The Music - Michael Head & The Strands 'Queen Matilda'

I paint the sails; it’s the job for me ...

Nice fan video for the sumptuous swirling, ethereal, duende-laden, song of doomed pained love 'Queen Matilda' by wayward genius, and erstwhile Shack and Pale Fountains head honcho, the enigmatic Mick Head.

'Queen Matilda' is the opening track to the mighty platter "The Magical World Of The Strands" which dropped back in 1997.

It's like Arthur Lee colliding headlong here with the great Nick Drake.

Just let those strings swirl all round you as you drown!

Listen kids, love will fuck you up .. OK!

“And then you… you went away” .... indeed!

 
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Art of the Cover - Nick Drake's "Bryter Layter" (1970)

Dont' mess with my blue suede shoes .. indeed!

Many Drake fans have long speculated on the deep meaning intended by the incongruous bespoke footwear on the famous cover to Drake's mighty second album.

It transpires that the enigmatic brothel creepers on this enigmatic cover to the sublime collection "Bryter Layter" from the ever enigmatic Nick actually belonged to the portrait’s photographer, Nigel Waymoouth and that no real "deep philosophical meaning" attached to their presence.

Of more interest on the accoutrements front here is the fact that the chair Nick is sitting on had originally belonged to a certain Charles Dickens .. and,  the fact that the guitar  had originally belonged to a certain Eric Clapton!

Nigel Waymouth said of the cover ..... 

They weren't his shoes, they were mine. After I had asked him to take off his shoes, I put them there to add an optimistic note (blue suede shoes - dancing shoes), in an otherwise sombre photograph, that would echo the title of the album, Bryter Layter.

A few years later Nick came up to me at a party and said how much he liked the cover and that he now understood what it was about.

The chair, by the way, once belonged to Charles Dickens, who sat in it to write, and the small Guild guitar was one that Eric Clapton gave to his friend and flat mate, Martin Sharp, the australian artist and chief designer of Oz magazine. 

Oh, and the shoes were made to my design by the Chelsea Cobbler.  

Tracklisting

1. Introduction
2. Hazey Jane II
3. At the Chime of a City Clock
4. One of These Things First
5. Hazey Jane I
6. Bryter Layter
7. Fly
8. Poor Boy
9. Northern Sky
10. Sunday

  

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Art of the Cover - Nick Drake's "A Day Gone By" (2014)

A nice shot of the enigmatic Drake graces this wonderful extensive collection of Nick rarities.

The massive collection features mostly other people’s compositions: the folk and blues tunes used by many a young guitarist in the 60s, attempting to master the fretboard. Nick Drake played Jackson C. Frank, Bert Jansch, Dave Van Ronk and, of course, Bob Dylan.

Drake's version of Dylan's song "Tomorrow Is A Long Time" is included here.

The lo-fi recordings on this collection were homemade on a reel-to-reel tape recorder prior to making his debut album "Five Leaves Left" in 1969.

Drake's estate - managed by Gabrielle drake and Cally Callomon have put together this collection to stop the proliferation of poor quality bootlegs that have been in abundance since Drake's Death in 1974.

Tracklistings

CD1:

01 – Strolling Down The Highway
02 – Cocaine Blues
03 – Don’t Think Twice, It’s Alright
04 – Betty and Dupree
05 – Get Together
06 – Here Come The Blues
07 – Come In to The Garden
08 – Summertime
09 – Joey
10 – Strange Meeting II
11 – Milk and Honey
12 – Tomorrow is A Long Time
13 – Courting Blues
14 – Black Mountain Blues
15 – Morning Monologue
16 – Saturday Sun I
17 – Mayfair III
18 – Fly I
19 – Hazey Jane I
20 – Place To Be
21 – Parasite II
22 – Three Hours
23 – Day Is Done
24 – Time Of No reply
25 – Three Hours

CD2:

01 – Magic
02 – The Thoughts of Mary Jane
03 – Day is Done
04 – Time Has Told Me
05 – Saturday Sun I
06 – River Man
07 – Joey II
08 – Saturday Sun II
09 – Saturday Sun III
10 – Mayfair I
11 – Mayfair II
12 – Fly II
13 – Parasite I
14 – Joey (fragment)
15 – Guitar Instrumental (No. 1 – Guitar)
16 – Poor Boy
17 – Time Has Told Me
18 – Voices
19 – Sketch II – Guitar
20 – Sketch IV – Piano
21 – Sketch V – Guitar
22 – Sketch VI – Piano
23 – Sketch VII – Piano
24 – Hanging On A Star
25 – Rider On The Wheel
26 – Black Eyed Dog
27 – Tow The Line
28 – I Wish I Was A Single Girl Again
29 – Full fathom Five
30 – With My Swag All On My Shoulder
31 – The Commissioner, He Come
32 – Dark and Devil Waters

  

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Art of the Cover - The Dream Academy's "The Morning Lasted All Day: A Retrospective" (2014)

The beautifully presented, double-album The Morning Lasted All Day, sports photos taken from the band's personal archive as well as from a lost session by the legendary Arthur Elgort and also extensive liner notes by founder Nick Laird-Clowes.

Yap, now at last we get a comprehensive collection containing a thorough retrospective of this seminal band's most impressive body of work.

The wonderful 2-CD, 24-track collection, is chockfull of rarities, some unreleased gems. cover versions (e.g. The Smiths mighty Please, Please, Please Let Me Get What I Want)  and even includes a brand new track (Sunrising) recorded especially for this release! 

It's a collection with great contributions from the likes of David Gilmour, Johnny Marr, Lindsey Buckingham, Poly Styrene and J.D. Souther.

Hopefully this supreme collection will firmly put the band back on the musical map ... and maybe lead to an era of new Dream Academy music.

With their varied instrumentation, intimate song stylings, and poetic, allusive lyrics, the Dream Academy always stood apart from their 80s British rock brethren. That they dedicated their hit song, Life in a Northern Town, to Nick Drake and minimalist composer Steve Reich spoke volumes as to the reach of their intellectual and artistic ambition.

Indeed, though they were together for only three albums and a handful of singles, Nick Laird-Clowes, Kate St. John and Gilbert Gabriel left behind a body of work as captivating as that of any of their contemporaries, their solid songwriting, unusual arrangements and innovative production touches (thanks in part to co-producer David Gilmour of Pink Floyd) only sounding better with age.

Such a band deserves a proper retrospective; and so we at Real Gone Music enlisted none other than the band's own Nick Laird-Clowes to put together the definitive Dream Academy collection, a 2-CD, 24-track set chockfull of rarities and even including a new track (Sunrising) recorded for this release!

Alongside such hits as Life in a Northern Town and The Love Parade and key album tracks, The Morning Lasted All Day features such nuggets as the unreleased songs Living in a War (with David Gilmour on guitar), The Chosen Few (with Gilmour playing electric and slide guitar) and The Last Day of the War (a lost track recorded right after Life in a Northern Town ); the unreleased and much requested instrumental of Power to Believe from the John Hughes-directed film Trains, Planes & Automobiles, co-produced by Hugh Padgham; the rare B-side Girl in a Million, and the long-lost 12-inch side The Demonstration.

Careful listeners will also hear musical contributions from The Smiths Johnny Marr, Fleetwood Mac's Lindsey Buckingham, Polystyrene of X-Ray Spex and Eagles songwriter J.D. Souther.

The extensive liner notes by Nick Laird-Clowes offer a look inside the artistic inspiration and recording process for each song as well as the stories behind the band's origins and three albums.

Remastered by Laird-Clowes, and sporting photos taken from the band's personal archive as well as from a lost session by the legendary Arthur Elgort, The Morning Lasted All Day just may be the best double-album released this year, new or old!

Tracklisting 

Disc: 1


1. Life in a Northern Town
2. The Love Parade
3. The Edge of Forever
4. Please, Please,Please Let Me Get What I Want
5. Johnny (New Light)
6. In Places on the Run
7. Ballad in 4/4
8. Girl In a Million (for Edie Sedgwick)
9. Power to Believe
10. This World
11. Here
12. One Dream

Disc: 2

1. Indian Summer
2. Lucy September
3. Hampstead Girl
4. The Demonstration
5. Living in a War
6. Love
7. Waterloo
8. The Chosen Few
9. It'll Never Happen Again
10. Power to Believe-Instrumental
11. The Last Day of the War
12. Sunrising

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Art of the Cover - Robyn Hitchcock's "The Man Upstairs" (2014)

 

Typical of the man himself, a wonderful piece of dark yet beautiful surreal artwork adorns this wonderful collection from famed psychedelic folk troubadour Robyn Hitchcock.

Named for a tome by P. G. Wodehouse (a hero of Robyn's), "The Man Upstairs" is a magical melange of beautiful new tracks interspersed with a few magnificent covers.

It's the legendary Robyn Hitchcock produced by the great Joe Boyd (famous for his work on Nick Drake classics like Five Leaves Left and Bryter Layter, as well as albums by everyone from Pink Floyd to Fairport Convention). What more do you really need to know?

Rather than simply record a new selection of songs, Boyd suggested what he called ‘a Judy Collins album’ such as Elektra would have released in 1967 – part well-known favorites, part personal discoveries, and part originals. The multi-tiered approach offered Hitchcock the rare opportunity to record as a performer, not “just another singer-songwriter laying their freshest eggs.”

The original songs are great, and the eclectic covers are fascinating, while the production has the excellence one expects from the genius of Joe Boyd.

The stripped down covers range from modern standards like Roxy Music’s “To Turn You On,” The Doors’ “The Crystal Ship,” and The Psychedelic Furs’ “The Ghost In You”, interlaced with lesser-known gems from such pals as Grant-Lee Phillips (“Don’t Look Down”) and I Was A King (“Ferries”) -- the latter featuring harmony vocals and guitar from the Norwegian indiepop combo’s own Anne Lise Frøkedal.

This record is sonically gorgeous with a vaguely Nick Drake-esque aura. No one produces acoustic albums like this anymore.

Hitchcock’s 20th solo studio recording – give or take the odd outtake, demo, and rarities compilations – The Man Upstairs arrives hot on the heels of 2013′s excellent Love From London, which received some of the most glowing notices of Hitchcock’s storied career.

Hitchcock spoke in depth to Marc Maron about this album and about a shitload of other stuff in a fascinating episode of the WTF Podcast a few days back. The witty and erudite Hitchcock talks about his first band, the hugely influential The Soft Boys, and then moves through his solo career, speaking about heroes like Bob Dylan and Syd Barrett - and his dad's famous fictional amputated cock! He also knocks out a powerful sparse live performance of Trouble In Your Blood at the end. You can listen / download at WTF-Robyn Hitchcock

What a bittersweet moment. This album arrives on the heels of the sparkling Love from London  - which this fan feels should have been a much much bigger hit! To put it in perspective, for me Love from London is the spring/summer side of Hitchcock, more muscular than its follow up. "The Man Upstairs" is fall/winter; the mellow daydreamer of the two. You can almost see the leaves change color in your mind. By the end of the album you are watching the snow covered ground with that blinding streak of yellow sunlight peeking through the evergreens.

Don't get me wrong, this is a GOOD thing! These are not sad songs, but they are very introspective. The mix of originals and covers blend perfectly. The only change I would have made is that the beautiful lullaby-like Don't Look Down should have closed the album. It was strange how the songs sometimes morphed for me, as Ferries wasn't a favorite until multiple listens. Comme Toujours is fun for the mix of French and English lyrics, but the strangest thing was the glints of memory jarring fragments of music from another time. Recalling The Truth closes the album and to me seems a personal moment for the Gentleman, so I do the mental equivalent of diverting my eyes and hiding under the blanket of thick, warm guitar as the fireplace burns down to embers.

I approached my review as a fan and not a critic. There is an excellent review by Harold Lepidus online that examines each song in detail. However for me, I prefer to listen over time, finding new details and nuances along the way.

To delve too deep all at once would be like squeezing an orange dry. You have the wonderful juice to drink, but the shell is spent. I'd rather enjoy the thin slices for as long as I can.
         

By Steve 

Tracklisting

01 – The Ghost In You
02 – San Francisco Patrol
03 – To Turn You On
04 – Trouble In Your Blood
05 – Somebody To Break Your Heart
06 – Don’t Look Down
07 – Ferries
08 – Comme Toujours
09 – The Crystal Ship
10 – Recalling the Truth

 

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Art of the Cover - Luluc's 'Passerby' (2014)

Another gratuitous pussy shot!

Gorgeous artwork adorns this delicious collection from the Australian/Brooklyn band.

Some may know Luluc from the National's ATP line-up or from last year's Nick Drake tribute, but they have kept such a low profile since their wonderful debut Dear Hamlyn came out in 2008. 

This second album is released by Sub Pop, produced by Aaron Dessner from the National and contains a selection of lovely yet mostly melancholic, Nick Drake-influenced songs. 

Passerby is Luluc's first international release. Co-produced by the band and The National's Aaron Dessner, the album shows off all of Luluc's best qualities, retaining the gentle beauty of the duo's debut while adding textures built with a cadre of impressive players. 

Echoes of Simon and Garfunkel and Gillian Welch can be felt throughout Passerby, while the poignant restraint aligns them well with label mates Low.

A gorgeous collection.

Tracklisting

1. Small Window
2. Without a Face
3. Passerby
4. Winter Is Passing
5. Tangled Heart
6. Senja
7. Reverie on Norfolk Street
8. Early Night
9. Gold on the Leaves
10. Star

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Cult Cuties - Easel Does It: Gabrielle Freezes

 

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Art of the Cover - The Dream Academy's "Life In A Northern Town"

Though he never would wave goodbye, you could see it written in his eyes as the train rolled out of sight. Bye-bye.

Nice minimalist artwork adorns the seminal debut single Life In A Northern Town. - a stunning athmospheric and evocative work from the sadly neglected 80's British group The Dream Academy.

Dedicated to Nick Drake and Steve Reich, "Life In A Northern Town" was the lead single from The Dream Academy's 1985 eponymous debut LP.

Life In A Northern Town - indeed, the entire album - was co-produced by Pink Floyd's David Gilmour.

Amazingly - given the extreme dross of the 80's charts - the song reached a dizzying #7 on the U.S. Billboard Hot 100 chart.

Written by band founders Gilbert Gabriel and Nick Laird-Clowes, the song's a piece of powerful, beautiful duende. A gorgeous evocation of childhood days and an era long gone.

A timeless classic!

The song was brought back into the limelight in recent times via a cover version by the country music duo Sugarland with guest vocals from Little Big Town and Jake Owen, which was a Top 40 Country hit a few years back.

Their version was included on the Deluxe Fan Edition of Love on the Inside and on the re-release of Little Big Town's album A Place to Land.

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Art of the Cover - Nick Drake's "Pink Moon" (1972)

Some unique artwork adorns Nick's final beautiful masterpiece "Pink Moon", released two years before Drake's death in November 1974, at the age of only twenty-six.

Keith Morris was the photographer who took Drake's photo for the cover of Drake's Bryter Layter LP (1970) and, originally, he was commissioned to photograph Nick for the cover of Pink Moon. However, the photos were not used as Drake's rapidly deteriorating appearance, hunched figure and blank expression were not considered as good selling points by his record label Island. 

Island's creative director Annie Sullivan, who oversaw the shoot, recalled the difficulty in making a decision on the cover of the LP ... 

"I remember going to talk to Nick, and he just sat there, hunched up, and even though he didn't speak, I knew the album was called Pink Moon, and I can't remember how he conveyed it, whether he wrote it down... he wanted a pink moon. He couldn't tell me what he wanted, but I had 'pink moon' to go on." 

Island picked a piece of surrealist Dali-esque art by Michael Trevithick, who was incidentally a friend of Drake's sister Gabrielle. Although Drake was not outspoken in his opinion on the cover art of Pink Moon, many close to him felt that he approved. 

David Sandison stated that he found the original framed artwork for Pink Moon in among the debris of the basement room that Island later allocated to him as his office, and he took it home and hung it on the wall of his house for several years, before eventually presenting it to Drake's parents.

An undated photo of Drake's music room at his parents' house in Tanworth-in-Arden shows the artwork hanging on the wall.  

In the throes of a depression that would see him dead at the age of 26 from an overdose of anti-depression medication, Nick Drake still managed to produce his last album, "Pink Moon." Unlike his first two efforts, which consisted of orchestrated folk-pop music, this 1972 album was just Drake playing his acoustic guitar and singing (with a bit of piano here and there). The result is a bleak testament to melancholy and alienation that has a haunting and pristine beauty.

There are only eleven songs, most of which are under three minutes in length, which is why the album is not even a half-hour long, but there is a sense in which anything longer would be too much to bear. "Pink Moon," by itself, justifies Drake's status as a cult figure among those who love folk-rock.

Ironically, you have probably hear Nick Drake's music before, because the title track was used for a Volkswaggen commercial, just another example of how music is perverted to commercial interests (what else is new?). I have been spending the cold winter putting together mixes of folk music (in the broadest sense) and making a concerted effort to get beyond Bob Dylan and the Byrds to explore the likes of Sandy Denny and the Beau Brummels.

Checking out Sandy Denny led me to Fairport Convention and Richard Thompson, and eventually to Ralph McTell and Nick Drake. Now I can only wonder what rock I have been living under that I have never come across these artists before.

The title track is a beautiful folk ballad, performed with just Drake's superb acoustic guitar playing and haunting vocal. Throughout the album you notice the depth of his lyrics and his guitar playing. The latter might have been lost in an album with orchestration, but here you have the opportunity to listen to the openings of "Radio" and "Parasite" unadorned.

For the former a choice example would be the opening of what is probably the best song on the album (it is hard to choose), "Which Will," which begins: "Which will you go for/ Which will you love/ Which will you choose from/ From the stars above?" There is a simple elegance to the lyrics, captured by the vocals, and complimented by the more complex guitar playing.

Nick Drake only produced three albums, so there is no reason not to have all of them in your music library. These works represent the very best of the British folk-rock scene and Drake is a first rate singer-songwriter whose songs of failed romance, mortality, and depression are quite affective. Drake intended "Pink Moon" to be his final album, saying he had nothing left to record.

When you lose yourself listening to these songs, you can actually convince yourself that this was true.

by Lawrance M. Bernabo

Tracklisting 

Pink Moon  

Place To Be  

Road  

Which Will  

Horn  

Things Behind The Sun  

Know  

Parasite  

Free Ride  

Harvest Breed  

From The Morning

  

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Art of the Cover - Nick Drake's "Tuck Box" {5-CD box Set} (2014)

Island/ Universal Music a few months back released this beautifully presented five CD, limited-edition collection of the complete Nick Drake catalogue.

This elegant, presentation of Nick Drake’s complete works is also great value for money.

The Box  (supposedly designed after Drake's “tuck box” from College days) contains Drake's three albums released during his lifetime (“Five Leaves Left”; “Bryter Layter”; “Pink Moon”), plus two collections (“Made To Love Magic” and “Family Tree”) with his posthumously released recordings:

The three “official” records are absolute masterpieces of course, but the posthumous recordings are extremely interesting and rewarding as well.

Each CD comes housed in mini-replica LP sleeves and come with reproductions of the original shop posters for each release.

The box set itself is a 7-inch square and the design depicts Nick Drake's own tuck box from his Marlborough College days, used to guard the various cakes dispatched weekly from his mother, Molly Drake.

'Tuck Box' includes ...

- FIVE LEAVES LEFT: Nick's debut album from 1969.  

- BRYTER LAYTER: the second album released in 1970.  

- PINK MOON: Nick's final release from 1972.  

- MADE TO LOVE MAGIC: the collection of Island-period recordings, out-takes, off cuts, cast-offs, orphans and the last 5 songs Nick recorded for his proposed 4th album.  Most of the material was professionally recorded in studio by Drake's engineer of choice John Wood, most of them just voice&guitar, a few augmented by Robert Kirby's orchestrations.

- FAMILY TREE: originally released in 2004 to add to and replace the Time Of No Reply compilation, FAMILY TREE is a collection of recordings made before the Island Records period, from a 9 year old Nick playing Mozart through to spoken word pieces, early songs, cover versions and demos recorded to secure his contract, as well as two recordings by his mother Molly Drake perhaps written in response to her son. Despite their “home recording” nature here we have some stunning Far Leys and Aix-en-Provence intimate performances.

Tracklistings 

Disc: 1 

1. Time Has Told Me
2. River Man
3. Three Hours
4. Way to Blue
5. Day Is Done
6. Cello Song
7. The Thoughts of Mary Jane
8. Man in a Shed
9. Fruit Tree
10. Saturday Sun

Disc: 2 

1. Introduction
2. Hazey Jane II
3. At the Chime of a City Clock
4. One of These Things First
5. Hazey Jane I
6. Bryter Layter
7. Fly
8. Poor Boy
9. Northern Sky
10. Sunday

Disc: 3  

1. Pink Moon
2. Place to Be
3. Road
4. Which Will
5. Horn
6. Things Behind the Sun
7. Know
8. Parasite
9. Free Ride
10. Harvest Breed
11. From the Morning

Disc: 4 

1. Rider on the Wheel
2. Magic
3. River Man
4. Joey
5. Thoughts of Mary Jane
6. Mayfair
7. Hanging on a Star
8. Three Hours
9. Clothes of Sand
10. Voices
11. Time of No Reply
12. Black Eyed Dog
13. Tow the Line

Disc: 5 

1. Come In to the Garden (introduction)
2. They're Leaving Me Behind
3. Time Piece
4. Poor Mum (written & performed by Molly Drake)
5. Winter Is Gone" (Traditional)
6. All My Trials (Traditional)(with Gabrielle Drake)
7. Kegelstatt Trio for clarinet, viola and piano (Mozart)(Nick on clarinet with his aunt & uncle)
8. Strolling Down the Highway (Bert Jansch)
9. Paddling in Rushmere (Traditional)
10. Cocaine Blues (Traditional)
11. Blossom
12. Been Smokin' Too Long (Robin Frederick)
13. Black Mountain Blues (Traditional)
14. Tomorrow Is a Long Time (Bob Dylan)
15. If You Leave Me (Traditional, Dave Van Ronk)
16. Here Come the Blues (Jackson C. Frank)
17. Sketch 1
18. Blues Run the Game (Jackson C. Frank)
19. My Baby So Sweet (Traditional, Blind Boy Fuller)
20. Milk and Honey (Jackson C. Frank)
21. Kimbie (Traditional, Jackson C. Frank)
22. Bird Flew By
23. Rain
24. Strange Meeting II
25. Day Is Done
26. Come Into the Garden
27. Way to Blue
28. Do You Ever Remember? (written & performed by Molly Drake)  

  

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Art of the Cover - VA "I Saved Latin! A Tribute to Wes Anderson" (2014)

Loving this one!

Yap, a  beautifully presented package here featuring a marvellous melange of iconic Wes Anderson images.

The music's fucking great too"

This wonderful tribute album will make you want to go back and dig out the original songs - and watch all the films - again!

"I Saved Latin" collects indie rock versions of songs from Anderson's idiosyncratic film soundtracks, with  an eclectic array of artists delivering great cover versions that really offer unique takes on the originals. 

The double-CD compilation album was released by American Laundromat Records, on May 13, 2014.

The tracklisting includes covers of great songs written by the likes of David Bowie, John Lennon, The Who, Nick Drake, Jackson Browne, Nico, The Kinks, Love, Elliott Smith and The Rolling Stones.

The cover versions were recorded specifically for the album by artists such as Kristin Hersh, Juliana Hatfield, Someone Still Loves You Boris Yeltsin, PHOX etc.

The album was received very positively by critics, with NME calling it "cohesive and pleasingly idiosyncratic,"and Delusions of Adequacy stating that "the songs embrace a shared autumnal aesthetic, which closely adheres to Anderson’s whimsical vision."

Tracklistings 

Disc 1

No.	Title	Writer(s)	Artist	Length
1.	"Margaret Yang's Theme"	Mark Mothersbaugh	Someone Still Loves You Boris Yeltsin	1:19
2.	"A Quick One While He’s Away"	The Who	Saint Motel	2:57
3.	"These Days"	Jackson Browne	Matt Pond (feat. Laura Stevenson & Chris Hansen)	3:47
4.	"Let Her Dance"	The Bobby Fuller Four	Freelance Whales	2:10
5.	"I Am Waiting"	The Rolling Stones	Tomo Nakayama (feat. Jesse Sykes)	3:05
6.	"The Wind"	Cat Stevens	William Fitzsimmons	1:57
7.	"Needle in the Hay"	Elliott Smith	Juliana Hatfield	4:13
8.	"Making Time"	The Creation	Generationals	3:34
9.	"The Way I Feel Inside"	Rod Argent (The Zombies)	PHOX	1:44
10.	"This Time Tomorrow"	The Kinks	Telekinesis	3:18
11.	"Strangers"	The Kinks	Escondido	4:07

Disc 2

No.	Title	Writer(s)	Artist	Length
1.	"Alone Again Or"	Bryan MacLean (Love)	Sara Lov	3:25
2.	"Nothing In This World Can Stop Me Worryin' 'Bout That Girl"	The Kinks	Solvents	3:59
3.	"Here Comes My Baby"	Cat Stevens	Tea Cozies	2:36
4.	"Fly"	Nick Drake	Kristin Hersh	3:15
5.	"Ziggy Stardust"	David Bowie	Margot & the Nuclear So and So's	3:05
6.	"Play with Fire"	The Rolling Stones	Elk City	3:29
7.	"Stephanie Says"	The Velvet Underground	Tele Novella	2:48
8.	"Oh Yoko!"	John Lennon	The Ghost In You	4:56
9.	"Fairest Of The Seasons"	Jackson Browne	Trespassers William	4:58
10.	"30 Century Man"	Scott Walker	Tomten	2:08
11.	"Street Fighting Man"	The Rolling Stones	Mike Watt & The Secondmen	3:40
12.	"Five Years"	David Bowie (Seu Jorge cover)	Santah	4:31

  

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