Blair Drills Down
Tony Blair emerges from these memoirs as a man of extraordinary intellectual self-confidence. He likes to think for himself, and decide for himself, whatever the issue. He takes this to be one of the key attributes of leadership, and it is why he believes he was cut out for it while other people (you can guess who) were not. But he also puts it down to his training as a barrister at the hands of Derry Irvine, someone he describes as having ‘a brain the size of a melon’. From Irvine Blair learned the importance of what he calls ‘drilling down’ when faced with a seemingly intractable problem. More
Franzen’s Soap Opera
Jonathan Franzen has in the past been a writer who has flourished in sequences and streaks, in set-pieces and sections, the kinds of book of which you could ask: ‘What are your favourite tracks?’ The Corrections’ war of attrition between Caroline and Gary Lambert is a breathtakingly good sequence – but Gary remains the most underpowered character in the novel. This grumble doesn’t obtain here. Tonally more even, but also more subdued than The Corrections, Freedom is Franzen’s smoothest novel. It is patient, decorous, sure of itself and, in that its author sounds like himself throughout, definingly Franzenesque. More
Helen of Troy
The way the Greek myths have been told has disguised the joins and touched up the weirdness. Writers like Nathaniel Hawthorne in Tanglewood Tales and Charles Kingsley in The Heroes, who enthralled me when I was a child devouring the stories under the bedclothes by torchlight, patched and pieced the myths into the coherent plots that we are familiar with. Writers continue to work a ragbag of scraps into whole cloth, disentangling the threads and recomposing the patterns. Very few readers today go back to the sources, to handbooks like Apollodorus’ The Library, or to the work of Quintus of Smyrna, who in the fourth century wrote a sequel to the Iliad in 14 books. More
