American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.
Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.
Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.
More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton
--This text refers to the
Hardcover
edition.
From Publishers Weekly
Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to the Hardcover edition.From Library Journal
Shadow Moon, recently released from prison and dealing with his wife's death, accepts a job offer from the mysterious Mr. Wednesday. Together they travel across America gathering up Mr. Wednesday's creepy friends. Soon Shadow discovers this road trip involves the upcoming epic battle between the old gods of the immigrants and today's new gods credit cards, TV, and the Internet. He also experiences repeat visits from the reanimated corpse of his dead wife, Laura. Shadow's personal tale and the details of American small-town life are well developed compared with the not-well-defined plot. The focus shifts from the gods' Armageddon to Shadow's life, to subplots about secondary characters. The book has wit but is too busy and not very engaging and includes some graphic language, sex, and disturbing events. George Guidall's clear, well-articulated narration contributes to a positive listening experience. Fans will no doubt enjoy the subject matter and the mythic scope. Denise A. Garofalo, Mid-Hudson Lib. Syst., Poughkeepsie, NY
Copyright 2002 Cahners Business Information, Inc.
--This text refers to the Audio Cassette edition.From AudioFile
Mere days before he is to be released from prison, a man named Shadow learns that his wife has been killed in a car wreck. On the plane ride home, he meets a gruff old man named Wednesday, who may be an avatar of the Norse god Odin. Read dynamically and emotionally by George Guidall--who gives more personalities and ethnicities than one would think possible--the story unfolds with Shadow working as Wednesday's bodyguard in this darkly fantastic travelogue across an American landscape filled with ghosts and ancient gods. The old pantheons seem to be at war with the new gods of technology, media, and fast food. With its roadside vision of American culture and countryside, AMERICAN GODS is right there with TRAVELS WITH CHARLEY and LOLITA. Brilliant dialogue and profound insights into American consciousness show Gaiman to be a visionary and a master wordsmith. Perfect for a long road trip. S.E.S. Winner of AudioFile Earphones Award. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.
From Booklist
Shadow, a strong, silent, Steven Seagal type, has kept his head down while doing time for creaming the guys who ran off with his share of a heist. He is about to be released, ticket home in hand, thanks to his lovely wife; then his departure is pushed up a few days--unhappily, so that he can attend her funeral. Weather forces his flight down in St. Louis, and he winds up on a short hop seated next to a mysterious Mr. Wednesday, who informs him that his once and, he had hoped, future boss is also dead. Would he like to work for Wednesday, instead? The guy is too creepy by half but, as it happens, hard to refuse. And after Shadow meets some of Wednesday's equally creepy friends, becomes an accomplice to a clever bank robbery, and gets coldcocked and kidnapped by black-clad heavies, he acquires a certain job loyalty, if only to find out what he has signed on for--an upcoming battle between the old gods of America's many immigrants' original cultures and the new gods of global, homogenizing consumerism. The old gods are trying to live peaceably enough in retirement, which is the predicament Wednesday (i.e., Wotan, or Odin) must overcome to rally them. After two sterling fantasies, the dark Neverwhere (1997) and the lighter, utterly charming Stardust (1999), Gaiman comes a cropper in a tale that is just too busy and, oddly for him, unengaging. His large fandom may make it a success, but many of them, even, will find it a chore to get through. Ray Olson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Michael Dirda, The Washington Post
"Mystery, satire, sex, horror, poetic prose -- AMERICAN GODS uses all these to keep the reader turning the pages."
Salon.com
" A crackerjack suspense yarn . . . juicily original . . . Wagnerian noir."
St. Louis Post-Dispatch
". . . By turns thoughtful, hilarious, disturbing, uplifting, horrifying and enjoyable -- and sometimes all at once."
Minneapolis Star Tribune
"Saying Neil Gaiman is a writer is like saying Da Vinci dabbled in the arts."
Peter Straub
Here we have . . . a real emotional richness and grandeur that emerge from masterful storytelling.
George R. R. Martin, New York Times Bestselling author of A Game of Thrones
Original, engrossing, and endlessly inventive; a picaresque journey across America where the travellers are even stranger than the roadside attractions.
New York Post
"Neil Gaiman enters Stephen King territory . . . with American Gods."
Science Fiction Weekly
"Nothing short of an odyssey . . . Gaiman shows readers that wisdom can be found in all kinds of tales."
Teller, of Penn & Teller
American Gods is sexy, thrilling, dark, funny and poetic."
George R. R. Martin
"Original, engrossing, and endlessly inventive; a picaresque journey across America where the travelers are even stranger than the roadside attractions."
Book Description
Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident.
Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible.
He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...
Download Description
"Special Feature: This PerfectBound e-book contains ""On the Road to American Gods: Selected Passages from Neil Gaiman's Online Journal"". The storm was coming..Shadow spent three years in prison, keeping his head down, doing his time. All he wanted was to get back to the loving arms of his wife and to stay out of trouble for the rest of his life. But days before his scheduled release, he learns that his wife has been killed in an accident, and his world becomes a colder place. On the plane ride home to the funeral, Shadow meets a grizzled man who calls himself Mr. Wednesday. A self-styled grifter and rogue, Wednesday offers Shadow a job. And Shadow, a man with nothing to lose accepts. But working for the enigmatic Wednesday is not without its price, and Shadow soon learns that his role in Wednesday's schemes will be far more dangerous than he ever could have imagined. Entangled in a world of secrets, he embarks on a wild road trip and encounters, among others, the murderous Czernobog, the impish Mr. Nancy, and the beautiful Easter-all of whom seem to know more about Shadow than he himself does. Shadow will learn that the past does not die, that everyone, including his late wife, had secrets, and that the stakes are higher than anyone could have imagined. All around them a storm of epic proportions threatens to break. Soon Shadow and Wednesday will be swept up into a conflict as old as humanity itself. For beneath the placid surface of everyday life a war is being fought-and the prize is the very soul of America. As unsettling as it is exhilarating, American Gods is a dark and kaleidoscopic journey deep into myth and across an America at once eerily familiar and utterly alien. Magnificently told, this work of literary magic will haunt the reader far beyond the final page. "
From the Publisher
American Gods by Neil Gaiman has won the 2001 Bram Stoker Award for Best Novel at the Horror Writers Association Annual Meeting held that was held June 7-9 in New York City.
About the Author
Neil Gaiman wrote the award-winning graphic novel series The Sandman, and with Terry Pratchett, the award-winning novel Good Omens. His first book for children, The Day I Swapped My Dad for Two Goldfish, illustrated by Dave McKean, hasn't yet won any awards, but was one of Newsweek's Best Children's Books of 1997. Angels & Visitations, a small press story collection, was nominated for a World Fantasy Award and won the International Horror Critics Guild Award for Best Collection, despite not having any horror in it. Well, hardly any.
Born in England, he now makes his home in America, in a big dark house of uncertain location where he grows exotic pumpkins and accumulates computers and cats. He is currently at work turning his first novel Neverwhere into a film for Jim Henson films.
