Showing posts with label Pixies. Show all posts
Showing posts with label Pixies. Show all posts

Wednesday, 1 July 2015

Art of the Cover - VA "Rubáiyát: Elektra's 40th Anniversary" (1990)






A gorgeous piece of art adorns one of the ultimate collections of cover versions.

A wonderfully presented Box Set too, no less!

Yap, Rubáiyát, was released as a 4-LP/ 2-CD/ 2-cassette Box Set.

Rubáiyát is a compilation album, released to commemorate the 40th anniversary of the Elektra record label. 

The unique premise was to feature present-day Elektra artists covering songs from the historic catalogue of recordings of Elektra Records and its sister label Asylum Records


Featuring some truly odd juxtapositions, a truly eclectic array of artists appear on this thing - with an even more electric selection of songs, resulting in some truly unique and wonderful interpretations.






An even better, limited-edition version was also released.

Yap, the expanded 4-disc Box Set "Rubaiyat: The Originals" contains not only the fine collection of covers but also the original recordings! 

Having been out of print a while, both versions of Rubáiyát are real rarities now, but they do crop up now and again on Amazon {see links!}





T



The Elektra label has a history of celebrating itself with various books and anthologies, but then, there’s a lot to celebrate. 

Started by a teenaged Jac Holzman in his dorm room in 1950, it grew into major label status while retaining an eclectic roster of musicians who were given the chance to spread their artistic wings, just as likely to reach pinnacles of cult fandom (Tim Buckley, Love) as pinnacles of worldwide success (the Doors, Queen).

In 1990's 40th anniversary release Rubáiyát by releasing Rubaiyat, rarely have such disparate musicians rubbed shoulders as they do on this release, whether on levels of dissimilarity (Tracy Chapman and Metallica – together again!) or familiarity (the Shaking Family were infinitesimally as well known as the Cure), but that was the point. Oddly, the juxtapositions really worked and what we get here - despite the odd hiccup - is some wonderful work.

Two long-running Elektra artists - Jackson Browne and The Cure - were featured in a double capacity. They were featured as performing artists (covering songs from Elektra's early canon) and were also represented by having songs that they had recorded for Elektra, covered by newer Elektra artists. Carly Simon was the only solo artist to have two songs covered on the collection while the Eagles were the only group to share that distinction.

The Rubaiyat cover that ultimately received the most attention would have to be the Gipsy Kings’ wild version of the Eagles’ “Hotel California,” thanks to its inclusion in The Big Lebowski years later. That’s not to dismiss the other songs on the album out of hand – anybody who heard this collection, regardless of background, would come away with a favorite.

The double album was produced by Lenny Kaye, guitarist of the Patti Smith group, who also wrote the liner notes.











Tracklistings

Disc 1

Track # Title   Artist Original Artist

1 Hello, I Love You The Cure [The Doors (1968)]
2 The House of the Rising Sun Tracy Chapman [Glenn Yarbrough (1957)]
3 7 and 7 Is Billy Bragg [Love (1966)]
4 I'd Like to Teach the World to Sing Jevetta Steele [New Seekers (1971)]
5 Hotel California Gipsy Kings [Eagles (1976)]
6 Werewolves of London The Black Velvet Band [Warren Zevon (1978)]
7 Motorcycle Mama The Sugarcubes [Sailcat (1972)]
8 One Meatball Shinehead [Josh White (1956)]
9 Bottle of Wine The Havalinas [Tom Paxton (1965)]
10 Born in Chicago Pixies [Paul Butterfield Blues Band (1965)]
11 You're So Vain Faster Pussycat [Carly Simon (1972)]
12 Marquee Moon Kronos Quartet [Television (1977)]
13 Get Ourselves Together Phoebe Snow [Delaney & Bonnie (1968)]
14 Tokoloshe Man Happy Mondays [John Kongos (1972)]
15 Let's Go Ernie Isley [The Cars (1979)]
16 Going Down Lynch Mob [Don Nix and the Alabama State Troupers (1972)]
17 A Little Bit of Rain Arto Lindsay & The Ambitious Lovers [Fred Neil (1965)]
18 You Belong to Me Anita Baker [Carly Simon (1978)]
19 Road to Cairo Howard Jones [David Ackles (1968)]


Disc 2

Track # Title   Artist Original Artist

1 Kick Out the Jams The Big F [MC5 (1969)]
2 Almost Saturday Night/Rockin' All Over the World The Georgia Satellites [John Fogerty (1975)]
3 Hello, I Am Your Heart Sara Hickman [Dennis Linde (1973)]
4 Make It with You Teddy Pendergrass [Bread (1970)]
5 The Blacksmith  Linda Ronstadt [Kathy & Carol (1965)]
6 Going Going Gone Bill Frisell, Robin Holcomb, Wayne Horvitz [Bob Dylan (1974)]
7 First Girl I Loved Jackson Browne [The Incredible String Band (1967)]
8 These Days 10,000 Maniacs [Jackson Browne (1973)]
9 Stone Cold Crazy Metallica [Queen (1974)]
10 Apricot Brandy Danny Gatton [Rhinoceros (1968)]
11 Union Man Shaking Family [The Cate Brothers (1975)]
12 One More Parade They Might Be Giants [Phil Ochs (1964)]
13 I Can't Tell You Why Howard Hewett [Eagles (1979)]
14 Mt. Airy Groove Leaders of the New School [Pieces of a Dream (1982)]
15 You Brought The Sunshine Shirley Murdock [The Clark Sisters (1983)]
16 Inbetween Days John Eddie [The Cure (1985)]
17 Love Wars The Beautiful South [Womack & Womack (1983)]
18 Both Sides Now Michael Feinstein [Joni Mitchell (1967)]
19 T.V. Eye John Zorn [The Stooges (1970)]
20 Hello, I Love You The Cure [The Doors (1968)]


















Sunday, 22 February 2015

The Video - Frank Black's "Los Angeles"



I want to live in Los Angeles. Not the one in Los Angeles!


I'm always saying there really ain't enough odes to betatrons - and indeed to rugged Patagonia - in modern music!

And Frank agrees!

Yap, it's the typically part blistering, part deliciously meolodic, oddball and humorous first track on Charles Thompson's first solo LP (called, erm, Frank Black) after the collapse of Pixies, back in 1992.

The song was released as a single, backed by the rather good "I heard Ramona Sing", in March 1993.

Anyway, Frank Black Francis Thompson sure has a lot of fun on a hovercraft in the song's bizarro promo below!






 











Sunday, 18 January 2015

Hot Poppers - Genius Of Love: Tina's Hitting It





She can twiddle my knobs any day!! (well the 1970's version of her, anyway!)

Yap, it's Tom Tom Club's Top Totty Tina, one of the hottest bass guitarists ever (yeah, even more than the young Kimberley Deal -- about whom I had more than a few erm, 'unclean' thoughts back when a kid during the Pixies heyday!)

I think she played with something called Talking Heads for a while too!
















Tuesday, 5 August 2014

The Cover Version - Shimmering Stars do "Hey"




must be a devil between us, or whores in my head 



Fine Canuck band Shimmering Starsdo a mighty fine version of the Pixies classic "Hey"".


The Shimmering Stars version appears on ‘Bedrooms of the Nation - a real nice collection of B-sides, outtakes, covers, and demos of songs from the band's forthcoming sophomore LP.


With unforgettable, (very) idiosyncratic lines like "'Uh' is the sound that the mother makes when the baby breaks; we're chained", the bijou yet powerful, sex and death obsessed, "Hey" is  some sort of beautiful, fucked-up, extended scream of madness

Written by Black Francis (who the fuck else comes up with stuff like this?!), the song appeared on the band's seminal Doolittle LP.




















Sunday, 3 August 2014

Art of the Cover - Frank Black's "Oddballs" (2013)








The great cover artwork featuring a demented Charles Thompson!

Photography was by Steve Gullick.

Yap, it's oddball Frank Black's rare and wonderful Oddballs; a collection of rare gems recorded between 1994 and 1997.

Though technically a re-release, Oddballs is a special treat for fans and historians of Black's epic career. The album has long been out of print. In its initial release in 2000, it was only sold to the lucky folks who went to Frank Black and the Catholics shows.

Oddballs was made during Frank Black's transition from a solo studio magician to a purist who recorded everything totally live to 2-track (the method which would eventually be perfected by Frank Black and the Catholics).

Many of Oddballs' treasures are B-sides either from Black's 1994 acclaimed studio masterpiece Teenager of the Year or from the almost-live, totally raw and powerful Cult of Ray from 1995.

Though these oddities are obscure, they are in no way throwaways. Rather, Oddballs gives us a deeper glimpse into Black's unique vision of rock 'n' roll.









Tracklisting



1 Pray A Little Faster
2 Oddball
3 Village Of The Sun
4 Baby, That's Art
5 At The End Of The World
6 Can I Get A Witness

7 Announcement

8 Hate Me

9 Remake/Remodel*

10 Everybody Got The Beat

11 Jumping Beans

12 Just A Little**

13 You Never Heard About Me
14 Man Of Steel

Written-By  Frank Black except...

*Written-By Bryan Ferry
**Written-By Durand, Elliott











Wednesday, 23 July 2014

Art of the Cover - The Muffs' "Whoop Dee Doo" (2014)





A wonderful vintage snap adorns the (very) long-awaited new collection from the Muffs.

Yeah, that's Kim Shattuck's group!

In 2013, Shattuck seemed to have her name changed by the muzak press to the Kim who replaced Kim Deal in the Pixies before getting replaced by someone else (not named Kim)!

However, along with drummer Roy McDonald (Redd Kross) and bassist Ronnie Barnett, Shattuck's also a member of the long-running California garage rock band the Muffs.

The Muffs released several cult favorite albums in the 90s, and lead off the Clueless soundtrack with their cover of Kim Wilde's "Kids in America".

On July 29, Burger and Cherry Red will release the Muffs' new album Whoop Dee Doo.  -- the band's first full-length of new material since 2004!

Packed tight with the kind of well-crafted, catchy ear candy the band has become well known for, songs like "Take a Take a Me", "Paint By Numbers", "Weird Boy Next Door" (the first video), "Up And Down Around", "Where Did I Go Wrong" & "I Get It" will no doubt be welcome additions to this legendary band's catalogue of well-loved, stone-cold-classic songs. 




The group is made up of Kim Shattuck (Lead Vocals & Guitar), Ronnie Barnett (Bass & Backing Vocals) & Roy McDonald (Drums). Formed in Los Angeles in late 1990 they've attracted attention for their energetic, exciting live performances as well as a rock solid body of studio work issued on labels like Warner Brothers, Reprise, Sub/Pop, Fat Wreck Chords/Honest Don's, Sympathy For The Record Industry, Five Foot Two & Cherry Red.




Their resume of film, television & video game appearances is staggering. They have been featured in almost every major publication. They have a rabid, adoring fan base that has seen the band trot around the globe countless times. 

The Muffs will be playing select dates in the U.S. & in foreign countries like they have been for the past 23 years. Be on the lookout - if you think their albums are fucking wonderful and wild, just catch one of their live shows!



Tracklisting

1.. Weird Boy Next Door
2.. Paint By Numbers
3.. Like You Don’t See Me
4.. Take a Take a Me
5.. Up and Down Around
6.. Where Did I Go Wrong
7.. Cheezy
8.. Forget The Day
9.. I Get It
10.. Because Your Sad
11.. Lay Down
12.. Forever













Wednesday, 18 June 2014

The Music - Neil Young & Crazy Horse blast out "Hey Hey, My My (Into the Black)"





It's better to burn out than to fade away




A blistering live performance here from Neil and Crazy Horse, from a point when - though aged only 34 - Young really stood on the precipice of still being relevant to a discerning audience in the turbulent musical landscape of the late '70s. 

And it's "Hey Hey, My My (Into the Black)", more than any other song, that managed to significantly revitalize Young's waning career and, in the process, ensure that he did (and indeed would, for decades to come) remain a vital force in music.

Combined with its acoustic counterpart"My My, Hey Hey (Out of the Blue)", the song bookends Young's magnificent Rust Never Sleeps -  the 1979 album that featured a batch of amazing new songs recorded live during Neil's 1978 tour with Crazy Horse.

Prior to this LP, many critics had viewed Young's career as skidding badly after the release of stuff like American Stars 'N Bars and Comes a Time. Some were ready to write him off as a spent force. Furthermore, with the explosion of punk in 1977, many of the younger echelon of his audience felt that Young and his contemporaries were becoming obsolete. The death of Elvis Presley in '77 seemed to sound a death knell for rock, as The Clash screamed, "No Elvis, Beatles or The Rolling Stones in 1977!" in the song "1977".

Young worried that they were right. 

From Young's fear of becoming obsolete sprang an appreciation of the punk ethic and - as a result - this song {initially as an acoustic lament "My My, Hey Hey (Out of the Blue)"}was born. 

The song "Hey, Hey, My, My" (and also the title phrase of the album, "Rust Never Sleeps") sprang from Young's encounters with Devo and in particular Mark Mothersbaugh. Devo had been asked by Young in 1977 to participate in the creating of his film Human Highway. A scene in the film shows Young playing the song in its entirety with Devo, who clearly want little to do with anything "radio-friendly"

Upon embarking on a tour with his backing band Crazy Horse, the song took on new life in an arrangement invigorated by the punk movement and punctuated by Young's idosyncratic guitar solos to create a piece that would go on to inspire the proto indie/grunge scene, including the likes of Sonic Youth, The Meat Puppets, Pixies, Dinosaur Jr. and - most famously - Nirvana (Kurt Cobain's suicide note actually ended with the song's famous fulcrum line "it's better to burn out than to fade away".)






 















Friday, 4 April 2014

Art of the Cover - Pixies "Indie Cindy" LP (2014)







Seems some Pixies have been real busy lately!




Yap, after decades without significant new material, Frank & Co are back with another EP and -- wait for it, -- their first new album in 23 years!




Yap, Pixies have just released EP-3, which contains last year's 'Bagboy' release, alongside 'Silver Snail', 'Ring The Bells' and 'Jaime Bravo'. It's available as a limited edition 10" from the band's online store. 

They're also collecting together all 12 of the tracks that make up last years EP-1 and EP-2 plus the new EP-3 on the album Indie Cindy,  due to be released on April 28. 




Indie Cindy will be available on CD and download, as well as in a special, limited-edition, double (180-gram vinyl) edition.

There's also a deluxe CD package edition , replete with a beautiful 40-page hardback book and a special bonus 13-track live album drawing on material from this year's world tour (tracklisting below.) 




Pixies will also be putting an even more limited run of the album for Record Store Day.  



Yap, on April 19, a week before the official release date and exclusively for Record Store Day, Pixies will make Indie Cindy available as a special RSD limited edition, two-disc, deluxe gatefold, 180-gram vinyl set, only from independent record stores participating in RSD around the world. And they tell us, when these are gone, they’re gone!




Renowned 4AD graphic artist Vaughan Oliver (responsible not only for the great artwork on all Pixies’ previous releases, but for the supreme cover art of the Cocteau Twins, amongst many other pieces of seminal cover art) created the lovely artwork for the LP. Oliver also provided the wonderful illustrations in the 40-page hardback book.




The 12 cuts on Indie Cindy were produced by Gil Norton, producer of the band’s classic Doolittle, Bossanova, and Trompe le Monde albums, and recorded during October 2012 at Rockfield Studios in Wales. 




The album is comprised of “Bagboy,” the band’s first new song in more than a decade, the eight tracks from the band’s EP-1 and EP-2, released September 3, 2013 and January 3, 2014 respectively, plus the three new tunes from the just-released EP-3. 




With EP-1, EP-2 and now EP-3 having been available only in digital and limited-edition vinyl formats, Indie Cindy will mark the first time fans can have all of the new Pixies music in one collection.








Indie Cindy Tracklisting:
'What Goes Boom'
'Greens And Blues'
'Indie Cindy'
'Bagboy'
'Magdalena 318'
'Silver Snail'
'Blue Eyed Hexe'
'Ring the Bell'
'Another Toe In The Ocean'
'Andro Queen'
'Snakes'
'Jaime Bravo'




Live In The USA Tracklisting:
'Bone Machine'
'Hey'
'Ana'
'Magdalena 318'
'Snakes'
'Indie Cindy'
'I've Been Tired'
'Head On'
'The Sad Punk'
'Distance Equals Rate Times Time'
'Something Against You'
'Isla De Encanta'
'Planet Of Sound'











Monday, 2 December 2013

The Music - Pixies Live At BBC 2013 (Full Show)


Pixies In Concert - New York, NY

 But hey, where have you been?


Frank and the lads and Kim (of the Shattuck variety!) belt out a few tracks that may be familiar to some!

A full (60-minute plus) gig  recorded for BBC 3 at BBC's Media Vale Studios in September 2013, plus a dissected interview with Black Francis.

Yap, some stone-cold mother-fucken classics here ... plus a few new gems - the single Bagboy as well as Indie Cindy and What Goes Boom (from the recent fine EP1.)

Included too is a mighty cover of Neil Young's under-rated Tonight's The Night outtake Winterlong (which they recorded for the Young tribute album The Bridge back in 1989, and which is available on the great collection of rarities, Complete 'B' Sides.)











Tracklisting

Bone Machine
Break My Body
Monkey Gone to Heaven
Bagboy
I've Been Tired
Hey
Indie Cindy
Gouge Away
Havalina
Velouria
Mr. Grieves
Another Toe in the Ocean
What Goes Boom
Isla de Encanta
Winterlong (Neil Young cover)
Here Comes Your Man
Vamos
Where Is My Mind?






















Friday, 11 October 2013

The Video - Pixies ‘Andro Queen’





Now Andro Queen has lost her ring. I think it used to sit right here, encrusted in blue and hard and true. For now I will kiss her finger.


The busy little Pixies - now with  Muff babe Kim Shattuck on bass - have this week debuted the spanking new video for “Andro Queen,” 

The mellow athmospheric ‘Andro Queen’ was one of the four new songs on the rather fine, recent EP1 - the band's first studio release in about 35 years.

The tiger-tastic, typically oddball and erm, experimental style video was directed by Ondi Timoner.



















Related Posts with Thumbnails