manfully spelled us into adding twenty years onto him.)

Gareth Pilkington and Richard Ward were deliciously Beckettian as Trinculo and Stephano, and Caliban (played by Polish mime Damian Dudkiewicz) was wonderfully physical.  Of the two women who sang the refrains, “Full fathoms five my father lies” etc, I will admit that I unfashionably prefer the written form of those words – among the most beautiful rhythms in all English poetry – and had to close my brain off to the musical rhythm. 

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange. 

I think it must be fiendishly hard not to end up going a bit sub-Steeley Span with that business, or as if you bought your hair accessories in Past Times…

Star of the show, for my money, was Damian Cooper as Ariel – in crop jeans and a white hoodie, invisible with the hood up, visible again with the hood down – he has wonderful, mobile facial expressions; acted as a line, almost, that could be drawn through the play; and I swear when he put the hood up he did turn invisible.

The thing to stress about this is that it is very “fringe.” There’s no loo, for example; they have a deal with the next-door Globe on that front. There’s no bar, and no interval, and no one hitting you up for your next week’s lunch money to buy an ice cream. Even the programme is free! And it is all the more amazing for all that, just being in the Rose itself. You think of the early crowds who tramped with burning rush torches across the fields at Shoreditch to see the plays at its precurser The Theatre (mind you, they had a bar) – whose timber is said to have been used to build the original Rose – and there’s a seriousness and playful intensity to it, and the cause is as noble as theatre itself, and it lends an integrity to each actor’s performance, as well as to the whole show. I went to the play with a friend, and afterwards she said: “That’s theatre that Shakespeare would understand.”

The Rose has applied for funding to finish the excavations and turn the place into a learning centre, with an articulated stage etc, and classrooms. It will be the flower of Bankside.

But there’s a theory in ghost studies (just to digress for a moment) about the energy that’s brought up when a building is disturbed – hauntings that start after renovations – for example, I read recently about a ghost who began appearing to the bemused residents of a house after a car rammed into their front wall. Well, this semi-excavated theatre is rich with the spirit – the ghosts – the magic, the raw spells, of Elizabethan theatre. I missed The Spanish Tragedy (first seen in this place) by a few weeks; but I want to see at least one more play here before they do all that building work.

Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so that it assaults
Mercy itself and frees all faults.
As you from crimes would pardon’d be,
Let your indulgence set me free.

October 17, 2010

the Balkanisation of Oscar Wilde

“I would not say that [Oscar Wilde was a snob]. England is a strange country to the Irish. To Wilde the aristocrats of England were like the nobles of Baghdad.”
- Yeats, quoted by Richard Ellman, Eminent Domain: Yeats Among Wilde, Joyce, Pound, Eliot & Auden

We’ve all heard that the past is another country. That fact is sadly never more apparent than on this, the day after Oscar Wilde’s 156th birthday. Raise your glasses…!

October 16, 2010

the crash: life, the universe, the quangos and everything

I was going to do a Poet Files post about Victor Zamora, the Chilean miner who’s been writing poetry while trapped down in the mine.

Then I was going to do nothing because it’s been such an utterly shit couple of weeks, with nothing but work, work, lack of transport, more work, too few lunch breaks, the announcement that a quarter of all the quangos – that is, non-departmental government bodies – that is, the organisations funded by the government to carry out work to a government agenda – are being closed, merged, massively downsized – and a disorienting lack of close personal contact with anyone important to me. The key phrase is “focus on delivery.” In other words, shut up. Don’t do research, don’t advise on policy, don’t collect qualititative information, don’t think outside the box, don’t point out mistakes, don’t know more than we do. Don’t care, don’t want anything, don’t strive for goodness, just focus on delivery. Keep your head down.

Consumer Focus – formed only two years ago, partly of the National Consumer Council, where I worked – is being closed and its work merged with Citizens Advice, if you can imagine anything that stupid. Here is their CEO’s statement, which not only stands as a model of corporate communications but also vividly exposes the spirit of the whole sorry Bonfire:

‘Consumer Focus has achieved big wins for consumers in just two years – including a £70 million pound energy bill refund and cash ISA reforms saving over £15 million a year.  We’ve delivered our biggest results in the last few months but the biggest challenges for consumers are ahead, with major reforms to the energy, post and financial services markets.

I am immensely proud of what we have achieved.  Government has decided to transfer at least some of our functions to Citizens Advice and Citizens Advice Scotland.  The issue now is not who does the work but that the work is done well, at a time when consumers are facing difficult economic circumstances, especially those who are vulnerable and whom Parliament has given us a particular duty to protect.

What matters now, is that the transfer happens in a way that works in consumers’ interests. The expertise and knowledge that has enabled us to fight for consumers must not be lost.  Changes must not be at the expense of the public’s rights and needs – which organisations like Consumer Focus were created to protect.’

(I also note that one of the many places where I gave a great interview last spring for a slightly-too-junior job, and didn’t get it because they had an ex-head of international comms or something in the running too, is also being abolished. Sad about that: they do important work.)

But I read around a bit anyway, and was inspired by the story of Victor Zamora and the other miners, and had an idea for a post in mind which would be bigger and more ambitious than a Poet Files post. It was about poetry, survival and work. It would draw on the prevailing mood.

Then I looked in the mirror and saw how absolutely pale and shattered I look, and thought, “Who am I kidding?” Who am I to say what anything means or what it’s about? I don’t know anything. It sounds unworthy but the main thing I saw when those guys were rescued was how much their wives loved them. How wonderful that must be. I’m not down a mine but I have no idea if I’ll ever see my siblings or mother or cousins again. Though I suppose if I were trapped like them the rescue fund would have paid for someone to come…

That glorious rescue seems out of tenor with the moment. Maybe that’s why it looks like a miracle. Here in the UK, while Chile celebrates and is reborn in its collective identity, we are sitting here – 41% of us in our solitary homes – passively watching our services disappear, the whole post-war dream disappear. Sacked by a couple of visigoths in yellow ties. The most relevant story here this week is the utterly horrific one of Jimmy Mubenga, killed by his guards while being deported. An entire planeload of people heard him screaming for almost an hour and felt unable to do anything, even when he got more and more faint and kept saying “I can’t breathe.” The Big, Caring Society. Our world turns out to have been a very short blip.

And, unlike what these tea-party imbeciles and their ilk seem to think, you can’t just go back. We’re not in Dickens Days any more, there can be no such thing as “small government.” It’s a world economy, there are international infrastructures, complexities that require proper regulation, personal data is on servers everywhere, we don’t even know what intellectual property means any more. Every year the world population grows by three times New York City and no one knows how to deal with it. Well – we do, but the governments wont regulate and won’t make anyone do it.

And you can’t just go okay, now I invent Big Society! Cameron’s sheltered little nostalgia trip completely neglects the fact that, back in those Big Society Dickens Days, first of all women weren’t mostly working in full-time jobs, secondly families could live on one income, and thirdly lots of people starved, died of treatable illnesses and had generally awful lives.

The sector I work in is being demolished – and I’ve already done almost a year of unemployment, and it’s hard to be in any way sanguine about anything. No one has a permanent job anymore, everyone is on a contract. Those of us without any partner or other means of support – who will never inherit anything – who don’t even own our homes – who are going to be poor anyway when we’re old, which is disproportionately women – are at most risk. If I lost my job again I could very easily indeed lose my flat, or go into fast-escalating arrears and debt, out of which one would expect never to climb. They’re “reforming” the Housing Benefit, too, don’t you know.

The other day it was the Bonfire of the Quangos, and on Wednesday the government’s public spending review announcement will drop on our heads. That’s when we’ll find out that the government departments that are meant to be taking on all the functions of the axed NGPDs are simultaneously being stripped of the budget to do it. With the so-called reforms of the benefits service coming in, to force people to work, where are these jobs going to be? “Focus on delivery.” But we can’t ALL sweep the streets.

A friend of mine, who won’t countenance claiming benefits on any level – even though he now has a disability and could do so, even with the new “reforms” – had a rather brilliant exchange with a woman in his local Jobcentre Plus. She was criticising him for limiting the jobs he was looking for to the salary band he’s used to (not exorbitant!). He justified it, saying he needed a salary he could live on. She said, “I earn [some small amount] and I manage.”

He challenged this.

“Well,” she said, after admitting that she has a husband, who is also working for a pittance. “Of course we get working families’ tax allowance. And we get a bit of housing benefit too because it doesn’t cover the rent. And…” And, in short, the only way she was able to survive on what the government is paying her is by claiming benefits on top.

And meanwhile, downsizing one’s expenses is almost impossible because for every tiny little thing we are now on scary contracts – I tried last year. Phone bill, TV/internet/landline bill, utilities – all locked down. You could give up your TV and your ability to communicate with the outside world, but for anyone who relies on the internet or their phone to do their work that would of course be catastrophic. Talk about Big Society! The Big Companies have got us.

And meanwhile I know plenty of people who are carrying on just as if nothing was happening. Maybe they’re not reliant only on their own ability to support themselves.

University loan – forget student grants, we’ve already forgotten those – loans are going to be put on normal interest rates, is it? And fees raised to £7,000+ a year? It’s a shame to see my daughter just getting obsessed with the daily news, just as she starts her A Levels, only to follow the story about how she may not be able to go to university at all. But the recent graduates I know are mainly not able to get jobs.

My life savings were wiped out last year and the year before, even with my redundancy money – partly through my own stupidity, because I took my time at first and lived normally off the money. I was trying to regroup after a particularly damaging line-management situation at work and it never occurred to me that with my skills, experience and CV I wouldn’t get a new job equivalent to the one I’d lost. Plus, I had some challenging stuff going on at home, which cost me a lot of money (and attention) one way and another.

So Mlle B is working now in a local shop on both Saturdays AND Sundays, and although she thinks it is to take pressure off me and her dad and save up for her summer festivals and trip to Greece next year, I worry that it could turn into something much more grimly utilitarian. And what seemed like a lot of pocket money will simply turn into not-enough-for-uni.

My pay packet meanwhile is fully £500 a month less than it was two – or even five – years ago, and everything costs twice as much – so I’m hardly going to be salting away a fortune for her.

I am, in fact, literally worried sick. My stomach is still bad, the pills are running out, I have to go back to the doctor. I’m very tired: my demanding paid-&-unpaid work programme this year was only going to be achievable because I thought I was in a position to be able to expect a grain of support – moral, emotional, and in the form of someone else occasionally cooking dinner or being nice to me. Sometimes you just want to sit down in comfort, with someone there who vaguely cares. But instead I’m having to go sit in pubs and restaurants and poetry readings – some of which can be painfully interminable, and cost money I don’t feel I should spend, and require an hour on a bus to get home from – just for some company and to vary the 24/7 solitary commute between work-at-work and work-at-home. It is good to see your friends of course, and I love my friends, but it’s not the same, is it.

They say that he travels fastest who travels alone; some of us know that’s because he has to keep going or he’ll crash.

And now I am going to make some tea and put together more of the next resplendent issue of Horizon Review. You’ll see. It’ll be great.

October 13, 2010

Banksy does it again…

He really is like Zorro. Even when he’s apparently working with the TV studio

And here’s the context information

The episode, Money Bart, airs in the UK on October 21st – and refers to reports that the Simpsons animation is being outsourced to a company in South Korea…

October 11, 2010

When you’re under attack by transportation there’s only one thing to do:

Well, ladies and gentlemen, after yesterday’s Open Letter to Peter Hendy, Commissioner of Transport for London, I know you’ll all be on tenterhooks wanting to know how my journeys went today.

Oh, yes you are.

This morning there was no Victoria Line – “defective company train” – so I went to the Piccadilly Line – again – and this time it WAS running, so I went many, many stops to Green Park and walked from there, and it all took a very long time.

At Seven sisters, by the way, I said to a girl standing next to me, “I was 4o minutes late every day last week.”

“Me too,” she said.”I’m gonna lose my job soon.”

(Are you listening to that, Peter Hendy?)

I was laughing at Seven Sisters station, a hollow absurdist laugh, but the smile was wiped off my face about half an hour later – when I should have been arriving at work – when, on the platform at Manor House, I heard them announce “Minor delays on the Victoria Line.”

I am not a minor delay. I thought. With, yes, the beginning of tears of despair and panic in my eyes.

Another huge, heavy, hectic, busy day at work with no break in the middle.

This evening on the platform at St James’ Park: “No interchange with Victoria Line at Victoria Station.” And: “severe delays on the Victoria Line.” (Not that you could get to it.) So I decided toeschew the direct route and go to Liverpool Street instead, and get the mainline train to Stokey. (And btw, the Jubilee line was “partially suspended,” from Waterloo to Kilburn or somewhere! “Partially.” You gotta love it. But that was because of a “passenger incident” under a train at Green Park.) After waiting only 10 short minutes I got on a Circle Line train, which then stopped at every station. AND in the tunnels.

“Ladies and gentlemen, this train is being held at a red signal.”

“You don’t say.”

Half an hour after leaving work – when I should have been getting on my train at Liverpool Street, or, had I been on a properly running Vict. Line service, arriving at Seven Sisters, only 4 mins from home – came the killer punchline: “There is no counter-clockwise service on the Circle Line this evening due to defective signals.” We were at the Embankment. We had gone three stops.

I got out, walked to the Aldwych, and got a bus.

Home in a mere one hour and 50 minutes.

Another week of this & I’ll be getting cabs and sending the bill to Pete.

But in the meantime, what should I do tomorrow? Leave home at 7am and get a 76?

Are we in a war??

October 10, 2010

An open letter to Peter Hendy, Commissioner of Transport for London

A commenter on my “October 9 1940″ post writes, “Fascinating post about the Blitz. I will never complain about line closures on the Tube again after seeing that!”

Well, Michelle, you don’t have to – because I will. Let this be regarded as an open letter to Transport for London. Peter Hendy, Commissioner of Transport for London? Are you there??

Due to meet my friend in the bar at Wigmore Hall, and wanting – pathetic, I know, really – to buy some tights first, I left for my 40-minute journey to Oxford Circus at 5.40. But guess what. The whole entire Victoria Line, from Walthamstow in northeast London down to Brixton in southwest, was shut. The shutters were down, and there were no signs or posters explaining what was happening. Dimly I recalled having heard this announced on a train the day before, but why were there no signs? And what to do?

Amid the chaos and the rain I went to the bus stop and found unannounced rail replacement buses, with conductors shouting at people to get on. It went to Manor House, I took the Piccadilly Line to Holborn, changed to the Central Line, had no time to buy my tights, was hot and sweaty and wet in the rain, managed to grab a quick coffee to drink as I ran, and arrived in the nick of time – only to have to wait for my friend until THE FINAL moment! Her cab screeched to a halt just as they rang the bell at 7.30.

Why? Because she had not realised there was no Victoria Line.

That was the night it took me two hours, in the ridiculously TEEMING rain, to get home. No tubes. No buses. 73′s on some strange diversion, driving rain, heavy traffic, a preponderance of sirens, three fire engines outside H&M in Oxford Street. A trudge, a wait in the rain, a 55, on diversion. After about half an hour to go six blocks I got off in New Oxford St, and waited ten minutes for a 19 or a 38. Then a 19 sailed past, too full to stop. Then nothing on the board for the next ten buses that would get me home… So another trudge, past midnight now, to the bus stop by the Mediacom building in Theobalds Road, and salvation: a 243 that smelled of vomit.

Traffic jams all the way home: rush hour traffic, crawling along in Dalston at 1am. Arrived home 1.40am, nerves jangling, actually quivering a bit inside. My umbrella  had fallen on the floor and I washed it in the bath when I got home, the smell there had been so foul.

Sunday I never left the house, I was so tired.

It was the tube strike on Monday! So I worked at home. On Tuesday I was about 40 minutes late for work, & my line manager had only just arrived. Same on Wednesday, and there were other colleagues arriving after me. Late again Thursday, and yet different colleagues were late, and there were openly  bad moods. On Thursday it also took me over an hour and a half to get home.

A question. I looked on the carriage, and I can’t even SEE a passenger alarm. Where are they? And why do people pull them? What good reason can there possibly be to stop your train in the tunnel? Just about every tube I’ve been on all week has been delayed because someone in a train ahead has pulled a passenger alarm. On Thursday there were THREE.

Friday morning I left fifteen minutes early, and guess what. Just like the day before (only, I will say, quicker), I got to Victoria, tried to change to the District Line for the one stop to work – I know, but it saves about ten minutes off the journey you see – and there were hundreds of people milling about on the platform, and NO TUBES. First train, Circle Line, seven minutes; no District Line trains at all. “SLIGHT delays.” Unlike the day before, I left and walked up Victoria Street.

I mean, it’s knackering. Every day all week I was a wrung-out wreck when I got to work, and it was a manic week at work, too. It was so manic that I didn’t get lunch breaks – because I was late every day – and I’ve done over a day’s work at home this weekend. That’s because of work, not the tubes, but still. And a lot of it was buses and traffic, but still. Delirious with fatigue. Frankly.

Are you listening, Peter?

So yesterday, the plan was to visit my friend Sarah in Walthamstow, and her new baby who looks like Baby Bart, but there was no Victoria Line past Highbury & Islington this weekend…

Fortunately Sarah has a car and came to Stoke Newington. (She got stuck in traffic, but made it in the end.)

Today I worked all morning again and finally finished my work task, though not my poetry-class-prepping task – I haven’t even touched that (yet). It was a gorgeous sunny day and I was desperate just to get outside.

Well, I tried to meet someone. The plan was to meet in the Angel – a destination carefully chosen on the basis that there was no Victoria Line -  & I would ring when I was on the bus. I just missed a 476. My friend was in Russell Square, complaining about the traffic going towards Angel. So I rang and said I would get the 254 to Manor House and come on the Piccadilly Line, and not to move. Thinking fond thoughts about the Brunswick Centre, which is so civilised, and Patisserie Valérie.

Got a 254, got to Manor House, & guess what.

It was shut! The shutters were closed and there were no signs. Was it the whole line? Or just north of Kings Cross? Or what? No idea. Just a closed station.

Well, I tried and failed to get a 141 to Old Street, or a 341 to the Angel – one of those finally went past, but it was too full to stop. I never saw a 141. There were about 25 people at the bus stop, and about 50 at the one going towards Finsbury Park. I stood there ages, and had about three conversations changing and amending plans. By the time I realised that what looked like out-of-service buses going the other way were actually rail replacement buses – and that they were the only ones that were running – it was half an hour past the time we had been planning to meet, and I was further out than I even live. Stranded in deepest Haringey. And Mlle B was due home around five. I should have waited for a 73 and put up with the traffic in Essex Road.

The rail replacement buses were apparently going to Highbury & Islington, and we were instructed by a shouting harassed man to go there and get the Victoria Line. Of course by this time the person I was trying to meet was sitting in the car waiting for me at Old Street. It suddenly all felt just impossible.

We cancelled the arrangement. I trudged down Green Lanes and home via Clissold Park, Church Street (nowhere with a seat to get a coffee though), and Morrisons.

Came home, binge-ate toffee popcorn, and collapsed on the sofa, where I watched two episodes of The Sopranos when I should have been poetry-prepping.

So, Peter Hendy? How was your weekend?

And what’s this week going to be like? Eh?

And by the way. Don’t tell me I should have checked my journey on the website, either. Lots of people need to use the tubes and don’t have internet access. As it happens, I did check it on Thursday before I went home and it said there was a “Good service.”

And I’m not going to get a bike. I’d be terrified in the traffic, I live up many stairs, it’s hard enough carrying the books and shopping, and public transport should just work. So don’t anyone leave a comment telling me I “should get a bike”. No I shouldn’t.

And also, along with millions of other Londoners I can’t afford a cab just to get to a Sunday afternoon coffee, and nor should I have to. I use cabs quite enough as it is.

Public transport should just work.

October 9, 2010

October 9 1940: it was 70 years ago today

It was seventy years ago today, on the 32nd night of the Blitz, following a cloudy, rainy day, that St Paul’s Cathedral was bombed.

On this day an advice leaflet (do click the link: fascinating) was issued showing the relative risks associated with different ways of taking cover in an air raid, confirming that the advice given before the Blitz had been correct – remaining upright was twice as dangerous as the next most dangerous thing, which was lying in the street.

There was disruption all over the underground network: the following gives an all-too-imaginable picture of the impact of the Blitz on normal daily business. It’s a bit like how getting to and from work was this week, except that they had more than leaves on the line.

At 09:00 on Wednesday 9 October 1940, a 500 kg Unexploded Bomb (UXB) was reported on a disused viaduct east of Ravenscourt Park on the joint District/Piccadilly line tracks; Piccadilly line services suspended Hammersmith to Acton Town, and District line services between Earls Court and Acton. District line services between Earls Court and West Kensington were suspended at 10:15, and at 13:15 Stamford Brook to Acton Town was single line working only.[1][2]

Also on the District line, services between East Ham and Barking were suspended at 11:35, with single line working introduced at 15:10, then normal working from 17:15.[2]

An explosion damaged the canopy at Warren Street station at 20:10.[3]

At 20:15, a train stalled between Campbell Road and Bow Road station due to debris on the track. Current off at 20:19, westbound services reversed at Whitechapel, and eastbound at Bromley-by-Bow.

[...]

At 20:56, services suspended between Acton Town and Northfields due to a Delayed Action (DA) bomb, and between Acton Town and South Harrow for track inspection. Services resumed between Acton Town and Northfields at 22:17, with speed restriction between Acton Town and South Ealing. North Ealing to South Harrow services resumed at 22:40.[4]

An HE on the track between Willesden Green and Dollis Hill was reported at 21:00; trains revsersed at Wembley Park and West Hampstead.[4] At 21:08 a bomb hit the track at the Acton end of the Ealing Common Depot.[4]

At 21:32, current was off on the northbound fast and local lines between Finchley Road and Willesden Green, due to burnt cabling. Current on again and services resumed at 22:14.[4]

(The horrific Balham tube disaster – first of several tube disasters that led to a call for purpose-built deep shelters – came five days later; full details of the number of casualties were only released after the War, to avoid scaring people off sheltering at all. And I thought it was bad the other day when someone had set off a passenger alarm at Oxford Circus, and we were sat there in the tunnel…)

In Liverpool, they had a night of respite between two nights of heavy bombing (scroll 40% down page for details):

7/8 October 1940: H.E. Stanley Road, Great Mersey Street, Lichfield Road, Wavertree and Grantley Road, Wavertree. Damage to house property, and Welsh Chapel, Great Mersey Street, demolished.

10/11 October 1940: (Two separate raids) Everton Valley, Knotty Ash, Mossley Hill, Mill Street areas affected in first raid; Anfield district by second raid. Mainly damage to dwelling-houses, most serious incidents in Manningham Road and Hogarth Road.

And in that respite this little baby was born…