we are transreal ///………….. our identities cross realities
July 14th, 2010

Coming to NYC, then Chiapas and Emily Hicks’ Complexity Fluxus Exhibition

If you’re in NYC this weekend, you can come see Elle and I give two talks at the Next Hackers on Planet Earth conference on Friday night and then at Bluestockings books on Saturday as part of the This is Forever series on Autonomous politics. Then, we’re heading to Chiapas, Mexico to teach part of the Hemispheric Institute for Performance and Politics’ summer class on Art and Resistance.

More details about all of those events are here: Our talk at The Next Hope | Hacktivism Workshop at the HEMI in Chiapas

Also, Emily Hicks recently announced that she’s going to be teaching my book with Barbara Fornssler [powell's] in her fall course at SDSU “Theory from the Street”! I’m so excited to see how it goes, and I’ll also be using it in my Gender and Sexuality in Art class at UCSD. I love Emily, she’s so warm and brilliant. Every time I talk to her or get an email from her is a wonderful experience in itself. She also announced a parallel exhibition called Complexity Fluxus Exhibition which is open for submissions and sounds really interesting. Check it out at Evolver, which has a beautiful quote at the top, which I loved so much I’ll just quote it here:

“Banish the word ’struggle’ from your attitude and your vocabulary. All that we do now must be done in a sacred manner and in celebration. We are the ones we have been waiting for.” — Hopi elders

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July 7th, 2010

Come see Elle and I in Perform! Now!

perform-now

Perform! Now!

Start Time:
Thursday, July 29, 2010 at 7:00pm
End Time:
Sunday, August 1, 2010 at 5:00pm
Location:
Chinatown, Los Angeles

July 29th to August 1st , Chinatown will play host to the second annual Perform! Now! Festival. Upwards of 40 performances will take place inside and outside a variety of venues in Chinatown. Painstaking efforts have been made in the programming to ensure appropriate focus, time, context and space to allow for uninterrupted engagement with large audiences, and provide the best possible arena for each.

Expanding on the premise of the inaugural event, this summer’s festivities will seek to further develop and explore the delicate relationship between Performer, Audience, and Environment. Los Angeles historic Chinatown district harbors many unusual and exciting areas with limitless performance potential, that when paired with the wealth of talent included in this year’s roster should provide for a delightful and energizing festival.

Participating Artists include:

Skip Arnold, Math Bass, Micha Cardenas and Elle Mehrmand, Mariel Carranza, Marcus Civin, Dorit Cypis, Megan Daalder, Alexis Disselkoen, Zackary Drucker, Fundación Wanna Winni, Brian Getnick and Kristian van der Heyden, Liz Glynn and Corey Fogel, Douglas Green, Matt Greene, Micol Hebron, Gustavo Herrera, Marc Horowitz, ing, Vishal Jugdeo/Aram Moshayedi/Matteo Tannat, Joel Kyack, Emily Mast, Yong Soon Min, Lucas Murgida, Warren Neidich, Paul Pescador, Nancy Popp, Andrew Printer, Jules Rochielle, Margie Schnibbe, Sister Mantos, Alex Staiger, Team Zatara, Julie Tolentino, Jason Triefenbach, Samuel Vasquez, Dorian Wood and Joseph Tepperman… Material Press Presents The Oratorium featuring Farrah Karapetian, Jason Underhill, Susan Silton, Ellen Birrell, Ginny Cook, Dee Williams, Dan Hockenson, Daniel Lucas Guimaraes, Kim Schoen, Olivia Booth, and Wendy Mason… Two days of sound performances curated by Volume… plus more acts to come…

Participating Venues Include:

The Box
The Company
Francois Ghebaly Gallery
Dan Graham
The Happy Lion
Human Resources
Charlie James Gallery
Jancar Gallery
Parker Jones
Kunsthalle LA
Sabina Lee Gallery
Pepin Moore
Tom Solomon Gallery
SolwayJones
Via Cafe
WPA
… and more…

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July 5th, 2010

3d laser scans of my body

Thanks Robert Twomey for putting the images together! This scan was done with a DeltaSphere range scanner that uses a laser to scan objects and create 3d models. It could be an avatar of me, Caprica style… I have the weird protective goggles on because of the laser and the mesh of my hair looks crazy!

micha_poisson_11_11_1_1Snap00(3)

micha_poisson_11_11_1_1Snap00(2)

micha_poisson_11_11_1_1Snap01

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by azdelslade | Posted in Uncategorized | No Comments » | Tags: , , ,
June 30th, 2010

Two events in NYC in July! The Next HOPE and Bluestockings

Elle and I will be heading out to NYC in July for two events we’re really excited about! First, on July 16th, Elle and I will be on a panel at the Next HOPE [Hackers on Planet Earth] conference! I’ve always wanted to go to this conference ever since I started the 2600 group in Miami with a friend as a teenager, so I’m really ecstatic to be giving a talk there. It’ll be at 2300 hours in the Lovelace room, how perfect! Here’s what we’ll be talking about:

Crisis Culture and Emergency Aesthetics in the bang.lab

How do we, as thinking people, as hacktivists and artivists, respond to crises, ecological, economic, medical, ethical? Elle Mehrmand and Micha Cárdenas of the bang.lab at UCSD will discuss a number of their projects using cheap, recycled and DIY electronics to create mixed reality performances, alternate reality performances and augmented geographies of safety. Projects to be covered include technésexual, virus.circus and the Transborder Immigrant Tool. These projects utilize biometric sensors, wearable electronics and the GPS chips in inexpensive cell phones.

tnh

Interaction with Sensors, Receivers, Haptics, and Augmented Reality

Pan, Ryan O’Horo, Micha Cardenas / Azdel Slade, Elle Mehrmand, TradeMark G. (Evolution Control Committee)

Electronic sensor technology has been increasing in resolution while decreasing in cost. The ubiquity of GPS receivers has created the ability to obtain location-based information on demand. At the same time, Augmented Reality interfaces are becoming more popular in the consumer market. From the micro-level of delicate touch sensors in haptic interfaces to the macro-level of GPS positioning, these trends make physically interactive computing more and more accessible. This session will provide an overview of motion/light/heat sensors, GPS receivers, haptic interfaces, and other interactive electronics. Along with an explanation of how they work, several projects that utilize these technologies in the consumer, creative, and social realms will be covered. There will be an audience participation section where users will get a chance to explore sensors and electronics themselves.

Friday 2300 Lovelace (90 minutes)

Then, on Saturday, I’ll be doing a talk about my new book with Barbara Fornssler, Trans Desire / Affective Cyborgs [powells] at Bluestockings books. I’ll be discussing a transgender approach to theories of desire, and its relevance for contemporary autonomous politics, looking at DIY/radical queer porn as an example of world building. It should be interesting and its my first time talking about the book publicly, so I hope people come with lots of good questions to discuss. I’ll also be performing some of the poems in the book as well, which are mostly about my transition.

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June 27th, 2010

virus.circus.breath video and photos

virus.circus.breath from azdel slade on Vimeo.

For your protection and the protection of others, you may be asked to wear a mask.

The virus must be contained.

Performed at the Museum of Contemporary Art, San Diego, at the Here, Not There performance night.

Alternate reality performance with latex, wearable electronics, lilypad arduinos, conductive fabric, conductive thread, soft sensors, lilypad Xbee wireless transmitters, ultrasonic rangefinder.

elle mehrmand and micha cárdenas

More at transreal.org and elleelleelle.org

Stills at flickr.com/photos/lotu5/sets/72157623782952247/

Photography by Ash Smith.

Code and technical details here: transreal.org/2010/06/25/virus-circus-source-code-and-technical-info/

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June 25th, 2010

virus.circus source code and technical info

virus.circus is a collaboration between elle mehrmand and micha cárdenas. It is an episodic alternate reality performance involving latex outfits, wearable electronics, lilypad arduinos, conductive fabric, conductive thread, a fabric pressure sensor sensors and an ultrasonic rangefinder to create live audio and to bridge virtual and physical spaces. The performances explore possible queer futures of latex sexuality amidst a speculative world of virus hysteria.

For photos of the electronics see the flickr set.

Recent episodes in the virus.circus series of performances involve using an ultrasonic rangefinder and a pressure sensor sewn to a lilypad arduino. [thanks to Hannah Perner-Wilson for the amazing pressure sensor instructable] The lilypad sends data over Xbee wireless tansmitters to a Puredata patch which creates a live audioscape from our voices, modulated based on the state of the rangefinder and a pressure sensor. This data is sent from Puredata out to a text file which is read by a modified version of the Second Life Viewer 2. This custom client reads the distance from the local file and updates the position in world of two objects which our avatars sit on, with custom animation overriders to replace the sit animations with the animations we have chosen. Since SL viewers can connect to Opensim and OSgrid, this patch should also work fine for moving Opensim avatars with arduino sensors.

Attached to this page you can find the pd patch and the Second Life Viewer 2 patch. I’ll also include them below. The pd patch is based on code from William Brent, Daniel Arias and Tom Erbe who ported Tom’s soundhack plugins to pd. This isn’t the cleanest patch, but it does allow you to control an avatar in Second Life from Pd through a local file, eliminating the overhead of using llHttpRequest which can add seconds of delay. This is a continuation of work I began thinking about with an earlier project, Becoming Dragon. The pd patch requires pd-extended, because it relies on its comport object. It reads data from two different comports, as in our performance one arduino was sewn into elle mehrmand’s latex outfit and attached to a pressure sensor, which transmitted to an arduino connected to a single usb port, and another arduino was sewn into my bra with the ultrasonic rangefinder attached. Images of these electronics are in the flickr set, but we’ll add more detail shots soon.

This video shows the Second Life avatar movement clearly, but I added averaging to make it smoother: http://vimeo.com/12219412

pd-to-sl-llappviewer.cpp.diff

viruscircus-breath.pd

So as not to clog up this blog with code, see the attached patch (diff file) for the Second Life code, or see this wiki page:

http://banglabinexile.pbworks.com/viruscircus-source-code-and-technical-info

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June 19th, 2010

Tonight! virus.circus at the MCASD and in Second Life

virus.circus.mcasd.flyer_002

http://maps.secondlife.com/secondlife/Seventh%20Eye/140/37/278

For your protection and others, you may be asked to put on a surgical mask.

Due to recent viral outbreaks, protective latex barriers must be worn at all times.

Skin to skin contact may result in viral contamination.

Touching, and illness, are prohibited by law.

Failure to comply will result in a minimum of 10 years in a federal penitentiary.

9pm SLT, join us! And at the MCASD in La Jolla IRL.

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June 10th, 2010

Come see us Saturday in San Francisco

I’m in SF this weekend with Elle and the rest of the Electronic Disturbance Theater! We’re presenting at two great venues, so come join us!

First, Saturday June 12th, we’ll be presenting from 11:30-12:30 on a panel at the City Centered symposium on locative media, followed by a one hour “breakout session” where people can get their hands on the Transborder Immigrant Tool. Then, at 4pm, we’ll be at Galeria de la Raza. I know that Galeria de la Raza is one of the most important art spaces in SF, so I’m thrilled to be performing there. More info below…

Electronic Disturbance Theater/b.a.n.g. lab

The Transborder Immigrant Tool

Saturday, June 12, 20104:00 pm

An artist talk/conversation/presentation with Micha Cárdenas, Amy Sara Carroll, Ricardo Dominguez, Elle Mehrmand and Brett Stalbaum. Transborder Immigrant Tool (TBT) repurposes inexpensive used mobile phones that have GPS antennae. The project approximates a code-switch, a queer technology. Its software aspires to guide “the tired, the poor,” the dehydrated—citizens of the world—to water safety sites.

Transborder Immigrant Tool (TBT), a code-switch by Electronic Disturbance Theater and b.a.n.g. lab at CALIT2 at the University of California, San Diego, and the University of Michigan, Ann Arbor, enables cast-away, disposable mobile phones to function as personal safety navigation systems in the Mexican-U.S. borderlands. An artivist gesture, TBT is both powered by software that leads desert-walkers to water caches and by poetry that performatively poses the question, “What constitutes sustenance?” A return to the utopian impulses of hospitality, freedom, justice, –and the aesthetic (”Poetry is not a luxury!”), TBT kinship-diagrams Luis Alberto Urrea’s maxim for the “untimely present”: “In the desert, we are all illegal aliens.”

On Saturday, Electronic Disturbance Theater/b.a.n.g. lab members will premiere “Sustenance: A Play for All Trans[  ]Borders.”” The collectively written script, edited by Amy Sara Carroll and Ricardo Dominguez, is scheduled to be released by Printed Matter Inc. later this month.

Transborder Immigrant Tool is being exhibited at the Museum of Contemporary Art San Diego, La Jolla, CA, and will be part of the 2010 California Biennial at the Orange County Museum of Art, CA, later this year.

For more information on this work and the project as a whole, navigate:
http://bang.calit2.net/xborder

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June 8th, 2010

Trans Desire, my new book is up on amazon!

After a year of working with my publisher, Atropos press, my book Trans Desire is out! It’s in a book with Barbara Fornssler, which is how Atropos likes to publish shorter works. I’m really ecstatic to have this book finally available to people, and to have gotten such generous reviews from Avital Ronell, Sandy Stone and Diane Davis! I’m so grateful to EGS for supporting their alumni by helping to publish their work. Hopefully this will help me be able to publish my own, longer book soon, which I can’t wait to do. So please, check it out on amazon, buy a copy and leave a comment!

Trans Desire / Affective Cyborgs

Reviews for Trans Desire

Micha Cárdenas takes apart the terms and implicit contract binding the project of “Master Thesis.” What is it to master an object of inquiry that resists boundary control or conceptual arrest? How does one pursue a thesis when genre and gender assignments are continually destabilized? Situated between soft rant and manifesto, between autobiographeme and scholarship, between single and double authorship, _Trans Desire_ bravely faces down the quirky habits of our bildopedic culture, reformatting the very conditions of institutional submission.

- Avital Ronell

In this powerful meta-account of transgressive embodiments and desires, Cárdenas enunciates a rousing, theoretically complex and practically explicit politic of resistance which will resonate with scholar and layperson alike.

- Allucquére Rosanne Stone

In Trans Desire, Micha Cárdenas offers a moving and provocative exploration of transgender desire, its limits, and its potential for biopolitical resistance. At an intersection of poetics and theory, Cárdenas embraces a queer ethico-politics devoted to radically challenging not only heteronormativity but the oppressive power of Empire more broadly.

- Diane Davis

Trans Desire explores the ramifications of using desire as the basis for contemporary political movements rooted in a struggle for autonomy, from the perspective of a transgender person about to begin hormone replacement therapy. It examines the affinities between psychoanalytic theories of desire, queer theory and biopolitics, using the work of theorists including Avital Ronell, Giorgio Agamben and Judith Butler. Trans Desire proposes that radical queer porn is an example of world building that effectively resists biopower without turning to former movements’ demands for rights and legislative reforms.

Affective Cyborgs is framed as a necessary departure from Donna Haraway’s cyborg. Appropriated from the complex sexual politics of BDSM culture, the figure of the “switch” is proposed as a new possibility for conceptualizing agency in our encounters with technology. A doubling of the cyborg body, the switch locates the liminal space in which the binary of dominance and submission may be explored as a contextual and meshed embodiment of contingency, materialized via affective decision. This framing suggests new directions for feminist philosophies of technology.

About the authors:

Micha Cárdenas [transreal.org] is an artist/theorist and a Lecturer in the Visual Arts Department and the Critical Gender Studies program at the University of California, San Diego. She received her MA in Communication at the European Graduate School, Saas-Fee, Switzerland and her MFA from UCSD.

Barbara Fornssler is a PhD student at the European Graduate School in Saas-Fee, Switzerland, and a writer whose research interests include the body and technology, multimodal communication, and philosophies of gender. (edited by author)


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June 1st, 2010

virus.circus.touch // Squeaky Wheel in Buffalo, New York // micha cárdenas and elle mehrmand

virus.circus buffalo / micha cárdenas and elle mehrmand from azdel slade on Vimeo.


Due to recent viral outbreaks, protective latex barriers must be worn at all times.

Cover your cough! Be a virus fighter! We want our citizens to be safe, healthy and happy.

Skin to skin contact may result in viral contamination.

Touching, and illness, are prohibited by law.

Failure to comply will result in a minimum of 10 years in a federal penitentiary.

Join us for the next part in this series at the MCASD in La Jolla, CA on June 19th:
http://www.mcasd.org/calendar/445/here-not-there-performance-evening

More info here:
http://transreal.org/2010/05/01/virus-circus-in-buffalo-new-york-and-ctheory-article-posted/

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