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Chilean-born Edgar Endress is a Virginia-based artist, professor, and founding member of the Floating Lab Collective. Endress’ work stresses a context-dependent blend of media that both forges and illustrates an integration of art and social engagement. For Endress and his Floating Lab Collective, the opportunities for social interaction afforded by his work are every bit as integral to the performance as whatever audio or visual elements he uses to stimulate them. Endress recently met with Foreign Policy In Focus to discuss his recent work on immigration, his theories of social engagement, and his travels to the Balkans.
In the high-vaulted main hall of Union Station in Washington, DC, the sound of a drone attack interrupts the morning rush hour. A dozen people suddenly freeze in place. Some point up into the air. Others crouch with hands over their heads in a vain attempt at self-protection. The commuters on their way to and from the trains pause to look at the stationary figures. After a minute or so, the leaf-blower sound of the drone attack cuts off, and the figures crumple to the ground, crying out in pain. As the cries of the victims fade, two attendants cover the bodies with blood-stained sheets.
As the dust settles on the August 10 Colombian Constitutional Court ruling declaring invalid the U.S.-Colombia military bases agreement, politicians and analysts are saying that the decision was for the better. Most of those voices come from former supporters of the deal —including Liberal Party presidential candidate, Rafael Pardo.
The song Take This Job and Shove It hit No. 1 on the country music charts in 1978. The blue-collar worker in the song that Johnny Paycheck made famous was working up the nerve to leave the factory after 15 years on the production line. It wasn't necessarily the best time to mouth off at the line boss. The U.S. economy wasn't so hot. Unemployment was 6.1 percent, which politicians considered unacceptable. Real wages, which peaked in 1973, were in a long tailspin. Unions continued to hemorrhage members. Workers were angry, and the song captured some of that feeling.
The residents of Takae, a small village in the hills of northern Okinawa, are no strangers to the American military. Since 1957, they’ve been living next to the world’s largest jungle warfare training center - and many of them are old enough to remember the days when the U.S. Marine Corps hired locals to dress up as Vietcong for its war games.
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