Pleasures of the Crayon Fields

October 8, 2010 at 10:04 pm | Posted in Australia, Music, Orchestral Pop | Leave a Comment
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I just read a tweet from the Vaselines where they called Belle & Sebastian pure showbiz.  I think they meant it as a compliment, but I took it as a put down.  I’ve been down on Belle & Sebastian since seeing them on the Dear Catastrophe Waitress tour.  While I liked that record, live they just got a little bit too full of themselves and then the cringingly bad Life Pursuit and it’s live show demonstrated the band seemed to be quite content to be mired in MOR quicksand (Word to the wise, don’t torture yourself with their new record, especially the Nora Jones duet). What was great about those early B&S albums was the DIY spirit, the  tension they could conjure and the bare bones approach to orchestral pop.  What’s a guy to do when a favorite band goes astray?  Go find another favorite band of course.  The Crayon Fields are the perfect replacement.  Their latest album All the Pleasures of the World was an unheralded orchestral pop gem. They share the same influences with Belle & Sebastian in  the Go-Betweens, Zombies, Bee Gees and the Left Banke, and they remind me of B&S circa If You’re Feeling Sinister, a little awkward in front of an audience, but able to deliver the goods in an anxious, taught way.  You won’t get a string section at Benaroya Hall, but you will get a feeling of the delicate and the sublime from songs like Disappear and Mirrorball, or an inkling of the exotic from How Loved Are You.

The Crayon Fields are no strangers to these pages, but they are just about to embark on a rare set of US dates which is the impetus of this post.  The band have released an EP in preparation for their US landing over on Bandcamp.  It includes a live version of Graceless, a cover of Roxette‘s It Must Have Been Love and a new song, the afore mentioned How Loved Are You.  If that’s not enough new stuff for you, Crayon Fields main dude Geoffrey O’Connor has his second solo album (his first was under the moniker Sly Hats) ready for release.  It will be out soon on Chapter Music, the same label as the Crayon Fields and label has graciously shared up a song to preview its release.

mp3: Crayon Fields – How Love You Are


mp3: Geoffrey O’Connor – Now and Then


Catch the Crayon Fields in the flesh if you live near one of these places:
Oct 11 – Soda Bar – San Diego, CA
Oct 13 – Muddy Waters W/ The Spires and Watercolor Paintings – Santa Barbara, CA
Oct 14 – Rickshaw Stop w/ Magic Bullets  – San Francisco, CA
Oct 16 – Northern w/Karl Blau – Olympia, WA
Oct 17 – Mississippi Studios w/Karl Blau  – Portland, OR
Oct 18 – Tractor Tavern w/Karl Blau  – Seattle, WA
Oct 21 – Glasslands Gallery – (CMJ) – New York, NY
Oct 22 – Rockwood Music Hall (CMJ) – New York, NY
Oct 24 – Black Cat Backstage w/ Family Portrait – Washington, DC
Oct 26 – The Fire w/Air Waves – Philadelphia, PA
Oct 27 – TT The Bears w/Air Waves – Boston, MA
Oct 29 – Hotel Cafe – Los Angeles, CA

Kelley Stoltz Still Keeping the Flame

October 6, 2010 at 9:56 am | Posted in Album Review, Antique Glow, Music | 3 Comments
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For a while there, you couldn’t turn on the TV without one of Kelley Stoltz‘  songs blaring from the boob tube being used to hock credit cards, hotels, Volvos and Viagra (not true). My guess is that about 70% of of Kelley Stoltz fans do marketing for a living. The rest of us do other stuff. To Dreamers is Kelly Stoltz third album for Sub Pop and number six overall if you’re counting. The man is still fastidiously solo, in his house crafting multilayered pop songs all alone and getting by with a little help from his friends when necessary. The guy is meticulous, every listen seems to provide some new found sound on every listen.

While To Dreamers is primarily a guitar album, Stoltz incorporates horns into a handful of the songs. The effect is subtle, and they are so deftly employed that you sometimes think they’re another guitar. On the opening Rock & Roll With Me I didn’t notice them until the second or third listen. I Like, I Like features a saxophone right up front, but not in your face like Springsteen and John Cafferty. You almost have to struggle to hear it near the end of the song, instead of it breaking out into some kind crazy solo.

The Kinks, Beach Boys and Harry Nilson are still ever-present in Stoltz’s antique glow, but he seems to be broadening his pallet this time out, because I swear I hear some Electric Light Orchestra (Rock & Roll with Me), Fred Neil (Pinecone), Bowie (Fire Escape), and Krautrock (Keeping the Flame) not to mention a bit of post punk droning in places. When he’s not being a rock n’ roll star, Stoltz works in a record store in San Francisco, and you see how the dusty stacks of vinyl seep into his mind and keep expand his musical horizons. To Dreamers benefits from Stoltz’ ever expanding musical palette,  making it a more varied record and so far, my favorite of his albums. The record ends with the pensive Bottle Up which gives a nod with it’s baritone guitar to Jack Nitzsche‘s Lonely Surfer. Stoltz’ sixth  album is another solo triumph, shooting the curl at some obscure California break. I just hope that there are some people back on the beach watching besides those in the TV commercial making business.

mp3: Kelley Stoltz – I Don’t Get That


Pre-order the record from Sub Pop and get a bonus CD containing 5 unreleased songs. Stoltz will also be in town on Monday, October 18 for a gig at the Crocodile.

Stream: To Dreamers

Check out this video made by Yours Truly about the making of To Dreamers. Sounds like Mikey from Eddy Current Suppression Ring turned Kelley onto doing the cover of “Big Boy” Pete Miller’s Baby I Got News for You.

Kellies

October 2, 2010 at 10:20 pm | Posted in Argentina, Music | Leave a Comment
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“I don’t believe you.  You’re just too good to be true.” are the first lines on Kellies just released third album.  That was my exact thought when I heard them.  It seems Everette True has been writing about this Argentinian band Kellies for the last year, but not many have picked up on them. Surprising, very surprising. Maybe it’s because finding their records is near impossible if you aren’t living in Argentina, or maybe it’s because True isn’t part of the right blog clique. The band have just released their third album in Argentina and though you will be hard pressed to find it at your local record store, you can find it on bandcamp.

My advice is to head straight there and do not pass go, especially if you’re someone prone to buying properties like Gang of Four, Wire, and the Raincoats you will want to take a chance on Kellies. They are like a legit Elastica, post punk punks who write taught, angular party songs like Chicks On Speed with a little Butter 08/Cibo Matto spread on top. If all that coded babble means nothing to you give these three songs a listen and you’ll mortgaging some property or at least reaching for your credit card.

mp3: Kellies – Prince In Blue (from Kellies)


mp3: Kellies -  Bling Bling (from Kellies)


mp3: Kellies – Rebaixes (from Kalimera)


Their self-titled third album is available from bandcamp.

Join the Orca Team

September 28, 2010 at 9:28 pm | Posted in Music | Leave a Comment
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You’ve just entered high school gymnasium, it could be the 50′s or an old Twin Peaks set, but the band up on the stage is dressed in period clothes and their moonlit, minimal bass heavy sound has just caused you to swoon. A girl in a poodle skirt and a ponytail comes up and asks you to dance. The band bounces along adding some heavenly ooohhhs to the chorus. You say yes to the girl because you can’t believe your luck. Yeah the girl is a dame, but the band is really where it’s at. You’d probably dance with anyone they’re so good.

Portland’s Orca Team may be throwbacks to a bygone era, but they incorporate some more modern references into their sound like Unrest, Sea Lions and a little bit of Beat Happening. I recently found out about them when I was checking to see who was opening for the Intelligence at the Funhouse on 16 October. Mainly seeing if I could come up with a good excuse to go see them again. Orca Team has provided the perfect excuse, and now that I’ve had their album Let It Go on repeat for the past several days, I think I may be going to see them instead of the Intelligence.

mp3: Orca Team – Let It Go


mp3: Orca Team – Shane (dig the Bararism Begins At Home-like break down in this one)


Order up a copy of the self-released Let It Be from their MySpace.

The Lucksmiths Have Gone To Bed

September 27, 2010 at 10:29 am | Posted in Music | Leave a Comment

I feel like i never got to say a proper good bye to the Lucksmiths. After announcing last year that they were calling it quits, the band did a victory lap tour in Europe and Australia, but didn’t make it to US. The world is a big place after all, and touring the States ain’t exactly a walk in the park. Not that I would have done it, but out of curiosity I did look to see how much airplane tickets were to Spain last summer to see one of their farewell gigs. It wasn’t cheap. Much less expensive than a flight to Spain, the Lucksmiths have decided to serve up one final bite of their gentle, heartwarming adroit pop as a 7″ single to put a nice bow on their 16 year career. I’m guessing that these are the last couple songs in the Luckmsiths’ vault, since they thoroughly cleaned it out with the double disc Spring a Leak back in 2007.

The parting shot is two songs. The B-side contains the intriguingly titled The World of Professional Golf 1994 and could be previously found as part of the Lifted Brow magazine. It has an early Bee Gee’s sounding guitar riff and does its job of reminding me of spending a rainy Sunday afternoon inside watching golf in some sunny local on TV, but probably closer to 1984 for me. The A-side is the pensive Get-to-Bed Birds which appeared on the Matinee compilation Grand Prix and was the last song main songwriter Marty Donald wrote for the band. The swirling guitar appropriately gives an autumnal feel to the song as the final leaves fall from the Lucksmiths’ tree.

mp3: The Lucksmiths – Get-to-Bed Birds


The single is limited to 1000 copies, 500 from Matinée in the US and 500 from Lost & Lonesome in Australia.

Knowing Your Falkner

September 25, 2010 at 11:02 pm | Posted in Gigs, Silver Platters, Triple Door | Leave a Comment
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Jason Falkner at the Triple Door, Seattle | 20 September 2010

Never judge a book by its cover, and in this case never judge a record by its sleeve.  Jason Falkner’s I’m Ok…You’re OK recently came out in the US after being available in Japan since 2007.  For some reason he decided it needed a different cover from the Japanese release.  The Japanese version has a sleek, retro look with Jason sitting in a chair looking all enlightened.  The new American version looks…well, it looks like the cover for soundtrack to the Lion King.  To confuse matters even more he has a new album that was released this year in Japan called All Quiet On the Noise Floor that has yet to see the light of day here in the States.  Musicians aren’t expected to have much business acumen, they’re supposed to write songs that amaze and please the aural sense. Jason Falkner does the latter, so I’ll give him a pass and pay exorbitant amounts for his records as Japanese Imports.

Monday night at the Triple Door and a few hours before at Silver Platters in Queen Anne, Jason Falkner and his band played songs from both of those albums as well as his other two that came out on Elektra in the late 90′s. Every time I’ve seen him in the past it was just Jason and a red guitar, this time was different, he had a full band with him.  I’m sure that it was an adjustment for him, since he plays all the instruments on his records, but I think the songs benefited from being played by someone other than the man himself.  Older ones like Honey,  The Plan took on new lives when played both in the small setting of Silver Platters and the larger Triple Door.  In fact I’d never really even payed much attention to Honey from the Nigel Godrich produced  Can You Still Feel? In its current band incarnation, it had a distinctively warmer more laid back feel.  Falkner himself always comes across as a laid back dude.  He might want to think about becoming a politician, because he definitely seems like someone you could have a beer or two with.

The Triple Door wasn’t packed as it should have been for a guy that is so nimble with formulating pop hooks, but 90 percent of everyone there could be considered a rabid fan. Enforcing the belief that it’s not quantity, but the quality.  The people I sat near all mentioned his Gary Numanesque TV Eyes project that he did with Roger Manning. Falkner was in Jellyfish with Manning for one record, and (of course) the TV Eyes album was only released in Japan.  His set heavily favored his two most recent albums both of which keep the same high quality standards of his earlier ones.  I think Falkner got the fact that Everyone in the audience was a kindred spirit.  As he came back out for his second encore (after doing a solo acoustic one that consisted of the Kink‘s Wicked Annabella, She’s Not The Enemy and She Goes To Bed) people were screaming out songs for him to play. With a big grin he says: You know this what I dream about, a bunch of cool people yelling out my song titles. I’m not sure how cool we were, since we we’re all geeking out to an all too rare Jason Falkner gig, but it was fun as hell.

Set List:  Honey | This Time | NYC | Komplicated Man | Runaway | Maybe the Universe | The Knew | Emotion Machine | Contact | Doin Me In | Jet silver and the Dolls of Venus | My Home Is Not a House |  Hectified | The Lie In Me | Holiday | Evangeline
Encore 1: [solo] She Goes To Bed | Wicked Annabella | She’s Not the Enemy
Encore 2: I Don’t Mind | The Plan | I Live

mp3: Jason Falkner – Contact (from I’m Ok…You’re Ok)


mp3: Jason Falkner -Maybe the Universe (from All Quiet On the Noise Floor)


mp3: Jason Falkner -She’s Not the Enemy (from the 4-track Years)


mp3: Jason Falkner – Wicked Annabella (from Everyone Says It’s On don’t click on this, that’s a crazy price)

mp3: TV Eyes – Mission: Submission (from TV Eyes)

Nostalgia

September 23, 2010 at 9:58 pm | Posted in Crocodile, Gigs, Music, Nostalgia, Seattle | 4 Comments
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Mark Burgess (aka Chameleons Vox) at the Crocodile, Seattle | 21 September 2010

I don’t know if Chameleons stock has recently risen or if Seattle just knows what’s up. Back in 2002 when I saw the Chameleons in San Diego on the tour they did after getting back together (and releasing their fourth album Why Call It Anything) the attendance was anemic.  There were no such problems Tuesday night at the Crocodile.  The place was packed and the anticipation to hear (cult) classic songs was palpable.  In their day, the Chameleons created a stadium sized sound and intensity with their music, but were able to balance their big sound with an innate spirituality that was lacking in  contemporaries like U2 and Simple Minds.  Unfortunately internal frictions caused the band to implode as they were just beginning to record their 4th album. Creatively they seemed to be peaking, and the heights they were about to scale can be heard in the 4 song Tony Fletcher Walked on Water EP.  It took 16 years for the Mark Burgess, Dave Fielding, Reg Smithies and John Lever to bury the hatchet and finally record a fourth album.  They got back together in the early 00′s and Why Call It Anything was born. It was a short-lived reunion, as the internal frictions reared their ugly heads again and the Chameleons self-destructed for a final time after that record and a tour of the United States.

Burgess has never shied away from rehashing his Chameleons days.  He toured with his band the Sons of God in the mid 90′s and even though he had solo material to play, the sets were mostly Chameleons songs. This time he’s making no bones about it, touring as Chamleons Vox, this is a full on nostalgia tour.  Eschewing the 4th album entirely Burgess and his band roared through the Chameleons 80′s catalog pulling from Script of the Bridge, What Does Anything Mean? Basically and Strange Times..  The night did not leaving anyone disappointed, though the crowd seemed intent on getting him to come back out for a third encore.

Burgess, is no young lad anymore like you see on the back of Strange Times.  He still has a big mop of hair and eyebrows that make me think he’s related to Joe Pesci’s in Goodfellas.  As the distinctive guitar intro to Swamp Thing warbled through the Crocodile and the bass began to thunder, Burgess appeared with big smile, dressed in all black with his pants tucked into his combat boots.  Everyone in the room was feeling the hairs stand on the back of their necks, and Burgess himself seemed to chuffed to playing these songs he’s been singing for 25 years one more time.  His gregariousness is infectious and you can tell he’s totally into playing these songs even though they are 25 years old. Certainly his booming baritone has not lost an ounce of power.  His band replicated the Chameleons’ sound with seeming ease and affection.  Burgess was freed from his bass guitar to concentrate on being the front man.  He seemed to have a vortex of energy surrounding him, during the first encore he leaped off the stage into the audience during Splitting In Two and a suddenly the audience became a sea of pogoing bodies and as he returned to the stage he left a mosh pit in his wake.

The band ended up doing two encores, due to the zealous cheers from the audience.  As they returned to the stage for the first encore Burgess  mentioned that he only did encores if they were really wanted.  He then spied a Wedding Present Poster on the wall and started talking about David Gedge and how they’re buddies and how the Wedding Present never do encores.  He gave a pause and then said, he’s a miserable bastard isn’t he. Lucky for us that Burgess is no Gedge, because the encores were maybe the best part of the show, pulling out aces like Don’t Fall and The Fan and the Bellows.  It was that kind of night where long time Chameleons fans showed up to hear their favorite songs and were not disappointing.  Well, not quite.  After the first encore a woman place a note on stage for Burgess  saying that she couldn’t believe that Tears had not been played.  Burgess, kind of surprised,  turned to his band, showed them the note and began singing Tears a capella.  Everyone in the room joined in for rousing rendition of it which ended with Burgess giving the woman a kiss.

Set List: Swamp Thing | A Person Isn’t Safe Anywhere These Days | Monkeyland | Pleasure & Pain | Up the Down Escalator | Perfume Garden | In Answer | I’ll Remember | Soul In Isolation | Singing Rule of Britannia | In Shreds | Second Skin |
Encore 1: The Fan and the Bellows | Don’t Fall | Splitting In Two (Alternative TV cover)
Encore 2: Tears (a capella) | View From a Hill

I shot video for The Fan and the Bellows. I wish I would have gotten Perfumed Garden, because that was my favorite of the night.

mp3: The Chameleons – Perfume Garden (from What Does Anything Mean? Basically)


More Pop Overload

September 18, 2010 at 10:25 pm | Posted in Craziness, Music, Pop Overload | 1 Comment
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I’m sure there will come a day when we are all scrounging around for some semblance of a new good song to listen to and coming up dry.  Well , that day ain’t here yet.  Once again the mp3′s are piling up in my head, so here’s another Pop Overload to clear it out.   Like the ones before, the Pop Overload is about both quantity and quality…and the bonanza continues…

Don’t have to call it a comeback, but Brideshead are.  Germany’s Brideshead return with a four song 10″ after a long hiatus.  Indiepop aficionados undoubtedly remember these guys for their two albums Some People Have All The Fun and In and Out of Love.  It’s bright bouncy fun that isn’t afraid to let the sunshine flood in.

mp3: Brideshead – The World Stopped Turning (available from Shelflife)


Outdoor Miners seem to be victims of geography. If they were from Denton or Brooklyn or LA everyone would be going all verbal on these guys. As it is they’re holed up Edmonton, Alberta probably frozen in some snowbank by now. This is their second single on Pop Echo. Both are limited to 300 copies and inexplicably still available. These should’ve sold out long time ago.

mp3: Outdoor Miners – Disgust (available from Pop Echo)


You’re probably saying to yourself, hey wasn’t Idle Times on the last pop overload?  I can’t help it, the more I hear from their upcoming album on Hozac the more I can’t wait.  Seattleites, don’t miss their next gig, September 30 at the High Dive with Coasting.

mp3: Idle Times – Hey Little Girl (coming from Hozac)


Seems the Crystal Stilts have come out of hiding with a new single and it could be the least unhappy (notice I didn’t say happy) singer Brad Hargett has ever sounded.  It’s definitely late 80′s British in style, I hear the Railway Children.  On the b-side they sound like they’ve been getting drunk and listening to country music.  Weird, I think I may like their drunk country better than their 80′s Brit.

stream: Crystal Stilts – Shake the Shackles (on the way from Slumberland)

Alex Kemp (Small Factory) is back with Rat d’Hotel part deux in his three part series.  Heart Goes Boom is understated and slyly danceable that will make you weak in your knees. Just as good as Rat d’Hotel part one, only this time with more rats.

mp3: Alex Kemp -Heart Goes Boom (get one from the man himself)


The new Flight song from the upcoming Lead Riders EP is my favorite Flight since his Sweet Rot debut.  It keeps the dark blown out Blank Dogs feel, but adds a slithery melody that snakes into your brain.

mp3: Flight – Turns To Blood (coming soon from Zoo Music)


Philadelphia’s Reading Rainbow give us a teaser from album number two due from Hozac in November.  It’s a big sounding song.  They sound like they got a whole bunch of their friends to help belt out the song.  Infectiously happy sounding and pretty much guaranteed to put a smile on your face while your wasting time.

mp3: Reading Rainbow -  Wasting Time (coming soon on Hozac)


Hypocrisy Is the Greatest Luxury, and Radio Dept. know it. This song hit the ether this week in advance of Sweden’s election. It’s a fair guess to say Sweden’s current right wing government is not the band’s preferred one.

mp3: Radio Dept – The New Improved Hypocrisy

Eternal Summers Wanna Be Your Tugboat Captain

September 15, 2010 at 11:26 am | Posted in Music, Tugboat Captains, mp3 | 1 Comment
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For some reason, I keep seeing the Eternal Summers described as sunny, beachy garage rock.  The music blog police should be retracting blogger’s licenses for such egregiously erroneous statements.  I doubt that Eternal Summers have ever recorded or played on a beach or in a garage.  They are more reclusive basement rock, probably preferring to play in only damp basements under the light of a single pull-string bulb instead of natural light.

After a 10″ EP released earlier this year on Chimney Sweep that caught my attention, the Roanoak, Virginia duo follow it up with their first album Silver which is to be released on Kanine Records on September 28th.  Listening to Silver I hear a ton of influences and most of them are early 90′s references.  The Spinanes come to mind first, but maybe because the Spinanes were a boy/girl, guitar/drums duo too. Nicole Yun has a big strong voice that implants her easy melodies quickly into your long-term memory. Sometimes she sounds exactly like Bridgette Cross, and her ringing, jangling, well spaced guitars reinforce the Unrest comparisons and invite some Young Marble Giants too.    Their name may give the impression that they revel in sunshine and chase the summer round the globe, but their sound belies a moodier disposition, one that secretly wishes for gray skies, and constant drizzle. Weather that provides the perfect excuse to sit alone at home listening to these songs on a gray day, like you use to do with Galaxy 500, Throwing Muses and like.

mp3: Eternal Summers – Dye


mp3: Eternal Summers – Pogo


Head over to Kanine Records to order Silver and the digital single Pogo which comes with two exclusive B-sides one of them a Beatles cover.

In other Eternal Summers news, they have recorded a version of  the  Guided By Voices song A Salty Salute that can be found on the new Guided by Voices tribute tape on Wild Animal Kingdom…which appears to be sold out already.

Number 13 Baby: Basementcast #13

September 13, 2010 at 12:01 am | Posted in Basementcast, Music, Podcasts | 7 Comments


photo from JamieSanford’s Photostream.

As luck would have it, here is basementcast number 13 on the 13th day of September. Not a dreaded Friday the 13th but a Monday the 13th which, it seems to me, is a lot worse than a Friday the 13th. After all, you have two days to make things right after a Friday of bad luck. On a Monday the 13th you need all the help you can get. That’s where the basementcast comes in. Think of it as your lucky rabbit’s foot. Put it on your mp3 player and it will help you avoid black cats, hats on the bed, walking under ladders and a multitude of other crazy stuff that could happen to you on this day. Plus you will have saved a rabbit from having to hop around with only three legs.

download: basementcast #13 (~182 Mb)

Stupid Kids – Christmas from Ultraprophets Of Thee Psykick Revolution
I Don’t Wanna Be Around You – Sugar Stems from Sweet Sounds of the Sugar Stems

One Million Year Trip – Laetitia Sadier from The Trip
Daylight – Robert Scott from Ends Run Together
Bury My Head In My Hands – Orange Juice from The Orange Juice

Let’s Fall In Love – Sea Lions from Yay! 12″
Dreaming – Seapony from Seapony
Anorak City – Another Sunny Day from London Weekend
Anorak City – Fucked Up from Couple Tracks: Singles 2002-2009

Pogo – Eternal Summers from Silver
Sunlight – Swimsuit from Life Like Demo

Disco Rough – Mathematiques Modernes from Les Visiteurs Du Soir
Make It Better – The Knocks from Make It Better 7″
Throwing Shade – Abe Vigoda from Crush

Gone To Sea – A Classic Education from Hey There Stranger
Cathy Dennis – June & The Exit Wounds from Little More Haven Hamilton, Please
Life is Good When Cinematic – Talbot Adams from Weekend 7″

Estate Sales – Intelligence from  Males
Mini, Mini, Mini – Jacques Dutronc from Jacques Dutronc
Twist – Tones On Tail from Night Music

Stiff Little Fingers – The Vibrators from Pure Mania
Stiff Little Fingers – Dum Dum Girls from  Stiff Little Fingers 7″
30 Century Man – Scott Walker from Scott 3
Ice Melts Around My Battery – Number One Cup from People People Why Are We Fighting

Candy – Frankie Rose And The Outs from Frankie Rose And The Outs
The Hunter Gets Captured By The Game – The Marvelettes from Hitsville USA: The Motown Singles Collection
Toutes Les Nuits – Les Calamités from C’est Complet

A Salty Sea – Scraps from  Dirty Knobby 7″
Ego Psycho – Les Bellas from Belladelic
Going Down to Liverpool – The Bangles from All Over the Place

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