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Film
The Break-Up Print E-mail
Friday, 28 July 2006
ImageI've been a massive fan of fast-talking bullshit artist Vince Vaughn since his Swingers days, and I had an embarrassing crush on Rachel in Friends – or on Jennifer Aniston, more likely, since every role she plays is exactly the same. I love both leads, and detested this film, so I can only wonder what those less well-disposed towards them think of this appallingly poorly-judged attempt at romantic comedy – the first I've ever seen without even an attempt at romance.
 
Superman Returns Print E-mail
Friday, 28 July 2006
ImageHow do you make a movie about a superhero whose time is clearly past? Whose catchphrase "truth, justice and the American way" – always an incongruous value set for a space alien – sounds so hokey you can only use the first two parts of it as an ironic wink? Superman Returns struggles with this challenge in much the same way that its brooding, oddly passive hero does. Ultimately, though, the sure hands of The Usual Suspects’ Brian Singer have constructed a film that derives reasonably sophisticated fare from an increasingly corny-seeming comic-book.
 
Host & Guest Print E-mail
Thursday, 27 July 2006

This exceptionally promising but flawed Korean film carefully crafts an ironic, delicate picture of an "odd couple" friendship, develops it, runs it aground on the plot, then finally and unforgivably scuttles the whole enterprise.

 
United 93 Print E-mail
Thursday, 27 July 2006

The pop-corn was still. The choc-top wrappers lay quiet. The audience watching United 93 was silenced absolutely, and so were the questions - the most pressing of which is not  "is it too soon?", but "why again?" Paul Greengrass (Bloody Sunday, The Bourne Supremacy) wipes that query away with one of the most affecting films in recent memory, and replaces it with another. If United 93 was thrashed at the box office by R.V., are the terrorists winning? And are they deserving victors?

 

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